I used to say that Prince's last good record was Lovesexy but I think that Batman had some great tracks on it as well and it was a pretty solid record. Prince really shit the bed after Batman with very lifeless and unfinished sounding music. His guitars and overall production sounds ultra cheap and super flat. The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. I look at Prince music after Lovesexy and Batman and it's almost as if he was touched by a power greater than any of us will ever know and all of the sudden it was gone. The music of his early to mid-90's career had classic and timeless sound that produced hit after hit. I hear people intellectualizing what a "hit" is on this board as if the people who don't like his new music aren't informed. A "hit" doesn't have to be at the top of the charts. "Anastesia", "The Ballad of Dorothy Parker", "It", "Girls and Boys", "Tambourine" were never chart toppers but they were all "hits" to people who know a thing or two about music and can appreciate a good song when they hear one. I stood behind Prince through the 80's and the early 90's because his music made me feel so good. It's depressing and sad when you try again and again to gleam some small particle of that feeling in his new music and fail over and over. He doesn't know how to write hit music anymore. He is a victim of his ego and self centeredness. | |
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mschirmer said: I used to say that Prince's last good record was Lovesexy but I think that Batman had some great tracks on it as well and it was a pretty solid record. Prince really shit the bed after Batman with very lifeless and unfinished sounding music. His guitars and overall production sounds ultra cheap and super flat. The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. I look at Prince music after Lovesexy and Batman and it's almost as if he was touched by a power greater than any of us will ever know and all of the sudden it was gone. The music of his early to mid-90's career had classic and timeless sound that produced hit after hit. I hear people intellectualizing what a "hit" is on this board as if the people who don't like his new music aren't informed. A "hit" doesn't have to be at the top of the charts. "Anastesia", "The Ballad of Dorothy Parker", "It", "Girls and Boys", "Tambourine" were never chart toppers but they were all "hits" to people who know a thing or two about music and can appreciate a good song when they hear one. I stood behind Prince through the 80's and the early 90's because his music made me feel so good. It's depressing and sad when you try again and again to gleam some small particle of that feeling in his new music and fail over and over. He doesn't know how to write hit music anymore. He is a victim of his ego and self centeredness.
You hit the nail on the head there. Everything you stated above is all about how it made you feel at the time. I'm not saying that it is wrong or right, it's just how you feel. I love 90% of his output for different reasons. Some of them are for melody, some are for arrangement, etc. If you look at his 90s output, you must remember that almost all music in the early 90s was plastic sounding. The engineering was different and people were getting adjusted to all of these new digital instruments. P followed suit by trying to update his sound with these new instruments. In 95, he changed it up and tried reinventing his sound. With that said, I don't see how anyone can say albums like TGE, Rave IN2, 3121, etc. are "lacking" or "missing the point". These albums are very cohesive. Each one of Prince's albums are like books. They look and sound different. That's not saying that the material is not good. It's all a matter of opinion. That's all. If a song like "(There'll Never B) Another Like Me" was released in 1987, it would be considered a P classic by now. As for Prince trying to recapture his hitmaking days, I think he knows that he doesn't have a chance. I don't think it's due to the material. I think it has to do with the industry. The music business doesn't allow 50 year olds to have "hits" on the pop chart. Come on, when was the last time Barbara Streisand, Bruce Springsteen, Billy Joel, Natalie Cole, etc. had a "hit" on the charts. These people have continuously released new material throughout the years, but hasn't had a pop hit in damn-near 20 years. Sure, they have all released projects. Many of them have sold in the millions, yet not managed to have any big success with any singles. [Edited 12/31/08 12:18pm] **--••--**--••**--••--**--••**--••--**--••**--••-
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Music is no longer his religion. He's moved on, as well he should.
