HEAVEN
Heaven is an unreleased song recorded on 26 May, 1985 at Sunset Sound, Hollywood, CA, USA -PrinceVault
Heaven will be here on Earth We will find Heaven Heaven All in time... . * 2 lines sung along with a deeper voice hard 2 understand . We can dream of color if we look in2 the sun There is only 1 Heaven All in time... . . Anybody wanna go 2 Heaven . . When I go When U go When will I know You'll know When U go You gotta be a soul
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This was peak Prince and its really pissing me off there are still songs from this period I never heard. | |
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MOVIE STAR Initial tracking took place on 27 March, 1986 at Prince's Galpin Blvd Home Studio, Chanhassen, MN, ... Although this track was not included on a late April, 1986 configuration of the Dream Factory album, it was included as the seventeenth track (fifteenth song) on the 3 June, 1986 configuration (segueing directly into A Place In Heaven, which includes the final line of dialogue from Movie Star in its opening bars) and as the seventeenth track (sixteenth song) on the 18 July, 1986 configuration (with a complete ending).
1 2 3 Let's see, body oil, check
Movie star (4:26) | |||||||
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Love And Sex is an unreleased track recorded on 25 March, 1986 at Sunset Sound, Hollywood, CA, USA (two days after Boy's Club). The song was intended for Sheila E.'s third album Sheila E., but was not included on the final release. Prince had previously used the title for an otherwise-unrelated 1984 recording; see Love And Sex for details of that track. During Prince: A Celebration in June, 2000, computer screens at Paisley Park Studios offered names of a selection of tracks which users could vote on for inclusion on Crystal Ball Volume II, and while Love And Sex was chosen by fans, the project was ultimately abandoned. It is unlikely that the Sheila E. recording listed here was the one selected for Crystal Ball Volume II, since it was sung by Sheila E., so it is assumed that the 1984 recording was the one mentioned. -PrinceVault
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I love Movie Star, espeically that line They said - "Ooh, it's good to see ya" | |
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DATA BANK
Initial tracking took place on 17 June, 1986 at the Crosstown Circle Warehouse, Eden Prairie, MN, ..
The track was re-recorded with Morris Day on lead vocals in Summer, 1989, at Paisley Park Studios, Chanhassen, MN, USA, when Prince and Morris Day worked on the projected fourth album by The Time, Corporate World, which later morphed into Pandemonium. -PrinceVault Unreleased version
So, look here mama, umm | |
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Thanks oldfriendsforsale forvthiscthread! | |
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I agree always my fav threads. | |
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Under the Cherry Moon film score
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Prince (credited as Rocker Happyfeller for keyboards and Freddie "The Phantom" for guitar)
ETERNITY
Seems like eternity since I've been in your arms Eternity - I want 2 be I long 2 touch your... warm, I long 2 touch Eternity - I want 2 be And it seems like a year away
While specific recording dates are not known, initial tracking took place in December, 1985, at Sunset Sound, Hollywood, CA, USA. Prince first offered the track to George Clinton for a project he was producing for Vanessa Williams, but the song was not used. Sheena Easton's vocals were recorded later, although details of her recording are not known. PrinceVault | |
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I want 2 be an honest man With U I know I can stand, stand
While the released version was a truncated, a capella version, in 1986 a full-length instrumental version was included in the Under The Cherry Moon movie. Initial tracking took place on 30 November, 1985 (on the same day as Mountains) at the Crosstown Circle Warehouse, Eden Prairie, MN, USA. It is thought that the a capella version was created around the same time, and it may have been intended as a brief opening track for the Parade album, in the same vein as For You on the For You album. The Crystal Ball liner notes state that the song is "inspired by Kristin Scott Thomas' character Mary Sharon in Under The Cherry Moon." -PrinceVault Unreleased version
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Could I suggest "What's the biggest flick you've ever been in?" "I like to watch." | |||||||
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With regard to "Go", if I could make some suggestions to fill in some of the blanks:
"Leave me alone with this lonely heart / We've blown the art of romance"
"If I disgust U baby / Keep it 2 urself / Right now, baby, my heart's breaking so bad / All I can see is hell" "I like to watch." | |
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definately I'm just going by ear in the moment can U fit those into what I posted? | |
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"I like to watch." | |||||||
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"I like to watch." | |||||||
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^^Looks/Reads pretty good sulls | |
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* This song always had a tribal celebratory feel to the music, it also reminds me of Roadhous Garden. These actually sound very good together
Teacher, Teacher is an unreleased song first recorded in Summer, 1982 at Prince's Kiowa Trail Home Studio, Chanhassen, MN, USA (along with several other tracks that would re-appear over the next several years). In early 1986, Wendy Melvoin and Lisa Coleman worked on the track further, at either Prince's Galpin Blvd Home Studio, Chanhassen, MN, USA, or the Crosstown Circle Warehouse, Eden Prairie, MN, USA, adding vocals and sitar. It was included as the eighth track on the late April, 1986, configuration of the Prince and the Revolution album Dream Factory. It was included as the seventh track on the first disc of the 3 June, 1986 configuration, but was not included on the 18 July, 1986 configuration.
