this is senseless, by the same token I can point out that Prince could never make Stairway To Heaven, which is true.
i get where you want this to go but truly the only unique aspect of the song, for me, is his vocal arrangement, other than that it's quite simple and pedestrian. the vocal style is great and unique, but frankly i skip over it when listening to PR, i know it too well, but 3 Chains O' Gold is worth more for a musical discussion.
also, the no bassline thing never struck me as being groundbreaking, it just is what it is, absent, doesn't make one a pioneer and frankly wouldn't amekany differenceto the track if it were included, so, it's sort of overhyped, like the liner notes stating P plays 26 instruments, since when did handclaps, finger cymbals and triangles count as someting skilled?
Therefore, much like this website, every thing the man does gets amplified by twenty and mythologized to the levels of absurdity, like him being half Italian and supposedly plaing the harp! Get an effin' life.........
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The short and complete answer: no one | |
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Bambi82 said:
Well good thing he wouldn't sing that since those are not the lyrics. [Edited 2/3/15 22:49pm] Thanks for the correction - sometimes I am an idiot. | |
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And? | |
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You don't even like the Nude tour version?
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lol so you are just proving my point.
The Nude tour version proves it too, because there is bass in that. An amazing bassline that is. And it makes the song sound and feel very different.
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it was just a 'Freudian slip of the tongue'. | |
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> Is the Nude Tour version the one from Japan with the funky guitar lick and awesome piano solo? Who says he can't perform this song live? | |
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As far as live, no one could come close to really matching Prince.
As far as in the studio the only person who really comes to mind to match the moodiness and production is Phil Collins. I think "In the Air Tonight" is all the evidence I need for this particular view.
Maybe...just maybe Depeche mode might have pulled of a solid version based on some of their darker work but they don't capture the pure grit of "WDC" or "In the air tonight."
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PHIL COLLINS?!?? Jesus hairy fucking balls. Let's shut down the Org. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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That's a pretty harsh response....but funny(ish).
I think the songs "When Doves Cry" and "In the Air Tonight" have enough similarities to make my case: the sparse production, the gritty nature of the performances, the compelling use of the linn drum machine, the layered vocals. Neither song sounds like anything else that was released at the time they were out. I'm not suggesting they are the same genre or comparing the overall artistry of Prince Or Collins, though I would say that Collins is one of the few artists who experimented with what pop music could sound like to a similar extent as Prince.
It is easy to knock collins because of the easy listening crap he started cranking out in the Disney phases of his caree, but that doesn't change the fact that he put out a song like "In the Air tonight" in 1981.
Just two more cents to throw on top of the two cents I threw in earlier...
"Jesus hairy fucking balls..." almost funny enough to not seem juvenille and rude.
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Tyka Nelson could have made When Doves Cry maybe shes just like his father, too #RoyalBlue #GoodDay #MyFriend | |
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lmao @ the visual of phil collins crawling naked out the bathtub across the floor like Skipper did...not cool | |
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Phil Collins. Hahahahaha "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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That is not something anyone would want to see lol and that I unfortunately unsee in my imagination. | |
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kalelvisj said:
That is not something anyone would want to see lol and that I unfortunately unsee in my imagination. Too late. We've all seen it now. "Drop that stereo before I blow your Goddamn nuts off, asshole!"
-Eugene Tackleberry | |
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I think your argument has a leg to stand on. In the way that they both produced 'unique' hit songs, with a kind of an eery-like production and arrangement that others never came up with. | |
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The lyrics seem to stem from the same kind of emotions that Prince is trying to express on WDC: Mama LyricsI can't see you mama
But I know you're always there Ooh to touch and to feel you mama Oh I just can't keep away It's the heat and the steam of the city Oh its got me running and I just can't brake So say you'll help me mama Cause its getting so hard Now I can't keep you mama But I know you're always there You listen, you teach me mama And I know inside you care So get down, down here beside me Oh you ain't going nowhere No I won't hurt you mama But its getting so hard Can't you see me mama Mama mama mama please Can't you feel my heart Can't you feel my heart Can't you feel my heart ooh Listen to me mama Mama mama You're taking away any last chances Don't take it away Can't you feel my heart?.. It's hot, too hot for me mama But I can't hardly wait My eyes they're burning mama Make the pain, make it go away No I won't hurt you mama But its getting so hard Now I can't see you mama But I know you're always there You taunt, you tease me mama But I never, never can keep away It's the heat and the steam of the city | |
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Yeah, and the awesome bass, plus the sublime singing and dancing.
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can't link to the video of it of course, cuz that's "illegal", but I bet any 'hardcore jolly' out there has it.
I can offer you some more Genesis live tho! | |
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I think you are right about "Mama" making a good comparison as well. I think I leaned toward "In the Air" because of the presence of the drum machine but as far as mood and vocals, "Mama" is probalby a better comparison. | |
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I am just waiting now for King Sausage and his photoshop of Prince's skinny body with Phil Collins' big bold head attached to it, crawling out of the bathtub... | |
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I just have to.
.
Patrick Bateman: Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.
(courtesy of IMDB) | |
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NFB! "I don't make the rules. I just play" | |
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Prince wouldn't be able to do A Space Oddity... Ask Sheryl Crow
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Lovesexy tour version of WDC was the best... anything before and and after with those tours was a snooze fest... TITT was a bore at the DAP tour that ran for 8 minutes plus
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