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Thread started 05/03/13 8:00am

outsideofthebo
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Prince with Mazarati.....

I would like to talk about Prince's work with Mazarati and their place in the 1986 Parade era

*

*

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Reply #1 posted 05/03/13 8:03am

thedance

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Mazarati: try the forum for "Associated Artists". wink
Prince 4Ever. heart
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Reply #2 posted 05/03/13 8:10am

thebeautifulon
es777

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outsideofthebox said:



SNIP:Please do not post any Prince/Assoc. Artists videos from sites such as YouTube, MySpace etc. This is strictly prohibited for legal reasons, and we ask that all Org members please respect this. Note: Violating posts will be removed. 'Repeat offender' accounts will be deleted - permanently. You have been warned! The same goes for fake tracklists, attention-seeking 'rumor' threads etc - don't

[Edited 5/12/13 12:59pm]
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Reply #3 posted 05/03/13 8:20am

outsideofthebo
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I know that....I posted it here so that more of the hardcore diehard prince fans would see it.

thedance said:

Mazarati: try the forum for "Associated Artists". wink

[Edited 5/3/13 8:47am]

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Reply #4 posted 05/03/13 9:17am

mask

Why should Mazarati "get" anything?

Besides the couple of tunes Prince did for them, most of their stuff was sub-par.

Have you ever heard the unreleased 2nd album they recorded for Motown records?

It was an awful newjack mess of a record and proved that when left to their own devices they did not have the goods.The same goes for the BrownMark solo records,awful stuff.

Mazarati should not be awarded anything except a small glitch on the radar or Prince protegee's.

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Reply #5 posted 05/03/13 9:44am

outsideofthebo
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well....I still think that they should get an unsung for the album that they did for paisley park records alone because they had a buzz with that one. a lot of people wore that debut cassette out in their cars when it came out especially stroke.

mask said:

Why should Mazarati "get" anything?

Besides the couple of tunes Prince did for them, most of their stuff was sub-par.

Have you ever heard the unreleased 2nd album they recorded for Motown records?

It was an awful newjack mess of a record and proved that when left to their own devices they did not have the goods.The same goes for the BrownMark solo records,awful stuff.

Mazarati should not be awarded anything except a small glitch on the radar or Prince protegee's.

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Reply #6 posted 05/03/13 9:59am

outsideofthebo
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the 2nd album was garbage because bernadette copper from klymaxx produced and messed them up with that new jack mess. Mazarati was more funk rock driven than anything else and not to mention as a live band. Ive heard so many stories about how great their live shows were and I heard that one time they started the show off with sir casey on a leech like a cheetah cat while a beautiful woman walked him on the stage while they were playing stroke.....and not to mention their work on kiss but that is a different story.

mask said:

Why should Mazarati "get" anything?

Besides the couple of tunes Prince did for them, most of their stuff was sub-par.

Have you ever heard the unreleased 2nd album they recorded for Motown records?

It was an awful newjack mess of a record and proved that when left to their own devices they did not have the goods.The same goes for the BrownMark solo records,awful stuff.

Mazarati should not be awarded anything except a small glitch on the radar or Prince protegee's.

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Reply #7 posted 05/03/13 10:30am

outsideofthebo
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Besides, I would really like to know what really happened behind the scenes with them as a paisley park act and with brownmark producing them. I emailed brownmark back in 2002 and asked them what happened to them and he replied back that mazarati had personal issues and that is too bad because they were a good group.

mask said:

Why should Mazarati "get" anything?

Besides the couple of tunes Prince did for them, most of their stuff was sub-par.

Have you ever heard the unreleased 2nd album they recorded for Motown records?

It was an awful newjack mess of a record and proved that when left to their own devices they did not have the goods.The same goes for the BrownMark solo records,awful stuff.

Mazarati should not be awarded anything except a small glitch on the radar or Prince protegee's.

