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New Power Soul era 1997-1998 New Power Soul era 1997-1998
2 the darkness — let there be light
weird time period, lots of Internet releases proceeded by the Love 4 One Another charities & the Jam of the Year tour
and era of stepping into new territory, so it's expected that some things can go really wrong. Some good music.
Gemini rising on the 7th day
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New Power Soul
1. Newpower Soul 49. Wasted Kisses (hidden track)
Newpower Soul is a 1998 album by The New Power Generation, but is de facto a The album sold relatively poorly despite promotional efforts and many of the reviews for the album were poor as well.[citation needed] The title track reuses the music from "Big Fun", from the album Exodus. The album is currently the last from the New Power Generation, as their own entity. Despite the negative reviews,[citation needed] the album is noted by fans for a few key tracks such as "The One", "Come On" (featuring vocals by soul legend Chaka Khan) and the bonus hidden track "Wasted Kisses".
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September 6 ,1998 Marbella, Spain Press Conference | |
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I was going thru a bottle of wine by 10 am when this dropped, my memories are quite vague as a result.....Come On was a keeper though. | |
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i love the outro to "When U Love Somebody". I wish Prince would make more grooves like that. | |
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Hey, OldFriends... isn't this the background info for the FIRST "New Power Soul" tune from Exodus, not the title track from the third NPG release? Sure looks to be the case. | |
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U R right Pzlyprk, I typed in New Power Soul instead of Newpower Soul. Will correct that later.
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3. Until U're In My Arms Again 4. When U Love Somebody 5. Shoo-Bed-Ooh ^ three underrated tracks on the album | |
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In contrast to the studio output, the live shows from this era exhibited a certain degree of promise.
love, Spirit | |
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April 24, 1998 . Aragon Ballroom, Chicago
1.The Ride | |
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August 28 ,1998 | |
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Its by no means one of my favourites but i really like new power soul, come on, the one and wasted kisses. not bad i'd give it 3 out of 5 Still collecting that vinyl | |
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Man, I ain't got time 4 that girl
While specific recording dates are now known, initial tracking took place between mid-November and December, 1997, at Paisley Park Studios, Chanhassen, MN, USA. On 20 February, 1998, Love4OneAnother.com announced that was deciding between Mad Sex, Newpower Soul and Push It Up as the first single, but it is not known if artwork or tracklists were compiled for these singles. | |
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August 28 ,1998
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Q New Power Generation Yes, it's Prince by yet another nom-de-disc -- this time letting Paisley Park acolytes New Power Generation play some of the instruments, although make no mistake, the diminutive one is in charge of proceedings here. The career of the artist fleetingly known as Victor may have stalled -- "enslavement" by Warner Brothers notwithstanding -- but some things remain immutable in the man's ever-burgeoning canon -- namely the marrying of Sly-meets-Parliament funkadelicism with lashings of lyrical prurience.
Thus things kick-off predictably enough with the propulsive groove of Gemini Rising On The Seventh Day and the difficult-to-misinterpret Mad Sex which details a typical litany of groinular encounters over a snapping snare-drum-led, although it's ultimately a pedestrian funk jam. Until Ure In My Arms Again revisits the saccharine pop-soul of The Most Beautiful Girl In The World, while Shoo-Bed-Ooh starts promisingly, like a slippery re-working of Sly & The Family Stone's Family Affair before demurring to an insouciant chorus that The Real Thing might have thought twice about. After such an opening, Push It Up! and Freaks On This Side -- the latter featuring an angular horn arrangement worthy of Neal Hefti -- come as something of a relief, both being easier on the steamhammer rhythmic assault and multi-overdubbed Princely harmonies.
Come On, Gett Off's laid-back cousin, contains some deliciously elastic guitar chops and contrastingly cheesy string synthesizers and Prince's apparently helium-assisted vocals describing an unconventional love triangle in London. Further respite arrives on the leatherette-smooth muzak-ballad The One, although its airbrushed blandness is hardly a cause for celebration. Much better, despite the less-than-groundbreaking title, is the closing Funky Music wherein loquacious clavinets and popping percussion vie for dominance over a dance groove. Buried deep in the run-off groove, or CD equivalent thereof, is an uncredited bonus track, possibly titled Why Do I Waste My Kisses On You, that sees our narrator getting into a lather about burgundy stockings over some suitably sleazy jazz-funk stylings. So no change there, then. It's a meticulously executed exercise in treading water. It's been the case for too long now. More artistry next time, please. *** David Sheppard | |
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I really liked this album. Despite a few mediocre songs, if you added in some other 1998 songs, you could make a classic album.
My NPS playlist (contains 6 album tracks+3 songs supposedly recorded in 1998).
... sequencing isn't perfect, but it was the best I could do. This would have been a 5 * album for me. | |
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thanks 4 sharing a playlist
I find the creation of fans playlists for albums with the 1990's and 2000's music more interesting than the original albums
Will have to put this 1 2gether and have a listen
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Isn't Prince on record as saying that he allowed NPG of that time a free reign on this album and that it was just a 'fun' record.
I quite like the album but the tour was imho a let down....
Saw P/ Chaka and Larry when they came to London and, sorry to say, I was unimpressed - and remember at the time thinking that P's magic was waning. Thankfully i think he's recovered some what since. | |
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All of my life I've never wanted anyone like I wanted U
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