I look at P's music like an old friend. One you don't kick it with all the time like you used to, but when you see them it's cool to get together and just reminisce if nothing else. | |
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jdcxc said: purplecam said: You are absolutely right about everything you said but what's bolded hit me the most. A lot of what Stevie has written hasn't been deep, special or memorable but no one here would ever dog him at all but they will do it in a heartbeat for Prince. You gave a great example with "What's The Fuss". [Edited 12/31/08 9:29am] Why do people only equate socio-political, bibical, pseudo-philosophical lyrics as being "deep"? No one is saying Prince should only concentrate on lyrics akin to the Rainbow Children but he can be interesting without being conventional or simple. Look at the difference between incomparablen 1970's Stevie Wonder versus that Hallmark crap I Just Called to Say I Love You. Compare the challenging poetic and literate lyrics to the Ballad of Dorothy Parker to Lolita, etc. Prince has, for whatever reason, moved away from introspective, interpersonal, and "adult" songwriting. It's ok to have simple lyrics attached to memorable hooks, melodies and beats but P's relationship songs have become too middle American vanilla. Future Baby Mama could have been written by Usher or Justin Timberlake. Well I certainly wasn't defining what "deep" is supposed 2 encompass... I hear what you're saying, and agree with U on that, but not on U saying that Prince hasn't written anything "creative"/"deep"/"challenging"/"introspective"/"interpersonal" in recent times. He certainly has. Same with Stevie. He still writes "meaningful" lyrics... "A Time 2 Love" is on the same album as "What The Fuss?" GREAT and CLASSIC Stevie lyrics there. (although I've bashed the lyrics in "What The Fuss?", I must say that it doesn't affect me grooving 2 that cut. I just feel kind of funny when I sing it.) "He's a musician's musician..." | |
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purplecam said: I've come away with one thing from this thread: Music hits everybody differently. What one calls a "hit", whether it hits the charts or not, may be a flop in someone elses ears. Plenty of you don't dig what he's doing now but plenty of you do. It's all good either way you cut it.
I agree I swear the words "HATER" is wayyy over-rated...smh | |
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mschirmer said: I used to say that Prince's last good record was Lovesexy but I think that Batman had some great tracks on it as well and it was a pretty solid record. Prince really shit the bed after Batman with very lifeless and unfinished sounding music. His guitars and overall production sounds ultra cheap and super flat. The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. I look at Prince music after Lovesexy and Batman and it's almost as if he was touched by a power greater than any of us will ever know and all of the sudden it was gone. The music of his early to mid-90's career had classic and timeless sound that produced hit after hit. I hear people intellectualizing what a "hit" is on this board as if the people who don't like his new music aren't informed. A "hit" doesn't have to be at the top of the charts. "Anastesia", "The Ballad of Dorothy Parker", "It", "Girls and Boys", "Tambourine" were never chart toppers but they were all "hits" to people who know a thing or two about music and can appreciate a good song when they hear one. I stood behind Prince through the 80's and the early 90's because his music made me feel so good. It's depressing and sad when you try again and again to gleam some small particle of that feeling in his new music and fail over and over. He doesn't know how to write hit music anymore. He is a victim of his ego and self centeredness.
WHAT?? "He's a musician's musician..." | |
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Giovanni777 said: mschirmer said: I used to say that Prince's last good record was Lovesexy but I think that Batman had some great tracks on it as well and it was a pretty solid record. Prince really shit the bed after Batman with very lifeless and unfinished sounding music. His guitars and overall production sounds ultra cheap and super flat. The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. I look at Prince music after Lovesexy and Batman and it's almost as if he was touched by a power greater than any of us will ever know and all of the sudden it was gone. The music of his early to mid-90's career had classic and timeless sound that produced hit after hit. I hear people intellectualizing what a "hit" is on this board as if the people who don't like his new music aren't informed. A "hit" doesn't have to be at the top of the charts. "Anastesia", "The Ballad of Dorothy Parker", "It", "Girls and Boys", "Tambourine" were never chart toppers but they were all "hits" to people who know a thing or two about music and can appreciate a good song when they hear one. I stood behind Prince through the 80's and the early 90's because his music made me feel so good. It's depressing and sad when you try again and again to gleam some small particle of that feeling in his new music and fail over and over. He doesn't know how to write hit music anymore. He is a victim of his ego and self centeredness.
WHAT?? A double WHAT??? I better not say anymore than that. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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mschirmer said: The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. .
