nevermind. [Edited 7/11/10 8:24am] | |
- E-mail - orgNote - Report post to moderator |
I have noticed one thing about 20ten that's refreshing; it seems to me, unless I missed it, that maybe he has finally quit bitching about him & Warner Brothers / contracts. About time!!!
PEACE! | |
- E-mail - orgNote - Report post to moderator |
Not a great album but it doesn't suck neither (can we say that nowadays or is that a 90's word?) Tried many flavours - but sooner or later, always go back to the Purple Kool-aid!
http://facebook.com/thedrezoneofficial Http://Twitter.com/thedrezone | |
- E-mail - orgNote - Report post to moderator |
I agree that it sounds "fun".....And to me that's why it's not a "throw-away"...Because I haven't heard Prince have fun like this since the late '80s....No pretense....I find that very refreshing...
The fact that this album has a musical theme makes it work for me...Like I said, Dirty Mind fits that very same mode you are talking about in terms of the production....It's one long song, which is what gives the album its cool charm...
I think 20TEN will be the album when Prince fans look back over the decade will be the true highlight...Trust me, it will sink in.... | |
- E-mail - orgNote - Report post to moderator |
I think Wall made some valid points. | |
- E-mail - orgNote - Report post to moderator |
From the production point of view, I mentioned on my review that it had a "look mom" homemade feel because it sounds like an amateur production, not because its sounds like a demo. There is a difference to me between a talented producer who "gets it" and creates a demo sounding record, and someone who doesn't get it and produces something sounding worse than the kids on their pc's. Today more than ever we are bombarded daily with great sound production in our everyday lives, in commercials, records, films and documentaries in both slick and avant-guard ways that's why this record's production stood out to me like a sore thumb. Very clunky and unsophisticated and too slick for a demo...... other than the slower tracks which I'm sure he had a lot more help on.
His isolationism as an artist is clearly visible, as this is not a terrible album, it offers nothing new. He is working on the same exact same themes and sounds. He is working on purple vapors. An artist must continue to grow and learn and take in as much as possible to develop. While it's true that his playing ability has gotten better from years and years on constant touring, he has kept a very closed off mind that has not matured or grown as an artist from his peak as he rehashes JB and his early hero's without anyone in his company to expand his horizons.
Truthfully to me 20ten and MplSound and like most evrything for the longest time sound like the mongoloid offspring of inbred unions. He needs to deversify the gene pool, move and expand instead of doing the same sound for 25 years. Even crops need to be changed from season to season as the the soil needs to be replenished with nutrients or will not grow. He should take a page from his friend Miles Davis who fed off innovation, who's mind was always open to fresh new sounds, an openness that led him to seek out Prince when he was at his peak in the first place. If Miles was alive today I am sure he would be very bored and stunned by Prince's stagnation.
[Edited 7/11/10 12:36pm] | |
- E-mail - orgNote - Report post to moderator |
If listened to all at once, in sequential order, the album is kind of boring. However, I could find myself enjoying it if my music is played on shuffle. Also, I enjoy his older sounds being incorporated into new songs. | |
- E-mail - orgNote - Report post to moderator |
I have listened to this twice, and it isn't terrible, and there are spots that I really enjoy. Purple Yoda? Stuff like that is hilarious to me. Musically I think the whole cd flows well, everything fits onto this particular cd. Not a "rocker," but the funk guitar is all over, and I really like that. It's old school Prince, with a modern sound to it.
I was ready for something terrible since it was being given away in newspapers and such. I like it a lot more than Planet Earth, which I think only has a few listenable tracks on it.
Business wise this had to be a good thing for Prince to do. Make an album over a few months, I would imagine, and get a fairly large payday to release it to newspapers in Europe. How great is that for him? Doesn't have to promote it very much, everyone gets one. The music gets out there, he gets paid, etc. Business wise this has to be better than the "dead" internet distribution deals everyone makes today. He could do this as much as he wants, as quickly as he wants. He may be on to something. I wonder how much he received for this? Half a million for each paper? Not bad. From the sounds of it, he did most of the cd by himself, with a few backing singers. I bet the instrumentation was all him for the most part...
Overall, it is of course not his best, but on the first few listens I like the overall feel to it. I don't like everything he does anymore, but I don't hate this. Thought I would because it was "free." | |
- E-mail - orgNote - Report post to moderator |
Translation: they'll pay me in advance.
| |
- E-mail - orgNote - Report post to moderator |
Fair review in De Standaard (belgian newspaper) http://www.standaard.be/a...d=1E2SL656
in English (with translate Google) | |
- E-mail - orgNote - Report post to moderator |
Surprise, surprise, The Daily Mirror review gave the album 5/5:-
http://blogs.mirror.co.uk...eview.html
Didn't do it for me, just not enough stand out tracks and too much of it was forgettable. Still waiting for a Prince album to blow me away (Gold Experience was last time for me)...thing is, if he took the best tracks off of his last four or five albums and put them together, there's a killer album there. www.filmsfilmsfilms.co.uk - The internet's best movie site! | |
- E-mail - orgNote - Report post to moderator |
My thoughts keep changing and now I can tolerate songs I initially gave the to.
