There exist at least 5 studio versions: - Original unreleased (but circulating) Glam Slam ulysses version. - Interactive CD-rom version. - The Gold Experience version. - The NPGMC remix version mentioned above, uncirculating in its entirety. - The instrumental rehearsal version recently aired on 3rdEye TV (not a proper studio version but not live either so it kinda counts now that it's been officially released). A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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I am not a Beatles fan.
But hell, if Prince covered any of their songs it would probably make the songs way better.
Like when Michael Jackson covered "Come Together", it was vastly superior to the original song. MJ's is the definitive version, just like when Hendrix did "All Along The Watchtower".
And there's also an MJ cover of "Strawberry Fields Forever" in his vault, I would bet a lot of money that his cover of that smashes the original to pieces as well.
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why in the world do you want Prince to do a Beatles album?
Does Prince not have enough great songs of his own? He has so many outstanding songs, he does not need to do an entire album full of any bands covers.
We're talking about a guy who wrote WDC, The Beaituful Ones, Purple Rain, When eye lay my hands on u, Anna Stesia, I could never take the place of your man etc. All classics in my opinion (and many more i did not mention)
And while i respect the Beatles and they were obviously a good band and an influential band, they have some of the most obnoxious fans of any artist i have ever seen. Prince will get alot of hatred even if he covers one of their songs on his record.
Its hard to think of any band with as many crazy fans as the fab four, and besides a guy who has as many good tunes of his own does not need to record an entire album of any bands songs.
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I remember reading an article in the mid-1980's that Mike was going to release an album of Beatles covers. But he wound up releasing Bad instead. I'd like to hear that radio interview that Mike and George Harrison did together in the late 1970's. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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No. | |
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You took the words/expressions right out of my mouth. I also have to add WTF to that. No way was MJ's version better. | |
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I don't need a Prince album of Beatles covers any more than I need a Brian Ferry album of Dylan covers... | |
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There's only four guys that can get away with singing those songs, and half of them are dead. | |
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Militant said: I am not a Beatles fan.
Like when Michael Jackson covered "Come Together", it was vastly superior to the original song. MJ's is the definitive version, just like when Hendrix did "All Along The Watchtower".
And there's also an MJ cover of "Strawberry Fields Forever" in his vault, I would bet a lot of money that his cover of that smashes the original to pieces as well.
That is simply ... [Edited 7/5/13 19:19pm] | |
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LOL MJ's Come Together is awful. The Beatles' version is one of the best rock songs ever. My Legacy
http://prince.org/msg/8/192731 | |
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Militant said: I am not a Beatles fan.
But hell, if Prince covered any of their songs it would probably make the songs way better.
Like when Michael Jackson covered "Come Together", it was vastly superior to the original song. MJ's is the definitive version, just like when Hendrix did "All Along The Watchtower".
And there's also an MJ cover of "Strawberry Fields Forever" in his vault, I would bet a lot of money that his cover of that smashes the original to pieces as well.
STFU already! | |
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My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
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I actually agree with this. | |
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That's cos you know what's up my brother
Ain't no soul, no passion in that original song. MJ tore it up and defined it.
I've never met anyone in real life that prefers the original song to MJ's cover.
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^ * ignorring Militant's silly post about The Beatles... Prince 4Ever. | |
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LOL that is a weird but somehow very apt comparison My Legacy
http://prince.org/msg/8/192731 | |
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Militant said:
That's cos you know what's up my brother
Ain't no soul, no passion in that original song. MJ tore it up and defined it.
I've never met anyone in real life that prefers the original song to MJ's cover.
I bet even the almighty "MJ" would beg to differ with y'all. Most any musician can tell u the miles of differences between the two...and they dont favor MJ...first VERY simple fact is Paul and John wrote it...NOT Michael...TWO...he followed theiir layout and added nothing significant...only repeated ideas in a subpar manner....and visually, he wants to ad plastic pants and glowsticks.....how funny u are. | |
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Most likely John Lennon wrote it. Many of the Lennon/McCartney songs were written separately, generally by whoever is singing the lead. They just made a pact to credit songs together early on, whether or not they actually collaborated. John (not Paul) was sued for copying a line or 2 from Chuck Berry's You Can't Catch Me on Come Together. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
Most likely John Lennon wrote it. Many of the Lennon/McCartney songs were written separately, generally by whoever is singing the lead. They just made a pact to credit songs together early on, whether or not they actually collaborated. John (not Paul) was sued for copying a line or 2 from Chuck Berry's You Can't Catch Me on Come Together. Yes...i know all that. | |
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You're assuming there's supposed to be. And I've never met anyone who would even listen all the way through MJ's.
