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Thread started 04/13/07 3:13pm

MantuaPharoah

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Why Should I Love You... would have been AWESOME

I honestly believe that if Prince had put all of his energies into this song, and kept it for himself instead of giving it to Kate Bush, it would have been an AMAZING song.

This is one of my favorite songs that he's given to artists.

I also think that with the right investment of time, marketing, and maybe some small changes, it would have been a bigger hit than Manic Monday if the Bangles had done this.

Your thoughts?
The public is squeezin' you kiddo. You'd better kick ass on your next album or else!
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Reply #1 posted 04/13/07 3:33pm

booyah

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He didn't give this to Kate Bush. She wrote it. He just played on it. Lenny Henry (British comedian and huge Prince fan) sang background vox on it.

It can be revealing as a Prince fan when one of your favorite tracks turns out not to really be his. This has happened to me before...
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Reply #2 posted 04/13/07 3:33pm

sitruk7

I have Kate Bush's album with it on tape and I agree with you.It's a great song as it is and probably would recieve much more praise if Prince and Kate "properly" collaborated together on it.
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Reply #3 posted 04/13/07 5:01pm

PANDURITO

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Here's the story as told by Michael Koppelman, Prince's engineer at the time:

I was at home and the phone rang. I didn't always answer the phone in those days, because I was severly
overworked. So my answering machine picked it up and I heard Julie, from
Paisley Park, saying "Mike, I got Kate Bush on the phone and she has some
questions about what format they should send things over on, and I
thought it would be best if she talked to you. I, being an admitted Kate
Bush fan, freaked, but picked up the phone and talked to Julie. She says,
Kate, I have Prince's engineer Michael Koppelman on the phone and he can
answer your questions. Meanwhile, my answering machine is still recording
it all, and blaring loudly. I tell my then girlfriend to shut if off just
as Kate comes on and says Hello Michael? (so to this day, if I could find
it, i have a tape of Kate saying hello to me...). The conversation
consisted only of her asking me if they could send 24-track tapes and
what series SSL computer disks. I also asked her if she was going to come
to Minneapolis, and she said I don't think I'm wanted out there right
now. Then we basically said good-bye and hung up.

It's funny because Prince knew I was a huge KB fan. He was too, but not
like me. The first time I asked him if he liked Kate Bush he said, she's
my favorite woman. I also made him a tape of all the KB b-sides, which
fucking rule. When The Sensual World came out he had someone go get it and
we listened to it in the studio. He didn't dig it that much, but I knew
you can't always tell right away with a Kate album. TSW grew on me, but it
is still not her best effort. This Woman's Work is a masterpiece, though,
and makes the whole album worth it. But I digress. Prince is weird, and a
couple stories in this post prove it. I may be tooting my own horn here,
but Prince has a weird ego. I think *part* of his motivation to work with
Kate was the fact that I worshipped her, and he knew it would impress me
that he could call her on the phone and work on her music and shit.
ANYWAY, what led up to the phone conversation above: one day Prince's
assistant, Therese, told me as we were talking on the phone that Kate Bush
had called. Therese also knew I was a big Kate fan. Then, in the studio
that day, Prince said, guess who I talked to today. Me, being stupid and
unable to keep my mouth shut, said, Kate Bush? Prince got a little miffed,
and said How did you know that? And I said Therese told me, and he said,
hmm, I should dock here for that. At that point I knew I fucked up and
tried to say, no, she just knew I'm a big fan. As a side note, I told
Therese that Prince was a little pissed that she had told me that, and she
apologized to him. Therese is a really cool person. So, Prince tells me
that he and Kate are going to work on a tune together. He also told me
that while they were talking he told her that his engineer would rather
work with her than him. (I thought, wow, Prince and Kate Bush talking
about me!) ANYWAY, Eventually the phone call above occured and the tapes
arrived and I put them up and got a rough mix up. I still have a cassette
of it. It fucking rules. It is 1 million times better than the lame diso
Prince put on it. There was, of course, no disco on it before Prince got
his hands on it. So Prince comes in and listens to it. And the brutality
began. First we sampled the drum thing and synced it up to my Powerbook so
we could do MIDI. At that point, we essentially created a new song on a
new piece of tape and then flew all of Kate's tracks back on top of it. So
now we could run the sequencer and add all the keyboards that Prince put
on. So Prince stacked a bunch of keys, guitars, basses, etc, on it and then
went to sing background vocals. When Prince does vocals, he sits right at
the recording console with a microphone hanging over it and does his own
punching in and out. So he kicks everyone out of the room when he sings.
It took him a few hours and then he called me back in and played me the
thick, multi-tracked background vocals he had put on. Now, as we all know,
the song in question goes "Of all the people in the world why should i
love you". When Prince called me back in and played me what he had done,
he had sung "All of the people in the world", instead of Of All. I said,
isn't it OF all the people in the world? Not ALL of? He said, no, we had a
little talk about that, in his cocky way, as if to say he had talked with
Kate about changing the words to "all of" instead of "of all". The next
day, I was waiting at my hotel room for the call to go to the studio when
the assistant engineer, Sylvia Massy, called and said Prince was in the
studio doing vocals. I was surprised; i was always called well in advance
of Prince going into the studio. When I got there he was changing all the
vocals to "Of All", and was sampling them in himself, which is something
he would normally never do himself. My interpetation? He made a mistake,
as humans do, and didn't have the guts to admit it. That's weird. So I
sorta poked my head in at one point and asked him if he needed any help,
and we went on with the day. Eventually he had me do a rough mix, and when
he had approved it, we sent it to Kate. I got a call from Therese a few
days (or weeks, I forget) later. She said, Kate Bush said to destroy all
copies of that mix. I said, huh? Did she not like it or something? (my
heart rejoiced, because I hated what Prince did to it) She said, I don't
know, she just said to destroy them. Later on Prince told me, Kate Bush
liked what we did. She said it sounded very American. So at that point I
wasn't sure if she was even going to use it. We sent the tapes back and
she sort of split the difference with what he sent and what's on the
record. Kate, if you read this, stick the pre-Prince version of Why Should
I Love You out on something.



Our Prince has some issues confused

http://www.lolife.com/blo...00062.html
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Reply #4 posted 04/13/07 5:02pm

UCantHavaDaMan
go

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I love this song! His vocals make an already whimsical song even more dreamy. mushy
Wanna hear me sing? biggrin www.ChampagneHoneybee.com
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