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Reply #30 posted 09/29/11 11:48am

OldFriends4Sal
e

The music video directed by Rebecca Blake. In the plot of the video Prince performs dance choreography in a hall, whilst Revolution member Wendy Melvoin, is sitting playing guitar. Incidentally, the clip includes scenes from the film. Monique Manning is the veiled dancer.



















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Reply #31 posted 09/29/11 11:57am

OldFriends4Sal
e

Born in Belgium, Blake grew up in the United States and studied at New Yorks High School of Music and Art and afterwards, at New York University. Her distinctive style of fashion and beauty photography put her in demand by some of the worlds most prestigious clients, including Estee Lauder, Revlon, Avon, Clairol, Elizabeth Arden, Yves Saint Laurent, Nikon, Polaroid, Michelob, Seagrams, Piaget and others. Her editorial work has been published in Vogue, Esquire, Spin, Zoom, Harpers Bazaar, NY Times Magazine and Rolling Stone.

Her book of Photography, ?Forbidden Dreams, was published by Quartet Books, London. Blakes photography work has been exhibited at The Brooklyn Museum, The International Center of Photography (ICP), The Witkin Gallery, Nikon House Gallery, The Rizzoli Gallery, and The Light Gallery.

Her debut as a live action director was the Prince music video Kiss, which won an American Video Award as video-of-the-year. She went onto direct several more videos for Prince, including Cream (which won the MTV best dance video award) and for other artists such as Babyface, Vanessa Williams, Sheena Easton, rock legends Kiss, George Benson, Billie Myers, Carmen Electra and Michael Bolton.

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Reply #32 posted 09/29/11 11:59am

hls2000

Wondering why the woman dancer in "Kiss" is under a veil? Never thought about it before - just thought it was cool, but maybe there's a reason?

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Reply #33 posted 09/29/11 12:06pm

OldFriends4Sal
e

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Reply #34 posted 10/04/11 10:56am

OldFriends4Sal
e

Under the Cherry Moon film score


1. Under the Cherry Moon Outro - Piano Instrumental (Intro Voice over)
2. An Honest Man - Piano Instrumental (Titles)
3. Christopher Tracy’s Parade (Nice)
4. Incidental Strings (Mirror, Mirror, 17 fold)
5. Incidental Sax & Strings (That Bela Lugosi look)
6. Incidental Sax & Strings (Bath phone call)
7. Do U Lie? (Mary’s party)
8. Planet Rock (Party Jam)
9. Incidental Drums (Christopher & Mary’s eyes meet)
10. Mia Bocca: Intro (Mary reappears)
11. New Position (Party Conga)
12. Happy Birthday (Jonathan calls)
13. Incidental Strings (Mary & Christopher)
14. Do U Lie? – Piano Instrumental (Mrs Wellington’s phone message)
15. Incidental Organ (Christopher & Mrs Wellington)
16. I Wonder U (Mary thinks of a retort)
17. Alexa De Paris (Dance on the veranda)
18. Do U Lie? – Instrumental (Isaac’s car at Mrs Wellington’s)
19. Incidental Drums & Bass (Mary wants to take boat out)
20. It’s A Wonderful Day – Instrumental (Butterscotch, Chocolate)
21. Incidental Chamber music (Restaurant)
22. Girls & Boys (making a scene at the restaurant)
23. I Wonder U (Mary in bed)
24. Love Or Money (I know, let’s spend it!)
25. Life Can Be So Nice (Waiting at the Hippodrome)
26. Junk music (Car race at the Hippodrome)
27. Under the Cherry Moon Istrumental (Christopher & Mary)
28. Venus De Milo (Phone booth)
29. Old Friends 4 Sale – Strings only (Tricky confronts Christopher)
30. Mountains – Part 2 (Let’s run away, for couple of hours)
31. Incidental Drums & Bass (Tricky says something he shouldn’t)
32. Incidental Strings (Mrs Wellington & Christopher)
33. Anotherloverholenyohead (Race to the airport)
34. Incidental Sax (Isaac gets to the plane)
35. Kiss (Define ‘Love’)
36. Incidental Sax (Isaac on the phone)
37. Kiss – Part 2 (Tricky oon the run)
38. Venus De Milo (Mary wakes up in the grotto)
39. Incidental Strings (Tricky fights back)
40. Sometimes It Snows In April (Miami)
41. Mountains (End Titles)

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Reply #35 posted 10/04/11 4:10pm

aardvark15

OldFriends4Sale said:

Under the Cherry Moon film score


1. Under the Cherry Moon Outro - Piano Instrumental (Intro Voice over)
2. An Honest Man - Piano Instrumental (Titles)
3. Christopher Tracy’s Parade (Nice)
4. Incidental Strings (Mirror, Mirror, 17 fold)
5. Incidental Sax & Strings (That Bela Lugosi look)
6. Incidental Sax & Strings (Bath phone call)
7. Do U Lie? (Mary’s party)
8. Planet Rock (Party Jam)
9. Incidental Drums (Christopher & Mary’s eyes meet)
10. Mia Bocca: Intro (Mary reappears)
11. New Position (Party Conga)
12. Happy Birthday (Jonathan calls)
13. Incidental Strings (Mary & Christopher)
14. Do U Lie? – Piano Instrumental (Mrs Wellington’s phone message)
15. Incidental Organ (Christopher & Mrs Wellington)
16. I Wonder U (Mary thinks of a retort)
17. Alexa De Paris (Dance on the veranda)
18. Do U Lie? – Instrumental (Isaac’s car at Mrs Wellington’s)
19. Incidental Drums & Bass (Mary wants to take boat out)
20. It’s A Wonderful Day – Instrumental (Butterscotch, Chocolate)
21. Incidental Chamber music (Restaurant)
22. Girls & Boys (making a scene at the restaurant)
23. I Wonder U (Mary in bed)
24. Love Or Money (I know, let’s spend it!)
25. Life Can Be So Nice (Waiting at the Hippodrome)
26. Junk music (Car race at the Hippodrome)
27. Under the Cherry Moon Istrumental (Christopher & Mary)
28. Venus De Milo (Phone booth)
29. Old Friends 4 Sale – Strings only (Tricky confronts Christopher)
30. Mountains – Part 2 (Let’s run away, for couple of hours)
31. Incidental Drums & Bass (Tricky says something he shouldn’t)
32. Incidental Strings (Mrs Wellington & Christopher)
33. Anotherloverholenyohead (Race to the airport)
34. Incidental Sax (Isaac gets to the plane)
35. Kiss (Define ‘Love’)
36. Incidental Sax (Isaac on the phone)
37. Kiss – Part 2 (Tricky oon the run)
38. Venus De Milo (Mary wakes up in the grotto)
39. Incidental Strings (Tricky fights back)
40. Sometimes It Snows In April (Miami)
41. Mountains (End Titles)

I so want the full score on my mp3 sooooooooo bad!!!!!!!!! The instrumentals are awesome!

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Reply #36 posted 10/04/11 4:28pm

rgsince81

avatar

aardvark15 said:

OldFriends4Sale said:

Under the Cherry Moon film score


1. Under the Cherry Moon Outro - Piano Instrumental (Intro Voice over)
2. An Honest Man - Piano Instrumental (Titles)
3. Christopher Tracy’s Parade (Nice)
4. Incidental Strings (Mirror, Mirror, 17 fold)
5. Incidental Sax & Strings (That Bela Lugosi look)
6. Incidental Sax & Strings (Bath phone call)
7. Do U Lie? (Mary’s party)
8. Planet Rock (Party Jam)
9. Incidental Drums (Christopher & Mary’s eyes meet)
10. Mia Bocca: Intro (Mary reappears)
11. New Position (Party Conga)
12. Happy Birthday (Jonathan calls)
13. Incidental Strings (Mary & Christopher)
14. Do U Lie? – Piano Instrumental (Mrs Wellington’s phone message)
15. Incidental Organ (Christopher & Mrs Wellington)
16. I Wonder U (Mary thinks of a retort)
17. Alexa De Paris (Dance on the veranda)
18. Do U Lie? – Instrumental (Isaac’s car at Mrs Wellington’s)
19. Incidental Drums & Bass (Mary wants to take boat out)
20. It’s A Wonderful Day – Instrumental (Butterscotch, Chocolate)
21. Incidental Chamber music (Restaurant)
22. Girls & Boys (making a scene at the restaurant)
23. I Wonder U (Mary in bed)
24. Love Or Money (I know, let’s spend it!)
25. Life Can Be So Nice (Waiting at the Hippodrome)
26. Junk music (Car race at the Hippodrome)
27. Under the Cherry Moon Istrumental (Christopher & Mary)
28. Venus De Milo (Phone booth)
29. Old Friends 4 Sale – Strings only (Tricky confronts Christopher)
30. Mountains – Part 2 (Let’s run away, for couple of hours)
31. Incidental Drums & Bass (Tricky says something he shouldn’t)
32. Incidental Strings (Mrs Wellington & Christopher)
33. Anotherloverholenyohead (Race to the airport)
34. Incidental Sax (Isaac gets to the plane)
35. Kiss (Define ‘Love’)
36. Incidental Sax (Isaac on the phone)
37. Kiss – Part 2 (Tricky oon the run)
38. Venus De Milo (Mary wakes up in the grotto)
39. Incidental Strings (Tricky fights back)
40. Sometimes It Snows In April (Miami)
41. Mountains (End Titles)

I so want the full score on my mp3 sooooooooo bad!!!!!!!!! The instrumentals are awesome!

