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Prince must've really pissed off the WB! Judging from what I've read and heard on the Peach and Black podcast, along with other things I've observed during the years. It's apparently obvious that Prince has pissed off someone at Warner Brothers! The Peach and Black podcast reported that Several attempts by Prince concerning the remastering of his early recordings have fallen on deaf ears! Prince say's each time he attempts to discuss the matter with someone he gets shuffled around to different people!One visit he speaks with this person next visit it's this person etc. He claims he has the first 4 or 5 albums remastered and ready to go! But still no progress with negotiations! Now my guess is since the first couple albums have regressed back to Prince I'm assuming WB would be loses money? So there not going to wanna spend money on something that's not gonna profit them much! Also I'm gonna take a while stab in the dark and say whenever certain cd's of Prince's regress back to him the less of those particular cd's will you hear on the radio!!! It's quite obvious the work that he has been recording on his own record label has been black balled from the airwaves! Time Warner's damn near owns must of the airwaves in some form or fashion. I really believe that most of this bad blood between Prince and Warners really heated when he turned down that 100million dollar offer from warner's. Not quite sure what all the offer consisted of but they were'nt happy! I don't think Prince has the money to package and distribute his early recordings the way Warner's could? Not sure if he could use another label to distribute what he created on warner's! I really feel that his legacy could be on shakey ground! It's really sad to. This man should have ton's of dvd's and greastest hit's as well as his proteges items on shelves eveywhere! 30 plus years and not one remastered cd! Freaking pitiful! I kinda wondering though if Prince is regreting some of his decissions of the past a little? Anyway that vault of his is a goldmind, wonder what's holding him from unleashing a little? Anyway are there any of you that feel that Warner's is kinda giving Prince the cold shoulder? | |
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I suspect the fact that he spent a chunk of the 90s bad-mouthing WB and performing with "Slave" written on his face might have something to do with it. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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If he has recived the any masters back (as he said) then that was something that WB did as a favor as the law is clear that he can not make them give them back for 35 years. (2013 and on).
As for the 'remasters' if prince did it they were not rematered. He may have done more harm than good. "Keep on shilling for Big Pharm!" | |
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Wow. If prince.org were to be made idiot proof, someone would just invent a better idiot. | |
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I'll second that. | |
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"open your heart, open your mind
A train is leaving all day..." | |
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Go ahead. Read it. | |
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i tried to get all the way throught it.
he said prince turned down the $100million? LOL huh no. "Keep on shilling for Big Pharm!" | |
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Hahaha | |
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Uh, I was reading your little ill-formatted ramble until I got to this part.
It got heated when Prince willingly SIGNED that "$100 million" contract, found out he had to work for that money (rather than it just be handed to him for the precious genius that he is) and then threw a tantrum. ...because, as we all know, having to work for your paycheck is tantamount to being a SLAVE. | |
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Yep.
The contract itself was a little crazy, though. Definitely not meant to reward Prince so much as force him to stop being artistically lazy. Maybe this was a way for the WB execs to curb his increasingly erratic demands. The production of the album was insane. I really cannot believe the mental state Prince had to be in when he decided that it was a huge, weird, cheaply done rock opera that the world wanted to see. That album had to be the worst album to start a new contract on. | |
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Yeah, the terms of that contract seemed specifically crafted to inspire more commercial efforts from Prince (more D&P, less LoveSexy) and specifically more long-term commitment from him in regard to supporting and marketing them. ...but Prince HAD to understand this at the time he signed it. He knew what his albums typically sold (which were generally below the 5 million required for the bonuses) and he knew what it took to make them successful.
Despite the concept behind it, I think the album is actually teaming with potentially serviceable singles... but Prince fought with WB even there, demanding Sexy MF and My Name Is Prince over their suggestion of 7 as the lead-off, for example. ...and when they fail, he blames the record company. [Edited 12/6/10 0:51am] | |
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BTW, was it ever known what the name of the second "record label" was that was referenced in connection with this contract, that was supposed to exist along side Paisley Park and release "street music"? | |
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No they don't.
No he didn't.
No he doesn't.
No he doesn't.