Oh larwd.....here we go again. | |
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JayJai said: purplecam said: I've come away with one thing from this thread: Music hits everybody differently. What one calls a "hit", whether it hits the charts or not, may be a flop in someone elses ears. Plenty of you don't dig what he's doing now but plenty of you do. It's all good either way you cut it.
I agree I agree 2. 4 example, I really don't like 'The Gold Experience' album, and it is revered by most folks on the org as one of his best. In fact, I never break out that album nor 'Diamonds & Pearls'. [Edited 12/31/08 12:46pm] "He's a musician's musician..." | |
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purplecam said: Giovanni777 said: WHAT?? A double WHAT??? I better not say anymore than that. OK. I will... The Revolution were incredibly over-credited on Prince projects, where he really wrote and played nearly everything. How much of The Revolution do U really think is on the 'Around The World in a Day' and 'Parade' albums? "He's a musician's musician..." | |
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Giovanni777 said: purplecam said: A double WHAT??? I better not say anymore than that. OK. I will... The Revolution were incredibly over-credited on Prince projects, where he really wrote and played nearly everything. How much of The Revolution do U really think is on the 'Around The World in a Day' and 'Parade' albums? Amen **--••--**--••**--••--**--••**--••--**--••**--••-
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Giovanni777 said: purplecam said: A double WHAT??? I better not say anymore than that. OK. I will... The Revolution were incredibly over-credited on Prince projects, where he really wrote and played nearly everything. How much of The Revolution do U really think is on the 'Around The World in a Day' and 'Parade' albums? Thank you, Thank you and Thank you again! You said it so much better than I would have. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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purplecam said: Giovanni777 said: OK. I will... The Revolution were incredibly over-credited on Prince projects, where he really wrote and played nearly everything. How much of The Revolution do U really think is on the 'Around The World in a Day' and 'Parade' albums? Thank you, Thank you and Thank you again! You said it so much better than I would have. Thanks, but your contributions 2 the Org R quite appreciated! ...and I was just tellin' the Truth. "He's a musician's musician..." | |
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Giovanni777 said: purplecam said: Thank you, Thank you and Thank you again! You said it so much better than I would have. Thanks, but your contributions 2 the Org R quite appreciated! ...and I was just tellin' the Truth. Awwww Thank you Giovanni! Hell. I'll go for it! I also think that W&L are overrated. Prince didn't need them to make the music that he made before 1984 and he didn't need them after 84 either. I liked and still like W&L and I am grateful for their presence and what they brought to Prince's table from 1983-1986 but they weren't the "end all be all" that many think that they are. Prince made hits in 1981, 1996, 2004 and he will make hits in 2009 cause that's what he does. Disagree if you want, but that my viewpoint on the matter and my contribution to this thread. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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Giovanni777 said: jdcxc said: Why do people only equate socio-political, bibical, pseudo-philosophical lyrics as being "deep"? No one is saying Prince should only concentrate on lyrics akin to the Rainbow Children but he can be interesting without being conventional or simple. Look at the difference between incomparablen 1970's Stevie Wonder versus that Hallmark crap I Just Called to Say I Love You. Compare the challenging poetic and literate lyrics to the Ballad of Dorothy Parker to Lolita, etc. Prince has, for whatever reason, moved away from introspective, interpersonal, and "adult" songwriting. It's ok to have simple lyrics attached to memorable hooks, melodies and beats but P's relationship songs have become too middle American vanilla. Future Baby Mama could have been written by Usher or Justin Timberlake. Well I certainly wasn't defining what "deep" is supposed 2 encompass... I hear what you're saying, and agree with U on that, but not on U saying that Prince hasn't written anything "creative"/"deep"/"challenging"/"introspective"/"interpersonal" in recent times. He certainly has. Same with Stevie. He still writes "meaningful" lyrics... "A Time 2 Love" is on the same album as "What The Fuss?" GREAT and CLASSIC Stevie lyrics there. (although I've bashed the lyrics in "What The Fuss?", I must say that it doesn't affect me grooving 2 that cut. I just feel kind of funny when I sing it.) I will always buy the next Prince record and I can always find certain tracks that are cool. What I miss is the strange, wierd, complicated and alternative worldview he used to express. He was never above exploring his frailities, contradictions and personal disappointments and euphoric highs. It's as if he is medicated on some bland drug that has dimmed his adventurous music side. I think the fight with the record industry and his alliance with an outsider cult religion has fueled his natural contrarian bent while at the same time sapped his use of music as an outlet for his personal growth. Just my theory. | |
