She is Always in My Hair is FUNK.....and I don't care what anyone else has 2 say about it. | |
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hollywooddove said: ButterscotchPimp said: Love when Web Sheriff misses stuff. HA! AGAIN, i wasn't holding up "Fruit At The Bottom" as a "funk jam". I wanted to know why it was DRAMATICALLY LESS FUNKY than "Scarlet Pussy". Does anyone in here like Scarlett Pussy? I mean really. Just the mental image... Scarlet fever plus pussy.... scary. I don't even think it's funky. Which was ENTIRELY my point. I mean W&L are "funkless". Okay, but is "Scarlet Pussy" dramatically funkier than "Fruit On The Bottom"? Not in my mind. At all. "Hide The Bone"? YEAH. http://www.facebook.com/p...111?ref=ts
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oh lord.
Funk is being debated over 10 pages... Go on back to your wrecka collection, listen to some good funk/funky music/sort of funky music/transitional funky music but not quite the whole funk/don't know what the funk it is music... Funk/genre debates... I don't think these languages are compatible. | |
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wasitgood4u said: Mindflux said: The problem appears to be that some people cannot stay within the defined parameters of a debate - Butterscotch clearly set the boundaries by asking to discuss Prince in the "pure funk" genre. It is then entirely irrelevant to start talking about Prince's undeniable ability to blend genres - that is not the point of this discussion.
The problem also lies with what seems to be a general misunderstanding - the difference between being "funky" and being a "funk artist". Matty, I give you props for giving us a list of Prince's funkiest jams and, sure, they are funky, but not necessarily funk. Have you ever tasted something and said, "Hmmm, that is creamy", yet what you were tasting was not actually cream? Of course you have and it is the same here. Just because something is "funky" (that is, possessing elements of, or being similar to), it does not follow that it is actual funk. Its going to be difficult for many to grasp, but when you dilute Prince's music down to a specific genre, he is not the class-leader in any of them. No-one should be foolish enough to consider that Prince is the best "rock", the best "funk", the best "R&B" or whatever category. Only when you take the man's music in all its wild combinations can you then start appreciating his greatness (and I'm still not going to say that he's necessarily the best there anyway, but certainly ranks amongst the greatest). One thing I will give props to in this thread (and Butterscotch did the same) is that someone said that Prince has managed to generate interest in funk, without being a funk artist - that deserves a mention both on Prince's part and the poster who realised this. [Edited 8/21/08 5:34am] I get what you're saying and it makes sense, but I think that part of the debate was over the existence of "pure funk." I don't subscribe to that "Funk is a feeling" nonsense - funk is definitely a genre of music, the question is whether it is or ever was "pure." You can be old-school or relate to funk from a particular era or style (e.g. 70s, P-Funk etc.), but I think that's missing what funk is as much as those that say "it's a feeling, it's whatever you want it to be." Funk has always been dynamic - James' funk is not the same as GC's or Sly's or Ohio Players etc. I still think there's an argument for P representing a stage in this progression. Sure, most of his stuff is less hard-core and he sometimes seems to hide the funk, but I think the strongest claim for P belonging to the class of JB, GC etc is in fact that he made funk that sounds and is different from his predecessors. I don't think P fits into the class of people like, say, Wilson Pickett, Albert Collins or Hendrix, who put a little funk into the mix sometimes. My feeling is that with P, as I said in an earlier point, funk is the base and starting-point. (In the same way I don't think P's relationship to funk is the same as it is with rock or blues, say, which are less fundamental. Instead of listing, then, the trax which fit into existing funk sounds, I would quote others: Baby I'm a Star New Position 1999 Lady Cab Driver Head Eye Know (altho that sounds very P-Funk to me...) even My Name is Prince or Sexy MF I know Butterscotch and Funkenstein will write off all of these, but I bet back in the day they would have written off GC for not making pure funk like JB does... ah ha!! (I'm really enjoying this thread btw) I think I have the perfect analogy to help people out... I tried a linnaean classification and failed... I shall now attempt to use cooking In a pasta sauce you have tomatoes as a base ingredient whereas in salad tomatoes are an extra ingredient bear with me so, let's say that James Brown is a napolitan sauce and say Beastie Boys are a salad of hip hop lettuce and throw a tomato into the occasional album So the Q is is Prince pasta puttanesca/ or greek salad | |
