Brilliant album.
I remember vividly the first time I heard it, Love 2 the 9s, particularly. The chorus just pinned me to the wall and smacked me about the face. I'd never heard anything like that before. ...Come to think of it, I haven't head anything like it since! To me this album is Prince's 1 true masterpiece. | |
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TyphoonTip said: To me this album is Prince's 1 true masterpiece. it's certainly the culmination of a lot for me. i don't like to listen to this album piecemeal. gotta be the whole thing. it's like one very long song. i got it shortly after release in '92, and i listened to it over and over again all christmas vacation. i like that it is stylistically very different from his other albums. prince carried over some of the visual notes from the 'd&p' era, and there are horns on the album, but it's just... out there. it's all about harmonies and interplay between multiple instruments with the very well placed quiet spaces. even the grooves have harmonies. in its own way it's nearly as complex as 'lovesexy,' though not in such a blatant, in-your-face fashion. it sounds almost like lounge music, but the closer you zoom in, more and more detail becomes apparent. i don't think it's a coincidence that he lifted melodies from the unreleased '88 stuff. though it sounds radically different, it is the next logical step (sonically) beyond 'lovesexy.' it's time for a new direction / it's time for jazz to die | |
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'the max' was originally tracked in 1988. it's time for a new direction / it's time for jazz to die | |
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stanleylieber said: TyphoonTip said: To me this album is Prince's 1 true masterpiece. it's certainly the culmination of a lot for me. i don't like to listen to this album piecemeal. gotta be the whole thing. it's like one very long song. i got it shortly after release in '92, and i listened to it over and over again all christmas vacation. i like that it is stylistically very different from his other albums. prince carried over some of the visual notes from the 'd&p' era, and there are horns on the album, but it's just... out there. it's all about harmonies and interplay between multiple instruments with the very well placed quiet spaces. even the grooves have harmonies. in its own way it's nearly as complex as 'lovesexy,' though not in such a blatant, in-your-face fashion. it sounds almost like lounge music, but the closer you zoom in, more and more detail becomes apparent. i don't think it's a coincidence that he lifted melodies from the unreleased '88 stuff. though it sounds radically different, it is the next logical step (sonically) beyond 'lovesexy.' That's the thing. The complexity is astounding in some places. Yet it all seems to flow effortlessly. You mentioned the horns. WOW. The use of horns as strings in some parts, 'The Morning Papers' springs to mind, Oh & the 2nd 1/2 of the 'Love 2 the 9s' chorus, Fan-bloody-tastic. There are only a few albums that I've listened to literally hundreds (possibly thousands?) of times; and still occasionally pick up something new. Queen - II & A Night @ the Opera Radiohead - OK Computer ...there are a couple more, but you get the idea. | |
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This song was the beginning of Prince's angst, and arguably his best material forthcoming in the next few years. I've always said that Prince being angry is the best Prince there is around. Prince having slave angst with WB spawned great Cds like Come, The Gold Experience, Exodus, and even other albums with gems here and there like Chaos and Disorder, and of course "The Most Beautiful Girl In The World".
Prince was living a very ying yang life. He was angry and fighting WB, yet was quickly falling in love with Mayte. His rage and love was fully balances, and his music benefited for it. It was after he became free, and was able to do his own thing that his music started to suffer again. He's had no real conflict w/ band members, no public falling outs with someone, his divorces were kept secret as much as possible and of course he never talked about it except through his music. I would even venture to say not many fans even gave a fat shit about Manuella. She never seemed personable, looked like an older knock off of Mayte, and all we heard was the fights between them. The peaceful Prince is the boring Prince. The JW Prince is the annoying Prince. He's not a positive nuisance anymore. Having said all that, "The Sacrifice of Victor" started the best music of Prince's career through the 90's, and it ended when Emancipation hit. | |
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TyphoonTip said: That's the thing. The complexity is astounding in some places. Yet it all seems to flow effortlessly. You mentioned the horns. WOW. The use of horns as strings in some parts, 'The Morning Papers' springs to mind, Oh & the 2nd 1/2 of the 'Love 2 the 9s' chorus, Fan-bloody-tastic. THIS. --^ there are two major pieces of weight to this album: 1. astonishing breadth 2. he makes it sound effortless the use of horns on this album is the best i've heard from him. and the way they are recorded. i could write books about the mix on this album. it's time for a new direction / it's time for jazz to die | |
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stanleylieber said: TyphoonTip said: That's the thing. The complexity is astounding in some places. Yet it all seems to flow effortlessly. You mentioned the horns. WOW. The use of horns as strings in some parts, 'The Morning Papers' springs to mind, Oh & the 2nd 1/2 of the 'Love 2 the 9s' chorus, Fan-bloody-tastic. THIS. --^ there are two major pieces of weight to this album: 1. astonishing breadth 2. he makes it sound effortless the use of horns on this album is the best i've heard from him. and the way they are recorded. i could write books about the mix on this album. | |
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It's crazy but cool! | |
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This is the best song on the album. | |
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I LOVE Sacrifice of Victor!! I remember taping the ABC Special, & watching this performance over, & over, & over again!! It was so MOVING to me!! | |
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stanleylieber said: 'the max' was originally tracked in 1988.