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jdcxc said: Giovanni777 said: Well I certainly wasn't defining what "deep" is supposed 2 encompass... I hear what you're saying, and agree with U on that, but not on U saying that Prince hasn't written anything "creative"/"deep"/"challenging"/"introspective"/"interpersonal" in recent times. He certainly has. Same with Stevie. He still writes "meaningful" lyrics... "A Time 2 Love" is on the same album as "What The Fuss?" GREAT and CLASSIC Stevie lyrics there. (although I've bashed the lyrics in "What The Fuss?", I must say that it doesn't affect me grooving 2 that cut. I just feel kind of funny when I sing it.) I will always buy the next Prince record and I can always find certain tracks that are cool. What I miss is the strange, wierd, complicated and alternative worldview he used to express. He was never above exploring his frailities, contradictions and personal disappointments and euphoric highs. It's as if he is medicated on some bland drug that has dimmed his adventurous music side. I think the fight with the record industry and his alliance with an outsider cult religion has fueled his natural contrarian bent while at the same time sapped his use of music as an outlet for his personal growth. Just my theory. I, personally, believe that when he started seeking out religion, got married to Mayte, left WB, etc. his views changed. It's like he grew up and became a different person. Not saying that's bad, but I think a lot of it has to do with his maturity level. When you are young, you tend to have a different view than an older person. **--••--**--••**--••--**--••**--••--**--••**--••-
U 'gon make me shake my doo loose! http://www.twitter.com/nivlekbrad | |
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jdcxc said: Giovanni777 said: Well I certainly wasn't defining what "deep" is supposed 2 encompass... I hear what you're saying, and agree with U on that, but not on U saying that Prince hasn't written anything "creative"/"deep"/"challenging"/"introspective"/"interpersonal" in recent times. He certainly has. Same with Stevie. He still writes "meaningful" lyrics... "A Time 2 Love" is on the same album as "What The Fuss?" GREAT and CLASSIC Stevie lyrics there. (although I've bashed the lyrics in "What The Fuss?", I must say that it doesn't affect me grooving 2 that cut. I just feel kind of funny when I sing it.) I will always buy the next Prince record and I can always find certain tracks that are cool. What I miss is the strange, weird, complicated and alternative worldview he used to express. He was never above exploring his frailties, contradictions and personal disappointments and euphoric highs. It's as if he is medicated on some bland drug that has dimmed his adventurous music side. I think the fight with the record industry and his alliance with an outsider cult religion has fueled his natural contrarian bent while at the same time sapped his use of music as an outlet for his personal growth. Just my theory. Very interesting, and well written, although I disagree only because of works like 'The Rainbow Children', 'One Night Alone', etc. "He's a musician's musician..." | |
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daPrettyman said: jdcxc said: I will always buy the next Prince record and I can always find certain tracks that are cool. What I miss is the strange, wierd, complicated and alternative worldview he used to express. He was never above exploring his frailities, contradictions and personal disappointments and euphoric highs. It's as if he is medicated on some bland drug that has dimmed his adventurous music side. I think the fight with the record industry and his alliance with an outsider cult religion has fueled his natural contrarian bent while at the same time sapped his use of music as an outlet for his personal growth. Just my theory. I, personally, believe that when he started seeking out religion, got married to Mayte, left WB, etc. his views changed. It's like he grew up and became a different person. Not saying that's bad, but I think a lot of it has to do with his maturity level. When you are young, you tend to have a different view than an older person. I agree Correct me if I'm wrong but it seemed like Prince was looking at Eastern Religions or something like that when he got married to Mayte. He had some Henna, I believe that's what it's called, on his hands quite a bit at the time. It could have just been decorations but I believe that Henna is attached to a religion so that leads me to believe that Prince was searching for something at that time. *Again correct me if I'm all off base with this and I apologize if this is offensive as it's not meant to be. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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purplecam said: daPrettyman said: I, personally, believe that when he started seeking out religion, got married to Mayte, left WB, etc. his views changed. It's like he grew up and became a different person. Not saying that's bad, but I think a lot of it has to do with his maturity level. When you are young, you tend to have a different view than an older person. I agree Correct me if I'm wrong but it seemed like Prince was looking at Eastern Religions or something like that when he got married to Mayte. He had some Henna, I believe that's what it's called, on his hands quite a bit at the time. It could have just been decorations but I believe that Henna is attached to a religion so that leads me to believe that Prince was searching for something at that time. *Again correct me if I'm all off base with this and I apologize if this is offensive as it's not meant to be. I remember the Henna tattoos, but not sure about the religion part. I think He and Mayte were married in a Methodist church. **--••--**--••**--••--**--••**--••--**--••**--••-
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daPrettyman said: purplecam said: I agree Correct me if I'm wrong but it seemed like Prince was looking at Eastern Religions or something like that when he got married to Mayte. He had some Henna, I believe that's what it's called, on his hands quite a bit at the time. It could have just been decorations but I believe that Henna is attached to a religion so that leads me to believe that Prince was searching for something at that time. *Again correct me if I'm all off base with this and I apologize if this is offensive as it's not meant to be. I remember the Henna tattoos, but not sure about the religion part. I think He and Mayte were married in a Methodist church. I remember that too. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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SynthiaRose said: Why are so many in this thread interpreting "hit" as meaning at the top of the charts?
I think of a "hit" as a song that is exceptionally crafted in music and lyrics, that is unique, possibly trend-setting, and infectious. We want those kind of hits. They may or may not land at #1. I mean Beyonce's Singles Ladies is at the top of the chart. I'm pretty sure the original poster doesn't want a "hit" like that. So for eveyrone who's saying oh, prince just doesn't care about charts and the public. That's not the point. Where the fucking great and fresh music? Great music generally pulls its own public reception; he wouldn't have to chase charts. And no more bashing of Purple Rain which is fucking perfect and shouldn't be discounted because it was popular. Anyway I'm listening to 21 nights right now and it sounds like a fucking Vegas show. The horns. The big band. The 70s "funk" sound. The sound of a urban church choir singer belting out in the background. Spare me. Damn. Your post is SO on point ! I like the anger in it and the fact that you dislike exactly the same things that I dislike about 21 Nights or his other current output ( and lyrics ) . What really made me like Prince in the first place were songs I could relate to, deeply personal lyrics that were still easy to relate to, bad ass experimental stuff like When Doves Cry or If I Was Your Girlfriend or Beautiful Ones. These days, it seems that he´d rather be overcryptic or "deep" without really knowing too much about the things he sings about( if he did, he´d know that the Jews did NOT choose their "beautiful sounding" names but were given those names in order to discriminate them but I don´t want to talk about TRC here). I used to admire the courage and boldness of Prince in his heyday,how he would inspire his younger listeners to stand up and dare to be different, to be openminded towards other races or sexual orientations. Much like Hip Hop and its original ideas in the early days, Prince seems to have changed into the opposite of what he once used to stand for. By the way, I really LOVE your blog. Always a nice read. " I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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mschirmer said: I used to say that Prince's last good record was Lovesexy but I think that Batman had some great tracks on it as well and it was a pretty solid record. Prince really shit the bed after Batman with very lifeless and unfinished sounding music. His guitars and overall production sounds ultra cheap and super flat. The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. I look at Prince music after Lovesexy and Batman and it's almost as if he was touched by a power greater than any of us will ever know and all of the sudden it was gone. The music of his early to mid-90's career had classic and timeless sound that produced hit after hit. I hear people intellectualizing what a "hit" is on this board as if the people who don't like his new music aren't informed. A "hit" doesn't have to be at the top of the charts. "Anastesia", "The Ballad of Dorothy Parker", "It", "Girls and Boys", "Tambourine" were never chart toppers but they were all "hits" to people who know a thing or two about music and can appreciate a good song when they hear one. I stood behind Prince through the 80's and the early 90's because his music made me feel so good. It's depressing and sad when you try again and again to gleam some small particle of that feeling in his new music and fail over and over. He doesn't know how to write hit music anymore. He is a victim of his ego and self centeredness.