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ButterscotchPimp said: hollywooddove said: Does anyone in here like Scarlett Pussy? I mean really. Just the mental image... Scarlet fever plus pussy.... scary. I don't even think it's funky. Which was ENTIRELY my point. I mean W&L are "funkless". Okay, but is "Scarlet Pussy" dramatically funkier than "Fruit On The Bottom"? Not in my mind. At all. "Hide The Bone"? YEAH. I think ppl mentioned SP coz it's so obviously a reply/tribute/take-off to Atomic Dog. I don't think it's necessarily a stand-out Prince funk trak because in fact it's SO derivative (I'd even take La La La He He He first). I'm not sure why you keep using Fruit at the Bottom as the benchmark. Who cares whether it's funky or not? What relevance does that have? (I never loved that LP BTW - played it once, I think. Mayb I'll give it another try...) [Edited 8/21/08 6:35am] "We've never been able to pull off a funk number"
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OK.....I've been reading, & I know I'm late in the game.....But I need Pimp 2 answer this one question:
Define the following songs in the Genre U think they belong: STOMP - The Brothers Johnson Candy - Cameo September - Earth Wind & Fire Forget Me Nots - Patrice Rushin Candyman - Mary Jane Girls And please explain why U think they belong in your chosen genre. NO ONE BUT BUTTERSCOTCHPIMP answers this please ya'll. I' just trying 2 see if he understands music. Peace&BeWild | |
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ButterscotchPimp said: laurarichardson said: And it is easy to dance to some of the "Funkadelic stuff"? From a dj standpoint? YEAH. I can get a dance floor moving MUCH easier to a Funkadelic song than i can a Prince song. Mind you that's with a NEUTRAL crowd. Believe it or not, i used to dj a Prince night once a month here in Detroit. (i know. and from a Prince hater! ARRRRRGH!!!!!) ----- Funkadelic song It must be because you are in Detroit. I know so many black people that cannot stand Funkadelic stuff because they cannot dance to it. Let's be honest the Parliment stuff is more popular because it is dance music and the "Funkadelic" stuff is more rock oriented. I don't care about people in a nightclub if you go see P in concert people are on their feet dancing. | |
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Mong said: What a retarded topic. Spend less time listening to jealous dickheads in your hometown.
Off the top of my head... Soft & Wet Head Controversy Sexy Dancer Most of the Black Album I Feel For You Partyup Lady Cab Driver Let's Work Housequake 3121 Of course, these are pretty generic funk tracks. The man can shit those kind of tracks with ease but usually leaves that for the side-projects...he's got more of a broad musical ability than your typical funk act, and would no doubt find it boring to coast in that manner. Again, this is one fucking retarded topic. the fact that you think most of those songs are "funk" is laughable. you don't get the topic. thanks for playing. Soft and Wet = funk. uh huh. http://www.facebook.com/p...111?ref=ts
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Soulstar77A said: ote]
Again, for Erotic City being "funky" i'd give it a ten cuz i love the song. HOWEVER, i wouldn't necessarily call Erotic City a "funk" song. I know that it's confusing as hell for some of ya'll to grasp the difference, but there is one. . Huh? So "Erotic City" is NOT funk music? Whats it then? A rock song? You are familiar withe the fact that P wrote this after seeing George on stage, arent you? And of course you're familiar with the fact that some professional musicians completely deny that there is a genre like "Funk" at all - to them it#s basically all R&B. Because theres is no "real defintion" for funk per se apart from stuff like "keeping the beat on the one" and a "more rythm oriented sound" and so on..... So please first how would cou define funk music? I dont mean whats funky or not, but what makes a song a funk song in your oppinion. I'm really curious now... [Edited 8/21/08 2:04am] [Edited 8/21/08 2:05am] [/quote] Well beyond the definition that was already provided, to me to be "funk" (which again is DIFFERENT from "funky") there has to be BOTTOM. Doesn't necessarily have to be BASS, but to be "funk" there has to be BOTTOM. So a song like Erotic City is funky as all hell, but i don't think it's "funk" because the bottom is pretty simplistic and not that heavy. Again, my OPINION. http://www.facebook.com/p...111?ref=ts
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MattyJam said: Prince ain't funky, huh? These jams beg to differ....