But I am a Beatles fan. But I still gotta throw this up | |
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OK. I just listened to it. Militant is obviously pulling our leg, having a bit of fun. MJ's version of that song is a joke. The Census Bureau estimates that there are 2,518 American Indians and Alaska Natives currently living in the city of Long Beach. | |
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I'm a musician. I have released three albums on major labels (Sony/BMG and Virgin/EMI).
Who wrote it is not significant. That has no relevance. Bob Dylan wrote "Watchtower", yet Hendrix version is largely considered definitive. Trent Reznor wrote "Hurt", and even as a huge Nine Inch Nails fans I would say there's a case to be made for Johnny Cash's version being definitive, and Trent has said as much himself.
Visually, what? The fuck has a music video got to do with anything? We're talking about the song here.
So the only point you've made is that "he followed their layout", which, I'm not even sure what you mean. What exactly does this mean? That the arrangement is the same?
The instrumentation is completely different and funkier, with more soul and passion in the playing, the musical performances are tighter and most importantly, it has more GROOVE. The vocals are superior, obviously, because Michael even on his worst day blows out any of The Beatles as singers on their best day. (Here comes the "it's not about the vocals" argument, funny, because Dylan fans say the same thing about "Watchtower").
So the music is better and the vocals are better. Therefore this version song is better. There's absolutely no way that the original song is better, so you have no argument. It's a cover version - obviously it will have some resemblance to the original song, so saying it "repeated ideas" is meritless - that tends to be how covers work.
I'll say it again - Michael's cover of "Come Together" will go down in history as the definitive version. A lot of young people only know his version and don't know it's a cover.
It's a great written song and I give props to The Beatles for that. But in terms of pure musical performance and vocal performance, MJ's version rules supreme.
You can prefer whatever version you want. That's your prerogative. But for everyone (yes, including myself) that comes down to your personal taste. But I can, and have, make an objective argument as to why MJ's version is superior. If you take someone who's never heard either version, they will take MJ's version every damn time.
It must have hurt Paul, George and Ringo to have their song made better by the biggest star on the planet, and even more so when all the royalties went to him as well because he owned the rights to the song But maybe they didn't care because it was John's song and he was already dead.
[Edited 7/7/13 16:21pm] |
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I agree with you about two things--actually, three. I figure there's a good chance that for any cover of a song originally recorded by the Beatles, you can find a majority of young people who don't know they're listening to a cover. And that does include people who have at least some interest in music. And certainly you can say that the musical performances on MJ's version are tighter--he routinely got great performances from the musicians on his tracks. I think it doesn't fit the song as well, and I don't see how your claim for objectivity makes any sense. "Funkier" is not an objective measure, nor are "soul" and "passion." I wouldn't argue any of those three qualities are higher in the Beatles' version, but I also think they're inappropriate to the song. It's not a song about passion--it's a song about being almost dead, where the greatest profundity he can manage is "one and one and one is three" and having "feet down below his knee" is worth noting. You're coming together over nothing at all--there's a reason why it was never used as a campaign song for Timothy Leary. It went in a completely different direction. Prince didn't get it. Jackson didn't get it. Aerosmith didn't get it (although for some people that's the definitive version).
So One: young people don't know the Beatles. They don't know a heck of a lot of older music, though.
Two: Hendrix's "All Along the Watchtower" is the definitive version. Yep. He brought out something in the song that Dylan's original version did not. He changed it (as did Jackson in his "Come Together"), but it built on what was already there in the song. And it's a radical change. But the core emotion of the song is intensified, not ignored, by Hendrix. And Dylan's own performances became more like Hendrix's over time.