yeahthat

Pray Daily!!!!! RIP AMY WINEHOUSE Keep Calm, Carry on
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Reply #37 posted 10/05/11 5:36am

OldFriends4Sal
e



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Reply #38 posted 10/05/11 5:38am

OldFriends4Sal
e




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Reply #39 posted 10/07/11 6:29am

OldFriends4Sal
e

Directed by Prince
Produced by Cavallo, Ruffalo and Fargnoli
Written by Becky Johnston
Starring

Prince
Jerome Benton
Kristin Scott Thomas
Steven Berkoff

Music by

Prince and

The Revolution

Distributed by Warner Bros.
Release date(s) July 4, 1986
Running time 98 minutes

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Reply #40 posted 10/09/11 3:31am

OldFriends4Sal
e

Prince arrives on the scene in Nice France







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Reply #41 posted 10/12/11 12:16pm

OldFriends4Sal
e

Devin DeVasquez and Prince's father at the Under The Cherry Moon premiere in Sheridan, Wyoming July 1, 1986.


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Reply #42 posted 10/12/11 12:18pm

OldFriends4Sal
e

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Reply #43 posted 10/12/11 12:22pm

OldFriends4Sal
e

Prince Strips Down: Parade
Davitt Sigerson, Rolling Stone, 24 April 1986




Prince Strips Down

Who but Prince fills us today with the kind of anticipation we once reserved for new work by Bob Dylan, the Beatles and the Rolling Stones? Happily, following the commercial and creative letdown of Around the World in a Day (cleverly presented as his Personal Statement record), Parade: Music from “Under the Cherry Moon” bears the weight of intense hope and scrutiny as lightly as its maker wears the satin capes he favours.

Prince has made it his task to shock us: his work sounds so inevitable we can no longer identify what it was that first surprised us. He did this on ‘When Doves Cry.’ Was it simply the omission of bass guitar or the retention of a single line of melody for verse and chorus? The answer lies in the way it was assembled; the result is that most of us can remember where we were and what we were doing the first time we heard it.

‘When Doves Cry’ and Purple Rain, the blockbuster it introduced, weren’t even Prince’s best work. That had been achieved one record before — on 1999. A febrile double album of extended dance pieces, it featured his best song, ‘Little Red Corvette,’ and an example of his musical wit, ‘1999.’ A lover of ‘60s pop, he built ‘1999’ around the central riff of the Mamas and the Papas’ ‘Monday, Monday.’ To complete this tribute-by-triangulation, Prince has now written for the Bangles ‘Manic Monday’, which bears a melody almost identical to ‘1999’ but omits the founding riff that would link it to its original source.

This is the degree of energy and intelligence we have come to expect from Prince. This is the promise he has once again kept — on Parade. Like Purple Rain, the new album is a soundtrack (for the forthcoming Under the Cherry Moon) and is preceded by the stunning ‘Kiss.’ The single has been mistaken as a return to the music of his Dirty Mind period. In fact, it is made with a sparseness and — most surprising to the ear — an absence of reverb that bespeak years of learning. Rhythmically, ‘Kiss’ is funk; harmonically, it is rhythm & blues; lyrically, it proves Prince is crossing yet another frontier, into emotional maturity.

The petulant baby — first trumpeting a purported sexuality and then expecting us to care about a so-called spiritual rejuvenation — is no more. Not that Prince wasn’t intelligent enough to say interesting things all along, between the nonsense. Usually, though, sex was his code word for a kind of achievement in which the gratification of voyeur and audience defined success. This explains the curious the curious lack of love, or even motivation, in Prince’s sex songs. Dirty Mind’s ‘Sister,’ for example, isn’t a song about making love to one’s sister; it’s a song about making love in which the female seducer is cast as the protagonist’s sister, much as a pornographer might create a fantasy to titillate his audience. ‘Sister’ is not about what it claims to be about, and neither incites nor shocks.

What really shocks, of course, is the aural landscape of records like ‘When Doves Cry’ and ‘Kiss.’ We all may have dirty minds, but few of us are visionaries. In the arrangements on Parade, it is Prince’s vision to that is paraded: a simple Weillen waltz like ‘Under the Cherry Moon’ proves an excuse for all manner of orchestral invention; when Prince says on ‘New Position,’ “You’ve got to try my new funk,” believe him. In ‘New Position,’ on ‘Kiss’ and above all in the sensational ‘Girls & Boys,’ Prince conceives a clean, diamond-hard style that could spawn years of imitations.

Far from the funk of Dirty Mind, this style springs from an understanding f orchestration, rather than the innate ability to jam on rhythm instruments. On Parade, all sounds — snippets of guitar, horn, percussion, voice — are treated equally, erasing the line between ‘basic track’ and “sweetening”. Prince has achieved the effect of a full groove using only the elements essential to a listener’s understanding — and so has devised a funk completed only by the listener’s response.