Scarlet Pussy Jerk Out It's Gonna Be A Beautiful Night Hello (12" version) Hide The Bone Superfunkcalifragisexy Head Sexuality Dream Factory Controversy We Can Funk (original) Party Up Movie Star D.M.S.R. 1+1+1 is 3 F.U.N.K. Lady Cab Driver Housequake Black MF In The House Push Escape We Gets Up Chocolate Irresistable Bitch (live on Purple Rain tour) Rock Hard In A Funky Place Face Down (live 97) Let's Work Billy Jack Bitch Musicology [Edited 8/21/08 3:38am] How many times have i typed on this thread "Prince is funky" now? A MILLION???? http://www.facebook.com/p...111?ref=ts
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muleFunk said: I have said this many times .
Prince brought balence to the Funk. James Brown- Father of the Funk then Sly and the Family Stone- Hippy Funk Parlement/Funkadelic- Psychodelic Funk Rick James - Funk and Roll In the center stands Prince whose Funk is so subtle you really have to listen to get it but it is at the base of his music. Now a even better question is to ask who is going to keep the legacy alive ? HA! nice! where i don't agree with your take, i love that you view Prince as the "Luke Skywalker" of funk. that's freaking AWESOME! I like the question you posed! Who IS going to keep the funk legacy alive going forward? http://www.facebook.com/p...111?ref=ts
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robinesque said: I was just trying to apply the linnaeun system of classification to sort this out in my head...
Kingdom: Phylum: Class: Order : Family: Genus: Species While I was trying to work out if Prince was his own genus or family (species being the indiviual artist), I realised that it just doesn't work... because species divergence is much simpler than musical divergence. Sure, Funk may birth a whole lot of sub genres, but those subgenres may be equally related to other genres so in biology you don't get 'inter-breeding' any higher than species level... in music you get it at all levels, and thus makes it a bitch to classify.. good god, could I be a bigger nerd? i'm probably as big of one! but i love what you bring to the topic. keep it coming..... http://www.facebook.com/p...111?ref=ts
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Mindflux said: The problem appears to be that some people cannot stay within the defined parameters of a debate - Butterscotch clearly set the boundaries by asking to discuss Prince in the "pure funk" genre. It is then entirely irrelevant to start talking about Prince's undeniable ability to blend genres - that is not the point of this discussion.
The problem also lies with what seems to be a general misunderstanding - the difference between being "funky" and being a "funk artist". Matty, I give you props for giving us a list of Prince's funkiest jams and, sure, they are funky, but not necessarily funk. Have you ever tasted something and said, "Hmmm, that is creamy", yet what you were tasting was not actually cream? Of course you have and it is the same here. Just because something is "funky" (that is, possessing elements of, or being similar to), it does not follow that it is actual funk. Its going to be difficult for many to grasp, but when you dilute Prince's music down to a specific genre, he is not the class-leader in any of them. No-one should be foolish enough to consider that Prince is the best "rock", the best "funk", the best "R&B" or whatever category. Only when you take the man's music in all its wild combinations can you then start appreciating his greatness (and I'm still not going to say that he's necessarily the best there anyway, but certainly ranks amongst the greatest). One thing I will give props to in this thread (and Butterscotch did the same) is that someone said that Prince has managed to generate interest in funk, without being a funk artist - that deserves a mention both on Prince's part and the poster who realised this. [Edited 8/21/08 5:34am] HALLELUJAH!!!!! another soul that GETS IT!!!!! http://www.facebook.com/p...111?ref=ts
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wasitgood4u said: Mindflux said: The problem appears to be that some people cannot stay within the defined parameters of a debate - Butterscotch clearly set the boundaries by asking to discuss Prince in the "pure funk" genre. It is then entirely irrelevant to start talking about Prince's undeniable ability to blend genres - that is not the point of this discussion.
