If people want to "finish" the songs it could be released like the MJ Xscape album, give us the songs as they already were as well. | |
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I don't want "Prince according to W&L", although that could be interesting. Their perspective is important, but it's not the only perspective I'm interested in. The wooh is on the one! | |
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I agree. Man, will we finally get to hear Wednesday? | |
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I think they all should. Wendy, Lisa, Shiela E, Jimmy Jam and members of all his bands. They know his work and how Prince would have arranged his music "I don't make the rules. I just play" | |
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How would K. Smith really know anythihg about that? | |
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I think I should do it ... Tyka call me!!!! | |
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I don't want anybody doing any overdubs on his songs in the vault, just release them as Prince made them, as they already are. Prince was against the overdubs Paul, George and Ringo did to John Lennon's "Free As a Bird" and "Real Love". In fact Prince said in my Guitar World October 1998 magazine -
[Edited 4/25/16 15:08pm] Goodnight, sweet Prince. | |
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Farfunknugin said:
How would K. Smith really know anythihg about that? It was a Paisley employee who told him that while he was there - he mentioned a name, I can't be bothered looking. Peoples minds are going to be completely blown at the scale of it. Question - Do you think anyone else actually knows the combination to get into the Vault? Lord, I hope he left some instructions how it should be handled! | |
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One of Prince's former studio engineers theorized that he probably digitized most of the tapes and footage over the years for easier accessibility. All this stuff could be on hard drives and there is no physical vault. | |
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. I don't remember who it was that said all of it is digitized and stored on a secure server somewhere. It was a guest on one of the numerous news programs the past few days. So who really knows. "Hey, I got the butta 4 ya muffin, honey.. I'm just 2 old 2 hold the knife!" | |
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I forgot his name, but he had grey hair, a mustache, and was wearing glasses. I think he worked with Prince in the late 80s and early 90s. Maybe there was talk of digitizing when he was there and he just assumed they followed through. | |
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Totally. At least there is a lot from Prince to actually look foward to still that we haven't seen or heard. Goodnight, sweet Prince. | |
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D'Arby has said that they recorded nearly an entire Album/CD, but Warner Bros and Sony could not agree to release it. | |
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Whoever does it, it would be a mammoth task. Someone would have to go through old contracts to see if WB still own any of the music. They may have handed over his official albums, but maybe not the stuff he recorded that wasnt released when he was with them. The protege stuff also might have big question marks over it. Also, all the artists involved in the songs. Are they credited? What royalties need paying out? This is a legal quagmire. We may not hear anything for years to come! Unless Prince documented who played on what songs and who contributed to writing the songs, we may well never hear a lot of it at all. I so hope that Prince had everything in order, it would be such a shame for this wealth of material to be locked up indefinately whilst legal disputes and infighting spiral out of control. | |
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I've read quotes by more than one person over the last 10 years that people wanted Prince to transfer the old decaying tapes to digital, but he wouldn't do it. So a lot of older incredible music could be lost forever on gummy, ruined audio tape. | |
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Thanks for posting this
People on here talking about "finishing" the songs . . once again I'm going to ask. What leads you to believe a majority of these are in unfinished condition. Perhaps the last ones he was working on . . maybe but for someone he seemed to of lived in a studio and maintianing an extensive vault of music why would you assume he would take something out of the studio and bring it to be cataloged in a vault without finishing the song. That doesn't make sense if you intend to move on to hundreds of more songs | |
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Unlikely, The Beatles tapes are all in pristine condition | |
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It's really unlikely that such a termanology would be placed in the contract for the rights of the music to extend beyond the term of the contract. Less likely Prince would accept such a deal, as that type of language is only somewhat ommon in publishing deals
The most troubling issue you bring up would be a lack of notes as to who recorded what - unless they're responsible for a part of the lyrics or music composition their playing could and probably would be written off as work for hire - session players are paid a fee but not a royalty. If he had prestanding agreements with those bands those contracts would probably be honored
The nature of the sessions . . seeing as he was practically living at this studio might be a situation where many of the songs were recording by himself during late nights with no one or few people around. Obviously not all of them but there's a good chance people weren't always around when inspiration strikes | |
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The only person i'd trust with curating the vault is Questlove (maybe with support from Alan Leeds).He's an authority with incredible detailed knowledge, a true fan and huge respect for the man.Best of all, he has no potential conflict of interest in this contrary to ex members, ex lovers, relatives etc. [Edited 4/27/16 3:39am] | |
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Prince's catalogue of released and unreleased material may prove to be as valuable or even more so than the Beatle's or MJ's. Vultures will be circling for many years to come... | |
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naw, he wasn't there. And he might hip hop it out | |
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HELL NO | |
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Nonsense, the dude has too much respect for Prince to do something silly like that. [Edited 4/27/16 6:00am] | |
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That's exactly WHY he would be more qualified than ex members, relatives etc.He's not biased.As for "hip hop it out"..?! Have you ever read his lengthy comments or interviews about Prince AT ALL ?? And Alan as support - he has been there. [Edited 4/27/16 6:02am] | |
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Box sets and compilation albums are not made by former band members. The only example of that which I can think of, is the 1975 version of Bob Dylan & The Band's The Basement Tapes, which was compiled by Robbie Robertson, who added a lot of overdubs. A few years ago, the original versions were released. Without involvement from Dylan or the surviving Band members. All of Dylan's Bootleg Series are compiled, restored and produced by music archivists, not by Dylan himself or his band members. Being a musician and being an engineer are two different things. I think people like Wendy, Lisa, Levi etc could be involved providing background information, but not in producing the actual music and making it ready for release. It should be released the way it is, if possible in chronological order. The Vault vol. 1: 1978-79. Vol. 2: 1980-81. Etc etc... | |
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Good points! The wooh is on the one! | |
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I am a sound engineer and usually with analogue tape over the age of 20/25 years its worth "baking" before use, its literally what you imagine. You put the tape in a specially designed oven and cook it! This stops the tape from shredding on the tape machine when played back. In my experience we paid a specialist to bake the tape and then we made a digital copy, as long as the tapes havent been in a humid atmosphere or been subject to high or low temperatures whilst in storage it should all be fine. | |
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...or Larry Graham. I don't argue with people about my opinions. Scram. I said what I said. | |
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still no, I like him though
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lol U do know he is friends with Lisa & Wendy and LOVES the Revolution & the Family right?
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