Thanks to Under the Cherry Moon, we get the title song, ‘Sometimes It Snows in April’ and ‘Christopher Tracy’s Parade’; thanks to shooting in France, we get the French touches in ‘Girls & Boys’ and ‘Do U Lie?’ But the growth in Prince’s lyrics isn’t because maturity is written into the film script. On Parade, sex and love sound real, and perhaps for the first time, they sound related. He’s made the adult discovery — or is it an admission? — that the people you care about can be the people who turn you on the most. ‘Kiss’ even offers something of a manifesto: in lines like “Women not girls rule my world”, “U don’t have 2 watch Dynasty 2 have an attitude” and “U can’t be 2 flirty mama I know how 2 undress me”, Prince smiles at his old ways. On another track, he serves notice that he’s “got 2 try a new position”.

If Parade harks back to Dirty Mind, it is less in the surface similarities of the falsetto funk style than in its freedom from thematic pretensions. Prince has given us three successive concept albums — first the unintended masterpiece 1999; next the Cinerama extravaganza Purple Rain, where his exertions occasionally drowned out his intentions; and finally the con job Around the World in a Day, when he summoned craft and packaging to bridge the creative chasm he faced. Having gathered enough laurels on which to rest comfortably forevermore, Prince wants to have some fun with music, or as he puts it, to “go fishing in the river, the river of life.” What better time for a new baptism?



Davitt Sigerson

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Reply #44 posted 10/12/11 12:26pm

eireboy34

OldFriends4Sale said:

Purple & Paisley Chic

Goodness will guide us if love is inside us
Let's go fishin' in the river, the river of life

I wonder U, I wonder U?
I want 2 live life 2 the ultimate high
Meet me in another world, space, and joy
It's a wonderful world, paradise
Love will conquer if U just believe

Les enfants qui mentent ne vont pas au paradis
I want 2 be your fantasy, maybe U could be mine

Revolution, put the groove on the bus
United all 4 love
And love, it isn't love until it's past

Great thread

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Reply #45 posted 10/12/11 12:47pm

Riverman37

Great album-review by Rolling Stone there.

Allthough i don't really like that whimsical movie, the album Parade equals Sign of the Times for me when it comes to selecting my favourite Prince album ever.

Indeed, in general Sign of the Times shows better songwriting, and the sonic experiments are more tastefully 'restrained', but there is something in the flow and the atmosphere of the Parade album that often makes me enjoy it more as an album.

While 'Sign' shows controlled, regulated 'geniousness' Parade feels more like an 'happy accident' to me: its the kind of album that sounds rather nonchalant and carefree on the surface, but when you look beyond that surface it might be an even better album then 'Sign'.

Why? Because Prince doesnt seem to realise he is a genius allready: its a more playfull album in its nature, and the imperfections of the music actually benefit it.

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Reply #46 posted 10/12/11 5:27pm

ScarletScandal

avatar

My absolute favorite Prince album...so far smile

That whole era was so artsy. I love it. I think this album was the PERFECT mesh of Prince's style with Wendy & Lisa's.

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Reply #47 posted 10/13/11 8:21am

OldFriends4Sal
e

Life Can Be So Nice
This morning there was joy in my heart 4 I know that I love U so
Scrambled eggs are so boring 4 U're all, all that I wanna know
Kisses never lie when delivered with milk from your lips
Morning glories (never) cry, my love 4 U, baby, drips

Oh, life can be so nice
It's a wonderful world, sweet paradise
Kiss me once, kiss me twice
Life can be so nice, so nice

Life can be so nice

No one plays the clarinet the way U play my heart
I come a thousand different ways before I even start
U're so nice

Shivering madly in your embrace is better than a trip
(Shivering madly in your embrace)
Morning glories never cry, my love is just a-drippin'
(Better than a trip)
Scrambled eggs are boring, mama, U're all I wanna know
(Morning glorified in every way)
This morning there was joy in my heart cuz I know that I love U so, shit!
(My love 4 U, baby, drips)

So nice
(I know, yes sir!)

Life can be so nice
It's a wonderful world, paradise (So nice)
Kiss me once, kiss me twice
Life can be so nice (Life can be so nice)

Life can be so nice
It's a wonderful world, paradise
Kiss me once, kiss me twice (Drip)
Life can be so nice, so nice
So nice

© 1986 Controversy Music - ASCAP

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Reply #48 posted 10/13/11 8:21am

OldFriends4Sal
e

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Reply #49 posted 10/13/11 9:04am

OldFriends4Sal
e

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Reply #50 posted 10/13/11 9:10am

OldFriends4Sal
e

Kiss

Kiss arranged by David Z
background voice by Mazarati
Jill Jones background vocals on extended version

U don't have 2 be rich 2 be my girl
U don't have 2 be cool 2 rule my world
Ain't no particular sign I'm compatible with!
I just want your extra time and your... kiss

Woman overboard, everybody on the ground
10 toes goin' up, 10 toes goin' down
Got the gun pointin' at 'cha
We're never gonna cut our hair
(Come here, let me cut that hair) No!

