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The Story behind the song "Dance on"......
I was listening to the very underated song "Dance On" from the lovesexy album today. To me it sounds like a outtake from the "1999" album. Does anybody know anything about this song?
If you ain't heard this jam in a while...pull this shit out!!! It's a true jam with some slamming guitar.
I think its the best song on album besides "alphabet St." | |
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always loved that song..
"get off me punk, you aint sexy" | |
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I like it, but it doesn't really go anywhere after a while.. IDK. It's kind of clunky to me. Is Sheila playing drums by herself or with P? Maybe ![]() ![]() ![]() | |
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It's a slamming, harder version of SOTT (the song). | |
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I would throw money on it being a drum machine. | |
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This is the only song on Lovesexy that I'm not crazy about.It has a good message,but the song sounds like an unfinished demo. | |
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The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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in sections, not actually in full. Usually during a drum solo. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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I have always wondered about the line "a bass guitar in spider webs longing for thefunk" | |
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The music was ignored for guns and violence Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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It sounds like he samples the Janet Jackson line "there's a bass guitar in this".
"So fierce U look 2night, the brightest star pales 2 Ur sex..." | |
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Well throw your money my way. Thats Sheila E all the way. | |
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train23 said: I have always wondered about the line "a bass guitar in spider webs longing for thefunk" Being in a spider web of course means you're trapped. Imprisoned. A bass guitar belongs to the funk and being caught up in the spider web, it can't get there. So it's a metaphor for wanting to be free. That's the way I see it. | |
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Dance on is terrible imo and yes it sounds like a demo. Welcome 2 The Dawn | |
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From what song?
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train23 said: I have always wondered about the line "a bass guitar in spider webs longing for thefunk" Means : a bass guitar covered with spider web'S' is a bass that hasn't been played on for a while. Hence the short bass solo right afterwards in the melody... IMHO Prince lyrics aren't all that layered or difficult to read imho. "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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There is also a bootleg out there where the song was rehearsed in full for the Lovesexy tour. I always liked the song. TRUE BLUE | |
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Great song. I thought it was common knowledge (amoung Prince fans) that Sheila did the drums for this one. Always been a highlight on Lovesexy for me. We're gonna need a bigger boat | |
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The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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"Little talk Johnny blew the big score"; I swear, Prince is a lyrical genius. klick | |
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was, not is She Believed in Fairytales and Princes, He Believed the voices coming from his stereo
If I Said You Had A Beautiful Body Would You Hold It Against Me? | |
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I read in an interview, (still trying to find it) wherein Prince said Sheila played the drums and then the were put into "the computer" and chopped up.
I would've guessed sampler and maybe that's what he meant. He used to call his LM-1 "computer drums" so that's my guess.
Even without having read that, it's fairly clear to me that it's a real drum set sampled and edited to sound like that. There's no question that the drum track is not presented as Sheila played it. Anyone with ears can tell that it's been manipulated for effect. | |
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This song gets too much hate. It's one of my favorites on the whole record. The only thing working against it is that is doesn't really fit stylistically. | |
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bigd74 said:
was, not is Now that, my friend, is a matter of opinion. klick | |
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Wow. Not much love for this slammin track, with socially conscious lyrics. I loved (and still love) this cut.
"Grenade launcher roars in a television sky... tell me how many young brothers must die."
Drums are either Prince or Sheila. "He's a musician's musician..." | |
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I remember buying Lovesexy in college. My friends were going out that night. I was like, "Nah, I'm staying in." I had it on repeat all night. Of course I went out the next night and drank a bunch of beer and what not. "The password is what." | |
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"NEWU-UCLEAR Ban never STAYS IN TUNE....They all know the words but the music is doomed!"
I love that shit!
I had the biggest conflict going on with this album. It came after SOTT and I thought, at first, it wasn't hardcore enough. Then again, I truly believed in what Prince called Alphabet St. for his albums, "This is not music...this is a trip!" With Prince music, in the old days, he takes you on a ride. So, I buckled down and subscribed to that. It sounded totally different than SOTT and I didn't like that. I really wanted the Black Album instead of this album, but I bought both and enjoyed them both.
Fave tracks: Eye No, Alphabet Street, Glam Slam(killer ending), Anna Stesia, Dance On(Pick it up! Rnnnnnnnnnnnnnnn...), I Wish U Heaven(thank the Creator for the "Take This Beat" remix), Positivity
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This is what it sounds like to me. | |
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http://princevault.com/index.php/09_September,_1988 So it might even be on tape/disc/etc. Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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I used to try to drum along to this on phonebooks as a child. Still a fave. "That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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