The problem also lies with what seems to be a general misunderstanding - the difference between being "funky" and being a "funk artist". Matty, I give you props for giving us a list of Prince's funkiest jams and, sure, they are funky, but not necessarily funk. Have you ever tasted something and said, "Hmmm, that is creamy", yet what you were tasting was not actually cream? Of course you have and it is the same here. Just because something is "funky" (that is, possessing elements of, or being similar to), it does not follow that it is actual funk. Its going to be difficult for many to grasp, but when you dilute Prince's music down to a specific genre, he is not the class-leader in any of them. No-one should be foolish enough to consider that Prince is the best "rock", the best "funk", the best "R&B" or whatever category. Only when you take the man's music in all its wild combinations can you then start appreciating his greatness (and I'm still not going to say that he's necessarily the best there anyway, but certainly ranks amongst the greatest). One thing I will give props to in this thread (and Butterscotch did the same) is that someone said that Prince has managed to generate interest in funk, without being a funk artist - that deserves a mention both on Prince's part and the poster who realised this. [Edited 8/21/08 5:34am] I get what you're saying and it makes sense, but I think that part of the debate was over the existence of "pure funk." I don't subscribe to that "Funk is a feeling" nonsense - funk is definitely a genre of music, the question is whether it is or ever was "pure." You can be old-school or relate to funk from a particular era or style (e.g. 70s, P-Funk etc.), but I think that's missing what funk is as much as those that say "it's a feeling, it's whatever you want it to be." Funk has always been dynamic - James' funk is not the same as GC's or Sly's or Ohio Players etc. I still think there's an argument for P representing a stage in this progression. Sure, most of his stuff is less hard-core and he sometimes seems to hide the funk, but I think the strongest claim for P belonging to the class of JB, GC etc is in fact that he made funk that sounds and is different from his predecessors. I don't think P fits into the class of people like, say, Wilson Pickett, Albert Collins or Hendrix, who put a little funk into the mix sometimes. My feeling is that with P, as I said in an earlier point, funk is the base and starting-point. (In the same way I don't think P's relationship to funk is the same as it is with rock or blues, say, which are less fundamental. Instead of listing, then, the trax which fit into existing funk sounds, I would quote others: Baby I'm a Star New Position 1999 Lady Cab Driver Head Eye Know (altho that sounds very P-Funk to me...) even My Name is Prince or Sexy MF I know Butterscotch and Funkenstein will write off all of these, but I bet back in the day they would have written off GC for not making pure funk like JB does... I wouldn't write those songs off. I love all of them. I just don't think they're "funk". "Eye Know"? you mean from Lovesexy? You think that sounds like P-Funk? http://www.facebook.com/p...111?ref=ts
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robinesque said: wasitgood4u said: I get what you're saying and it makes sense, but I think that part of the debate was over the existence of "pure funk." I don't subscribe to that "Funk is a feeling" nonsense - funk is definitely a genre of music, the question is whether it is or ever was "pure." You can be old-school or relate to funk from a particular era or style (e.g. 70s, P-Funk etc.), but I think that's missing what funk is as much as those that say "it's a feeling, it's whatever you want it to be." Funk has always been dynamic - James' funk is not the same as GC's or Sly's or Ohio Players etc. I still think there's an argument for P representing a stage in this progression. Sure, most of his stuff is less hard-core and he sometimes seems to hide the funk, but I think the strongest claim for P belonging to the class of JB, GC etc is in fact that he made funk that sounds and is different from his predecessors. I don't think P fits into the class of people like, say, Wilson Pickett, Albert Collins or Hendrix, who put a little funk into the mix sometimes. My feeling is that with P, as I said in an earlier point, funk is the base and starting-point. (In the same way I don't think P's relationship to funk is the same as it is with rock or blues, say, which are less fundamental. Instead of listing, then, the trax which fit into existing funk sounds, I would quote others: Baby I'm a Star New Position 1999 Lady Cab Driver Head Eye Know (altho that sounds very P-Funk to me...) even My Name is Prince or Sexy MF I know Butterscotch and Funkenstein will write off all of these, but I bet back in the day they would have written off GC for not making pure funk like JB does... ah ha!! (I'm really enjoying this thread btw) I think I have the perfect analogy to help people out... I tried a linnaean classification and failed... I shall now attempt to use cooking In a pasta sauce you have tomatoes as a base ingredient whereas in salad tomatoes are an extra ingredient bear with me so, let's say that James Brown is a napolitan sauce and say Beastie Boys are a salad of hip hop lettuce and throw a tomato into the occasional album So the Q is is Prince pasta puttanesca/ or greek salad you RULE. http://www.facebook.com/p...111?ref=ts