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Reply #8 posted 05/03/13 1:30pm

databank

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outsideofthebox said:

SNIP:Please do not post any Prince/Assoc. Artists videos from sites such as YouTube, MySpace etc. This is strictly prohibited for legal reasons, and we ask that all Org members please respect this. Note: Violating posts will be removed. 'Repeat offender' accounts will be deleted - permanently. You have been warned! The same goes for fake tracklists, attention-seeking 'rumor' threads etc - don't

Please do not post any Prince/Assoc. Artists videos from sites such as YouTube, MySpace etc. This is strictly prohibited for legal reasons, and we ask that all Org members please respect this.

A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/
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Reply #9 posted 05/04/13 5:40am

SoulAlive

mask said:

Why should Mazarati "get" anything?

Besides the couple of tunes Prince did for them, most of their stuff was sub-par.

Have you ever heard the unreleased 2nd album they recorded for Motown records?

It was an awful newjack mess of a record and proved that when left to their own devices they did not have the goods.The same goes for the BrownMark solo records,awful stuff.

Mazarati should not be awarded anything except a small glitch on the radar or Prince protegee's.

I disagree.Their debut album on Paisley Park Records is EXCELLENT...one of the strongest albums that was released on that label.I like it even more than Prince's own Parade,which came out around the same time.Songs like "Stroke","She's Just That Kinda Lady" and "Strawberry Lover" are top-notch.The cool thing about their album is,it gave us the type of kickass Minneapolis funk that Prince himself was abandoning at that time (there's not much funk on ATWIAD or Parade).

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Reply #10 posted 05/04/13 5:45am

SoulAlive

outsideofthebox said:

the 2nd album was garbage because bernadette copper from klymaxx produced and messed them up with that new jack mess. Mazarati was more funk rock driven than anything else and not to mention as a live band.

I agree,the second album is a mess.A huge disappointment after such a promising debut album confused Things were such a mess at Paisley Park,so I wasn't surprised that they left after the first album.If only they could have made a great second album,they might have lasted longer.

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Reply #11 posted 05/04/13 8:41am

Militant

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Mazarati's album is PHENOMENAL from start to finish. I love that album.

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Reply #12 posted 05/04/13 12:20pm

outsideofthebo
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Mazarati was definitely better and funkier as a live band and as a recording artist than other bands that came after them like mint condition and toni tone tony and that is why I dont understand why mint condition got an unsung and Mazarati didnt. mint condition didnt bring the funk like Mazarati did and even though they are also out of minneapolis like mazarati, mint condition is just not funky to me and the time should have gotten an unsung way before mint condition ever should have. Mazarati version of head and america were superb and I havent seen any other prince tribute compare to what they did. their version of a love bizzare with Sheila E live was even good since it had that raw funky sound like a southern church band.

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Reply #13 posted 05/04/13 12:25pm

outsideofthebo
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Sir Terry Casey killed it with his panting and falsetto vocals on head. ive never seen it done that good.

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Reply #14 posted 05/04/13 1:08pm

databank

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Militant said:

Mazarati's album is PHENOMENAL from start to finish. I love that album.

It is!!! biggrin biggrin biggrin

A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/
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Reply #15 posted 05/04/13 1:47pm

Dandroppedadim
e

they did the original version of KIss aswell - that should get them the Unsung.

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Reply #16 posted 05/04/13 2:21pm

TheKid94

I think The Family would be more interesting on Unsung. Mazarati just doesn't have that big of an appeal.

prince
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Reply #17 posted 05/04/13 2:27pm

outsideofthebo
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well....they were a better and funkier live band than the family was especially with their prince tribute songs to head and america live. ill even say that they were more entertaining as a live band than the family was and that is why mazarati should get the unsung. just for that one album on paisley park records by itself.

TheKid94 said:

I think The Family would be more interesting on Unsung. Mazarati just doesn't have that big of an appeal.

[Edited 5/4/13 14:29pm]

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Reply #18 posted 05/04/13 2:39pm

outsideofthebo
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their original lead singer Sir Terry Casey had more charisma and had that fire rock persona about him especially with 80's big hair bands. I really wish that they would get him back in the band.

