Not particularly but there's a lot ot like on it. It's like most Prince CD's where I love a third of it, like another third and hate the other third - only this time there were 3 CD's so I got a pretty good double album out of it after editing it. Honestly, I'd give my right nut for another 3 disc set of stuff instead of all the fucking around he's doing these days.
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herb4 said: Not particularly but there's a lot ot like on it. It's like most Prince CD's where I love a third of it, like another third and hate the other third - only this time there were 3 CD's so I got a pretty good double album out of it after editing it. Honestly, I'd give my right nut for another 3 disc set of stuff instead of all the fucking around he's doing these days.
Why not the left one. What's so good about that one, that u wouldn't be giving it away? | |
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I agree. When I say "dated" I guess I meant that it gets worse with time. "Reasons" by EWF sounds dated in a sense, but it is still a great song that perhaps gets better with time.
"For You" was a solid album, but my issue with it is that it really sounds dated to me other than a few tracks like Crazy You and I'm Yours. I loved the songs Soft and Wet and Baby when they came out, but not so much anymore because they really sound so 1978.
"Prince" from 1979 is better in that regard, but still suffers a bit from him being influenced by the sound of the time.
Dirty Mind is an entirely different conversation.
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Calling it an "R&B album" overlooks the fact that it's obviously Prince's stylistically most diverse album. Sure, many of the sound choices for the drums and the synths are similar to the type of sounds found on the R&B records released at the time (or rather, on the "black pop" stuff like TLC), but I really don't think those records had tracks comparable to "Slave", "Joint 2 Joint", "Curious Child", "Courtin' Time" or "In This Bed I Scream" on them. | |
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That's a really good point about Kirk/Josh. P has a habit of pushing people who find themselves in his inner circle into rolls they aren't necessarily ready for, or great at, and thinking his mentoring is all they require, which may have some merit. But he has also promoted a body guard to head of Paisley Park, and had a his house maid to do his accounting. | |
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True. This started at some time in the late 80s, right? I think it has to do with who he likes, rather than who´s really qualified. I don´t know if it has to do with being stingy or with trusting only certain people, and giving some people a shot at doing what they´re doing, whether it´s music, security, fiances or whatever it is. Sometimes I like that about him, but most of the time it leads to poor results. " I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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The left one is special to me. I can't get into it at the moment. | |
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I still really enjoy it. Even though I do agree it lacks a any really special songs that I would put in my top 20, still it does have a lot of very strong material. In recent times I've I even started to like Betcha by Golly Wow. The only song on it I don't like is Let's have a baby. | |
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Some sound dated, some still sound fresh. | |
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Does anyone know the name of the bootleg released about 6-12 months ago called 'Love'? He basically was singing as if he was talking into a phone. It was a nice ballad. I thought that this song was an Emancipation outtake. | |
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The production hasn't aged well, but in songwriting terms, I think its off the chain. . | |
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Dated from day one! | |
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Prince, in you I found a kindred spirit...Rest In Paradise. | |
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This would have been a well respected single album..tracks like 'My Computer' and 'Holy River' are tremendous.
Most of it I could do without - I can still listen to his early albums despite their seventies sound, due to the quality of melody and songwriting. Emancipation simply spreads itself too thin. "I'm much too hot to be cool" | |
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∞ ʀ⁅VERB⁆я ∞ | |
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