Aaron6 said: I think many of you are missing the point, it was the combination of musicians and the time period that made the music so great, and dare I say magical...I would never give W&L all the credit, it was everbody from Dez (Pre Purple Rain) to Eric Leeds and everybody in between that made the 1985-1986 time period so great and interesting. Anybody who can play a note of music on any instrument can appreciate the growth from a musicians stand point from this time period. It wasn't just the released material that was so great it was the fact that for example, that no one knew that a white girl name Wendy could be so Funky during that time period and then turn around years later with Lisa and do the score to "Soul Food" and "Heros" to name a few. My point, it was the combination of musicians, versatility, and just plain O' perfect timing that made the Revolution great during that time period...and the NPG was and is cool, but as a whole, had NOTHING on the band and musicians that came before them...Ladies and Gentlman..."The Revolution"! Aaron6ix
^^ that's the Truth | |
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madclown said: you people think to narrow, you need to look at the larger picture. when i group or artist become wildly popular the record companies produce copies. that is why he came pout with the radically different Around the world in a Day. most everyone that hopped on the band wagon because of the pop fame of purple rain jumped off. the revolution was a good band but not his best. like miles davis, james brown and george clinton he knows how to surround himself with goods support, with a change in bands there is an evolution of music. wendy and lisa are not his only jazz influence his father was a jazz musician.
Good post.... | |
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I swear by the Revolution and totally feel he went downhill fast with their departure. But in concert, his sound definitely improved afterwards.
This is no disrespect to the Revolution...the big difference was the drumming. Once Prince did away with the electronic drums in concert, the sound was mind blowing. It would have been interesting to here Bobby play real drums rather than the electros, especially on the Parade tour. Sheila and Michael B brought a deepness to the live sound and while I am well aware that they are far superior drummers then Bobby, I honestly feel those electronic drums were the biggest difference. She has robes and she has monkeys, lazy diamond studded flunkies.... | |
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OldFriends4Sale said: minneapolisFunq said: NPG>
If ATWIAD and Parade were any indicator of the musical direction that the revolution(wendy and lisa) were headed in its not suprising that he ditched them shortly after. that had nothing to do with it, and it was Prince's music direction he just pulled things from various members in his circle, Susannah was probably just as big a part of the creativity And it wasn't just them, Eric Leeds, Sheila E. the other band members and non band members:Mico Jonathan David Coleman David Z. Jill, at that time he just had the perfect people even engineers Susan Rogers, Coke and these people all 'believed' in Prince, they didn't use him as a stepping stone like many following band members did. Nor did any of them say he was never black enough and had intentions on 'shoving black down his throat' ie Tony M. And remember most of what you hear on SOTT (if u like that album) came from the Revolution years/sessions [Edited 2/11/10 15:36pm] Of course it had something to do with it. people are influenced by those around them. 4xample if not for Larry Graham there would be no rainbow children You're so glam, every time I see you I wanna slam! | |
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1.)Dude I know they are not completely the same band, but for the most part substituting Dez with Wendy they are the same band:Bobby Z Lisa Fink & Brown Mark By 1986 the Revolution had expanded and often included: Susannah, Eric Leeds, Atlanta Bliss, Jerome, Wally, Greg, and Miko. To me, that's a hugely different band than when it was just Dez, Lisa, Fink, Matt, Brown Mark. 2.) not a contraditiction: Hip Hop for the most part wasn't a defined music style in the early 80's. I said they played everything but Hip Hop, which became more prominate in the latest of the 80's into the 90's.
A lot of hip hop was still borrowed heavily from other musicians. Yet Prince did used a generic rap in songs. Again the music from his band and proteges was very definatively "Purple Music" and they played it live very well. I understand that the Revolution didn't play hiphop/rap because it wasn't a style Prince incorporated into his music at the time. However, the NPG did. So, we can only speculate when it comes to the Revolution and hip hop stylings. "New Power slide...." | |
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skywalker said: 1.)Dude I know they are not completely the same band, but for the most part substituting Dez with Wendy they are the same band:Bobby Z Lisa Fink & Brown Mark By 1986 the Revolution had expanded and often included: Susannah, Eric Leeds, Atlanta Bliss, Jerome, Wally, Greg, and Miko. ** Right, visusally it was different, but as far as studio and recording it was still the people who were on the Purple Reign which included Eric Leeds: Jerome Wally Greg even Miko were not a part of the studio recordings even after Parade To me, that's a hugely different band than when it was just Dez, Lisa, Fink, Matt, Brown Mark. 2.) not a contraditiction: Hip Hop for the most part wasn't a defined music style in the early 80's. I said they played everything but Hip Hop, which became more prominate in the latest of the 80's into the 90's.
