Shockedelicus said: Get Prince a haircut. Are u mad? His hairdo is like the one redeeming feature of the whole movie ! | |
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ufoclub said: Delay production, hire a pro screenwriter and work with the writer and Prince on at least 3 iterations of the script until it really hits and pops. Also film on locations as opposed to on a soundstage, and keep acting coaches in the wings.
Ask Prince for a huge selection of songs to choose from that will fit the plot.
Film on actual locations! That would've been a HUGE improvement. "Love & honesty, peace & harmony" | |
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Years ago,when we had a thread like this,I came up with an entirely different story.It goes like this:
In the new movie,the Kid and Morris are now superstars living in Los Angeles.
They return back to their old neighborhood in Minneapolis,to attend Billy's funeral.He died of a heart attack.
They realize that things have really changed in their old neighborhood.Gangs have taken over,crime is high,and First Avenue has become a ghost town club that nobody really goes to anymore.
Morris discovers that he has a son that he didn't know about before.The Kid falls in love with a teacher who's trying to bring music back to the school (after budget cuts forced the music department to close).
Can the Kid turn things around in Minneapolis? Will Morris help him? | |
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did you know warner brothers considered making a sequel using prince's wig?
graffiti bridge ii - hold on 2 u're wig, jesus is coming
the cast comprised mainly of morris day playing the rest of the time and apollonia 6, wearing a fat suit and drag to complete the look | |
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Rewrite to make it look like Purple Rain 2. Scrap all the rappers, Ingrid, all the other bad musicians and actresses like Robin Power.
Get some daylight into it and more outdoor shots rather than smoky clubs. Modernise it, its looks 1986/87 style rather than 1990.
And yes give Prince a haircut, that horrible 1990 perm mullet thing has to go, he looks like he's promoting a Wella or Timotei commercial.
Better yet not make the shit to start off with. Got some kind of love for you, and I don't even know your name | |
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Cut. | |
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Prince is an extremely talented guy but as we all know Graffiti Bridge is the chink in the armor. Instead of attempting to direct a feature film, which requires characters, plot, conflict and sharp writing, he perhaps should have tried his hand at directing music videos because he has an eye for style and the whole movie has that late-'80s, early-'90s music video look: lots of shadows, fake smoke and silhouettes. But whoa to the rest of the movie! It just makes no sense. Who is this angel? Where did she come from? If she is an ethereal being, how is she able to die at the end? The screenplay is a disaster, with lame dialogue and lots of breathy voice-overs that are meant to be inspirational. The acting, with the exception of Prince who does have an undeniable charisma, is amateurish. It's almost as if Prince called up his buddies from home to be in the movie rather than hire professional actors with training. The actors can't be completely faulted, though: None of the characters have any depth. The set design is well done; purposefully cartoonish and going for a comic book feel, sort of like the design of Dick Tracy. Everything looks artificial, like it is made of foam, further enhancing the music video feel of it all. But, basically, Prince has made a 90-minute music video. Unfortunately, he intended to make a 90-minute feature film and, in that respect, the film doesn't work. | |
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Hahaha! Perhaps Prince should have hired you. | |
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I agree that Billy should have made a cameo and been part of a "passing the torch" down to Prince and Morris. Billy feels that The Kid and Morris are the best performers he has ever seen and wants to leave the club in good hands... but only to the person who wants it the most (furthering the rivalry).
Yes, real locations are a must. Yes, we need to know what happened to Apollonia 6. Yes, there should have been a co-director and co-writer to bring the most of the story. | |
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Like most people here have said, I would not do that script. It's horrible. It's such a bad movie that even the biggest Prince fans shy away from it. He should have left well enough alone and not try and do a sequel to Purple Rain. So, as a director, I would have to redo everything. | |
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I'd get my agent to find me another project. | |
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In my opinion,if Prince wanted to do a sequel to Purple Rain,he should have done it a little sooner...maybe in 1986 (instead of UTCM).I think it would have made more of an impact,since he was still extremely "hot" at that time.He could have used the same director (Albert Magnoli),same scriptwriters,etc.Although The Time was broken up at that point,I know that Prince could have persuaded them to come onboard.The movie could have been titled The Dawn.Imagine if The Dawn movie and soundtrack (released in June 1986) was his true 'follow-up' to Purple Rain.
In 1990,a sequel didn't really make much sense.The "battle of the bands" concept seemed silly,at that point. | |
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Yell "CUT!" and roll credits.
Seriously, this movie is unsalvagable and an absolute embarrasment to his legacy. It can't be saved or defended. Stuff like the Graffitti Bridge film is why so many casual observers don't like Prince. Garbage like this gets re-run on VH1 while The Undertaker, Livesexy, Msucicolgy live and the R&RHOF performance get relegated to obscurity.
