I was just listening to "Here" off of the MPLS album, and it sounds like old school Prince drum programming, but it's just mastered and EQ'd more contemporary. Less midrange. He used to flatten and bring that midrange way up on his drum tracks, with really big hihats and a thick snare and bass drum. These days he EQ's for more higher fidelity (more highs and lows) and seems to also not use the pools of reverb he did on certain 80's tracks.
But listen to "Here". It's got most of the effects he used to use. That's a great song worthy to be called a Prince classic. My art book: http://www.lulu.com/spotl...ecomicskid
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ufoclub said: I was just listening to "Here" off of the MPLS album, and it sounds like old school Prince drum programming, but it's just mastered and EQ'd more contemporary. Less midrange. He used to flatten and bring that midrange way up on his drum tracks, with really big hihats and a thick snare and bass drum. These days he EQ's for more higher fidelity (more highs and lows) and seems to also not use the pools of reverb he did on certain 80's tracks.
But listen to "Here". It's got most of the effects he used to use. That's a great song worthy to be called a Prince classic. One of the better songs from MPLSound along with U're Gonna C Me... However, while both songs slay, Here starts off well but doesn't end up going anywhere. U're Gonna C Me is classic Prince to me in that the song is essentially him in the studio with a keyboard and a drum programmer making his trademark electronic keyboard synth driven RnB!!! Love the tune!!!!! Jay | |
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Like I said, it's all subjective, but for me Here is a perfect example of what's gone wrong. Well the entire MPLSound. Here is a track that would sound much better without the gaudy pseudo 80's linn, that feels like it's just tacked on. It is in no way integral to the track. Like I said, to me "Here" would sound much much better without it. It serves no purpose other than as a retro gimmick. It is neither interesting nor even a part of the composition, nor does it add anything to it. It's just there out of place. | |
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V10LETBLUES said: Like I said, it's all subjective, but for me Here is a perfect example of what's gone wrong. Well the entire MPLSound. Here is a track that would sound much better without the gaudy pseudo 80's linn, that feels like it's just tacked on. It is in no way integral to the track. Like I said, to me "Here" would sound much much better without it. It serves no purpose other than as a retro gimmick. It is neither interesting nor even a part of the composition, nor does it add anything to it. It's just there out of place. that is your opinion ,it's much less objective,far more subjective | |
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Another newer tune that sounds like retro prince: What do you Want me To Do? off Musicology. My art book: http://www.lulu.com/spotl...ecomicskid
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Now that song is hot! My favorite off Musicology.
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2 words falling between the drops and the moans of his condition | |
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Good thread! | |
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What do you Want me to do is simply an amazing piece of pop art. Pure prince. every second of it is sculptured into a whole....voice, bass, synth...the chords are simply coool. Linn drum or no Linn drum, it doesn't date, and you can hear new sounds at the 100th listen. These kind of Prince songs are getting fewer. My Computer was another one. Funky alien | |
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Well about a decade ago he threw out alot of his recording gear, according to the press, because he wanted to go "back" to full live sounds, however "back" is really wrong, because his sound was almost from the begining using drum machines, difference was while cats like Sly pionereed the drum machine he was an innovator because he ran programmed drums with live drums on the top. Thats what made his sound so funky while James Brown would have two drummers Prince had the drum machine with a real player playing over the top to give it the looseness and funk. | |
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You still have one? Pills and thrills and daffodils will kill... If you don't believe me or don't get it, I don't have time to try to convince you, sorry. | |
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"What do U want me to do" on Musicology and "Black Sweat" on 3121 seem to try recreating some of the creativity in the drums.....
Also, I miss not just the drums but the creative beats from songs like "Sex" - where the beat is just a cool keyboard (i'm not technically versed so I may be using the wrong terminology). The looping I miss.
A loop is a loop is a loop.......... | |
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Lavaux and Sticky Like Glue I thought were well done...and before that Black Sweat was exquisite. Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Well back then he was making those NPG type druma machine tracks..that were very bland in the drum programming Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Isn't it all over his last twelve albums? I wish u heaven | |
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