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Printable2freaky4church1 said: The Love We Fucking Make! Really good there. Best version. That's a fantastic performance. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Louisville Night #1 Show #1 from the soundboard is now out. |
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Don't hate your neighbors. Hate the media that tells you to hate your neighbors. |
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Odds are show 2 will surface! Can't wait!! (Gotta find this one first, of course) 
bluegangsta said:
Bollocks. They are fully mixed from the original DIs along with crowed mics. - It doesn't matter where you are in the audience - no ameture recording can sound as clean as they do. I suppose I will dl this again but the one I heard hAd quite a lot of phasing .... That sound u get when the wind blows and the sound gets wooshy .. Nothing sounded crisp enough to be sb ... Sounded more like the recorder was in a great location and likely close to the speakers ... I have never heard a sb with that much whooshing or such a washed out mix ... | |
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[Snip Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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- luv4u]Looks like a great release from FBG, now to try and find it. | |
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Green Garden is the highlight in the set for me. Love it!!! TRUE BLUE |
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. It was no question, there was no questionmark; it was a statement. If you could read it that way, then you should be able to remember this from some film, or else you are a fake fan. . Google 'purple rain password scene' to be sure. . So there really was no reason to be so typically american about this. . I do like the soundbaord. Too bad the setlist is less than to be expected. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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A great release. Pity about those ruddy horns. | |
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Note that there were audience recordings making the rounds before the actual Montreux soundbaord recordings leaked. The audience recordings were *very* good indeed, but nothing to do, quality-wise, with the SB versions. You must have mixed up both versions, I suppose... |
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phasing? perhaps directional microphone moving. indoor wind does not blow so much. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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He definitely released it himself there's no other explanation. It loads right into Itunes, the tracks are all carved out and mastered down to the second. It's him.
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sufinothing said:
He definitely released it himself there's no other explanation. It loads right into Itunes, the tracks are all carved out and mastered down to the second. It's him.
IT. IS. NOT. PRINCE. WHO. RELEASES. THESE. COLLECTIONS. iTunes can upload information from other users into its database. And the files can have metadata that plays nicely with iTunes. None of this means that Prince has anything to do with this shit. There are DEFINITELY other explanations. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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All that being true the other explanations would have to include a DI line coming out of the soundboard without the FOH engineer's knowledge (undoubtedly a Paisley employee). Or that person has been let go (which seems also somehow unlikely). I'm no expert but a decent recording rig (if you could get it in the venue- that specific venue that night) with a digital/analog converter and DAT recorder could be concealed in a backback and MAYBE produce a recording of his quality. The quality, not so much how easily it loads into Itunes, is sort of telltale about either Prince's indirect involvement or go ahead. Why now? What would need to have happen for this to actually be a bootleg?
... In this light I take this soundboard release to be his gift to the bankrupt city of Detroit. I also think it's one of his better setlists and shows of late in which case it functions as a free commercial for the live show (where he derives the most revenue). Just a thought. | |
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