No I don't. | |
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I remember hearing that this second label was titled after the unpronouncable symbol.....meaning,it had no real name. | |
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he turned down that 100million offer from Warners
No,he didn't turn it down.He happily signed the contract in 1992 but when things didn't work out the way he planned,that's when he went to war with Warners. | |
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The Bronfman family pretty much runs WB, and I think at some point, the kids are going to wind up running it. I think it makes sense, considering the path the brother and sister are taking with working on an independent record company and website.
http://www.observer.com/2009/culture/bed-stuy-bronfman?page=all
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Paragraphs are fun.
You've also got a whole bunch of things muddled up and topsy-turvy, but I'm guessing someone else will rip your post apart to give you the lowdown on those | |
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Yes, I'd heard that rumor, too, but wondered if there had ever been anything concrete known about it before it was scuttled. | |
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... way to break it down Peace ... & Stay Funky ...
~* The only love there is, is the love "we" make *~ www.facebook.com/purplefunklover | |
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Prince's issue with the company was during the Time Warner era.
But did you know Kara DioGuardi is VP of Warner Bros Records? What is she doing lately? Maybe she's back in the office, or waiting for Simon to call her to judge... | |
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I really believe that most of this bad blood between Prince and Warners really heated when he turned down that 100million dollar offer from warner's.
I knew from the start that I loved you with all my heart. | |
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What you mean? Prince owns the multi-tracks and he most likely has a copy of the masters on DAT. So he could have had them remastered fine with those, in fact better with the multi-track since he can adjust levels for each track (ie: bass, guitar, keyboard, vocals) if he felt he wanted some technical changes.
Now if you're talking about him editing songs for content (ie: lyrics, redoing instruments, changing arrangements) then I see if your point. [Edited 12/8/10 16:12pm] [Edited 12/8/10 16:12pm] "The voter is less important than the man who provides money to the candidate," - Former Supreme Court Justice John Paul Stevens
Rudedog | |
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[Edited 12/9/10 1:25am] | |
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i dont necessarily agree with the argument that if prince doesnt remaster in the next couple of years, his remasters wouldnt be successfull. Even if he were to remaster after 5 years, plenty of people would be interested | |
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Also, those that are suggesting that remastering should be left to WB because they would do a "proper job" are talking out of their arse! Big corporate entities like WB only care about one thing - the bottom line! Profit over quality. If there's a shortcut which by turns means they'll make more bucks, you can bet that's the way they'll go! Just look at the debacle in the movie business over 3D - most studios aren't prepared to invest the money and time in to doing 3D properly and, hence, we get all these crappy 2D to 3D conversions. Cameron has been extremely vocal about it and the points he raises are similar to what Prince has been saying about the music industry - i.e. that business has become paramount over artistry and there's something very wrong with that. Furthermore, there are those that say Prince can't engineer! He engineered a number of his own albums and has been one of the top producers of the last 30 years! Its like saying Elvis had no idea what rock'n'roll is, or Jimi couldn't play guitar! Prince knows a damn sight more than most when it comes to production and sound quality - whether he would be prepared to give the projects the requisite attention is another thing (though, you would feel that no-one but the original artist who created the work would show it more love) and is the real question, not his "sonic credentials"!! ...we have only scratched the surface of what the mind can do...
My dance project; www.zubzub.co.uk Listen to any of my tracks in full, for free, here; www.zubzub.bandcamp.com Go and glisten | |
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who said that? "Keep on shilling for Big Pharm!" | |
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i am saying he lacks the know how to do it properly. He needs to hire a company that has experience.
But you are correct having the multis is a big huge advantage. NOT so much the DATs. as those may not have been properly transferred to begin with. Just listen to some of the cds!
One thing having the multi track masters would allow is a multi track (dvd?) that would let US make level adjustments to each track. now that would be cool. But I think someone's ego might not allow that. "Keep on shilling for Big Pharm!" | |
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"Keep on shilling for Big Pharm!" | |
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^ Actually, I'm pretty sure the request needs to be made 10 years beforehand. But there's some disagreement about whether this would actually stop ownership returning if it wasn't done.
Also, the viability of 'remastering' from a commerical perspective is really tied in with physical formats at the moment (as MP3 quality isn't really good enough for people to really notice the difference). Since CDs are on the decline then the viability of remastering will decline with it. As the main market for 'remastered' packages is still on CD, usually with expanded packaging and bonus tracks etc. Until, of course, alternate higher quality formats become commonplace. [Edited 12/10/10 3:04am] | |
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