A lot of hip hop was still borrowed heavily from other musicians. Yet Prince did used a generic rap in songs. Again the music from his band and proteges was very definatively "Purple Music" and they played it live very well. I understand that the Revolution didn't play hiphop/rap because it wasn't a style Prince incorporated into his music at the time. However, the NPG did. So, we can only speculate when it comes to the Revolution and hip hop stylings. | |
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minneapolisFunq said: OldFriends4Sale said: that had nothing to do with it, and it was Prince's music direction he just pulled things from various members in his circle, Susannah was probably just as big a part of the creativity And it wasn't just them, Eric Leeds, Sheila E. the other band members and non band members:Mico Jonathan David Coleman David Z. Jill, at that time he just had the perfect people even engineers Susan Rogers, Coke and these people all 'believed' in Prince, they didn't use him as a stepping stone like many following band members did. Nor did any of them say he was never black enough and had intentions on 'shoving black down his throat' ie Tony M. And remember most of what you hear on SOTT (if u like that album) came from the Revolution years/sessions [Edited 2/11/10 15:36pm] Of course it had something to do with it. people are influenced by those around them. 4xample if not for Larry Graham there would be no rainbow children I stand corrected, I re-read that statement, and it doesn't sound right, But the response was directed toward the person who said Prince music basically went down because of the direction of W&L. It wasn't their direction. | |
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** Right, visusally it was different, but as far as studio and recording it was still the people who were on the Purple Reign which included Eric Leeds: Jerome Wally Greg even Miko were not a part of the studio recordings even after Parade ]
I am not trying to be coy, or mess with you. Explain this point to me again. You originally said: the band from Controvery - Parade did the same
My original point is that is that the band Prince had during Controversy is hardly the same band he had during Parade. Are we limiting the conversation to just in studio? Because (correct me if I am wrong) the band didn't have a lot of input in the studio with Controversy and 1999. [Edited 2/12/10 9:55am] "New Power slide...." | |
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Holy shit! You mean trained and professionals musicians can actually play more that 1 style, like, whatever style their boss invisions and is paying them to play? It's good to know that with a lot of effort and maybe some divine intervention that I can stop playing jazz, funk, gospel, R&B, and hip-hop and can start playing celtic music next year. You guys rock! Ii'm going to hit up Quincy Jones on his twitter page and let him know this bit of information as well. I'm sick and tired of the Prince fans being sick and tired of the Prince fans that are sick and tired! | |
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Dave1992 said: OldFriends4Sale said: A couple of things 2 think about with the 1979-1986 years vs the mid 90s-2000 Technology It does make a difference from mics, instruments, speakers, sound systems, venue I've heard 2 many of those early shows and not only that the music sounded like tthe album which made it sound like 'prince' music. I have yet to hear a live show that can touch either the 1st Ave pre 1999 show w/the Time or the 1st Ave pre Purple Rain shows:4 the album or the Birthday show*** this show is tighter than any I heard. This has nothing to do with technology as nearly all the ex Revolution members still release music from time to time and you can hear that they (especially Wendy And Lisa) have a different approach and simply aren't able to put as much energy into their music as, let's say, Mr Hayes, Sonny T or Michael B, although they seem to try very hard quite often (their latest "single" + video, for example). The shows you mentioned are nearly untouchable because of their style and feeling, their happening just at the edge of the rising mountain of Prince and because the delivery was just absolutely sublime. Still, those shows were anything but loose - many songs sounded just the same as on the album, which makes me question The Revolution's ability to jam on-stage, too. All in all, quality-wise and technically, I doubt that The Revolution were really over-the-top as much as people tend to think. The thing is, Prince knew how to use them correctly. For what they did on-stage and in the studio they were the perfect musicians. For the stuff that the mid 90s NPG could do they weren't and that's exactly why they never did it. Lisa is a crazy, creative keyboarder, who comes up with weird chord changes all the time, but she is not as quick as a Tommy Barbarella, or even Fink or Neto, for that matter. Wendy is funky and comes up with some funky licks, but she is not quick nor very clean. I'm not saying that they were bad because of that. They were even more interesting, because that is what defined their sound and style back then. But when it is about a band, consisting of professional individuals, nothing can touch the NPG. which NPG? no, Prince rehearsed and rehearsed for things to be in control, certain shows were much looser others where he 'premiered music' was much