I'm not sure I understand. A recording can either be: #1/ Unmastered (as recorded and mixed by the artist) #2/ Mastered (using the unmastered recording above aka #1) #3/ Remastered (from sratch, using the unmastered recording above aka #1) #4/ Remastered (using the original master aka #2, because the unmastered recording aka #1 is lost or unavailable)
If I understand correctly, a record company (WB in that case) only have a copy of #2, which is what the original Prince releases were made with, unless of course the artist also has to deliver #1 to the record company, or unless Bernie G. kept a copy of #1 in his own vault, that WB could use. If not, Bernie G. could only remaster #2, and therefore the vinyl "remasters" are #4, which means only Prince can deliver #3 when and if he gets his catalogue back.
So are the vinyl remasters #3 or #4? A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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Thanks Chas. Agreed about the CDs, the irony is that CDs sound great if the recordings are made on the basis that it will be going to CD. Think of Dire Straits' Brothers In Arms from 1985 which sounded amazing as it was designed especially for CD. As many of Prince's albums were recorded for vinyl/cassette, with the CDs coming later, the CDs do show up the 'limitations of the source tape' as the standard CD blumph says! Vinyl definately has an 'energy' about it that somehow doesn't seem to transfer to CD.
Also I think the conversion wasn't done that well, as someone else here noticed, SOTT sounds way too quiet and I'd have to agree!!
[Edited 10/15/12 11:00am] | |
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databank said:
I'm not sure I understand. A recording can either be: #1/ Unmastered (as recorded and mixed by the artist) #2/ Mastered (using the unmastered recording above aka #1) #3/ Remastered (from sratch, using the unmastered recording above aka #1) #4/ Remastered (using the original master aka #2, because the unmastered recording aka #1 is lost or unavailable)
If I understand correctly, a record company (WB in that case) only have a copy of #2, which is what the original Prince releases were made with, unless of course the artist also has to deliver #1 to the record company, or unless Bernie G. kept a copy of #1 in his own vault, that WB could use. If not, Bernie G. could only remaster #2, and therefore the vinyl "remasters" are #4, which means only Prince can deliver #3 when and if he gets his catalogue back.
So are the vinyl remasters #3 or #4? I did not ask what tapes Bernie used. Most likely they were the same generation as whatever was used to cut the original vinyl back in the early 1980s. But the reissues sound better than the originals in my opinion, and I haven't heard anyone say otherwise. The Census Bureau estimates that there are 2,518 American Indians and Alaska Natives currently living in the city of Long Beach. | |
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Thanks for the precision A COMPREHENSIVE PRINCE DISCOGRAPHY (work in progress ^^): https://sites.google.com/...scography/ | |
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databank said:
Thanks for the precision You can always email Bernie Grundman Mastering yourself and try to find out more: http://www.berniegrundman...ntact.html [Edited 10/15/12 12:10pm] The Census Bureau estimates that there are 2,518 American Indians and Alaska Natives currently living in the city of Long Beach. | |
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merely improving all the sound of the ultimate master tape could already be called a form of remastering as far as I am concerned, but a true remaster is a re-work/improvement of the original multi track tapes, i.e. not changing the originally recorded music and performance - but only improving the sound and chohesion of all the recorded tracks together, resulting in a sonically new and much improved mixed master tape on all levels.
[Edited 10/15/12 12:16pm] | |
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Tremolina said:
merely improving the sound of the ultimate master tapes on a whole could already be called a form of remastering as far as I am concerned, but a true remaster is a re-work/improvement of the original multi track tapes, i.e. not changing the music and performance - but only improving the sound and chohesion of all the recorded tracks, resulting in a sonically new and much improved mixed master tape.
In other words, a remix. No, the vinyl reissues are not remixed. The Census Bureau estimates that there are 2,518 American Indians and Alaska Natives currently living in the city of Long Beach. | |
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any remix or re-recording ultimately results in a new or "re-master".
the term "master" is often interpretated differently but legally "master" merely means that it is the recording used for the original pressing of a published recorded song/ album, the "source" recording from which all copies are made of so to speak.
there are usually many more (pre)recordings than only that one. a demo or live recording therefore might just as well serve as "master" too. it all depends.
[Edited 10/15/12 12:37pm] | |
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As has been said, once Prince gets his masters back, he could fuck them up by remixing them. Phil Spector, who has always owned his stuff and never "belonged" to a label, did something similar quite recently.
Think of it like what George Lucas did to the original Star Wars. Nobody wanted it, but we got it regardless LOL.
Thing is, if Prince does FINALLY decide to reissue the old albums himself, which company will he use to distribute them, or will he do it himself?
At least we got his movies on DVD LOL. Very telling that when we got the aniversary DVD of "Purple Rain" that we got no new remaster of the album. Prince obviously doesn't own the rights to his cinema movies LOL.
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will ALWAYS think of like a "ACT OF GOD"! N another realm. mean of all people who might of been aliens or angels.if found out that wasn't of this earth, would not have been that surprised. R.I.P. | |
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