Gotta, gotta
(My body wanna tell U 2 take control)
(This way 2 this purple soul)

Oh, pretty mama, I think I wanna ride

Sophie, 4 God's sake
If U touch the television, I'll kill U Sophie

Sol, can U please change the channel 4 God's sake?
I don't care, leave it alone, sit down!

I can't stand David Letterman, he looks like a banker

U don't have 2 watch Dynasty 2 have an attitude
Leave it all up 2 me, my love will be, will be your food
Everybody will have short hair
Let's cut it, mama! (Pretty mama)
I think I wanna ride
Put the daddy in the front seat, me and the girl outside
I just want your extra time and your... kiss

Oh my God, isn't that Prince on television, Sol? {fade out}

OK Sophie, it's obvious
No, wait a minute, I bought this television
Why'd... why U ruin it 4 me 4 God's sake?

Is he the strangest lookin' thing U've ever seen or what?

U wanna talk strange Sophie? OK, let's talk strange

Sol, don't U touch that channel!
Leave it alone, Sol!

Sophie, U're strange, I'm changin' the channel

Sol, do U... do U value your life?
Sit down Sol!

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Reply #51 posted 10/17/11 6:07am

OldFriends4Sal
e

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Reply #52 posted 10/18/11 6:14am

OldFriends4Sal
e

Prince - prince photo

August 14. 1986
Wembley Arena London

1.Around The World In A Day
2.Christopher Tracy's Parade
3.New Position
4.I Wonder U
5.Raspberry Beret
6.Delirious
7.Controversy
8.Mutiny
9.Do Me, Baby
10.How Much Is That Doggie In The Win...
11.Automatic
12.D,M,S,R
13.When Doves Cry
14,Paisley Park
15.Under The Cherry Moon
16.Anotherloverholenyohead
17.Condition Of The Heart
18.17days
19.Head
20.Pop Life
21.Girls & Boys
22.Life Can Be So Nice
23.1999
24.Miss You w/Sting & Ron Woods
25.Mountains
26.Kiss
27.Sometimes It Snows In April
28.Purple Rain








* These are pictures from this show

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Reply #53 posted 10/18/11 11:17am

OldFriends4Sal
e

Under The Cherry Moon (Prince, 1986)

In her film debut Thomas plays Mary, an upper-class rich girl, soon set to inherit $50 million from her father, a fact that comes to the attention of Christopher (Prince) and Tricky (Jerome Benton). The smooth talking Christopher decides to set himself the challenge of wooing her for the sake of finances, but of course, ends up falling in love with her. Thomas sparkles in a series of elegant dresses, captured in loving spotlights and gorgeous black and white photography. She's every bit the posh girl in attitude, the 'spoilt brat', if you will, but there is a sense of adventure behind the tough exterior. She constantly tries to match Christopher's wit, and as time goes on the sparkly script develops their relationship into a war of the sexes/classes adventure. We've seen it all before, but Thomas totally convinces in the part and watching her unravel into a mistress of the night is gleefully entertaining. She still keeps some of the shield up though - when confronted by her mother about some of her recent life choices she proclaims,

"For 21 years now i've listened to you and father tell me what to do. You've painted a picture of a perfect world and you've framed it with hypocrisy, stubbornness and lies. And you've hung it on a trust fund I can't get until I marry a man I don't even love. Doesn't it matter to you and Daddy what I want? Mother. Look at me. I am your painting."

It's the combination of old and new life, cold confrontation giving way to a restless heart. The film may not be up to much - although lavish, beautifully shot and well scripted, it's more than a little indulgent and at times feels too much like a vanity project.
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Reply #54 posted 10/18/11 7:49pm

madhouseman

Great thread. I was listening to this CD again over the weekend and it was cool how varied and experimental it was. Looking back, I don't know why Prince didn't like it other than it may have been a bad time for him in his career and with his relationships, but I think it is a solid album and to me, Parade was the FU album after Purple Rain. ATWIAD was a slight difference, but Parade showed that he wasn't a 1 trick pony.

The expanded version of my book PRINCE and The Purple Rain Era Studio Sessions 1983-1984 was released in November 2018. (www.amazon.com/gp/product/1538114623/ref=dbs_a_def_rwt_bibl_vppi_i0) or www.facebook.com/groups/1...104195943/
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Reply #55 posted 10/19/11 5:25am

OldFriends4Sal
e

madhouseman said:

Great thread. I was listening to this CD again over the weekend and it was cool how varied and experimental it was. Looking back, I don't know why Prince didn't like it other than it may have been a bad time for him in his career and with his relationships, but I think it is a solid album and to me, Parade was the FU album after Purple Rain. ATWIAD was a slight difference, but Parade showed that he wasn't a 1 trick pony.