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wasitgood4u said: ButterscotchPimp said: Which was ENTIRELY my point. I mean W&L are "funkless". Okay, but is "Scarlet Pussy" dramatically funkier than "Fruit On The Bottom"? Not in my mind. At all. "Hide The Bone"? YEAH. I think ppl mentioned SP coz it's so obviously a reply/tribute/take-off to Atomic Dog. I don't think it's necessarily a stand-out Prince funk trak because in fact it's SO derivative (I'd even take La La La He He He first). I'm not sure why you keep using Fruit at the Bottom as the benchmark. Who cares whether it's funky or not? What relevance does that have? (I never loved that LP BTW - played it once, I think. Mayb I'll give it another try...) [Edited 8/21/08 6:35am] I also would've jumped on "La La La" first. Which was why i was surpised when Gray offered up "Scarlet" instead. And the reason i injected "Fruit" into the convo was because Gray was going on and on about how "funkless" W&L were but then he offered up "Scarlet" as an example of P's "hardcore funk". So i wanted to know why that track was dramatically funkier than the W&L song. That's why. http://www.facebook.com/p...111?ref=ts
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PoorGoo813 said: OK.....I've been reading, & I know I'm late in the game.....But I need Pimp 2 answer this one question:
Define the following songs in the Genre U think they belong: STOMP - The Brothers Johnson Candy - Cameo September - Earth Wind & Fire Forget Me Nots - Patrice Rushin Candyman - Mary Jane Girls And please explain why U think they belong in your chosen genre. NO ONE BUT BUTTERSCOTCHPIMP answers this please ya'll. I' just trying 2 see if he understands music. Um, those are all R&B songs. None of those are "funk" to me. And i love each of those songs dearly and play them often. I mean if you really wanted to get nit-picky you could almost classify Stomp, September and Forget Me Nots as disco, but i wouldn't. http://www.facebook.com/p...111?ref=ts
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laurarichardson said: ButterscotchPimp said: From a dj standpoint? YEAH. I can get a dance floor moving MUCH easier to a Funkadelic song than i can a Prince song. Mind you that's with a NEUTRAL crowd. Believe it or not, i used to dj a Prince night once a month here in Detroit. (i know. and from a Prince hater! ARRRRRGH!!!!!) ----- Funkadelic song It must be because you are in Detroit. I know so many black people that cannot stand Funkadelic stuff because they cannot dance to it. Let's be honest the Parliment stuff is more popular because it is dance music and the "Funkadelic" stuff is more rock oriented. I don't care about people in a nightclub if you go see P in concert people are on their feet dancing. The later Funkadelic stuff? One Nation? (Not Just) Knee Deep? Really? Cosmic Slop? Of course people dance at Prince concerts. People dance at concerts? http://www.facebook.com/p...111?ref=ts
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ButterscotchPimp said: PoorGoo813 said: OK.....I've been reading, & I know I'm late in the game.....But I need Pimp 2 answer this one question:
Define the following songs in the Genre U think they belong: STOMP - The Brothers Johnson Candy - Cameo September - Earth Wind & Fire Forget Me Nots - Patrice Rushin Candyman - Mary Jane Girls And please explain why U think they belong in your chosen genre. NO ONE BUT BUTTERSCOTCHPIMP answers this please ya'll. I' just trying 2 see if he understands music. Um, those are all R&B songs. None of those are "funk" to me. And i love each of those songs dearly and play them often. I mean if you really wanted to get nit-picky you could almost classify Stomp, September and Forget Me Nots as disco, but i wouldn't. OK....but as U so clearly stated in your definition of funk: There must be BOTTOM. Now I am sure that being the musicians that WE are there will be no disagreements as to the truth of that. Truth of the matter....Forget me nots is a FUNK song that was accepted into the disco genre, because it is danceable. Now, with the exception of Candy Man, they all fall under the FUNK catagory by your definition. Now if U really listen to James Brown, not much Bottom. More horns and rhythym guitar than anything. So I find your classification in deep contrast 2 what U say FUNK is. Explain....please. [Edited 8/21/08 8:19am] Peace&BeWild | |
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PoorGoo813 said: ButterscotchPimp said: Um, those are all R&B songs. None of those are "funk" to me. And i love each of those songs dearly and play them often. I mean if you really wanted to get nit-picky you could almost classify Stomp, September and Forget Me Nots as disco, but i wouldn't. OK....but as U so clearly stated in your definition of funk: There must be BOTTOM. Now I am sure that being the musicians that WE are there will be no disagreements as to the truth of that. Truth of the matter....Forget me nots is a FUNK song that was accepted into the disco genre, because it is danceable. Now, with the exception of Candy Man, they all fall under the FUNK catagory by your definition. Now if U really listen to James Brown, not much Bottom. More horns and rhythym guitar than anything. So I find your classification in deep contrast 2 what U say FUNK is. Explain....please. [Edited 8/21/08 8:19am] But i added "bottom" to the other definition that i said we'd use from page 6 of the thread. "Forget Me Nots" isn't "funk". It's too polished!!!! Sure it's got a walk-y, poppy bassline, but in my mind that doesn't make it funk. It's not "raw" enough to be funk. I didn't say that "bottom" was the ONLY quality of a funk song, it's one of them. Forget Me Nots is certainly "funky" but not "funk". [Edited 8/21/08 8:31am] [Edited 8/21/08 8:32am] http://www.facebook.com/p...111?ref=ts