I agree with most of what you say in your post BUT I must admit, he was still making great music in the 90s , and still does so to this day, though not as much as he used to. He kind of lost me around Batman and Graffiti Bridge but Diamonds and Pearls had some really decent songs on it, maybe even timeless if it wasn´t for Tony M and his "contributions". Up until TGE, he was still coming up with great material but the difference between the studio material and the live performances and live sound were, in my opinion, getting bigger and bigger. I have witnessed a lot of those Gold Experience shows live back in the mid 90s and I have to say that the songs on the actual album sounded a bit too flat and too slick compared to the live stuff, Days Of Wild being one example. ( Maybe that´s the reason it didn´t make it onto the album). I still wonder what Emancipation could have been sounded like if he had kept the old NPG together for that album.Betcha By Golly Wow may not be everybody´s favorite but it sure sounds good with Michael B. and Sonny. As much as I dislike a lot of his newer material, I must admit that there are still occasional signs of greatness on every album. I really like songs like Here On Earth, Reflection, Somewhere Here On Earth, Lion Of Judah ( not necessarily the lyrics and especially not the chorus but the music sounds so good, and I like the vocal delivery), and I also love a lot of the songs on Diamonds and Pearls ( Strollin, Insatiable,Thunder, Live 4 Love, Get Off etc.), or on the Symbol album( 7, God Created Woman etc.). My main gripe is that his newer material is too cryptic,too immature, not really as intellectual as it used to be, the music is no longer experimental ( he used to be the king of drum computers, created weird sounds using weird tricks, now I wonder if he could even recreate those old Linn drum sounds again). But, most of all, we could all relate to his songs and they made us feel good, and that is the definition of a "hit" to me, and that seems to be gone for good, judging by the new songs that I´ve heard. " I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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A lot of this was probably posted already, but I'll throw my 2 cents in anyway.
1. Prince stopped surrounding himself with people who fed him interesting musical elements (melodies, rhythms, etc) that he could then manipulate (flip, reverse, speedup, etc.) & assemble to create something that sounded totally unique. I believe this started around the late 80s. 2. At the same time, rap & hip-hop was on the rise. This spooked him. Consequently, he ended up chasing trends for the next 15 years. Maybe if he still had creative people around this wouldn't have been an issue. 3. He's lazier. I remember an interview in the late 90s where Prince said he let Kirky J do the drum programming for Emancipation because he didn't like to do it. It wouldn't surprise me if this attitude carried over to other aspects of his creative process. 4. His messages have become more explicit & traditional and thus less intellectually stimulating. I almost want to lump this into point 3. 5. He's over 50 and doesn't have the "right" sound to sell to today's target demographic. 6. He's burned way too many bridges over the last 20 years (fans, band members, record execs). | |
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prince need lisa and wendy around to call him on his shit! then he will have a hit song IM bringing sexy back!