I think Prince was blaming the album because the movie flopped.

The music wasn't the problem, it was the bad directing, and the ego tripping,

I like the movie, but he just put his middle finger up to every seasoned director on this one

He should have let the original director go with it, and he should have had "live" music performances in this one either by him & his band or protege bands Sheila E Jill Jones the Family

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Reply #56 posted 10/19/11 6:52am

OldFriends4Sal
e

MTV (1985)

-----



reprinted in ROCK & SOUL * APRIL 1986

THE PRINCE INTERVIEW
Mr. Purple Discusses His Movies, His Music, His Musicians
And More, More, More.

By Michael Shore



-----

Prince's next feature film, Under the Cherry Moon -- and the much-anticipated followup to his smash debut, Purple Rain -- should be out in theaters in three or four months. It's even more eagerly awaited because it's also Prince's feature-film directing debut.

Originally, the film was to be directed by Mary Lambert, a premier music-video director who has overseen Madonna's "Borderline" and "Material Girl," Sheila E.'s "The Glamorous Life," and the Go-Go's "Yes Or No." But in mid-September, about a month or so into the movie's two-month shooting schedule, Lambert abruptly walked off the set and handed the directing reins to His Royal Badness.

Lambert issued a statement which read, in part, "I'm leaving under totally amicable circumstances. It's just become quite apparent that Prince has such a strong vision of what this movie should be, a vision that extends to so many areas of the film, that it makes no sense for me to stand between him and the film anymore. So I'm going off to work on my own feature and letting him finish his."

Lambert's was not the first departure from the set of Under the Cherry Moon. Just days into filming, veteran British actor Terrance Stamp walked off the set, allegedly due to "scheduling conflicts," which may or may not be public relations' diplomacy. In any case, Stamp was replaced in short order by Steven Berkoff, who played the heavies in both Beverly Hills Cop and Rambo. He'll be seen as the father of Prince's love interest in the film.

Under the Cherry Moon is a love story, set in the 1940s and shot in black and white. Word from the set has it that the plot is more or less spelled out in the lyrics to "Condition of the Heart" on Around the World in a Day, which appears to be about a musician falling in love with a woman too rich and worldly for his own lifestyle.

In Under the Cherry Moon, Prince's love interest is a rich girl named Mary Sharon who, according to one cast member, "wears miniskirts and pigtails." Prince plays Christopher, a piano player in a casino-style lounge in a place similar to the French Riviera, where the film was shot. One unconfirmed story was that Prince wanted to shoot some scenes in Monte Carlo but Prince Rainier wouldn't grant permission. Guess he felt one prince on the premises was enough.

While the plot may come from a Prince song, don't expect much Prince music in Under the Cherry Moon. Another unidentified crew member says the Revolution was on the set only to shoot the video for "America," that there's no band music in the film at all, and that the only Prince music in the film is His Royal Badness at the acoustic piano. So there may or may not be soundtrack album. Another crew member confirmed, though, that there is one actual "song," and it's called something like "Snowing in July." You'll recall that when Prince announced he would stop touring late in the Purple Rain tour, one of his cryptic reasons was, "Sometimes it snows in July."

The rest of the cast includes little-known British actress Kristen Scott-Thomas as Mary Sharon; Jerome Benton, Morris Day's former valet in the Time and now a member of the Family, as Prince's "partner"; veteran British actress Francesca Annis as an older woman with whom Prince's character reportedly has an affair; and Victor Spinetti, whose career as a supporting player in rock movies goes all the way back to the Beatles' A Hard Day's Night and Help!

So what'll the movie be like? Your guess is as good as ours or anyone else's at this point. But consider another hot report from one crew member. In order to complete the film on time after he took over from Lambert, Prince shot the remaining scenes in one take.

Maybe that's a good sign. After all, His Royal Badness did all right making records by himself for a long time, and surprised a lot of supposed experts with the success of Purple Rain. Somehow, it's hard to believe Prince is finished surprising us.

Late in 1985, Prince broke his self-imposed silence and spoke to the public for the first time in almost four years. First came an interview for Rolling Stone magazine. Later came an interview for MTV. Prince's agreement to be interviewed took MTV so suddenly that the staff at the cable network were unable to arrange to conduct the interview in person. Consequently, the Music News staff resorted to simply providing a list of questions to be read to Prince by his manager and answered by Prince on videotape. MTV elected to broadcast only parts of the interview. The full interview was then offered to other broadcasters.