Are you sure? I was under the impression that they were two different tracks with the same title. | |
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TwiliteKid said: stanleylieber said: 'the max' was originally tracked in 1988.
Are you sure? I was under the impression that they were two different tracks with the same title. ooh, maybe so. given that the 'o(+>' track recycles the hook from 'rave unto the joy fantastic,' i just assumed it was an updated version of the original 'the max.' has anyone actually heard the '88 version? Date: 10-02-1988 Timing: Remark: Version 1 Performer: Prince Composer: Prince Studio: Paisley Park Studios, Chanhassen it's time for a new direction / it's time for jazz to die | |
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i'm fascinated by that '88-'89 period of unreleased recordings. the sound was never really captured on an official release. it's time for a new direction / it's time for jazz to die | |
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3121 said: I like the ending of the song. It becomes nothing short of gospel. The backing vocals and prince's lead line are spectacular. "Although my legs are tierd, i gotta keep on walking down this road"
Yeah took us back to church... well me anyway | |
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TwiliteKid said: I like this track a lot, but the recorded version has always seemed just a tad bit too restrained for me, up until the last minute and a half or so, when it really takes off.
I've always wanted to hear the complete performance that is teased on the Interactive CD-ROM. There's an urgency to it that I think the album version is lacking. Interesting theory on the album as a whole Stanley! I had no idea there was another version floating around out there 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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Decent track with a great ending and I love "Joy lives round the corner" | |
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"decent" 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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HATERZ!!!!!
it's time for a new direction / it's time for jazz to die | |
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stanleylieber said: it's all about harmonies and interplay between multiple instruments with the very well placed quiet spaces. even the grooves have harmonies.
In terms of melody, harmony and arrangement, this is Prince's best work. There are moments of genius, like the piano run that comes in after the 'groove section' in Love 2 the 9's, the bass run into the third verse of 'The Morning Papers', and the vocal harmonies in Sweet Baby, that always amaze me. Great stuff. | |
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I've been listening to this song almost non-stop since this thread arrived.
I can’t ever begin how much this scene from this movie touched me but I will never forget the first time I saw it and how hard it threw me because I recognized myself in Evey. I had no idea what this movie was about when my friend rented it and I had no idea this scene was coming but it pretty much sums up the revelation of my resurrection: Evey held onto one single thread of hope, it was all she had. Life reduced down to a single inch. It’s not much but if you have even an inch of your true self, you have everything . The beginning of the second clip doesn’t show you but she is just released from the prison where she found those wonderful letters: To discovere life was colluding against her, she had a decision to make and she chose fearlesness….. That’s why I love this song so much because it takes the real pain of life and turns it into a joyous manifesto of triumph 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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supa have you read the book? far superior to the film, i think you'd like it. it's time for a new direction / it's time for jazz to die | |
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stanleylieber said: supa have you read the book? far superior to the film, i think you'd like it.
No but that scene rocked my world like you wouldn't believe. My friend couldn't understand why I was crying so hard 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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SupaFunkyOrgangrinderSexy said: When people accuse me of living in the past and this is the past I'm living in I'm SO NOT ASHAMED!
Amen! One of the BEST songs he's ever done and I LOVE the gospel... I think he should revisit this genre I'm not stopping. I haven't even taken my coat off
C'mon and dance while you, while you still have your cherry babe, cherry babe.. www.KerrysCakes.org.uk | |
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MrsGoodnight said: SupaFunkyOrgangrinderSexy said: When people accuse me of living in the past and this is the past I'm living in I'm SO NOT ASHAMED!
Amen! One of the BEST songs he's ever done and I LOVE the gospel... I think he should revisit this genre at this point it might be totally cheesy. This spur of the moment out of left field stuff though.... 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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ernestsewell said: This song was the beginning of Prince's angst, and arguably his best material forthcoming in the next few years. I've always said that Prince being angry is the best Prince there is around. Prince having slave angst with WB spawned great Cds like Come, The Gold Experience, Exodus, and even other albums with gems here and there like Chaos and Disorder, and of course "The Most Beautiful Girl In The World".
Prince was living a very ying yang life. He was angry and fighting WB, yet was quickly falling in love with Mayte. His rage and love was fully balances, and his music benefited for it. It was after he became free, and was able to do his own thing that his music started to suffer again. He's had no real conflict w/ band members, no public falling outs with someone, his divorces were kept secret as much as possible and of course he never talked about it except through his music. I would even venture to say not many fans even gave a fat shit about Manuella. She never seemed personable, looked like an older knock off of Mayte, and all we heard was the fights between them. The peaceful Prince is the boring Prince. The JW Prince is the annoying Prince. He's not a positive nuisance anymore. Having said all that, "The Sacrifice of Victor" started the best music of Prince's career through the 90's, and it ended when Emancipation hit. I'll die in your arms under the cherry moon... | |
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