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Released better than the unreleased, final tweaks that worked There are a bunch of songs where we have an "original" unreleased version and then a later released one. Sometimes the released is worse than the original -- the butchering of Extraloveable is a prime example. But sometimes there's an improvement. What are some songs where you think the final tweaks (or sometimes major changes) made the song better? Here's my list of improvement and butchering (+/-): 1. The Ball 1986 +++ Eye Know 1988. Big improvement. Eye Know is a great expression of joy. The Ball is a bit of a muffled mess. 2. Kiss +++ after Mazarati worked Prince's demo into pretty good shape, Prince added another guitar part, the turnaround, and falsetto. This took it over the top. 3. Joy in Repetition 1986 --- Joy in Repetition 1990. The original stark opening is great. Putting the voices over the intro and burying the guitar solo in the mix took an amazing song down a notch or two. It's still great, just not stellar. Butchering is too harsh. 4. Cross the Line +++ Although it wasn't released, adding all the layers to te original bare bones song was a big improvement. Too bad it wasn't let out of vault. It would've been a nice b-side. 5. The Dance NPGMC +++ The Dance 3121. Took an ok quirking little song and made it into one of his best in the past 10 years. 6. Extraloveable 198_? --- Xtraloveable 201_? Ugh. Took an energetic sexy celebration and turned it into a boring midtempo light funk with a bad rap. What are yours? "Love & honesty, peace & harmony" | |
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I feel the opposite about 1, 5, 6
Yes I like the minimal "The Dance" much much much better,
and I never liked the orginal version of Extraloveable, but the new revamped one with the horns is so much more energetic for me, so much more catchy. I always skipped that track on old CD bootlegs in the early 90's. I also liked that cover version that had the video that appeared a year before Prince's revamp much better than the original. Sometimes the Linn drum back then wasn't fun to my ears. I was so grateful he moved on to other percussion sounds with SOTT and beyond.
And "The Ball" is an incredible cohesive original sound that is so powerful and impresive to me. The mix of Eye No, much like most of that album doesn't work for me in terms of arrangement, although I appreciate the concept of quick production without "tasteful" or cool arrangements in favor of spastic energy. My art book: http://www.lulu.com/spotl...ecomicskid
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I like Eye No, and The Ball (but probably would prefer The Ball if it were ever released). Two different songs basically, Eye No is heavy on the religious ecstacy he was apparently experiencing at the time, and The Ball sounds like a joyful celebration.
I do enjoy Extralovable Reloaded, excellent.
I guess I would say If I Could Get Your Attention, the Taja Sevelle version sounds much better than the demo. "So fierce U look 2night, the brightest star pales 2 Ur sex..." | |
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In most cases, I prefer unreleased versions of songs - either because they're longer and have interesting bits that were cut out, or they're less overworked and busy. I can't think of many examples where I've prefered the released version to an unreleased one (not including very rough demos). Tick, Tick, Bang and Feel U Up would be two, I suppose. "Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that "my ignorance is just as good as your knowledge"" ~ Isaac Asimov | |
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Controversy99: "Say yes..."! ooh I just loooove Eye No! Prince 4Ever. | |
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I always liked the unreleased Vanity 6 demo of "Sex Shooter" better than the Apollonia 6 released version. It has that dark, sinister funky bassline, I wish Prince hadn't taken that out. The A6 version is a bit tame in comparison. |
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thedance said: Controversy99: "Say yes..."! ooh I just loooove Eye No! "Say yes!" exactly, such a fun song. I'm not really religious and yet i love it. "Love & honesty, peace & harmony" | |
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The Line and The Dance (I love both versions of each but in both cases I like the more intimate, minimalist version of each better, a lot better). I totally disagree on Extraloveable, too: I find the 2011 version VASTLY superior to the originql, the original has never been more than a rough demo to me, I never found it sexy, I like it but it was too agressive to fit my definition of "sexy", while the new one is by all means sexy in my book, as in "smooth". I also like the 2009 version of In A Large Room much better than the 86 cut. JIR IDK, I don't hear so much difference between both versions... Overall when comparing released vs; unreleased I find myself happy with the released cut, except sometimes when it was edited (BJB comes to mind). A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Agreed. I like both, but yeah agreed. | |
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I always have liked the "Can't Stop This Feeling I Got" from Graffiti Bridge more than the Dream Factory one
Conversely, the "We Can Funk" from Dream Factory has such a better mood and groove to me than the one on Graffiti Bridge | |
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Purple rain, better without that extra verse. | |
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1. Tick Tick Bang totally expresses the horny lust it was meant to, the released version is cool but is tame for the intent
2. Extralovable the unreleased is just high energy and wild, the reloaded version is cool, but not better
3. Old Friends 4 Sale unreleased, there is no comparison
4. In A Large Room(w No Light) unreleased captures the freedom of that creative period, the reloaded version is trying to capture the freedom of the 1986 version
5. Dance Electric(Prince) vs Dance Electric(Andre) of course the only diff is Prince on vocals/Andre on vocals. I prefer the Prince version, would have been cool if it was Prince & Andre
6. I actually prefer the Mazarati version of Jerk Out vs the Time
7. Morris generally does a very good job, but on Chocolate I prefer Prince/Wendy/Lisa on vocals
8. the released 1984 version of Let's Go Crazy is superior to the reloaded live but unreleased version | |
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Guitar RIP | |
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I prefer the original version of Extra Loveable. To have that in pristine quality would be my holy grail. "I like to watch." | |
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sulls said: I prefer the original version of Extra Loveable. To have that in pristine quality would be my holy grail. Yep, but my wish would be the original, in pristine quality, full length, with the rape lines remove, released in March 2015 as a single with a video featuring Prince and cameos by Usher and Bruno Mars and Shakira, and included a purple rain remaster released in April 2015. That would be outstanding. "Love & honesty, peace & harmony" | |
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I've never understood why there's supposedly a problem with the released version of "Joy In Repetition". I prefer the released version with the percussive intro instead of the SOTT style drum programming. It's considered one of his very best tracks by fans in any case, right? | |
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I prefer the released version of Elephants and Flowers than the Rave 89 version. | |
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Right about Tick Tick Bang, though as such it was unreleasable in 1990, but it oughta been a b-side in 1980 instead!