The videotaped interview was conducted in France, where Prince was shooting his forthcoming motion picture, Under the Cherry Moon. He first took a break to film the video for America, the third single from the Around the World in a Day LP, before 2,000 kids at the Theatre de la Verdure (translation: Greenery Theatre), which is a huge tent on the Promenade des Anglais in Nice. Once the video shoot was completed, Prince & the Revolution treated the audience to a 90-minute concert. Afterwards, Prince sat with a few of the young people in attendance and answered the questions prepared by the MTV Music News staff. It marked the first time in his career that Prince had said more than two sentences on TV. Unfortunately, in many cases, he didn't answer the questions posed, as you'll see. Although Prince is very good at many things, his inexperience with interviews shows greatly.



The first and most obvious question is, why have you decided to drop your media guard with the recent Rolling Stone interview and this one for MTV? And why were you so secretive prior to this?

Well, as you can see, I've made a lot of friends here, but I was homesick and I missed America. I guess I just wanted to talk to somebody.

A lot of observers have remarked on your apparent need for control, and only with your two most recent albums, you gave credit to your band for composing, arranging and performing. It seems to us, from what we know of your personal background, that the need for control arose from your childhood and early teen years when you had a total lack of control over your life and were shuttled from home to home. Is this the case? If not, how does the need for control and/or your current, more open stance relate to your music?

I was horrible. To be perfectly honest, I was surrounded by my friends, but nevertheless, we had a difference of opinion in a lot of situations -- musically speaking, that is. A lot had to do with me not being quite sure exactly which direction I wanted to go in. Later on toward the Controversy period, I got a better grip on that. That's when we started to see more and more people participating in recording activities. Boom.

Someone in Minneapolis recently told us that several months ago they were in a studio there when David Rifkin, your sound engineer, walked in. They asked him what he thought of the new Prince album, Around The World In A Day. He said, "It's great, but wait 'til you hear the new album." Apparently, he meant you're already working on a new LP, and that this one would be a strong return to your funk roots. Is this true? Can you elaborate? What will it be called? When will it be due out, and what's the music like?

Don't you like surprises? Guess not. Ah, it is true I record very fast. It goes even quicker now that the girls help me -- the girls, meaning Wendy and Lisa. I don't really think I left my funk roots anywhere along the line. Around The World In A Day is a funky album. Live it's even funkier.

Why did you make the announcement that there'd be no singles or videos from that LP, and then start issuing singles and making videos anyway?

Because I wanted this album to be listened to, judged, critiqued as a whole. It's hard to take a trip and go around the block, and stop when the trip is 400 miles. Dig?

Speaking of singles and videos, your latest is "America." This is one of the most political songs you've ever done. Could you tell us what the song is supposed to say to people? For example, is it straightforwardly patriotic or more complicated than that?

Straightforwardly patriotic.

We understand you directed the "America" video, and that you also directed "Raspberry Beret." How do you approach directing a video? Do you consult others in order to keep a certain perspective when directing yourself?

Yes, definitely. When directing myself, I consult Steve (Fargnoli), my manager. On directing other Paisley Park artists, I consult the artists first and foremost. One of the things I try to do with the things I direct -- namely for our acts -- is go for the different, the out-of-the-norm, the avant purple, so to speak. And the thing that's unique about the situation I'm in now with these people is that they all know who they are, and they agree with me when we say the one thing we produce is the alternative. If someone wants to go along for that ride, then cool.

Would you ever like to direct your own movie?

Yes, (very enthusiastically) yes, yes.

Speaking of movies, tell us as much as you can about Under The Cherry Moon.

Ooooh.

What's the plot, what kind of characters, what kind of music, how many songs, what can we expect?

It's a French film. It's a black-and-white French film, and ah, she's in it (girlish giggles can be heard). And her name's Emanuelle.

A lot of people were offended by what they saw as sexism in Purple Rain.

Now, wait, wait. I didn't write Purple Rain. Someone else did. And it was a story, a fictional story, and should be perceived that way. Violence is something that happens in everyday life, and we were only telling a story. I wish it was looked at that way, because I don't think anything we did was unnecessary. Sometimes, for the sake of humor, we may've gone overboard. And if that was the case, then I'm sorry, but it was not the intention.

When and how did you first get the idea for Purple Rain? Did you really spend a year or so taking notes in a purple notebook, like some people have said?

Yes.

Did you ever think Purple Rain, the movie and the album, would be as big as they were?

See this cuff link? Give a brother a break. I don't know.

Speaking of brothers, some have criticized you for selling out to the white rock audience with Purple Rain, and leaving your black listeners behind. How do you respond to that?

Oh, come on, come on! Okay, let's be frank. Can we be frank? If we can't do nothing else, we might as well be frank. Seriously, I was brought up in a black-and-white world and, yes, black and white, night and day, rich and poor. I listened to all kinds of music when I was young, and when I was younger, I always said that one day I would play all kinds of music and not be judged for the color of my skin but the quality of my work, and hopefully I will continue. There are a lot of people out there that understand this, 'cause they support me and my habits, and I support them and theirs.

