I think this is my fav Batman era pic. This is the 1989 equiv to the PR era poster with Prince in all white holding the rose | |
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the similarities couldn't be missed between he and Batman, sequestered in a studio creating music for the masses just like Batman holed up in his cave ready to rescue at any moment. A downside was not much of the music made it into the actual movie. But it was welcome financial relief for our man and he was cool again to the average teen for a hot minute. | |
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indeed, mine 2
your threads are the life blood of the org me ol friend...
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Batdance era. What got me into Prince in the first place | |
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Love this album. Feel it's so underrated. Was just listening to it before seeing this thread and was about to post a Batdance appreciation. That guitar solo is so bad ass. Also love Electric Chair (I mean really love it), Scandalous, and Vicki Waiting. Oh and yeah I actually dig Arms of Orion too. | |
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Released June 20, 1989 | |
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Spot the spelling mistake
Fuck the funk - it's time to ditch the worn-out Vegas horns fills, pick up the geee-tar and finally ROCK THE MUTHA-FUCKER!! He hinted at this on Chaos, now it's time to step up and fully DELIVER!!
KrystleEyes 22/03/05 | |
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Great topic,i got a few questions.this topic mentions Prince making album with Kim.wasn't that untrue? Why don't you tell about directors dislike of the material Prince brought for the movie? | |
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Yep, I wanted to post it being a Prince mystery/rumor
The directors dislike of certain music will be shared throught the thread
check reply #7 | |
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Scandelous 12-inch/CD-maxi single: Warner Bros. 21422 (US) | |
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Batman Soundtrack was the 1st CD I ever bought. And because it was the ONLY one I had at the time, it's all I played on my new CD player. I love this album.
And the performance of Electric Chair on SNL is one of his GREATEST! He looks as kool as fark in that!
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Thank you, OldFriends, for these endlessly fascinating and satisfying era overviews. PIPS! Eurgh... | |
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This picture always reminds me of Legos....LOL | |
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chellemac said:
This picture always reminds me of Legos....LOL Until you said that I really did think it was a Lego batman picture! Lol! Thanks for these great threads oldfriends4sal! They are awesome! | |
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I think I'm the only Prince fan who liked this boot... | |
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9 24 1989
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I think it's an exceptional album! 9/10
The Scandalous Sex Suite is one of the best things I heard in my life! The Rapture just leads me into a rapture. Hahaha...EVERYTHING ABOUT THAT..IS PERFECT!
SEX, one of his most underrated B-Sides. His true last Camille effort in my opinion. That song gives me the funk spill. I dance all the time to it, it's a dark yet enlightening Gem. One of his best B-Sides!
Around this time, Prince was still playing with darkness. Dancing with the devil, and just raving unto a joy that was fantastic. I think Batman really outlined the darkness he experienced way better than 'The Black Album'.
The future is one of the most underrated songs By Prince! This is a political ode’ where he speaks of ‘The Future’ in which displays images, of the past, according to Hollywood. How Systematic institutions overthrow the underclass. It’s a dark song with meaning and we see the personal connections seen in his life at the time. “Yellow Smiley offers me X Ecstasy is obviously ‘X’. He hasn’t been this personal in a song in a while. ‘Yellow Smiley’ could be a person who smiles and who is very positive and friendly. Basically a nice person takes this drug, while he offers it to Prince… But Prince rather drinks 6 razor blades from a paper cup. The guy who offers it, doesn’t understand. (Apparently because it makes him feel good..he doesn’t see why Prince can feel good either) Prince basically says: Too bad. IT WILL BE ROUGH, if the future is only drugs. Haha
The Arms Of Orion..is one of the most beautiful ballads ever..I don't care what anyone says. I did a thread about it a couple of months back..that's how wonderful it is..lol
Anyways...I can talk about this time in heights!
I could go with Lemon Crush! If he replaced that for 'I Love U In Me'...it would be simply a MASTERPIECE! I Love U In Me, has some of his most unique registers.
His guitar is so dark and sensual around this time. I love his vocals here too...It's a perfect ending to the 80's! It's Button Therapy, Baby! | |
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the Future is always on my playlist Love the shadow of this era, so many nice outtakes By itself outside of Batdance this could have been a nice solo Prince effort the Black cloud, wish he would have worked this more | |
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Wig or not a wig during this era? | |
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Not, same as Lovesexy hair | |
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Got my first apartment that year.
