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The paradigm of Prince & Hip-hop So myself and a couple of other Orgers hijacked another thread with this topic, and it was suggested a new thread was created.
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I actually have no idea of the details, so someone please correct me if I'm wrong here, but wouldn't Holly Rock be the first proper rap song Prince did, is there a reason for not counting it (aside from the obvious fact that it's Sheila E doing the actual rapping, but surely it shows that early on Prince was exploring Hip-Hop?) Heavenly wine and roses seems to whisper to me when you smile...
Always cry for love, never cry for pain... | |
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Prince's rapping was so cool, even on earlier tracks like Dead On it (not sure if that track is considered true rapping but whatever). I kind of wish he still still did it as much. He probably would, but the best songs with his best rapping in often have profanity in | |
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Sorry but fear of a black planet was bangin around sott ... There was tons of top shelf everywhere ... Prince hated rap and clearly was too full of himself to really explore the art... It's like he thought it was stupid and easy and approached as such... Prince is worse than vanilla ice and every other crappy pop rapper... He should have let a great rapper sit in instead of tony. All the other pop stars paid for the good rappers. Prince had mad money after DNp... Just no excuse [Edited 3/5/15 16:35pm] | |
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Prince didn't mainstream rap in any way shape or form. Prince's rap music is an AWFUL embarassment. It's a stain on his legacy. It was out of touch and dated even at the time he released it. The first rap song Prince released was Holly Rock by Sheila E for the Krush Groove soundtrack. It was G-A-R-B-A-G-E as a rap song, but as a funk song and a part of the PR era history I like it. Hip Hop music was mainstream as fuck in 1992, so come off of it. Almost every major pop record back then had a guest rapper for 16 bars or so, going back to 1987 or so. Prince thought he was too good to have a "name" rapper on his records like everyone else, so he stoopidly hired a d-list one instead in Tony M. | |
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Prince is very much his own thing.
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His influence on (and assimilation of) hip hop is much like his influence on (and assimilation of) new wave. He played with each genre in his own way, yet he didn't really add to the genre in a direct and measurable way. That's because what he did was all still "Prince Music." - Example: - Sexy MF, My Name is Prince, etc. definitely use hip hop imagery/phrasing but they are soooooooo much Prince that they are in their own category. They aren't really hip hop. Nor were they really trying to be. - Similarly, Prince's early 80's synths owed a lot to /borrowed a lot from to New Wave, but they weren't really categorizable as such.
[Edited 3/5/15 18:07pm] "New Power slide...." | |
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Excuses. Prince was trying very hard to be hip hop actually. More so than any other 80's pop/rock/soul act... by far. | |
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Maybe MJ mainstreamed hip-hop with Dangerous. Right. Prince had nothing to do with making hip-hop mainstream. It was already blowing up in the late 80s. Public Enemy. Beasties. Etc. Prince played catch up then. He plays catch up now. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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You think songs like "Gett off" or "Love 2 The 9s" was an honest attempt on Prince's part to do what Public Enemy, Run DMC, or even MC Hammer was doing? C'mon.... - If Prince was trying to do straight on hip hop he'd have ditched the feminine stuff and bought into the hyper masculinity that is MANDATORY for hip hop. Sure, Tony M was in the mix, but he and the Game Boyz had been around since 1984 and by 1991 they were faux butt shagging Prince onstage. - Now what "real" hip hop artist would do that? None. Only Prince would. Again, Prince wasn't trying to be "real" hip hop. - All the gangster glam imagerly and gun microphones owed way more to 70's funk than 90's rap.He was just toying with it and putting it in his sound. He had been doing so since at least 1986. Again, it was never going to be "real" hip hop, it was always Prince's take on a genre. Same as he always did/does. [Edited 3/5/15 20:00pm] "New Power slide...." | |
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Interesting. Prince was playing catch up in the late 80's? Like during "Sign O' The Times" and "Lovesexy"? "New Power slide...." | |
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skywalker said:
Interesting. Prince was playing catch up in the late 80's? Like during "Sign O' The Times" and "Lovesexy"? No. Catch up on his full embrace of hip-hop. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Would you say that Prince was playing catch up to trends with Dirty Mind? - His first two albums were mostly slick well produced R&B/Pop (sold as Stevie-esque) albums. - Yet, in 1980...Prince made a concentrated effort to alter his sound/style. He borrowed a lot of soundstyles and imagery from what was "hot" at the time (New Wave, Punk, Brit Rock, etc.) "New Power slide...." | |
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skywalker said:
Would you say that Prince was playing catch up to trends with Dirty Mind? - His first two albums were mostly slick well produced R&B/Pop (sold as Stevie-esque) albums. - Yet, in 1980...Prince made a concentrated effort to alter his sound/style. He borrowed a lot of soundstyles and imagery from what was "hot" at the time (New Wave, Punk, Brit Rock, etc.) No. On Dirty Mind he brilliantly blended styles. When he embraced rap in the early 90s, it usually stuck out like a sore thumb. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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1. His blending of styles on Dirty Mind was executed better. Yet, does it negate the fact that Prince was still , you know, chasing trends and borrowing from what was (in 1980) popular and "hot" at the time? -
2.Did his embracing of rap stand out like a sore thumb? Always? - I mean, "Gett Off" was a monster of a song in the summer of 1991 and I don't remember a person (other than a few bitter Prince fans) complaining about Tony M back then. Same with Sexy MF. Same with Prince's rapping in Pussy Control. - Don't get me wrong. I hear you. I cannot stand Jughead. Yet, I am not a big fan of the DooWop circa 1980 feel of "Gotta Broken Heart Again." So, what do I know?
