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Forums > Prince: Music and More > Which Prince song most defines the "Minneapolis Sound"?
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Reply #30 posted 02/08/07 11:42am

twistedeargasm

DMSR is a Good One- First thing came to My Mind was ExtraLovable
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Reply #31 posted 02/08/07 12:05pm

NDRU

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Dirty Mind

1999

Come On has that element, too

17 Days
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Reply #32 posted 02/08/07 12:21pm

novabrkr

Riverpoet31 said:

I even think when over 200 or 300 years people are looking back to the music of the 20th century, Automatic would be considered of one the key tracks of that century, and used as the first example to illustrate Prince's influence.


eek
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Reply #33 posted 02/08/07 3:09pm

BEAUGARDE

Riverpoet31 said:

One word: Automatic

Not only being the perfect example of The Minneapolis sound, but probably (sound-and productionwise) the most influential Prince-song EVER.

Listen to his production-work for The Family and Jill Jones. The synths might be (partially) replaced by real orchestral arrangements (thanks, Clare Fisher!), but that songs are a continuation of what he tried to achieve with Automatic.

Listen to the sound of producers like Jam / Lewis, Timbaland, Nerd, artists like Beck and the electrofunk movement of the last years, Automatic is their blueprint in the end.

I even think when over 200 or 300 years people are looking back to the music of the 20th century, Automatic would be considered of one the key tracks of that century, and used as the first example to illustrate Prince's influence.

This could very true, and the same for other tracks on the 1999 album like Lady Cab Driver, Something In The Water & DMSR (other tracks like Irresistable Bitch, Controversy, Lets Work (extended), Sexy Dancer & Lets Go Grazy (extended version) just make think of the MPLS Sound
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Reply #34 posted 02/11/07 8:17am

krayzie

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Riverpoet31 said:



I even think when over 200 or 300 years people are looking back to the music of the 20th century, Automatic would be considered of one the key tracks of that century, and used as the first example to illustrate Prince's influence.

lol
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Reply #35 posted 02/11/07 9:23am

cutn

Get It Up, The Time
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Reply #36 posted 02/11/07 10:03am

mistermcgee

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Emily Goldberg did a documentary on The Minneapolis Sound. Very interesting.
I don't think she ever really defined it in the end.
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Reply #37 posted 02/18/07 10:04pm

JIMMYNUTHIN

one word uptown
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Reply #38 posted 02/18/07 10:05pm

JIMMYNUTHIN

one word uptown
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Reply #39 posted 02/18/07 10:51pm

Maia7

yes...eye agree! DMSR is the 1st.that came 2 mind.
dove dove dove dove dove dove dove
sun
butterfly heart angel
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Reply #40 posted 02/19/07 7:15am

Genesia

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Possessed.
We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves.
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Reply #41 posted 02/19/07 9:35am

sexxydancer

Sexy Dancer! wink
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Reply #42 posted 02/20/07 1:18am

KingTaharqa

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Controversy
Get It Up (The Time)
Uptown
Nasty Girl (Vanity 6)
"I'M OK AS LONG AS YOU ARE HERE WITH ME!!! SEXUALITY IS ALL WE EVER NEED!!!!!" guitar guitar guitar
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Reply #43 posted 02/20/07 8:37am

sms130

Damn, that's a hard one to answer. There is 2 many great somes that came out during that era that was great. It's 2 many songs to choose from.
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Reply #44 posted 02/21/07 2:45am

GaryMF

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DMSR is the epitomy.

The Linn, the chicken scratch rhythm guitar, the bass, synth H-O-H-E-Ns all over the place as ACCENTS, several "break downs" etc.

1999 is a close 2nd but doesn't really have the bass and isn't quite as funkyh as DMSR.

I have to go back and listen to Automatic but it never struck me the way y'all are talking.....

I don't consider the earlier songs true Minn. Sound esp when they have the mostly live drums..... (e.g. Controversy).
rainbow
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Reply #45 posted 02/22/07 1:00pm

jacknapier

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I'm now thinking "Sexuality"

And it also is on the Controversy album, so it preceeds the others mentioned.
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Reply #46 posted 02/22/07 1:15pm

Taurus

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"Still A Thrill" by Jody Watley.

I know it's not Prince, but this one song DEFINES the minneapolis sound.
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