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"The Future" — amongst his most important lyrics?
Clare Fischer phrases are incredible, but it could be strings lines composed for something entirely different, I don't know. It's a fact that Clare and Prince shared a lot of multi-tracks recordings, and Skipper just picked here and there during the years.
[Edited 8/7/15 10:39am] The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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We need more threads like that . I don't read the xtc sentence as a reference to the Blue Tuesday incident at all, more a general constatation/siocial comment. The "Yellow Smiley" was the symbol of house music/acid house, a genre closely associated with the explosion of ecstasy as an entertaining drug at the time (clubbers would take it every week-end, therefore "drinking it like 7-up"). It's interesting however that the song would be on an album with Batdance, Prince's own take on house music. . However I'd never paid attention to the fact that the Hollywood line was a critic of Hollywood on the OST of that year's biggest Hollywood blockbuster, thanks for pointing it out . The strings are sampled from Crystal Ball, at the time unreleased, you'll recognize them if u pay attention. . It's a great track anyway, and a wonderful album opener A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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A truly underrated track. |
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Odd how he puts in those kind of lyrics in a movie about a man bat. All you others say Hell Yea!! | |
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The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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It is? Brett Fischer pointed out in an interview that the strings were arranged for a different song, and stressed that the song it was arranged for was even in a different key to The Future. Didn't know it was Crystal ball. Anyway - I think it's an example of Prince's great ability to hear were everything fits. The strings works wonderfully on this track as well. I think Prince deserves co-credit for the arrangements attributed to Fischer. He rarely used what was given to him by Fischer without changing it. The wooh is on the one! | |
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In the Batman film, the stuff Joker was poisoning people with was called Smilex. It is interesting that Prince weaves his own life in with the movie in the song The Future: "Yellow Smiley offers me X(short for Ecstasy), like he's drinking Seven Up....I would rather drink six razorblades...razorblades from a paper cup."
So I guess Prince is saying that he never did take the Ecstasy that he was rumored to have taken. | |
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I think the Blue Tuesday story was totally unknown at the time, the first time I heard of it was years later thanks to Per Nilsen/Uptown's research (unsure if it was already told in the Uptown article on TBA in 94 or if it only surfaced in DMSR in 99) and I think it was they who revealed it (somebody correct me if I'm wrong). It's extremely unlikely that this line has anything to do with P's own story, just a social comment as I explained above. But thx for pointing out the parallel between the Joker's drug and the song, it makes even more sense particularly since Yellow Smiley, at the same time as being house music's symbol, could also be read as a mataphor for the Joket himself (the man who smiles). A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I think the Blue Tuesday story was totally unknown at the time, the first time I heard of it was years later thanks to Per Nilsen/Uptown's research (unsure if it was already told in the Uptown article on TBA in 94 or if it only surfaced in DMSR in 99) and I think it was they who revealed it (somebody correct me if I'm wrong). It's extremely unlikely that this line has anything to do with P's own story, just a social comment as I explained above. But thx for pointing out the parallel between the Joker's drug and the song, it makes even more sense particularly since Yellow Smiley, at the same time as being house music's symbol, could also be read as a mataphor for the Joket himself (the man who smiles). A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Stop the Prince Apologists ™ | |
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Link to the mentioned William Orbit song please. | |
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Stop the Prince Apologists ™ | |
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Stop the Prince Apologists ™ | |
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What I want to know is how created that guitar sound you hear at about 2:08. So creative. I got two sides... and they're both friends. | |
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It's a bit similar to what he did on Hello for example, and I always suspected in those cases the guitar is sped-up in a way similar to Camille's voice. Sheila used that trick on Save The People, too (IDK who plays the guitar on it but apparently not Prince). A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Pentacle said:
Some people really complain about everything... | |
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The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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Oh and I checked Per Nilsens article on the Black Album in Uptown #17 (spring 1995) and there is no mention of XTC there. | |
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Ah cool thanks for clarifying that. It's a common misconception that Blue Tuesday was known to the public from 1988 on, some orgers in past threads even believed it was a PR stunt as part of a TBA conspiracy/hoax, but it seems it was indeed unrevealed before 1999 and DMSR. Therefore, even if Prince had his 1987 experience with x in mind when he wrote The Future, he couldn't possibly expect anyone to get the hint A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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[Edited 8/10/15 10:30am] Stop the Prince Apologists ™ | |
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[Edited 8/10/15 15:00pm] The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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I've never been much for parties (and certainly not raves), but I assumed it was a paper cup to go with the idea of people distributing things in a crowded out-of-control party atmosphere. This isn't a dinner party with refined passing of glasses--you drink those razorblades right down and toss the cup, cuz you just don't care anymore. | |
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But as I pointed out in another thread, "trippy picture SHOE" is the worse example of Prince mispronouncing something on the Batman album. | |
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the razor blade is a cocktail. he'd rather drink a 6 servings of alcohol than do x.
images of the past. so a cocktail (old) versus synthetic drug (new) and pretty phony who flashing a loaded pistol (new) versus playing cops n robbers (old/
and true love lives on lollipops and crisps | |
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I've always been curious what the standpoint of this song is, whether it's hopeful at all or completely despairing.
"I've seen the future, and it will be"--is that the complete thought, or is it left intentionally incomplete? If it's complete, does that just mean there will be a future? Things aren't gonna just stop? And then we get "I've seen the future and it works"--okay. Famous quote concerning the early Soviet system by then supporter reporter Lincoln Steffens. What the heck? I mean, if you're going to say it, you almost have to know where it came from, so what does Prince mean by it? "If there's life after we will see"--so is he uncertain? So that's not what he meant earlier with "I've seen the future and it will be," because it sounds like the sort of thing he might say to mean there is an afterlife, but now there's a big "if." But "if" there is, things'll be okay? "So I can't go/so U don't go/Don't go like a jerk"--is this "jerk" a reference to being an unpleasant, unlikable person, or a stupid person, or what? Is it a call, somehow, for moral/religious behavior, so I/U have a better chance to see a life after/future? Or is it just a stupid rhyme-forced nothing? And which came first--the "and it works" or the "like a jerk." If it's a weak rhyme, which one did he mean? | |
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I like The Future a lot, and I think it slots right in to the rest of Prince's apocalyptic visionary songs. I guess it's more SOTT than 1999 in tone which I like, it's very ominous and serious in tone, it's a dance track but not a party track. I think he was going for SOTT pt.2. The Crystal Ball strings might've just been handy to use (has he used them elsewhere too? That rings a bell), and the songs are certainly on the same wavelength, it's a nice meeting of themes, but possibly just that he had all this string work he could pull out rather that getting it commissioned anew. Post-Lovesexy definately seems the time that he was back to his one-man band in the studio act, cloistered away in Paisley Park, I think that's one reason why the music from 88-90 sounds the way it does. | |
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Stop the Prince Apologists ™ | |
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Noted! Stop the Prince Apologists ™ | |
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About the "Crystal Ball" strings, the sample from "The Future" sounds a lot like the phrase starting at 2:45 and ending on "terrorize the western world", minus the horns. The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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somehow i've never noticed that before, about those crystal ball strings being used on the future. they did sound familiar somehow but i never made the link. just goes to show that even after i've loved a song for 25 years, there can still be a surprise once in a while. good stuff!
and true love lives on lollipops and crisps | |
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