Mazarati's Jerk Out? So surprised by this! I find it too slow, without the nrg The Time gave to it;
OF4S it's a mystery to me why ppl trip on the released version like this, because I ain't no native English speaker the difference in lyrics never made much difference to me and musically it's totally identical. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Oh no way... the demo of Elephant and Flowers has so much better a muscular sound, and his raw voice (rumored to be recorded when he was sick) is so good, and the saxophone as the main bass melody. I like the sound of the name Coco too. I feel like he made a strong song weaker with the final production choices here.
The released one sounds so lightweight with it's distracting toy xylophone and synths.
I also prefer the natural drum sounds on the demo of "New Power Generation"... reportedly played by Morris Day right? My art book: http://www.lulu.com/spotl...ecomicskid
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I love the unreleased version of Around the World in a Day (the song) much more than the released version. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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Im about 95% sure Im in the minority when I say this, but I prefer the GB version of "We Can Funk" over the original. I prefer the partying, intense vibe it gives off than the slow, sultry vibe of the original. And at the end when he does his "You can blow the candle.." verse for the last minute or so of the song, thats one of my favorite vocal performances of his ever. "Its gettin' stronger baby, open up your eyes"...awesome, chilling stuff. Get in your mouse, and get out of here! | |
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kygermo said: Im about 95% sure Im in the minority when I say this, but I prefer the GB version of "We Can Funk" over the original. I prefer the partying, intense vibe it gives off than the slow, sultry vibe of the original. And at the end when he does his "You can blow the candle.." verse for the last minute or so of the song, thats one of my favorite vocal performances of his ever. "Its gettin' stronger baby, open up your eyes"...awesome, chilling stuff. We Can Funk on GB is a fantastic jam! I agree that the build up in the end is awesome. "Love & honesty, peace & harmony" | |
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It IS, in a way, the original: the released version is based on the original 1983 recording (with Clinton's parts and other overdubs added of course), while the 1986 so-called "original" was a completely different rerecording of the song. Like most, I stronlgy prefer the 86 cut, though. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I agree on the minimal version of The Dance but I do like his 'its just not fayar' tantrum on the 3121 version, tickles me everytime | |
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I'd probably also think I prefer the GB version to the others simply because I had heard and gotten used to it way before I came across the unreleased versions floating out there (GB was one of my first records I got of his at a super-young age, before I even knew of his bootleg universe), so hearing the 86 version was pretty foreign to me. And Ill be honest: Ive never heard the 83 version. I know, I know Get in your mouse, and get out of here! | |
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The 86 cut is the one with Miko on guitar? And which one is the extended with a long, moody instrumental part? [Edited 2/12/15 9:07am] The wooh is on the one! | |
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You're asking the wrong person with that question! Lol but if I had to take an educated guess, considering Miko was very much a contributor at the time with Sheila's stuff and the expanded Revolution, I'd imagine its him playing or perhaps Prince himself. Maybe even Wendy, I honestly dont know. And by long, moody instrumental part? The version I have is over 6 minutes long, but I cant recall a prolonged instrumental section in the song. Im sure somebody on here with way more knowledge will answer your question very soon. Get in your mouse, and get out of here! | |
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Can't stop This Feeling I Got [Edited 2/12/15 14:11pm] The Colors R brighter, the Bond is much tighter
No Child's a failure Until the Blue Sailboat sails him away from his dreams Don't Ever Lose, Don't Ever Lose Don't Ever Lose Your Dreams | |
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There are only 2 basic recordings of that song. The 83 one which ended on GB and the 86 one which is... the other one. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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No one has save "elite" collectors, save for a one minute long snippet with an awful sound quality, it is isn't circulating. A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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