Teacher, teacher | |
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OTHERS HERE WITH US
When I'm alone, my mind takes a drive All the things I've seen
Others Here With Us is an unreleased track recorded on 20 April, 1985 at Sunset Sound, Hollywood, CA, USA (three days after Wendy's Parade, New Position, I Wonder U and Under The Cherry Moon, on the same day as Old Friends 4 Sale and Tibet, and the day before Life Can Be So Nice and Sometimes It Snows In April). It was included as the fifth track on a 1 May, 1985 configuration of Parade, but was removed before the album's release. -PrinceVault
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I love this song, but i think it fitted better in SOTT, do not find it anyway to fit in Parade | |
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Put this playlist together. It works. I think this was one of the early configurations of Parade (correct me if I'm wrong fans)
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Memories my first ever boot ,it was on cassette loved it. | |
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This song sound great following Life Can Be So Nice
Initial tracking for the original version were recorded on 4 May, 1986 at Sunset Sound, Hollywood, CA, USA, and was recorded with members of the Revolution and Sheila E.'s band. Eric Leeds confirmed in an interview with The Last Miles that the full title of the track was originally Life Is Like Looking For A Penny In A Large Room With No Light. The track was initially included as the tenth track on the first disc of the 3 June, 1986 configuration of the Dream Factory album
Unreleased version
-PrinceVault In A Large Room With No Light (a.k.a. Life Is Like Looking For A Penny In A Large Room With No Light) Lana drew a picture in school 2day
TLM: Which are the most memorable tunes that you recorded with Prince and were released? EL: ... There's a song which I don't know has ever been released. It was a song of Wendy and Lisa's and it's known by various titles [including] "Welcome To The Rat Race," but was actually called "Life Is Like Looking For A Penny In A Large Room With No Light," It was Sheila, Wendy, Lisa, Prince, myself and a couple of horns and that was one my favourite songs... | |
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ERIC LEEDS: Those were the circumstances that were more intriguing to me, because it was matter of us trying to get into each other's heads. He had that relationship with other people, Sheila E particularly and of course Wendy and Lisa. From a conceptual basis, Wendy and Lisa were the two musicians in any of his bands who were able to tap into him on some subliminal level - they really did have a musical relationship that was closer than with anyone that he worked with. My relationship was a little bit more from a player's standpoint. Because of the tremendous drummer and percussionist that Sheila is, [it meant] that relationship was very important. Some of the more interesting and more enjoyable music from my point of view was when Sheila, Prince, Wendy and Lisa and I would just go into the studio and just jam. I've got quite a few tapes of sessions like that. Purely ad lib, instrumental sessions, where we'd go in and just make a lot of music. None of it was going to get released; it was for our own enjoyment. Wendy and Lisa don't really come from a jazz background [but] they shared in the ability to be very spontaneous. Our ability to go in and spontaneously play some music and at the end of an hour come out with some music that at least we could say has some kind of musical validity and continuity. It may not have the harmonic sophistication of a straight-up jazz band, but the ethic was very similar. When Prince wanted to be spontaneous, he could be very spontaneous! | |
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Such a shame A Large Room with No Lights hasn't leaked yet in good quality, such a great song. | |
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I think some of these lyrics aren't quite right.
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No, it's definitely "What's the biggest lake you've ever been in?". It is said in reply to him asking how much she had to drink. Obviously, quite a lot!
Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |||||||
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"Danny dropped..." is correct. You're right on the second part though...it is "a sophisticated mass-produced cacophony". Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
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Just listened 2 that line again and again and again
A sophisticated man reduced 2 company in no-win situations | |
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Fantastic thread. Can't wait to spend more time and read this more thoroughly. | |
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