TheKid94 said:

I think The Family would be more interesting on Unsung. Mazarati just doesn't have that big of an appeal.

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Reply #19 posted 05/04/13 3:18pm

outsideofthebo
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I remember reading part of this news article a couple of years ago.

http://www.tcdailyplanet....oure-wrong

The return of Mazarati: "Y'all don't think they're funky? You're wrong!"

By Jay Gabler, TC Daily Planet
May 31, 2009

"Mazarati's coming back," shouted Tony Christian with a grin, "and it's gonna be dangerous!"

Christian was in his Bloomington garage on Sunday evening with the founding members of Mazarati, the Minneapolis band whose 1986 debut album was release number 001 on Prince's Paisley Park label. The occasion marked the first time in 20 years that the band had been together. They were at Christian's house to rehearse for their reunion show: they're playing a set Friday night at the Prince Family Reunion...he Cabooze. Appropriately, the Cabooze was also the venue where the band played their very first show—tickets were $2.

"We have rehearsal space," said lead singer Sir Casey Terry as he ducked into Christian's basement, "but we wanted to do it this way because this is where we started—playing in the basement." Terry grew up with Prince, who was nonetheless surprised when he came upon Terry playing at First Ave. "I had real long hair then," remembered Terry, "and it was hanging down covering my face. Prince came up and said, 'Is this your music?' I pushed my hair back and said, 'Yeah, this is my music! You know who I am.'"

Prince signed Mazarati to his label, contributing songs and musical cameos. "He'd jam with us when we were still a bar band," said Terry. "You'd hear this voice on the monitor—Play "Head”—and you'd know he was there. Once we were playing an awards show in L.A., and the room was full of all these great musicians—legends, like Smokey Robinson. They weren't that into it, and Prince jumped up on stage. 'Y'all don't think they're funky?' he said. 'You're wrong!'"

Mazarati's 1986 debut was a modest success; they toured nationally, played live on MTV, and had a top 40 hit with the Prince-penned "100 MPH." "We were playing four to seven nights a week," remembered keyboardist Aaron Keith. "We went from playing bars to playing for ten or twenty thousand people."

When Mazarati's producer Brown Mark parted ways with Prince, the band signed with Motown Records—but the band members weren't happy with the resulting album, Mazarati 2. "I didn't sound ethnic enough for Motown," said Terry. At the label's urging, the band brought in an assortment of other producers, songwriters, and performers. "The sound was generic," said Terry. "It was just a byproduct of the original Mazarati." The band left Motown, and their second—and last—album was released only in Canada.

Today, Mazarati may be best known for the fact that they were the first act to record Prince's #1 hit "Kiss." Prince gave the band a brief demo of the song, which he originally envisioned as a countryish swing number. Mazarati gave the song its funk arrangement; Prince was so pleased with the result that he re-edited the recording—adding his own lead vocal and guitar solo—and released it on his 1986 album Parade.

"People sometimes say Prince liked us because we were the band he could never be," said keyboardist Marvin Gunn (a.k.a. Marr Starr). "We were hard black funk rockers with”—Gunn gestured at Keith and drummer Pancho Lopez—“two white guys who were also funky."

Since the band broke up, all the members have remained active in music. Keith restored the Varsity Theater, and Christian and Gunn performed as the Wild Pair—best known for their duet with Paula Abdul as the animated MC Skat Kat on the #1 single "Opposites Attract."

On Sunday the band declined to be photographed or to be heard in rehearsal, preferring to reemerge in style at the Cabooze. "We hit too soon," said Christian. "We were young and dumb. Now we're fluent and we know how to do it! You can quote me on that."