How do you feel about Jesse Johnson leaving the Time? Have you heard his album, and if so, what do you think of it?

Jesse and Morris and Jerome and Jimmy and Terry had the makings of one of the greatest R&B bands in history. I could be a little pretentious in saying that, but it's truly the way I feel. There's no one that could wreck a house like they could. I was a bit troubled by their demise, but like I said before, it's important that one's happy first and foremost. And, as far as Jesse's record goes, chocolate. You know.


It was obvious from the Purple Rain tour that, with the extended jams on some of these songs, you were paying tribute to James Brown. Would you agree? Who, besides James Brown, were your major musical inspirations and influences? Obviously you were thinking of Hendrix, Clinton and Sly Stone.

James Brown played a big influence in my style. When I was about 10 years old, my stepdad put me on stage with him, and I danced a little bit until the bodyguard took me off. The reason I liked James Brown so much is that, on my way out, I saw some of the finest dancing girls I ever seen in my life. And I think, in that respect, he influenced me by his control over his group. Another big influence was Joni Mitchell. She taught me a lot about color and sound, and to her, I'm very grateful.

In your Rolling Stone interview, you said you were surprised by so many people comparing you to Hendrix because you've always been more into Santana than Hendrix as a guitarist.

A lot has to do with the color of my skin, and that's not where it's at. It really isn't. Hendrix is very good. Fact. There will never be another one like him, and it would be a pity to try. I strive for originality in my work, and hopefully, it'll be perceived that way.

Your father is a musician too. Have you ever, or would you ever, try to get your father's music released on an album?

I did. He co-wrote "Computer Blue," "The Ladder" and several tunes on the new album. He's full of ideas. It'd be wonderful to put out an album on him, but he's a little bit crazier than I am.

You gave Andre Cymone the song, "Dance Electric," for his new album, and we know that you two had some kind of falling out a few years back. When and how did you patch things up?

I saw him in a discotheque one night and grabbed him by his shirt and said, [at this point, Prince reenacts the scene down to the last facial gesture], "Come on, I got this hit. You know I got this hit, don't you? "Dance Electric"? Yeah, it's great. You need it, you need it. no... Hey, come here, don't you play, hey, no, no, no you're not crazy, I'm crazy. I'm the one that's crazy, K? What chu gonna do? You gonna come by? For real? You ain't mad or nothing? So what? Yeah tomorrow. Noon. Cool."

We hear rumors that the Revolution may record an album of its own.

I don't know. It'd be too strange. They're very talented people, but they're (motions with his hands like a spastic hula girl), and together we're (motions with his hands, making them neatly parallel). I'd rather stay here (parallel), than (spastic).

Can you tell us about Paisley Park?

Paisley Park is an alternative. I'm not saying it's greater or better. It's just something else. It's multicolored, and it's very fun.

Can you comment on the incident that occurred after the American Music Awards in January 1985?

We had talked to the people that were doing USA for Africa, and they said it was cool that I gave them a song for the album. It was the best thing for both of us, I think. I'm strongest in a situation where I'm surrounded by people I know. So it's better that I did the music with my friends than going down and participating there. I probably would have just clammed up with so many great people in a room. I'm an admirer of all of the people who participated in that particular outing, and I don't want there to be any hard feelings. As far as the incident concerning the photographer goes, it's on the flip side of "Pop Life." The main thing it says is that we're against hungry children, and our record stands tall. There is just as much hunger back here at home, and we'll do everything we can, but y'all got to understand that a flower that has water will grow and the man misunderstood will go.

Have you changed your mind about touring since you announced the Purple Rain tour would be your last?

No. I don't plan on touring for a while. There are so many other things to do.

Now that Purple Rain has made you such a huge superstar, do you worry about the possibility of a backlash against you?

One thing I'd like to say is that I don't live in a prison. I am not afraid of anything. I haven't built any walls around myself, and I am just like anyone else. I need love and water, and I'm not afraid of a backlash because, like I say, there are people who will support my habits as I have supported theirs. I don't really consider myself a superstar. I live in a small town, and I always will. I can walk around and be me. That's all I want to be, that's all I ever tried to be. I didn't know what was gonna happen. I'm just trying to do my best and if somebody dug it then (kiss, kiss to the camera).

What are your religious beliefs?

I believe in God. There is only one God. And I believe in an afterworld. Hopefully we'll all see it. I have been accused of a lot of things contrary to this, and I just want people to know that I'm very sincere in my beliefs. I pray every night, and I don't ask for much. I just say, "Thank you" all the time.







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January 27. 1986
Shrine Auditorium Los Angeles
American Music Awards
Prince Presents awards to Huey Lewis & The News







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