Three: Cash's "Hurt" is definitive. Again, he burrowed deeper into the song than Reznor had, and came out with something more resonant for many. Like Dylan with "All Along the Watchtower," the change was recognized by the song's writer, as I've seen Reznor saying that Cash's version pretty much defines the song now.
Obviously, people might prefer Jackson's to the Beatles. My wife, as a matter of fact, just said (since I was listening to it to recheck what I thought), that maybe, if she encountered that one first, as a "child of the 80's" she might like it better, because it's more "familiar-sounding." Of course, as she also said, if she'd never heard the other one, she would not be the sort of person who's a Beatles fan." I don't hate Jackson's version. I feel about it like I do about almost all of Jackson's music--greatness mixed with an assortment of stylistic tics that often robbed his performances of a great deal of potential force. I rarely hear "soul" or "passion" in him. The things he does don't trigger that response for me. Lennon does (but not on this song--where I'm not looking for either quality). | |
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Britney had plenty of albums released...people arent running around calling her a musician...but anywaaaays... Eddie C wifes comment summed it up... Most of michaels adult career was Prince's emancipation. .. some good percussion moments...a memorable melody here and there....but his records in total had as much life as an urn....thats to say theres a shitload of life there, but its all checked and double checked at the door, covered by insecurity, and bogged down by vocal overproduction....like his face shows...mike was a very insecure person and it poured out of his records....sometimes favorably, usually unfavorable. Its sad cuz he used tacually b able to sing. Mikes come together exemplifies this....every 32nd exactly were it should be...every note , nestled in its nest. The original is messy and sloppy...just like a good hippy should be.....u say the song is tighter..... The fucking point is thats its LOOSE....didya hear the high hat....u thknk ringo cant play a tight high hat?....he chose(or george m. or john) to play that high ha as loose as a whore for a reason. When mikes version came out whenever it did.. i thought it was cool....untill i grew up and reliazed he did everything to that song that shouldnt have happened. It lost any earthiness And any of the attitude that made the vocal flow with the sound....he turned it into a guitar strung so tight its next move is to implode...tight is only good ALL the time re: pussy(even then the mother will argue when the kids @ the door)....otherwise, use when appropriate. ..and try nott to make coal with it. If u like plastic pants and glow sticks...go have fun with mike. | |
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Agree with some of your points, but the Superbowl cover versions of Watchtower/Best of You are anything but dull - in fact, the guitar solo performance of Best of You is pretty much the complete opposite. It's silly good! | |
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axax said:
Agree with some of your points, but the Superbowl cover versions of Watchtower/Best of You are anything but dull - in fact, the guitar solo performance of Best of You is pretty much the complete opposite. It's silly good! Very seldom does prince "own" a cover he does. He tried, sorrowfully, with winding road....he didn't own case of you. It was kinda like joni put a mole on her cheek to match a purple scarf...but he definatle put himself in the song. I think his best instance of owning a cover is "when will we be paid"...wow! Sorry pops and miss mavis and all o yall...but prince got yall. | |
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I like the Super Bowl performances--unfortunately, they're only partial versions, and I don't know what he would have done in the studio (or did do, I think they're might be studio versions--they played something on Howard Stern before the game). | |
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Dear Militant. ... First of all, 'Come Together' is the most IMPOSSIBLE song to cover ! ... ... The reasons why Jackson so desperately wanted to do a Beatles cover version is that he so much wanted to be the best in everything that was bigger than him. (Don't foget, he remained a kid throughout all his life.) He should've 'tried' to cover 'Michelle', or 'Helter Skelter' with Slash on guitar. No, I'm just joking really. ... ANother thing, it's uncomparable with the Jimi Hendrix cover of the Dylan song. Of course that cover was a splendid version! Not to compare as 'better' but totally different original and superb in many ways. See it like this, the same chords, lyrics, were blended by the superior touch of Hendrix, of which Michael absolutely wasn't capable of doing with his cover of the Beatles track in the first place. in fact, it's like saying that MJ did a cover of an Iron Maiden song, and try to make it funky or danceable with his typical polyester dry production. [Edited 7/8/13 23:04pm] "The whole problem with the world is that fools and fanatics are always so certain of themselves. And wiser people so full of doubts" (Bertrand Russell 1872-1972) | |
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