Walk in Sand now gets an 75 rating from me. Sea of Everything gets an 80.
Nice "baby-making" ballads.
"Everybody Loves Me" is strangely tolerable and silly.
"Lay Down" is turning into a banger.
"Compassion" is back in my "best album track". "Beginning Endlessly" is nice overall though I still think it drags.
"Future Soul Song" is still the shit. "Sticky Like Glue" is now my favorite song on the record. "Act of God" has turned into a jam of mine's. "Lavaux" has a nice groove.
Overall it's probably his best record since 2006.
[Edited 7/11/10 13:28pm] | |
- E-mail - orgNote - Report post to moderator |
Why do you think that? The wooh is on the one! | |
- E-mail - orgNote - Report post to moderator |
For me, this is the best Prince album in the past 10 years. Superb.
Here is my review taken from my blog:
Prince - 20Ten [Edited 7/11/10 14:50pm] | |
- E-mail - orgNote - Report post to moderator |
Freedom Train gave the album glowing reviews as well. So did Tony Parsons. Are you saying your opinion has more credibility than Tony Parsons? | |
- E-mail - orgNote - Report post to moderator |
Timmy... why don't you hold off posting "reviews" until your opinion is final? Two days ago you were blasting the album, and now it's his best since 2006? Are you two years old or what? | |
- E-mail - orgNote - Report post to moderator |
Remember when we used to play a Prince CD to hear songs. Now it has to cure cancer, clean up the oil spill and fix whatever wrong in someones life! It's only music people not an Act Of God!
When go 2 a Prince concert or related event it's all up in the house but when log onto this site and the miasma of bitchiness is completely overwhelming! | |
- E-mail - orgNote - Report post to moderator |
Like what good points? Saying Prince's lyrics are repetitive and not good? Then I listen to songs such as Act of God and Lavaux and hear great lyrics and music. But if you really think so, show me where the lyrics are "bad", then compare them to a song where Prince's lyrics are "good".
| |
- E-mail - orgNote - Report post to moderator |
Great sound production? Where? You mean when you're watching TV and the commercial volume is ten times higher than the show you were watching? Or how about when you watch a DVD or Blu-ray, and no matter how you adjust the sound, the sound effects and music are so loud but you can't hear a word they're saying? Give me some examples of great sound production and I might take your opinion more seriously. | |
- E-mail - orgNote - Report post to moderator |
78-88 DID cure cancer. 20Ten couldn't even Febreze a fart. | |
- E-mail - orgNote - Report post to moderator |
| |
- E-mail - orgNote - Report post to moderator |
I feel the exact same way you do Timmy. 3121 was the last CD I was feeling like this. I liked Lotus/MPLS but this is different. I'm loving that the CD is growing on me and I liked it a lot when I first heard it. I didn't realize how long it had been since I enjoyed a Prince CD like this! I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
- E-mail - orgNote - Report post to moderator |
The production on this album is superb!! Prince is without a doubt a Producer who needs no help in the studio. His production is only let down when the song material is week, in which case he seems to over-produce to compensate. He's been spewing out too many over-produced, over-populated MIDI-fest songs over the past few years. 20Ten is a refreshing return to form for Prince as a musician, vocaist and producer imo. | |
- E-mail - orgNote - Report post to moderator |
Just off of my first impression, I'm REALLY enjoying it. 3121 was when I really got into Prince so that album is special to me, and I thought Lotus/MPLS was a strong effort - having said that, I'd say this is tighter and more polished than 3121, which at times seems a tad bloated, on par with Lotus, and, for me, a half-notch lower than MPLS (if not solely for how much I love "Dance 4 Me"). Over time I think I'll be coming back to it more than half of his other albums, and I foresee this being a 3121-esque album concert-wise, as he pulled out some great tracks that he could tear up live from that (Black Sweat, Lolita, 3121, Fury).
I have to give each track more time before I give a track by track review though. I love seeing the different reactions to this set. "GARSON! Avez-Vous un crayon? That's French, understand?" | |
- E-mail - orgNote - Report post to moderator |
Classy. | |
- E-mail - orgNote - Report post to moderator |
Tony Parsons was PAID to write a good review. What? Did you think The Daily Mirrors was going to have a reveiw telling people NOT to buy the copy of the newspaper? The album is not terrible, but c'mon "Sign O' The Times? For anyone to take Tony Parson seriously ever again is going to take an "Act Of God" | |
- E-mail - orgNote - Report post to moderator |
I doubt that Tony Parsons was paid to write a good review. Are you really saying a review from a writer of Tony Parsons caliber can't be trusted? Do you even realize who Tony Parsons is? [Edited 7/11/10 17:27pm] | |
- E-mail - orgNote - Report post to moderator |
I love this!! It's Tight, But I Think I Could Fit U In! | |
- E-mail - orgNote - Report post to moderator |
From the looks of it, a typical paid whore. Not that its anything new when it comes to checkbook journalism. | |
- E-mail - orgNote - Report post to moderator |
Did he perform Everybody Loves Me??
Every time I read that title now, the chorus starts running in my head.
| |
- E-mail - orgNote - Report post to moderator |