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ButterscotchPimp said: robinesque said: ah ha!! (I'm really enjoying this thread btw) I think I have the perfect analogy to help people out... I tried a linnaean classification and failed... I shall now attempt to use cooking In a pasta sauce you have tomatoes as a base ingredient whereas in salad tomatoes are an extra ingredient bear with me so, let's say that James Brown is a napolitan sauce and say Beastie Boys are a salad of hip hop lettuce and throw a tomato into the occasional album So the Q is is Prince pasta puttanesca/ or greek salad you RULE. Thanks... a good analogy is always useful but as I was walking home from work, I thought about it some more and I wonder, if Prince does have a base ingredient... what is it? funk/rock/R&B I'm thinking R&B? | |
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ButterscotchPimp said: PoorGoo813 said: OK....but as U so clearly stated in your definition of funk: There must be BOTTOM. Now I am sure that being the musicians that WE are there will be no disagreements as to the truth of that. Truth of the matter....Forget me nots is a FUNK song that was accepted into the disco genre, because it is danceable. Now, with the exception of Candy Man, they all fall under the FUNK catagory by your definition. Now if U really listen to James Brown, not much Bottom. More horns and rhythym guitar than anything. So I find your classification in deep contrast 2 what U say FUNK is. Explain....please. [Edited 8/21/08 8:19am] But i added "bottom" to the other definition that i said we'd use from page 6 of the thread. "Forget Me Nots" isn't "funk". It's too polished!!!! Sure it's got a walk-y, poppy bassline, but in my mind that doesn't make it funk. It's not "raw" enough to be funk. I didn't say that "bottom" was the ONLY quality of a funk song, it's one of them. Forget Me Nots is certainly "funky" but not "funk". [Edited 8/21/08 8:31am] [Edited 8/21/08 8:32am] And to clarify further, "bottom" doesn't necessarily HAVE to be there to be "funk". There are always exceptions to the rule. http://www.facebook.com/p...111?ref=ts
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Ok.....then tell me this.
If funk is unpolished, how can U say Prince is not worthy to be in the funk genre? Have you listened to It's gonna be a beautiful Night? very unpolished. Have U listened 2 Face Down....live? Have you ever been to a Prince show in your life? The funk might not be on the platter.....but it's definately in the air when you see him! Dirty Mind is a Funk album....not in the respect that it's bass heavy or cuz it sounds like JB, EWF, Sly....or whoever U can pull out 2 make your argument. It's considered funk because it is unpolished and was basically JAMS. Funk music is an unstructured jam. Peace&BeWild | |
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PoorGoo813 said: ButterscotchPimp said: Um, those are all R&B songs. None of those are "funk" to me. And i love each of those songs dearly and play them often. I mean if you really wanted to get nit-picky you could almost classify Stomp, September and Forget Me Nots as disco, but i wouldn't. OK....but as U so clearly stated in your definition of funk: There must be BOTTOM. Now I am sure that being the musicians that WE are there will be no disagreements as to the truth of that. Truth of the matter....Forget me nots is a FUNK song that was accepted into the disco genre, because it is danceable. Now, with the exception of Candy Man, they all fall under the FUNK catagory by your definition. Now if U really listen to James Brown, not much Bottom. More horns and rhythym guitar than anything. So I find your classification in deep contrast 2 what U say FUNK is. Explain....please. [Edited 8/21/08 8:19am] I don't know what's more inane, a presidential debate, or this conversation. | |
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robinesque said: ButterscotchPimp said: you RULE. Thanks... a good analogy is always useful but as I was walking home from work, I thought about it some more and I wonder, if Prince does have a base ingredient... what is it? funk/rock/R&B I'm thinking R&B? I'd agree with that. I think he always starts with an R&B base, and then adds different ingredients. Rock, New Wave, Blues, Jazz, but underneath it all i'd argue is R&B. http://www.facebook.com/p...111?ref=ts
y'all gone keep messin' around wit me and turn me back to the old me...... | |
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ButterscotchPimp said: ButterscotchPimp said: But i added "bottom" to the other definition that i said we'd use from page 6 of the thread. "Forget Me Nots" isn't "funk". It's too polished!!!! Sure it's got a walk-y, poppy bassline, but in my mind that doesn't make it funk. It's not "raw" enough to be funk. I didn't say that "bottom" was the ONLY quality of a funk song, it's one of them. Forget Me Nots is certainly "funky" but not "funk". [Edited 8/21/08 8:31am] [Edited 8/21/08 8:32am] And to clarify further, "bottom" doesn't necessarily HAVE to be there to be "funk". There are always exceptions to the rule. Yes....There R ALWAYS exceptions 2 the rules. Keep that in mind! Peace&BeWild | |
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Ohhhhh Funky London!! | |
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PoorGoo813 said: Ok.....then tell me this.
