Yep! | |
- E-mail - orgNote - Report post to moderator |
SPIN just listed Sign O' The Times as the #2 greatest album of the last 25 years... So I don't know where you're getting it "used to be in critic's best album ever lists, but not anymore..." | |
- E-mail - orgNote - Report post to moderator |
Have you ever seen Bassment Jaxx live? They're in my top 5 of artists I've seen live... then again maybe that was the moon rocks I was on [Edited 8/19/15 22:14pm] | |
- E-mail - orgNote - Report post to moderator |
The studio recording of Rebirth of the Flesh has never been officially released. It's been circulating on bootlegs for many (~20+) years, though. The NPG Music Club version is from a live rehearsal. I hope I'm misundersanding this post. Chili Sauce. | |
- E-mail - orgNote - Report post to moderator |
Yeah, what's up with that?
SOTT's ascent to the status it eventually attained wasn't immediate though. At first, there was a bit of resistance. While a lot of younger fans (and some older ones) tend to present everything before Batman as one long hmmm PARADE of critical acclaim, after getting uneven reviews for ATWIAD then more appreciation for Parade while still being perceived as highly self-indulgent, the first reactions to SOTT were initially cautiously positive, then they got better within two or three months. By the time of the Grammy nominations, you'd think everyone had fallen on their knees to praise Prince right away, but that would be forgetting that some were not immediately seduced.
For instance, Nelson George wrote a piece in which he said something along the lines of "Prince is the best when he sticks to his roots and is unconvincing when he doesn't". He singled out IIWYG and (I think) tracks like Strange Relationship. Today, he'd be laughed out of the room, but you have to remember a lot of people wanted Prince to be a hit-maker and anything else was viewed as self-indulgence.
So what happened was: SOTT (the song) was released to great acclaim, IIWYG was practically ignored and seen as a dick move, then U Got The Look recaptured the imagination plus Adore and Housequake became certified cult classics. By the time critics were writing their year-in-review rankings, SOTT was right up there along with Joshua Tree, but it took some warming up after ATWIAD and Parade.
| |
- E-mail - orgNote - Report post to moderator |
They are both great concert movies...although I'd pedantically point out that Stop Making Sense actually features audio and video of 3 concerts! I personally don't have a problem or consider SOTT to be any less valid as an artistic statement than Stop Making Sense because it's not truly "live"... Also, slight tangentially, I'd argue there's as much artifice in Springsteen's average joe persona as in Prince's new-age space-hippy schtick. My point, I suppose, being nothing is "authentic" therefore to rate one work of art over an other on this basis is flawed.
| |
- E-mail - orgNote - Report post to moderator |
Dude can probably spell "doing" though...which, by your own logic, automatically makes him a more intelligent person than you. | |
- E-mail - orgNote - Report post to moderator |
Now I don't remember where I read it which article or book I'm sure someone knows, but I do believe the credit to the penguin on sign o the times is a worthwhile humorous tidbit. Just my 2 cents. | |
- E-mail - orgNote - Report post to moderator |
. Yes, it's from three concerts, but it's still sourced from actual concerts. SOTT's audio is a re-recording of a concert, and the video is Prince and band lip-syncing to that audio. . Which is probably why lower-quality recordings from that tour are actually more exciting. I felt so long before I knew how much of SOTT isn't really live. .
. It is well-known Springsteen image was carefully constructed. © Bart Van Hemelen
This posting is provided AS IS with no warranties, and confers no rights. It is not authorized by Prince or the NPG Music Club. You assume all risk for your use. All rights reserved. | |
- E-mail - orgNote - Report post to moderator |