Princevault, Uptown, Per Nilsen, etc. can be every bit as speculative as anything found on a thread such as this. And unabashedly false-authoritative as I have been alleged to have been at points in this thread. . They, and their contributors and informants, are indeed most fortunate, it would seem, to have been furnished access to extraordinarily rare unreleased documents and materials. . However, a footing in elite *bootleg* trading circles, and access to 'interviews' of sorts with lesser Purple players (some of whom have an axe to grind, some of whom wear rose-tinted glasses, some of whom are actively involved in distortion campaigns), years and even decades after the fact, are rather tenuous credentials, and most often a poor substitute for reasoned analysis. . I am inclined to suggest that a truly detailed and thorough history of Prince's catalogue bears only a weak correlation to the assertions and data presented by the above-mentioned. .
[Edited 4/10/15 9:08am] | |
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The problem I've found is, compared to a decade ago, it's increasingly hard to convince people to post on a forum to begin with. A lot of music discussion happens on Facebook groups, which at times gets even more trivial/banal than anywhere else. |
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