He looks and sounds inebriated! | |
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Please, don't be so patronizing. I know their music well and I was merely talking about the critical worship of alternative and college music forms versus other genres. I was critiquing their skillls as musicians; Stipe and Bono have no musical chops. Stipe is an out-of-tune mumbler as a singer with no concept of melody or rthymn and Bono's guitar/harmonica playing are laughable, while his vocal histronics are great for parody. P would wipe their overrated, whitebread asses off the stage. | |
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WTF? Ok, U2 are still U2 and Prince is still Prince....both still playing, both having fans and it's good The end this stupid topic
Why U2? Why not Kelly Family or something other? If U're lookin' 4 somebody, who'll turn your bad day into one long night of fun, look no further
BABY ...I'M THE ONE | |
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A whole bunch of interesting thoughts amid lesser bitching in this thread. Yes...Bono IS a huge Prince fan. Most musicians are fans of Prince but some cannot bear to compare their own performance across instruments/vocals etc against his as it can be debiliating in the same way as bands can be debilitated if they consider what he or The Beatles turned out across five years at their peaks.
There was also a point about variety of back-catalogue and one of Prince's other greatest famous fans is Paul McCartney (who can be found somewhere on YouTube giving a 1990 interview in Australia where he goes off on a total Prince vibe which reveals that he's quite the hardcore fan and knows every track) and surely is one of the few whose variety of writing and even vocal performances makes Prince seem samey. Prince has a set of idioms he writes and performs in but McCartney is quite unique in that the only thing you can be sure of with his writing is that the next song in his catalogue wont sound like any others in his catalogue and, more impressively, won't sound like anything in anybody else's either. (However there is one 1986 song 'Angry' which definitely betrays an interest in that year's 'Parade' from Prince). As somebody points out there are many songs in Prince's catalogue which are like sequels to each other...and many of these strands also owe a lot to preceding artists. It can be forgotten that Prince was credited in the 80's with inventing 'post-modernism' in popular music, best summed up by another frequent 80's description of him we no longer hear nowadays..'a musical magpie'.
But whatever Prince does in his writing that owes debts and is repetitive leaves room for the breadth of his abilities. In the 'Sign of the Times' movie we get the full spread all at once...writing, producing, singing, dancing and instrumentalist so that Paul McCartney and Stevie Wonder, also multi-instrumentalists and fellow 'play everything on album' merchants on occasion, are left looking pedestrian.
But it's all shifting perspectives. Shift to success and U2 may well have made more money than The Beatles, leaving Prince waaaay down the list. Shift again to importance and Prince is a contender while U2 for all their success have not produced music which could be said to have been 'important'. Prince has been lauded for breaking ground many times and some of this has become history-book content as had almost everything The Beatles did.
There is, as the more sensible contributors have said, no useful way to compare U2 and Prince. Prince is a solo artist, a solo writer, a multi-instrumentalist, producer etcetc Nobody in U2 does other than we've seen them. Bono vox, Edge guitar, Adam bass, Larry drums.
As for The Edge as guitarist well those Memory Man analogue delay pedals were around for quite a while before he got one second hand. What he did with it can be imitated but there's no discrediting that he invented his sound. Hundreds if not thousands of bands in Ireland (I'm from there too) attempted to use that sound in the 80's. It then spread to British bands (Simple Minds definitely worshipping at Edge and Bono altars) and so much so that in the 90's Edge abandoned his own sound and started experimenting. What he did with rock riffs in that time, in conjunction with dance music was sublime enough that people have stopped remembering reviews that had it that U2 were going disco. Edge is underrated and if you respect Jimmy Page's opinion, google what he had to say about Edge's slide guitar when they jammed on a Led Zep tune in that 'It Might Get Loud' film. It was THE thing Page was left remembering from that meeting. As a soundscapist, Edge is an overlooked master who follows a tradition from the likes of John McLaughlin and Robert Fripp. His reclaiming of his traditional delay sound (the 'U2 sound') in the 2000's was timely as it stopped various new borrowers (you can name them I'm sure) from pretending to a younger audience that they'd invented it.
Oh and I'm afraid that Prince lost the bet. While Bono is a tremendous bore at times, he still interacts with the real world offstage. I'm afraid Prince does somewhat live in the rafters of his own arse (which may have windows but since they're stained-glass, he's really not seeing much out of them and has lost sight even of what it was that he was once so sure about with his music). Also somewhat forgotten is that Bono and indeed all of U2 are and always have been as serious about their religion as Prince but have singularly 'failed' to let it bother their music's wide appeal.