more controlled. But no one who has heard the 6.7.1984 show can say it wasn't loose... No song performed was the same as the album rel. 17 Days, Erotic City, Noon Rendevzous, Something In the Water, and of course songs not released Possessed, Our Destiny, Roadhouse Garden,. Nothing about this show was 'controlled' or slow and 'they lacked jam capabilities?' ...please. the 1893 show was different because most of the PR album recordings were coming out of that, And as much as the SOTT band jammed, I've heard many SOTT shows, and most sounded the same, controlled. Even Sheila E's drum solo was the same show 2 show. the looser the rendition of the song the less it sounds like the original. I love hearing Prince songs live that sound like the song. Not just a band jamming a Prince song. [Edited 2/12/10 17:36pm] | |
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skywalker said: ** Right, visusally it was different, but as far as studio and recording it was still the people who were on the Purple Reign which included Eric Leeds: Jerome Wally Greg even Miko were not a part of the studio recordings even after Parade ]
I am not trying to be coy, or mess with you. Explain this point to me again. You originally said: the band from Controvery - Parade did the same
My original point is that is that the band Prince had during Controversy is hardly the same band he had during Parade. Are we limiting the conversation to just in studio? Because (correct me if I am wrong) the band didn't have a lot of input in the studio with Controversy and 1999. [Edited 2/12/10 9:55am] Outside of the dancers, what was so different about the band? Eric Leeds was on the PR tour, Atlanta Bliss & Mico Can't really count the 3 male dancers the only change to the band for the most part was the added horn sections and Prince not playing guitar as much. Controversy Tour: Fink Bobby Lisa Dez Brown Prince 1999 Tour: Fink Bobby Lisa Dez Brown Prince (Jill on vocals) Purple Rain tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn) ATWIAD performance: Paris show, A Love Bizarre with Sheila Fink Bobby Lisa Wendy Brown Prince (Eric Leeds) Parade tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn, Susannah vocals, Atlanta trumpet, Mico guitar) was Jill a regular? Dream Factory recordings did not consist of Mico 3 Dancers | |
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OldFriends4Sale said: skywalker said: My original point is that is that the band Prince had during Controversy is hardly the same band he had during Parade. Are we limiting the conversation to just in studio? Because (correct me if I am wrong) the band didn't have a lot of input in the studio with Controversy and 1999. [/b] [Edited 2/12/10 9:55am] Outside of the dancers, what was so different about the band? Eric Leeds was on the PR tour, Atlanta Bliss & Mico Can't really count the 3 male dancers the only change to the band for the most part was the added horn sections and Prince not playing guitar as much. Controversy Tour: Fink Bobby Lisa Dez Brown Prince 1999 Tour: Fink Bobby Lisa Dez Brown Prince (Jill on vocals) Purple Rain tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn) ATWIAD performance: Paris show, A Love Bizarre with Sheila Fink Bobby Lisa Wendy Brown Prince (Eric Leeds) Parade tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn, Susannah vocals, Atlanta trumpet, Mico guitar) was Jill a regular? Dream Factory recordings did not consist of Mico 3 Dancers There are 7 new musicians that you have listed that were added from Controversy to Parade. 7 new people. I agree that much of the core group is the same, but when you more than double the size of the band (especially adding a horn section) it ain't the same band. It's like saying the NPG of 1991 is the same as the 1995 lineup. It's not the same band. "New Power slide...." | |
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skywalker said: OldFriends4Sale said: Outside of the dancers, what was so different about the band? Eric Leeds was on the PR tour, Atlanta Bliss & Mico Can't really count the 3 male dancers the only change to the band for the most part was the added horn sections and Prince not playing guitar as much. Controversy Tour: Fink Bobby Lisa Dez Brown Prince 1999 Tour: Fink Bobby Lisa Dez Brown Prince (Jill on vocals) Purple Rain tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn) ATWIAD performance: Paris show, A Love Bizarre with Sheila Fink Bobby Lisa Wendy Brown Prince (Eric Leeds) Parade tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn, Susannah vocals, Atlanta trumpet, Mico guitar) was Jill a regular? Dream Factory recordings did not consist of Mico 3 Dancers There are 7 new musicians that you have listed that were added from Controversy to Parade. 7 new people. I agree that much of the core group is the same, but when you more than double the size of the band (especially adding a horn section) it ain't the same band. It's like saying the NPG of 1991 is the same as the 1995 lineup. It's not the same band. Ur blowing that up, where did U get 7? U cannot add the 3 dancers, visually they were part of certain aspects but they didn't change the music at all and even Susannah doing vocals you can't say changed the band the core group is the same and everyone else at times contributed, Mico and the horns were not on every piece live or studio | |
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Ur blowing that up, where did U get 7?