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Reply #20 posted 05/04/13 8:15pm

outsideofthebo
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look what I found:

http://www.flickr.com/pho...603890243/

did anyone go to this mazarati prince family reunion concert in minneapolis? because I am in atlanta,georgia.

photo photo

photo photo
photo photo
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Reply #21 posted 05/05/13 1:51am

NouveauDance

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Militant said:

Mazarati's album is PHENOMENAL from start to finish. I love that album.

cool highfive

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Reply #22 posted 05/06/13 8:58am

OldFriends4Sal
e

Mazarati

Sir Casey Terry (Vocals)
Jerome "Romeo" Cox (Bass)
Craig "Screamer" Powell (Lead guitar)
Kevin Patricks (Drums)
Tony Christian (Rhythm Guitar)
Marr Starr (Keyboard)
Aaron Paul Keith (Keyboard)
Marvin Gunn (Keyboard & vocals)

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Reply #23 posted 05/06/13 8:58am

OldFriends4Sal
e

High School Pals to Reunite to Rock

By Gary Graff
Chicago Tribune, July 24, 1986

The big time beckoned Casey Terry through a note on his mother's doorstep.

And the singer, known publicly as Sir Casey Terry--front man for Mazarati, the latest pop-funk outfit from Prince's Minneapolis-based Paisley Park camp--almost didn't take the offer.

The note was from Mark Brown, bassist in Prince's band, Revolution. Terry had played in a band with Brown at Minneapolis' Central High School, and, he explained, "We had a pact that if one of us made it, all of us would."

Brown made it first, hooking up with Prince's band in 1980 as a replacement forAndre Cymone.And he didn't forget his promise.

"He really had to track me down for a couple of months," Terry said. "I was out on the road with a rock group called Wire, so I wasn't the easiest guy to find. He just left this note on my mother's doorstep that said, 'Casey, I'm gonna make you a star. Call me and let's get something together.'

"I thought it was a hoax at first. Then one day I said, 'Well, I'll call him up,' and the next week we were in a studio banging away at stuff."

The duo spent a year working on songs for Mazarati and then Terry went to work putting together the band, auditioning local talent and stealing from other Minneapolis bands--bassist Romeo, keyboardist Aaron (Ace) Paul Keith, guitarist Craig (Screamer) Powell and drummer Kevin (Blondie) Patricks--and recruiting a couple of out-of-towners he met at a local club, guitarist Tony Christian and keyboardist Marr Starr.

Mazarati recently released its debut album.

From the start, the group was determined not to be just another band from Minneapolis' fertile music scene. Rather than rent a plush rehearsal hall, for instance, they set up shop in the dank, windowless basement of a warehouse once used as a hideout by gangster Al Capone, "sharing a bag of Cheetos and letting each guy in the band have two sips from a can of pop."

Terry and his mates still rehearse in "the dungeon," though its been customized to provide a more comfortable creative environment.

And their look--whether it was the lace and torn jeans of their early days or the paisley jumpsuits they now sport--became what they'd wear on the streets as well.

"That's just the way we are," Terry explained. "A lot of people dress differently for the stage; we don't."

If Mazarati can drive this new album to the top of the charts and use it as a springboard for a high-mileage career, they will have accomplished something most of the other spinoffs from the Purple Court failed to do.

But, Casey said, there's no worry about an early demise for Mazarati. "This group was together for four years prior to the record deal," he said. "We're already a family." " he said. "We're already a family."

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Reply #24 posted 05/06/13 8:59am

OldFriends4Sal
e

Possessed: the Rise & Fall of Prince

Counter-Revolution

p 88

Of all of Prince's band members, the one most ripe for defection was Mark Brown, a prospect that troubled Prince. He appreciated what Brown's unique, percussive style of playing brought to the Revolution's live sound and even asserted, in an interview with Rolling Stone, that if Brown were not in the band, he would not even use bass in his music.

...

In 1984, unbeknownst to Prince, Brown took under his wing a 7 piece rock funk outfit called Mazarati that he had discovered in the Minneapolis clubs. Soon he became essentially a member of the group, regularly jamming with them onstage. Because he worried that Prince would frown upon such extracurricular activities, Brown performed wearing a mask and identified himself onstage as "The Shadow." I thought he was going to be pissed at me because I had kept it a secret from him," Brown recalled.

