About the 'not looking back': At his live concerts he is (on average) playing 85+% songs that are 25 years or older. Maybe even 90+%. He is living in the past yet denies it. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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Bart, Dylan pretty much claims to be completely uninterested in looking back, too. He just has a record company that controls the masters and wants to protect them from going public domain in Europe. That's the only reason we're seeing these huge (and limited) releases). Every December we get huge amounts of tracks dumped in order extend copyright on previously unreleased material--this year, they did part of it as a "Bootleg Series" Collectors Edition and the rest as an exclusive bonus download to that. But Prince has no pressure to do that sort of clearing the decks--his oldest stuff is still well short of the 50 year mark. So while it's not impossible, it isn't at all sensible. Certainly, he could (and should, in my opinion) be marketing the vault in a select but aggressive manner--but we have no reason to hope for anything like this "set." | |
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The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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udo said: About the 'not looking back': At his live concerts he is (on average) playing 85+% songs that are 25 years or older. Maybe even 90+%. He is living in the past yet denies it. Actually, I think its more than simply denying it. He blames us. I've read interviews where he says that he plays "the hits" because "that's what the audience expects". I think fear prevents him playing mostly new material. It has to be an exceptional reason for him to play all new material. With the Ultimate Live Experience, it was his crusade to get the Gold Experience and Exodus released (and there were alot of audience members unhappy at the time at the lack of hits). With One Nite Alone, I think it was the Religious Zeal of The Rainbow Children. With the Celebration concerts at PP he knew he was playing for hardcore fans and that that was what they wanted. He's been hinting at doing gigs there again to counter Ticketmaster. I think it would be a good opportunity to play mostly newer stuff. You've got to be a big fan to make the effort to get out there, right? "Had to get off the boat so I could walk on water..." | |
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Actually, I think its more than simply denying it. He blames us. I've read interviews where he says that he plays "the hits" because "that's what the audience expects". . He did not ask me. He did not read my posts here. He just ASSumes. He is just lazy and does not do the effort. . You've got to be a big fan to make the effort to get out there, right? . Perhaps after the revolution. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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Too bad he doesnt want to be reminded of how awesome he used to be... Make it so, Number One... | |
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This is it though, there's our definition of looking back and there's his. He's happy to play old songs live (sure he still plays the hits at a lot of small club shows) and he's happy to revisit old songs on new releases. What he isn't happy to do is release old versions of songs with old bands. | |
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. So: - he is unwilling to share royalties? - he is unwilling to deal with the people involved? - he is unwilling to handle the financial paperwork via a third person? (even if hired by him) If he is that uncomfortable with reality he is truly a waste of time. He is wasting his chances to please the fans, earn money, earn money for others, beat the b00ts, etc. He is unwilling to confront these things. Is that his weakness? Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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doesnt he realize SOMEONE will release this stuff and make tons AFTER he's dead? | |
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I'd say he's well aware alright, but while he's alive he's got control.
[Edited 12/22/15 1:44am] | |
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. We have the change-the-lyrics-whenever-we-feel-uneasy-or-want-to-be-politically-correct issue. Aside from that one: why not realease perfectly good songs? Especially when he's playing them live? (in largely unaltered renderings) .
. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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. They coudl do the same as Pink Floyd and release it on a limited edition vinyl. Instead they do a major release. Also, Dylan's been doing box sets since 1985, and Biograph is considered a milestone. .
. I don't care about the motive, the fact is that there's a massive box set of Dylan recordings out now, and those that bought it got another massive release for free. Meanwhile famz claim that there's no market for similar releases WRT Prince. . Next year there'll be a 2CD release of a Julia Fordham album where the biggest hit reached #27 in the British charts. So for some reason Cherry Red Records has licensed that album from the original record company and paid to dig up B-sides and remixes etc., they'll sell this for a fairly low price and yet this must be economically viable for them. But remastered & expanded Prince albums wouldn't be? .
. Because he'd inevitably fuck it up. © Bart Van Hemelen
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