Simply Marvelous! size does matter | |
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Donjuandeblacko said: prince need lisa and wendy around to call him on his shit! then he will have a hit song
Hell nawwww!!! Ohh purple joy oh purple bliss oh purple rapture! REAL MUSIC by REAL MUSICIANS - Prince "I kind of wish there was a reason for Prince to make the site crash more" ~~ Ben |
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Giovanni777 said: L4OATheOriginal said: i find both songs as seperate entities. i find beauty still in his lyrics 2 this day cause depending on where my life is at the moment, it can b such a inspirational lift as it was always back in the day. i listen 2 the lyrics of something like somewhere here on earth and it hits me so much cause of what's going on in my life.. release ur anger ....give in 2 the dark side of actual enjoying the music and not looking 4 the next invention of the wheel. Right ON. Also... about folks bashing Prince's lyrics... Prince is a brilliant lyricist, and always has been... When he wants 2 be. When U write a song, sometimes it's simple, and sometimes U want 2 say something "deeper"... I personally LOVE the lyrics of "Colonized Mind". With Prince's lyrics, one HAS 2 be able 2 read not only inbetween the lines, but in and around every word, as potentially having more than one meaning. He is very crafty with his words. U KNOW... I'm a huge Stevie Wonder fan, and always have been, but NO ONE ever says anything about Stevie's lyrics, when they're like the lyrics he wrote 4 "What The Fuss?"... [Edited 12/31/08 9:32am] well now that u mentioned stevie ..i was always with the lyrics on part time lover where he says "turn the lights on etc .." how can stevie tell when the lights r on? man, he has such an amazing body of music that it's sad to see him constrict it down to the basics. he's too talented for the lineup he's doing. estelle 81 | |
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Graycap23 said: mschirmer said: The decline really started after Sign O The Times. That was the last SUPER GREAT Prince record. Of course, half of it if not more was backed by The Revolution. That's why it was so incredible. They totally didn't get the credit they deserved on that record. It was the first record that was a supposed "departure" from The Revolution but in reality it was a Prince & The Revolution record thru and thru. .
Oh larwd.....here we go again. add another 2 the list of the dillusional revolution fanatics .. man, he has such an amazing body of music that it's sad to see him constrict it down to the basics. he's too talented for the lineup he's doing. estelle 81 | |
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L4OATheOriginal said: Giovanni777 said: Right ON. Also... about folks bashing Prince's lyrics... Prince is a brilliant lyricist, and always has been... When he wants 2 be. When U write a song, sometimes it's simple, and sometimes U want 2 say something "deeper"... I personally LOVE the lyrics of "Colonized Mind". With Prince's lyrics, one HAS 2 be able 2 read not only inbetween the lines, but in and around every word, as potentially having more than one meaning. He is very crafty with his words. U KNOW... I'm a huge Stevie Wonder fan, and always have been, but NO ONE ever says anything about Stevie's lyrics, when they're like the lyrics he wrote 4 "What The Fuss?"... [Edited 12/31/08 9:32am] well now that u mentioned stevie ..i was always with the lyrics on part time lover where he says "turn the lights on etc .." how can stevie tell when the lights r on? *slap* Don't Play!!! surviving on the thought of loving you, it's just like the water
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L4OATheOriginal said: Graycap23 said: Oh larwd.....here we go again. add another 2 the list of the dillusional revolution fanatics .. Hmmm. I think Graycap & L4 don't fully appreciate how truly great all those earlier songs were. If those earlier songs like When Doves Cry were released today they would be just as big with today’s audiences and critics as they were then. Likewise if he released his 90’s- present music in the 80’s they would fall flat just like do now. People keep going to concerts to listen to them over and over again because they are that good. To lump his current work into the "masterpiece” category along with his incredible 80’s output is really doing those songs a great disservice. It’ not about living in the past, its appreciating the best music regardless of when it was created. I know you guys really do love his 90’s work, .. but that music is not, and will never be regarded as his best by anyone other than some fanatics on fan sites like this. | |
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Ugot2shakesumthin said: L4OATheOriginal said: add another 2 the list of the dillusional revolution fanatics .. Hmmm. I think Graycap & L4 don't fully appreciate how truly great all those earlier songs were. If those earlier songs like When Doves Cry were released today they would be just as big with today’s audiences and critics as they were then. Likewise if he released his 90’s- present music in the 80’s they would fall flat just like do now. People keep going to concerts to listen to them over and over again because they are that good. To lump his current work into the "masterpiece” category along with his incredible 80’s output is really doing those songs a great disservice. It’ not about living in the past, its appreciating the best music regardless of when it was created. I know you guys really do love his 90’s work, .. but that music is not, and will never be regarded as his best by anyone other than some fanatics on fan sites like this. no one is denying how great the songs were , just denying that the revolution was the end and b all of his career man, he has such an amazing body of music that it's sad to see him constrict it down to the basics. he's too talented for the lineup he's doing. estelle 81 | |
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