OldFriends4Sale said:
I think since he brings it all up w/Cocaine it's about Morris & Vanity. Or it could be a mixed message about all 4. The Atlanta freak snow storm that caught Jimmy & Terry. And Morris & Vanity using coke.
The most often-told tale involves Prince firing the then-unknown Jimmy Jam and Terry Lewis from the Time in 1982. Jam and Lewis, all parties now agree, left a Time tour on a day off to produce their first record for the SOS Band. A freak snowstorm in Atlanta grounded them for an extra day, and the two missed a gig. When Jam and Lewis returned, they were summarily fired. Jobless, the two missed Purple Rain, so they set up as producers and went scrounging for clients. In the years since, they've produced everyone from Janet Jackson to Herb Alpert, becoming the other superpower on the Minneapolis music scene. . Despite the rap, Prince says, he harbors no ill will toward the now-famous producers working across town from Paisley Park at their Flyte Time studios. "We're friends," he says. "We know each other like brothers. Jimmy always gave me a lot of credit for getting things going in Minneapolis, and I'm hip to that. Terry's more aloof, but I know that." And their music? "Terry and Jimmy aren't into the Minneapolis sound," Prince says. "They're into making every single one of their records a hit. Not that there's anything wrong with that, we're just different."
Can't be mad at Jimmy & Terry. Plus they put a nice touch on El DeBarge's last album. What? | |
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"Is it too much?" asks Prince about playing his own songs in his own car. "Not long ago I was driving around L.A. with [a well-known rock star], and all he did was play his own stuff over and over. If it gets too much, just tell me." This is cracking me up! What? | |
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iZsaZsa said: "Is it too much?" asks Prince about playing his own songs in his own car. "Not long ago I was driving around L.A. with [a well-known rock star], and all he did was play his own stuff over and over. If it gets too much, just tell me." This is cracking me up! Gotta be Lenny Kravitz.!!!!! | |
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Which part is about Wendy? | |
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thedoorkeeper said: iZsaZsa said: "Is it too much?" asks Prince about playing his own songs in his own car. "Not long ago I was driving around L.A. with [a well-known rock star], and all he did was play his own stuff over and over. If it gets too much, just tell me." This is cracking me up! Gotta be Lenny Kravitz.!!!!! What? | |
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BEAUGARDE said: Which part is about Wendy? When another musician U hired Little do they know, U wouldn't have passed go Unless they could take U higher, yeah Wendy replaced Dez, and I think he's saying that the confidence in her from the fans wasn't there yet. But he, Prince, knew she was in the right place. What? | |
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how many artists can release such excellent ....contractual obligatioin CDs like this and chaos? | |
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I still can't believe that song is only one minute and forty-one seconds. Who writes and arranges something that intricate and then only plays it for 1:41? | |
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yup, this is one cool little song. i could not stop listening to it over and over and over when it first leaked on a bootleg and was glad it finally got an official release on this and true love lives on lollipops and crisps | |
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thedance said: It's About That Walk is my fave track.. Great funky little ditty...illustrates P's sense of humor to a T. Close to entering my P Top 20. This song makes me smile every play. | |
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Maybe do, just not like did before | |
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Maybe do, just not like did before | |
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CharismaDove said:
Ass like a fine cut diamond Mounted on 2 legs of stone :music: What? | |
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Always make me smile and the next line: . prison I could do some time in . Great song, love the horns | |
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It's About That Walk [crowd noise]
Mmm-mmm! Oooh-wee! Fellas would U look at that thing Have U ever...? U just got back from Paris U probably went to buy some clothes U're on your way to Nell's in New York Gonna meet who? Heaven knows But it ain't about where U're comin' It ain't about where U go It ain't about who U've been with 'Cuz it ain't about who U know It's about that walk - can we talk about it? It's about that walk - I wanna shout about it Oooh-wee! Your ass like a fine cut diamond Mounted on 2 legs of stone The prison I could do some time in If I ever got that ass alone But 4 now I'll just keep my shirt on 'Cuz I ain't about losin' cool ['Cuz it] ain't about losin' sleep, 4 that matter Baby, that nothin' that I do It's about that walk - I wanna talk about it It's about that walk - I wanna shout about it Oh-wee Oh yeah baby (Anything else let me do that work, shake it) (Ooh) Mmm, mmm-mmm! Fellas have U ever...? It ain't about where U're comin' It ain't about where U go It ain't about who U've been with 'Cuz who U know It's about that walk, yeah - I wanna talk about it Baby, baby, baby about the walk - ooh shout about it, shout about it Oooh-wee! Oh Lord, Lord Girl U know U got the walk Girl U know I got the talk Run Lord I mercy... Eyh! Keep playing Ugh! Vegas on a C Ooh-(wha-wha...) Remember 'bout that ending? On the one Ugh! | |