I underlined the following based on what you gave me. Controversy Tour: Fink Bobby Lisa Dez Brown Prince
1999 Tour: Fink Bobby Lisa Dez Brown Prince (Jill on vocals) Purple Rain tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn) ATWIAD performance: Paris show, A Love Bizarre with Sheila Fink Bobby Lisa Wendy Brown Prince (Eric Leeds) Parade tour: Fink Bobby Lisa Wendy Brown Prince (Eric Leeds horn, Susannah vocals, Atlanta trumpet, Mico guitar) was Jill a regular? From Controversy to Parade the band expanded to include Jill, Wendy, Susannah, Eric, Miko, Atlanta, and Sheila. Again, that is 7 more people adding to the music in one way or another. As early as the Purple Rain tour, most could be onstage all at once. It is a larger/different band than Controversy. I maintain that adding that many players (especially horns) makes it a very different band and you cannot really make the argument that it was the same group from 1981-1986. U cannot add the 3 dancers, visually they were part of certain aspects but they didn't change the music at all.
Okay I won't add them. and even Susannah doing vocals you can't say changed the band
the core group is the same and everyone else at times contributed, Mico and the horns were not on every piece live or studio Sure, but Wendy and Lisa weren't on every piece live or in the studio either. I mean, a good bulk of the studio material from Controversy to Purple Rain was just Prince. The reason the sound changed was because he let others have more input, not because the group always had input and changed styles. Again, the Controversy era band is not the same as the band during the Parade era. You cannot add that many people, switch out a lead guitarist and say it's the same. As far as I am concerned, the band was different the moment Dez left and Wendy came in. [Edited 2/12/10 22:37pm] [Edited 2/12/10 22:38pm] "New Power slide...." | |
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StonedImmaculate said: I swear by the Revolution and totally feel he went downhill fast with their departure. But in concert, his sound definitely improved afterwards.
This is no disrespect to the Revolution...the big difference was the drumming. Once Prince did away with the electronic drums in concert, the sound was mind blowing. It would have been interesting to here Bobby play real drums rather than the electros, especially on the Parade tour. Sheila and Michael B brought a deepness to the live sound and while I am well aware that they are far superior drummers then Bobby, I honestly feel those electronic drums were the biggest difference. Have U ever heard live shows pre 1987? Bobby Z played 'real drums from For U.Prince.Dirty Mind.Controversy (it was around this time that Prince wanted him to incorporate the linn) but it was still non-electronic drumming. it was used more during the 1999/Purple Rain tours but a lot of the impromptu shows were 'organic' drumming and the Parade tour was non-electronic drumming any who says he can't hold his own and not diverse in styles has not heard shows, I'm not saying he had to be as good as say Sheila E. but even Sheila played simple when backing Prince and used a lot of linn & electronic drumming along with her set. I'm listening to one of the Parade shows now, and Bobby is very live songs likeIt's Gonna B a Beautiful Night, Controversy and switching right into jazzy renditions, A Love Bizarre(by the way Eric can't touch Eddie M saxing that song) Do Me Baby 1. Around the World in a Day 2. Christopher Tracey's Parade 3. New Position 4. I Wonder U 5. Raspberry 6. Delirious 7. It's Gonna Be A Beautiful Night 8. Controversy 9. A Love Bizarre 10. Do Me Baby 11. How Much is that Doggie/Lady Cab Driver... 12. Automatic 13. DMSR 14. When Doves Cry * don't like this song live but this is a high quality rendition of the song, a bit of linn usage, drumming, keys and Wendys guitar solo were top notch 15. Little Red Corvette 16. Do U Lie 17. the Ladder 18. Condition of the Heart 19. Under the Cherry Moon 20. Anotherloverholenyohead 21. Love or Money 22. Head (a few lines from Hot Thing:SOTT are introduced here) 23. Pop Life 24. Girls & Boys 25. Life Can Be So Nice 26. 1999 27. America [Edited 2/14/10 19:48pm] [Edited 2/14/10 20:12pm] | |
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Bobby Z drumming on Parade tour is GREAT
just check the jazz ending of Controversy brilliant drummer. | |
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thebanishedone said: Bobby Z drumming on Parade tour is GREAT
just check the jazz ending of Controversy brilliant drummer. throught the tour YES, and the improvision of I Wonder U | |
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I am glad everybody got back to the original point skywalker and the other dude kinda got off track. | |
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