OldFriends4Sale said:
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If this album didn't have so much filler, this would have been the Purple Rain of 90's. The huge mega Prince with awesome videos, songs, appearances, and performances. | |
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I'm biased! I like the majority of this album,esp strolling & willing & able, I went 2 aprox 7 gigs at earls court, met most of the band-rosie was soo lovelly,humble & genuine,i went 2 clubs p & the band were in,it was a very exciting time so i'm biased! the track walk dont walk may be seen as filler but I find the lyrics affirming & uplifting. P.s prince's dancing at those gigs was fantastic! "We just let people talk & say whatever they want 2 say. 9 times out of 10, trust me, what's out there now, I wouldn't give nary one of these folks the time of day. That's why I don't say anything back, because there's so much that's wrong" - P, Dec '15 | |
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July 19. 1991
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A VERY underrated album here on the Org IMO.
I often have the idea the Tony M. input on this album, combined with the more 'slick' image Prince showed during this area, makes people overlook the qualities of this album: That its simply a very fine pop-album. Maybe with less innovative and more traditional sounding material then 'we' are used to from Prince. But in the songwriting department its a very strong album IMO.
Take of Daddy Pop, Jughead and Push, and you have a collection of well-written / well-composed 'traditional' songs bookended by two longer, more experimental songs (Thunder and Live 4 Love).
The album is obviously aimed at the 'big market': the songs mostly being in one musical style, and being rather direct and catchy in terms of melodies, hooks and riffs. Its obvious Prince was ready for some commercial succes again. But (apart from the mentioned, misguided 'hip-hop' tracks maybe) i wouldn't say he is acting like some big sell-out on the album: The songs are more simple, but definitely not blatant sounding. The production and instrumentation shows some more subtle experiments / new things (the way the drums by Michael B. are sounding: great IMO, a very prominent back-up singer in the form of Rosie Gaines, Queen-influences on Thunder, a bit of south-african Jive on Willing and Able, an almost Madchester-type of drumbeat on Live4Love, etc.).
In retrospect Diamonds and Pearls almost sounds like an early 'blueprint' for albums like Musicology and 3121: A bit of soul, a bit of funk, a bit of rock. Songs that are more traditional soundings in terms of their compositions and arrangements. A bit more MOR-approach. The difference between Diamonds and Pearls and the albums i mentioned? The level of songwriting and composing on Diamonds and Pearls is simply a few levels higher.
General conclusion:
Minus the faux hip-hop songs i would rate this as his best album from the nineties. Yes, i think its better then The Gold Experience: more diverse in his songwriting, more colourfull in its production, and less filler. My verdict: 8,5 out of 10.
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This is a very good review of the album, I also prefere this one 2 the Gold Experience
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Fantastic album and era! I liked the look and feel of the D&P era. The albums is almost a masterpiece, and would be if it didn't have Jughead lol. The album is classic though. I absolutely LOVE every song on it (of course except for Jughead). Cream & Insatiable are my favorites though. Purple Music is my drug and I'm jonesin!!!!! | |
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I love this entire cd (even Jughead!!).
I love the holographic cover and I'm happy I have an original copy.
This cd is somewhat under-rated, but it's one of my favs by Prince. | |
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Question: was Thunder the first song to have that huge 90's sound by an artist? I'm not a huge fan of the song but it feels like the backstreet boys and their ilk were using it directly for inspiration for backstreets back/the call and that kind of upbeat pop thing six or seven years later..... | |
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That pic is from 1990, so wrong thread. Formerly known as Parade @ HQ and formerly proud owner of www.paradetour.com | |
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Heard alot of the songs from other things and various compilation albums. This morning, funnily enough, I put this album on as I hadn't listened to it in it's album configuration before. I really like it. Could become one of my favourites. Plus Prince looks REALLY hot around this time. As somone else mentioned, that hair and beard, gorgeous | |
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was Rosie in the band 4 Graffiti Bridge/Nude tour? | |
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She sure was OldFriends, Dr Fink wasn't in the band for D&P - been replaced by Tommy B. pic defo from 1990. | |
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riiiigght, thanks
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Earl's Court, London | |
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While specific recording dates are not known, the song was recorded at Paisley Park Studios, Chanhassen, MN, USA at some point between December, 1990 and February, 1991. It was included as the first track on 1 March, 1991, and 8 May, 1991, configurations of Diamonds And Pearls, where it remained for release. Additional recording took place on 5 October, 1991 (four days after the release of Diamonds And Pearls
Thunder all through the night Thunder! Yeah, yeah, yeah, yeah {x2} Love - nobody know just how it was born CHORUS: Love's kiss was running all through my veins CHORUS Thunder! (Yeah, yeah) Like rain falling on a window pane CHORUS Thunder! We'll be alright (Alright) Thunder {repeat} (It was truly, truly like…) Thunder! (Thunder, thunder – yeah, yeah, yeah) Thunder {repeat till end}
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Love the entire CD too. Great energy. Definitely under-rated. I remember, I was DJing at the time and decided to play the entire CD whether anyone liked it or not - the dance floor was packed.
I still have lots of oversized, meaning larger than the CD holographic images. I sent Ben some long time ago, to put up for org contest purposes - but guess he kept for himself. | |
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I missed the Diamonds & Pearls era very much.
And I definitely miss THE original NPG line-up! [img:$uid]http://xa.yimg.com/kq/groups/21303846/sn/799439427/name/the+NPG.jpg[/img:$uid] | |
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