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dodger said:
Always make me smile and the next line: . prison I could do some time in . Great song, love the horns Then his sense of humor kicks in with... But 4 now I'll just keep my shirt on ...He's not really trying to get thrown into the clink. What? | |
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This one almost sounds like a 1977 demo updated with horns and organ He has the early falcetto | |
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Cool, thx
Reading both version's lyrics back 2 back I really can't decide which is better, the second version has some great verses in it, too. I think the lyrics to the original are considered superior because we KNOW the story behing lots of it but a scholar in petry who'd be given both versions without knowing who wrote them might not necessarily pick the first one as the best, honest. It'd be interesting to test both versions on a group of people with a background in literature, ask them which one they think is best, and see what come up A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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one of the things that stands out as far as the original being better than the latter version is how it flows. The flow to the lyrics of the second are choppy to me, there is a smoothness to the delivery with a different level of emotion because of the closeness of the people in the reference. The latter version doesn't have that emotion to me.
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To me, the lyrics of the original are clearly more biting and personal. And I have a background in literature. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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yes but u know the background story. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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databank said:
yes but u know the background story. I didn't know the background story when I first heard both versions in 1999. At that time, I definitely liked the original better. More meaningful lyrics, more heartfelt delivery. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Fair enough. I'd still like to do the test, though A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Love this album. The looooong intro on When the Lights Go Down is worth the price of admission all by itself. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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LOVE this album. One of my faves of the 90s...very solid all the way through. I WAS disappointed with the new lyrics on Old Friends 4 Sale, but its still a good song. When the Lights Go Down is the highlight and has become on of my absolute faves from the guy. Such a cool tune. | |
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Having listened to both versions back to back I see what u and the others mean about the intensity of the singing and general flow of the vocals. I'd never realized that both versions sounded so different. I couldn't say after just one comparative listen that I like the 85 version more but I see where y'all coming from. In all honesty I think I ain't objective because even though I had the 86 version since 1991 and listened to it more than the rerecording that I had a bit later in 1993, prior to the later's official release in 99 i.e. for the last 16 years I've listened to the released version repeatedly and hardly ever to the bootleg, also because before the 4DF rerelease in 2011 or 2012 the stringless original sounded like shit, and even since the original with string still sounds like shit, and because of that and the fact that I'm in love with the strings arrangements, I would still listen to the released version before any other. So in my mind the 99 version is the one I know best and truly fell in love with, and therefore the definitive version. The original is just "the other version". Purely subjective I know, but it's hard to reprogram a man's brain A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I doubt that Prince sees it that way. Sure, we as fans love the old version and think it´s the best version but the lyrics of the old version are much too dated to be released by Prince on this album or any other album in the future, unless he wants to release an album that also serves as some sort of autobiography or chronology of his work. Think about it....it references Steve Fargnoli and Chick who already passed away, and most of the other friends and things he mentions are so early 80s that I doubt that Prince even cares about this song anymore. The new lyrics with the Kuwait war references sound very dated, too. " I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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True, but keep in mind that back then the standard regarding Prince´s albums was still pretty high compared to today, and people still had huge expectations. In hindsight, and compared to , say, Plectrum Electrum, that album looks like a masterpiece (though I must admit I never liked Extraordinary and find it very forgettable and bland). Some really good songs on it, and the sound is quite cohesive as far as the style goes....a bit jazzy, lots of live playing etc. But there are also some songs on it where you can tell immediately that they are, indeed, just outtakes. " I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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If he released it in 1985/86 it would have been perfect. I'm glad he did not release it later.
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