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So Blue appreciation It sounds like Joni Mitchelle doing calypso/blues. --------------------
I am internet forum artiste, do not be alarmed. -------------------- | |
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"Whatchoo talkin' 'bout, Mia?" (in my best Arnold from Different Strokes voice). RIP, mom. I will forever miss and love you. | |
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I dig So Blue - his voice is so clear on it, sounds like he has his lips right up to the mic. I feel like he's singing directly into my ear... I never met you, but I LOVE you & I will forever!! Thank you for being YOU - my little Princey, the best to EVER do it | |
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Great vocals. | |
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i love "so blue" 2 pieces.
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terrific, laidback, depressing... love it... Candy Dulfer is my boo... | |
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According to Steve Ivory's biography, Prince waited until he had a cold before he recorded his vocals for this, since that was the effect he wanted for 'So Blue'.
I'd say it's one of his most underrated songs. . "You don't frighten us, English pig dogs. Go and boil your bottoms, sons of a silly person." | |
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giotto said: According to Steve Ivory's biography, Prince waited until he had a cold before he recorded his vocals for this, since that was the effect he wanted for 'So Blue'. That is interesting. No wonder the For You sessions went over budget. I mean, can you imagine Prince chucking a bucket of water over himself, sitting buttnekkid with just a guitar covering him, waiting for that darn cold. | |
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giotto said: According to Steve Ivory's biography, Prince waited until he had a cold before he recorded his vocals for this, since that was the effect he wanted for 'So Blue'.
he didn't sound nearly as nasal on "so blue" than he did on "do it all night". the brotha sounded like he seriously needed 2 blow his nose on that one... [This message was edited Fri Feb 28 9:26:14 PST 2003 by Handclapsfingasnapz] | |
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Anji said: That is interesting. No wonder the For You sessions went over budget. I mean, can you imagine Prince chucking a bucket of water over himself, sitting buttnekkid with just a guitar covering him, waiting for that darn cold.
visualizin... | |
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