[Edited 3/5/15 21:30pm] "New Power slide...." | |
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I agree somewhat. When Prince did incorporate rap into his music it was probably a bit of a surprise to his fans. Especially after dissing it on TBA. But for the most part I think he did ok with it. Lets not forget it was the early 90's and the style he incorporated was very much of its time. He also misfired with it at times too. Jughead (I actually dont mind it as much as most fans do) was indeed a misfire. The rap in 2the9s pisses me off and to some extent on MNIP. But I think the rap on Willing & Able is really good and that is hardly Prince trying to be hip hop. | |
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To be fair, rap in the 80s and 90s was an incredibly fast moving genre. Rap artists who were hot one year were played out the next. The slang, fashion, dance, and music was changing dramatically almost every six months. Hip hop artists struggled to keep ahead of the trends so it was almost impossible for an outsider like Prince to keep up. | |
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Some rather wild generalizations and simplifications on this thread.
1. Rap was huge way before 1992 -- that was only the year it became overwhelming dominant. Before it got there, it was extremely common, most rap music was bought by suburban white, asian, latino, etc. kids, not just black youth, "young" huns like me had Run DMC, Public Enemy in album form and all sorts of wildly popular singles, those pre-Gangsta rap years saw some extremely accessible music, a lot of it made for and from the mall, and not the "ghetto". Rap simply wasn't equivalent to new wave. which by comparison was just a short lived variation on the rock sound. 2. So Prince didn't come out growling in his deepest voice trying to act like a true boy in the hood -- that doesn't prove he wasn't getting on a rap train already going full steam ahead. 3. Whatever styles he used in the early nineties in terms of rap were already "old school", but not in a good way. 4. There is no such thing as a genre called Prince music, he's the great style integrator, not a genre of his own. He was least successful at integrating rap, just didn't sound credible most times.
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Aerogram said: Some rather wild generalizations and simplifications on this thread.
1. Rap was huge way before 1992 -- that was only the year it became overwhelming dominant. Before it got there, it was extremely common, most rap music was bought by suburban white, asian, latino, etc. kids, not just black youth, "young" huns like me had Run DMC, Public Enemy in album form and all sorts of wildly popular singles, those pre-Gangsta rap years saw some extremely accessible music, a lot of it made for and from the mall, and not the "ghetto". Rap simply wasn't equivalent to new wave. which by comparison was just a short lived variation on the rock sound. 2. So Prince didn't come out growling in his deepest voice trying to act like a true boy in the hood -- that doesn't prove he wasn't getting on a rap train already going full steam ahead. 3. Whatever styles he used in the early nineties in terms of rap were already "old school", but not in a good way. 4. There is no such thing as a genre called Prince music, he's the great style integrator, not a genre of his own. He was least successful at integrating rap, just didn't sound credible most times.
THIS. Nailed it. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Prince is to fem to convincingly pull off the machismo of rap music. The wooh is on the one! | |
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. Bobby Brown did the title song for Ghostbusters II. And that's just one of MANY examples of rap and rap-offshoots like New Jack Swing being popular. Hell, Run-DMC had a hit in the mid-1980s that was so big it resurrected Aerosmith's career. The Beastie Boys were front-page material. Yo! MTV Raps was one of MTV's most popular shows. .
. All of these are YOUR ARBITRARY RULES. Here's what you're saying: "There is absolutely no evidence (except for this huge pile of evidence which I ignore because it doesn't fit my theory)." .
. This is nonsense. .
. Dude, hip hop was already HUGE in the UK. Those live sounds on Public Enemy's second album? That's from a massive UK gig that was recorded and broadcast by the BBC on Def II, a weekly music show that featured tons of rap and hip-hop. Kool Moe Dee's "Go See The Doctor" was a top ten hit in Holland. Hell, "Holiday Rap" was one of the biggest hits of the year back in 1986. © Bart Van Hemelen
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I'm going 2 have 2 agree w Skywalker on this one, especially when it was Prince doing the rapping. FOOLS multiply when WISE Men & Women are silent. | |
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I completely 100% disagree w this comment. FOOLS multiply when WISE Men & Women are silent. | |
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Bart is totally right. Prince just followed trends, he wasn't helping rap to become mainstream at all. This theory is ridiculous. | |
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Any notion that Prince helped rap in any way, shape or form is complete nonsense. FOOLS multiply when WISE Men & Women are silent. | |
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Plagarised from this site. I remember quite a lot of these songs and many did do well in the charts so I would have to agree with Bart, hip hop and rap music was already well under way and mainstream by the time Prince got his mits on it.
80s Hip Hop Enters the Mainstream
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Brenda Bennett(Vanity 6/Apollonia 6)
If a Girl Answers Don't Hang Up: Don't know if the public is aware of it or not, but "If a Girl Answers" was one of the first rap songs by a girl group. | |
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Also around 1982/83 Prince's first rap was on the full vocal version of Lust U Always __________________________________________________
2 words falling between the drops and the moans of his condition | |
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Graycap23 said:
Any notion that Prince helped rap in any way, shape or form is complete nonsense. YES "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Prince can do a lot of different music, but he doesn't own them all. He is rock, pop, funk.
He doesn't own classical, house or hiphop. When he does that kind of music, it's more funny. Not that i don't like it, but it's not to be taken that seriously and that's ok. I mean sexy mf and pussy control...they are just fun tracks.
So I wouldn't say he had any influence on the hiphop movement.
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On Irresistible Bitch he kind of raps, maybe it's a little bit too melodic. | |
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