I GUESS if I were directing an actual film like this, I'd try to make a true sequel and ground it a bit, leaving out all the mystical mumbo jumbo, Prince's preening and re-cast Ingred or write her out altogether. Make it about Prince's jump into fame after the revelations of Purple Rain, showcase all the things that make being a big star not all it's cracked up to be, the pitfalls of fortune and fame, cast Morris as a forgotten and slighted rival who's angry and resentful about what might have been and who plots behind the scenes to ruin the Kid's success by selling his stories and spreading gossip to the tabloids.
Show the corporate battles between the Kid's producers and the record label and the way they clash with what Prince wants to do. Show Prince in the bubble he made for himself, battling with Morris, the record executives, the fans, the media and all the women chasing him, wondering who he can trust and where to go. Introduce a sub-plot where his mony managers are robbing him blind so he needs a commercial hit. If you need to get spiritual about it, you could make it so he turns to God, a church, his father or even starts playing the old small club circuit again and decides he wants to write a gospel album that his record label is against because it won't bring commercial success.
Have Prince wonder if the love interest is really in love with him or just after him for his fame and money. Have characters come in who used to hate him (Billy, members of the Time, long lost family members, whoever) who al of a sudden need a hand out and claim to have always loved him and believed in him. Make it about spirituality, love and art vs commercialism, greed and sex but not nearly so heavy handed.
Get rid of the rapping kid, George Clinton, Mavis, and the rival club thing. Shoot on location and not on a cheesy soundtage. Less poetry. Get better actors.
Basically make it about Prince's life after Purple Rain. That was way more interesting than this piece of poop.
Short of that, just give me another concert film like SOTT. | |
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The feather was a better actress than Ingrid Chavez. All good things they say never last... | |
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at GB being a "decent movie".
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Recast someone else besides that Chavez chick | |
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I agree,the film should have taken things to the next level.It's kinda sad to think that,7 years after the first movie,The Kid and Morris are still playing at local nightclubs The ideas you came up with are very good,except I don't think that Morris should be a forgotten,angry rival.Morris is too "mighty" to play a role like that,lol.
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I would give Tony M a more bigger role | |
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Well of course you were gonna say that, Tony. | |
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I just meant Prince needs a foil and Morris is pretty good in both movies so he seems like the logical choice.
Also, why can't a get a paragraph to work on this board anymore? | |
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Actually the scene that bugs me the most in the movie is when Prince is writing the letter to his dead father, but u can clearly see he's just wiggling the pen over a blank page, pretending to scribble.. That's the first scene I'd reshoot and adjust the angle | |
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some nice ideas | |
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The story would be completely different. The theme would be how a star deals with being on top and finding himself fading in the spotlight.
First scene: A blistering performance by Prince & the NPG televised on a Cable network. You see it live, and you also see it from Morris's living room, where he's now has a pretty wife and several kids wreaking havoc around the house--it has a chaotic comical feel to it. The second half of the performance is seen live with Prince finishing off and thanking the audience, at which point you see it again from the television, and Morris simply says, "lawd, I need to get back in the studio."
Second scene: A comical exhcang on the tourbus of the NPG. You get a feel for what it's like on the road, and how the group interacts with each other. The camera then goes from the tour bus, to Prince's own tour bus, where the scene is .... not as happy.
Great performance of a song from GB, with a suprise from Morris and Jerome (friends with Prince now), and other members of the time. They put on a blistering performance of 2 songs.
The last musical number will have them in a small club with friends and family and just jamming away and really loving the momment..loving the music.
I will also have directors cut the the movie, where Prince and Morris have a heart-to-heart talk about their former rivally: It would go something like this:
"Oh Morris" "oh kiddddd!!!" "oh MOrriss!!!" | |
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^^ waiting for nursev to post, "u ain't right!" | |
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My rework is epic compared to Prince's version! | |
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that's an interesting storyline! | |
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[Edited 5/26/13 4:27am] | |
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Scrap the whole crappy idea and album and force Prince to work with an actual screenwriter and director to make something with a believable story and watchable.
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the hills are alive, with the sound of mucus!!!!! | |
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Make a film focus on the break up of the Revolution. Put Prince in the position to be trying to put things back together without a clue of how to win the hip hop/ new jack swing market. How he met the new band , while Morris and the Time were taking his spot. USE THE FIRST AVENUE. Make Prince fun like he was in UTCM. Make Jill his love interest without Morris trying to go after her.
Scrap - Can't Stop the Feeling I Got FOREVER ! | |
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