He can't control it. That's why. | |
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I think his attitude about the internet and music has a lot to do with is iniatial comments about filesharing. He cannot make money so he is not interested in having an online presence. Anyone who reads anything else into is projecting their own ideas. | |
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Prince needs to be more specific because I do not know what he's talking about | |
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You may think so, but he still didn't say that in this context. The context he put the "internet is over" comment in was about itunes and mtv. | |
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Besides he can make money on the internet and in fact does sell some of his older music on itunes. It's the NEW music he wants an advance for, but they won't do it. That's what he says he doesn't like. | |
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I do kinda see Prince's point with concerns to the iTunes model etc. It's like he took a lot of flack for his stance in the 90s against record labels, and his career definately took a hit from his stance at the time - but since then he has often been praised for being one of the artists to bring the issue to the table before many others and since then it has become apparent that the big record label business model is cancerous - but if he's not happy with the business model of iTunes et all, well it's probably because he think it would be jumping out of the frying pan into the fire.
We might've seen it as making a quick buck to get a slab of cash from the newspaper give aways, and I think those releases probably were seen by the general public as "well if it was any good he'd put it out on a label" - which has validity, but also if he'd put PE and 20Ten out on labels, he'd have had to do a lot more footwork and promotion for probably not much more returns, considering his place in the market. So it was probably the most profitable way to put out a new record those years if he wanted to bypass the majors and iTunes. What are the other options: independent labels, releasing through his own websites - this is preaching to the converted. So newspaper releases might not be perfect, but he hit a bigger audience who probably did go and pick up a best of, or ironically, download the hits of iTunes! Still, it kept him relevant and people knew he was still around putting out new product and touring. | |
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Nevermind, I get the picture. | |
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check back to 1997. he definitely wanted to control the internet, at least in regards to him. he started a "Collective" website, completely under his control, and any fan page who decided not to join was sent a cease & desist order to remove his image, his symbol (which he had provided to the internet so that people could refer to him as such), and talk about his music on their websites.
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the problem I have with this is that a lot of his stance about the way the record industry operates was based on his complaint about advances and the way they are charged against an artists' contract/sales.
and yet, the business model he's set up for himself for releasing albums is one based solely on advances. yes, of course in his current set-up, it's all beneficial toward him. that is until he runs out of exclusive venues to distribute his product after they all wise up and see how much overstock is left sitting in warehouses of the last exclusive distributor.
even more galling is that when he proclaimed the internet to be over, he said that he didn't like putting his music on iTunes because they would not give him an advance, which is completely contradictory to one of his major gripes about the music industry 15 years ago.
he has no faith in his music to sell and to be paid on the merits of those sales. even more, he has no faith in himself to go out there and actually put some effort into selling a record instead of letting someone pay him up front, and let the chips fall where they may and leave the exclusive distributor with a bunch of CD's to be sent to the shredder, the landfill, or glutting the shelves for 49 cents. | |
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There ya go "Do you really know what love is?" | |
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But you're missing the point that it's a business negotiation that decides who gets to pocket what in terms of profit. If he does it the traditional of promoting and selling CD's it doesn't change who gets what in terms of percentage profit. Thats decided up front. You can disagree with him for what he gets away with, but as long as he has the means the to it, he'll continue to do it. The traditional model is rigged in favor of the record execs. The way he negotiates it, he manages to come out the winner. Because he's cut out the whole dealing with the radio thing, all the middle men, he's made that the affair of the people he's made the deal with. He's not gonna tell you how much he's made off of these deals, but it's pretty certain its much more guaranteed money than would be made by many of these newer artists selling many more times than him in actual album sales. Change it one more time.. | |
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that's what it all boils down to | |
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This is true. Sometimes I feel the need to be fammy, and the next day I read a reply like this and I'm back on planet Earth. | |
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You're late! (and you didn't bring anything) ...we have only scratched the surface of what the mind can do...
My dance project; www.zubzub.co.uk Listen to any of my tracks in full, for free, here; www.zubzub.bandcamp.com Go and glisten | |
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I'm sorry, do I know you? "Do you really know what love is?" | |
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+ 3 albums (containing 1 exclusive track) and a T-Shirt (to those who actually recieved one). An mp3 album is valued at $9.99, and a T-Shirt usually would cost around $30... maybe you didn't get your money's worth, but you got more than access to watch a few videos.
I'm sorry for bringing this up again.. [Edited 3/6/12 8:14am] | |
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The whole 3 CD set was sold at Target for 12 $. And yes, there was one "exclusive" track on the download version, therefore was another "exclusive" track on the physical release. So we didn't get more, just something slightly different and just for the purpose to milk hardcore fans twice. | |
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Yep.. but TheDance said "a website with no new content".. you added in "(almost) no new content". 3 albums and a T-Shirt is a good bit of content - and it was new content, even if it was available cheaper elsewhere. [Edited 3/6/12 8:30am] | |
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He didn't mean it's over or it's dead. I think he meant that like a party, it's not fun anymore. Sometimes parties are not fun anymore even if they are crowded.
Like Yogi Berra said "Nobody goes there anymore, it's too crowded." My Legacy
http://prince.org/msg/8/192731 | |
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