If funk is unpolished, how can U say Prince is not worthy to be in the funk genre? Have you listened to It's gonna be a beautiful Night? very unpolished. Have U listened 2 Face Down....live? Have you ever been to a Prince show in your life? The funk might not be on the platter.....but it's definately in the air when you see him! Dirty Mind is a Funk album....not in the respect that it's bass heavy or cuz it sounds like JB, EWF, Sly....or whoever U can pull out 2 make your argument. It's considered funk because it is unpolished and was basically JAMS. Funk music is an unstructured jam. As far as live shows, my resume is as follows: Controversy Tour (w/The Time) @ Masonic Temple 1999 Tour (Triple Threat w/The Time & Vanity 6) @ Joe Louis Arena Purple Rain Tour (twice he sold out 7 straight shows) @ Joe Louis Arena Parade Birthday Show (yeah, THAT one) @ Cobo Hall Lovesexy Tour @ Joe Louis Arena Emancipation Tour @ State Theater Emancipation Tour @ United Center Chicago Ugh. You keep focusing on one word. I get what you're trying to do, you want me to pick an EXACT definition of what I think "funk" is. And where I like the definition from page 6 and have added to it, it's a little more complex than that right? Yeah, i get that "Beautiful Night" is somewhat unpolished from a Prince standpoint, from a "funk" standpoint in my mind it still kinda is? And while "Dirty Mind" is very unpolished, i certainly wouldn't just use "unpolished" as a grading point and call it a "funk" album. "Dirty Mind" is MUCH more closer to New Wave. So's Controversy. I think at the time, that was the point. Again, these are my opinions. That's why we're having a discussion. And like Robin pointed out, i am also enjoying the hell out of this conversation. [Edited 8/21/08 8:54am] http://www.facebook.com/p...111?ref=ts
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savvy said: PoorGoo813 said: OK....but as U so clearly stated in your definition of funk: There must be BOTTOM. Now I am sure that being the musicians that WE are there will be no disagreements as to the truth of that. Truth of the matter....Forget me nots is a FUNK song that was accepted into the disco genre, because it is danceable. Now, with the exception of Candy Man, they all fall under the FUNK catagory by your definition. Now if U really listen to James Brown, not much Bottom. More horns and rhythym guitar than anything. So I find your classification in deep contrast 2 what U say FUNK is. Explain....please. [Edited 8/21/08 8:19am] I don't know what's more inane, a presidential debate, or this conversation. I'm having a blast..... http://www.facebook.com/p...111?ref=ts
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PoorGoo813 said: ButterscotchPimp said: And to clarify further, "bottom" doesn't necessarily HAVE to be there to be "funk". There are always exceptions to the rule. Yes....There R ALWAYS exceptions 2 the rules. Keep that in mind! Oh, i know! And it just occured to me (on what page 12 of this?), that i hope that people understand that because i may not think a song is "funk" i don't think it's bad, right? I know the KAK's think that i'm the biggest Prince hater in the world and i just come here because i have nothing better to do and i love starting trouble, but seriously if i didn't love Prince music i wouldn't be here. http://www.facebook.com/p...111?ref=ts
y'all gone keep messin' around wit me and turn me back to the old me...... | |
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