*

But as this double life became more stressful, Mazarati guitarist Terry Christian urged Brown to let Prince know about the project. "Just tell him," Christian advised one evening as the 2 musicians were driving around Los Angeles. "The worst he can do is want a piece of it or tell you to stop."

Brownmark

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Reply #25 posted 05/06/13 9:05am

OldFriends4Sal
e

February 1, 1986

Prince, Andre Cymone & BrownMark guest on stage with Mazarati at St. Paul Winter Carnival's Fun Fair. They jammed 4 15 min on America and the Dance Electric.

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Reply #26 posted 05/06/13 9:08am

OldFriends4Sal
e



100 M.P.H.

There's a fairytale that says
Once upon a time
Funky music belong 2 people who
Drink cheap wine

CHORUS:
That's why I gotta get on my own way
That's the new golden rule
Enjoy the closest human
I'm much 2 hot 2 be cool
100 miles an hour, baby
That's what it's all about
I need a lover that could slow me down
Somebody that'll make me shout

There's a misconception that says
Everything on the one (Everything on the one)
And my first reaction is just try 2
Have a little fun

CHORUS

There's a fairytale that says
Twice in the Land of Oz
Dorothy made love 2 the Lion
Because because because...

CHORUS

Make me shout
Can U make me shout?




100 M.P.H.
This is Prince's recording of the track he gave to Mazaratti for their 1986 self-titled album. It is fairly close to the released version, containing lyrics inspired by the Wizard Of Oz, among the usual sexual innuendoes.

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Reply #27 posted 05/06/13 9:11am

OldFriends4Sal
e

Eddie M, Craig Powell, Sheila E in San Francisco 1986

Craig Powell:Guitarist who recorded with The Stylle Band around 1983 and with Mazarati from 1986 to 1989. Later, he and Mazarati-keyboardist Aaron Paul Keith were in the group Wayo Dayo, and Craig performed also with the Westside Band in 2006.

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Reply #28 posted 05/06/13 9:22am

OldFriends4Sal
e





"Kiss" is a 1986 song by Prince and the Revolution, from the album Parade. Kiss started as a short acoustic demo, about a minute in length, with one verse and the chorus. Prince gave the song to the funk band Mazarati for their debut album. Mazarati and producer David Z. drastically reworked the song, giving it its unique raw funk and oddly effective stripped-down minimalist sound. When Mazarati delivered the song to Prince, he was amazed at their work and decided to take back the song for himself. He replaced their lead vocal, added the guitar break in the chorus and edited the song to its present form.

Mazarati were credited for their backing vocals, which Prince left intact. He added the song at the last minute to Parade. Despite Warner Bros. not wanting to release it as a single, Kiss became Prince's third number-one U.S. hit following 1984's highly successful "When Doves Cry" and "Let's Go Crazy". It was also a big hit across the Atlantic, reaching #6 on the UK Singles Chart. The song won Prince another Grammy Award for Best R&B Vocal Performance by a Duo or Group, and was nominated for Best R&B Song. The song has become a staple at Prince's concerts and is usually sung partially by the audience.

The 12" single of the song is an extension of the album track. The extended section is based on the funky guitar line and contains much fuller instrumentation than the main track, including bass, keys and horns. New lyrics are present from Prince with Jill Jones that ends with a humorous dialogue between a wife and her husband watching Prince on television. The B-side of Kiss was the funky " or $" ("Love or Money"), sung in a processed, higher-pitched vocal, which Prince would later use for his Camille material. The song relates to the theme in Under the Cherry Moon and a bit of the song was heard in the film, as was a bit of the extended version of Kiss. The extended Kiss was included on 2006's Ultimate but " or $" has oddly never been re-released.










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Reply #29 posted 05/07/13 10:03am

steakfinger

I'll have to hunt this album down again. I remember when I heard it I thought it sucked pretty bad, (like I was embarrassed to listen to it even ALONE). I remember hearing the version of Kiss with that dude singing it and I remember those vocals being awful! I don't mean jst compared to Prince, I mean awful for anyone. Perhaps I was wrong about the album, though.

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