I like all the artists I've mentioned and others have mentioned here. And I DO go commenting on other boards...a single focus music obsession has never been for me. 'Sign of the Times' vs 'Joshua Tree'? I'd go for 'The White Album' which BOTH of them were trying to remake at the time.
There y'go there y'go
[Edited 8/31/10 15:09pm] [Edited 8/31/10 15:22pm] [Edited 8/31/10 15:25pm] “I don't believe anything, but I have many suspicions.”
-Robert Anton Wilson | |
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Great post! | |
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Well put, indeed.
I find it interesting that the slams and praises of various artists on this thread have often come amid generalizations of white and black musicians. I've heard funk done by whites/Europeans staggeringly well.
And, I think Prince did himself a disservice over time by dismissing the musical and lyrical depth of white groups. He's a great sound-generator, but a looming lyricist he's not. For stellar lyrics, I don't turn to a Prince record. On that front, at least, I see U2 being consistently better. Their stuff is good and replete with deep religious references to this day.
As for the Edge being characterized as less than a great guitarist, I find that pretty amusing. My favorite part of "This Might Get Loud" was seeing him construct his various soundscapes for songs and seeing him switch from one to the other fluidly. He's as plugged in as you'll find, tis true. But, quiet as it's kept, so is Prince. And, only one is known for an enduring guitar sound, these days. | |
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U2 overrated. what a completely rediculous statement. some people really shouldnt post here. i know everyone is entitled to there opinion but seriously may u live 2 see the dawn | |
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jaffabaldy said: U2 overrated. what a completely rediculous statement. some people really shouldnt post here. i know everyone is entitled to there opinion but seriously And those "some people" is you. | |
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Wow, again, you haven't a clue about REM's or U2's music. You call Stipe "an out of tune mumbler". That's a shining example of how you completely do not "know their music well". Stipe, particlularly on R.E.M.'s I.R.S. albums, had a very unique vocal style. Stipe's vocals are purposelfully vague, non-linear. There is murmering and it affects the songs feel and meaning. He was/is credited for such a unique style. You don't get it b/c you are not capable. Too bad for you. But don't go around saying their music is not good and that Stipe can't sing.
And calling R.E>M. and U2 "whitebread"!!! You know nada about their background, their lives, and certainly their music. Calling artists who made unreal albums such as Achtung Baby! and Automatic For The People (just to name 2) whitebread says it all about your knowledge of these bands.
And R.E.M. and U2 are bands. Each member plays a role. Bono is a singer and a lyricist first and foremost. Check out "One". Prince hasn't written a song anywhere near that great since 1987. Bono is NEVER considered a guitar player or a harmonica player. And actually Bono's harmonica on "Desire" is better than any harmonica Prince ever played. But its all about the songs regardless. George Harrison wasn't technically the world's greatest guitar player but he knew how to play guitar within the context of a song to make it great. THAT's the key.
U2 and R.E.M. have both written a ton of classic songs. the music knows what your motives are when you are making it
listen to The Replacements - its good for the soul | |
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^ I take my words on R.E.M. back, they are way better than I thought:
I've just bought their Best Of 1988-2003, I was curious and the cd was very cheap,
at least 10-12 great songs on there.. but also a lot of very bad songs too, though imo
And where are these: Drive, Bang And Blame, The One I Love, It's The End Of The World As We Know It
Not included on this "Best Of", damn...
Prince 4Ever. | |
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HA!!! LMAO. | |
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Hahahaha - right! So, you're basing your opinion on a statement of Bono's?! LMFAO! Bono is hardly going to shit on his own guitarist, is he? In fact, he's only ever going to big him up. This just tells me all I need to know. You are a "dabbler" indeed. If you'd come back to me saying something about how YOU had tried to play his parts using x settings on delay, or even a decent guitarist that you know, you might have had just a LITTLE bit of credibility - as it is, you have none!
And, again, you don't need to tell me about playing music with delay - if you'd bothered to listen to my music, you'd have heard playing with plenty of delay effects on various instruments.
Anyway, each to their own, eh? The Edge - the Delay King! lol ...we have only scratched the surface of what the mind can do...
My dance project; www.zubzub.co.uk Listen to any of my tracks in full, for free, here; www.zubzub.bandcamp.com Go and glisten | |
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