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STOP THE PRESS
add your corrections or additions Bsides & albm & era Outtakes Batdance The track from Batman is an edit of this outtake. The middle section is basically the same, but the 2 sections based on "200 Balloons" are extended. This version contains some samples from "House In Order", which was later given to Mavis Staples, and "Rave Unto The Joy Fantastic", which was supposed to be in the film but was replaced by "Partyman" after being rejected. "Batdance" replaced "Dance With The Devil", which Prince thought was too dark. Bliss This is Prince's version of the song he gave to Japanese artist Kahoru Kohiruimaki from a studio session on September 3, 1989 (could be the date of the final mix). Kohiruimaki just substituted some of Prince's vocals for her own. Prince and an engineer can be heard talking before the track. It was collaborated with Levi Seacer, Jr. Dance With The Devil Intended for Batman, this dark eerie track utilizes a drum machine, piano, synth, and the voice of The Joker. The song is based on the scene where The Joker holds Vicki Vale hostage in Gotham's bell tower. Prince warns to be cautious of the devil's tricks. Some lyrics can be seen in the liner notes of the soundtrack. Feel U Up This outtake was recorded toward the end of 1981 and was taped in sequence with "Irresistible Bitch". Both songs were later re-recorded. The lyrics are very similar to to the released song although the vocals seem to have been recorded at a low level. "Feel U Up" was re-recorded in 1986 for the shelved Camille album and finally released in 1989 as the B-side to "Partyman". Flesh And Blood This track was newly written in 1989 for a Jill Jones project. The lyrics concern "revolutionary" love and even mention Napoleon and Josephine. Jill will do what's necessary in the relationship despite being "only flesh and blood." The music is fast and energetic and Prince's voice can clearly be heard in the chorus. Mindbells This is Prince's version given to Japanese artist Kahoru Kohiruimaki for her 1989 Time The Motion album. She simply substituted his vocals for her own. The song has a production date of September 3rd, 1989, which probably refers to the final mix date. My Baby Knows How To Love Me This bouncy uptempo pop tune was pulled out of the vault to use on the 1989 Jill Jones project. Originally recorded in 1982, it sounds similar to some of the Vanity 6 material written around that time frame; however, the 1989 take contains some sampling of the chorus and other "modern" updates. The lyrics relate that Jill would never stray from a lover that knows how to treat her. Power From Above Originally planned to be the opening track of Carmen Electra's album, "Power From Above" is a powerful uptempo dance cut introduced by synths that recall Bruce Springstein's "Born In The USA". The chorus of "Hey, we got the power, oh, we got the soul" was originally from the outtake "We Got The Power" and later used in "Batdance". Prince also makes appearances as several humorous characters throughout the song. The Voice Inside Written after Lovesexy in the summer of 1988, "The Voice Inside" was intended to be a track on the 1988 LP, Rave Unto The Joy Fantastic. The album was abandoned when Prince got involved with the Batman project and this track is one of the two from the album that remains unreleased. The song is an uplifting number urging everyone to listen to the voice of positivity when we feel the urge to succumb to negative vices. Musically, the song is uptempo and features a number of playful sound effects, similar to some of the Lovesexy material. It segues into "Melody Cool", which later was released on Graffiti Bridge, along with several other tracks from Rave Unto The Joy Fantastic. | |
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Possessed: the Rise & Fall of Prince p 157 Chapter 11 Fantastic
continued Only rarely did any genuine experimentation occur during the sessions. "Batdance," slated as the first single, was an intriguing collage of samples, jarringly different musical sections, and searing guitar work. The project's other major compositional effort was "Dance With the Devil," an eerie-sounding piece with Prince singing a descending minor-key melody over a drum-machine pattern. Unfortunately, he shelved the song and it remains unreleased. Batman arrived in theaters in mid-June 1989 and quickly became one of the most successfl movies of all time, grossing $40 million on its opening weekend and eventually taking in $250 million at the box office... Critics response to the album, however, was mixed. "It's hard to avoid the suspicion that some of the songs on Batman were already sitting around Paisley Park as part of Prince's vast outpouring of music," wrote John Parales in Rolling Stone. David Sinclair of the London Times observed that "there is a distinctly throwaway quality to much of this material." The 9 song album contains 3 high-quality pieces: the idiosyncratic Batdance, along with the Future and Electric Chair, 2 songs Prince recorded before being recruited by Burton to work on the soundtrack, and neither having any thematic relationship to the movie. The Future blends a propulsive dance beat with a New Age-like synth figure; "Electric Chair mixes funk and heavy metal and features a compelling multi-tracked chorus. The remainder of the album is at best passable. The Arms of Orion is schmaltzy, and Partyman, Lemon Crush & Trust are by the numbers songs with perfunctory (and highly similar) drum-machine patterns as well as anemic melodies. The album as a whole, while hardly devoid of indications of Prince's talent, pales next to his 1980's classics. The artistic depth of Parade, Sign O' the Times, and even Lovesexy left many of Prince's fans and critical supporters unprepared for a work with so little inspiration or craft. | |
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Whaaaaat?! Scandalous is far more than "passable!" I think it's up there as one of his best slow jams ever! "That's when stars collide. When there's space for what u want, and ur heart is open wide." | |
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