* 1. You mentioned Lavax in this thread. I commented on your use of Lavax in this thread along with your use of "racial BS." See post #22 when I stated: “As for preferring to be in Lavax, Prince also wanted to March, wanted to quote MLK and be Emancipated, wanted us to Be Moved when black babies made the grade and still didn't get the job, wanted us to understand the racism of Abraham Lincoln, and many more issues about which wrote that were directly related to the specific plight of African Americans.” I only asked that you provide threads about you discussing Lavax in a non-racial manner when you refuted the notion of you focusing more on “race” than “sexuality.” As such, my initial comment was that, while Prince did write songs like "Lavax," he also wrote songs that addressed issues specific to the African-American community. Therefore, articles pertaining to the issue of Prince and race cannot just be summarily dismissed as “racial BS” just because you want to act like Prince was not interested in issues specific to the African-American community. It would seem that the more appropriate response to the article is that “the author, in his desperate attempt to find black gay representation, is reaching at straws by identifying Christopher Tracey as the gayest black character of the 80s because the character is clearly heterosexual.” Since no one is disputing Christopher's "blackness," then what seems to be at dispute is his "gayness." So, if what's being disputed is his "gayness," then it would seem that the most effective response to the article is "sexuality BS" rather than "racial BS." * 2. There are lots of thriving people of African descent in France who identify as Afro-French. The estimate is anywhere from 1.3 to 1.6 million Afro-French, with many in high local and national positions. As such, a film in France starring two African-Americans could well highlight the African diaspora to show people of African descent in every aspect of French life. There are plenty Afro-French Mary Sharons so the issue of the film being set in France is moot. Additionally, other than Prince and Jerome, there are no other significant black characters in Under the Cherry Moon, depending on how one counts the black woman used to scare Christopher into honesty. Yet, one could argue that she is "significant" since my issue is that the use of her sends a negative message about black beauty, which was my "original" point that you keep trying to deny was my original point. * 3. Keep reaching at straws player. If a Mexican woman is presented as the symbol of beauty and another Mexican woman is the symbol of fear or ugliness, then that's not demonizing one cultural notion of beauty to uplift another. My original point was that to use a black woman as an object of fear when two African-American men had just spent an hour and a half chasing a white woman as the symbol of beauty articulates a negative message about black beauty. Had the object of fear been a white woman, then that would not have preferenced one cultural notion of beauty over another. But, as long as the film shows one race as an image of beauty and another race as the juxtaposing image of negativity, then that sends a negative message about the latter race. The issue is not who the love interest is; the issue is that a black image is presented/juxtaposed in a negative manner to uplift a white beauty. Other than that, I don't have a problem with the film, but I'm not going to ignore something that perpetuates a negative stereotype of black beauty. * 4. Still doesn't change the fact that you wrote "racial BS" and not "sexuality BS." This is not about another tread. You said "racial BS" in this thread, and I commented on your use of "racial BS" in this thread rather than “sexuality BS.” Don't be mad at me because your slip is showing.
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not my fight, 1725topp is bring this. I've been discussing the topic in multiple posts
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* I simply raised a question why OldFriends4Sale used the term "racial BS" and not "sexuality BS," and he lost his mind. I didn't know we weren't allowed to ask people to clarify their statements on a message board.
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Is there more to the article? | |
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[Edited 6/29/16 7:47am] "That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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suomynona said: Someone forgot about Lamar. YES! I came on here to mention him. Thank you. Man, the 80s just didn't care who they offended with stereotypes. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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his movie kisses were always odd - too much lip, he didn't really get in there, betting that was just for the movies though... it's what he did to the pannies in this scene that counts | |
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NinaB said:[quote] OldFriends4Sale said:
thing is the author never really said anything about Christopher Tracy, the article doesn't make sense and probably just using Prince death at this time to get attention.
the MJ thread will be back just too many requests of moderation to deal with at once.
And white's educated to non have probably taken homophobia to the world. not Blacks or Polynesians or Hawaiians or New Guineans or Ugandians
SNIP -your request 4 moderation is received "We just let people talk & say whatever they want 2 say. 9 times out of 10, trust me, what's out there now, I wouldn't give nary one of these folks the time of day. That's why I don't say anything back, because there's so much that's wrong" - P, Dec '15 | |
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The Tashmoo Lecture Series presents Stephen Winter7PM, THURSDAY, APRIL 10, 2014LIEBLING ROOM 120, HAMPSHIRE COLLEGE
Stephen Winter’s feature film debut as writer/director Chocolate Babies (1997( premiered at the 47th Annual Berlin Film Festival. He has worked with Lee Daniels on films such as The Butler (2913(, Precious (2009), The Paperboy (2012), and Shadowboxer (2005). He was lead producer of Jonathan Caouette’s landmark documentary Tarnation (2004) which screened at Sundance, Cannes, and was featured on the AFI DOCS Top 50 Documentaries to Watch Before You Die list. Winter was lead story editor forHow to Survive A Plague (23012), co-writer of New York, I Love You (2009), and an actor in the horror thrilled Kiss of the Damned (2013). His most recent directorial projects include a short film with M. Lama, Speculum Orum, and a short documentary called Death is Lame (2011). He received an M.F.A. from New York University and a B.F.A. from School of the Art Institute of Chicago.
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Ok, I might be totally wrong here, but it seems to me that some people are mistaking Prince's "burlesque" style for gay. And before any of you jumps on your keyboards, may I just add that "burlesque" isn't originally about female cabaret strippers or travesties, although it became one of the many forms that burlesque took as it evolved throughout the 20th century.
Wikipedia [Edited 6/29/16 7:05am] Life Matters | |
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Camp and gay are different things. I've known " straight" guys as camp as they come and gay guys as buff and alpha male as can be... Educate yourself😴 | |
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