DMSR is a Good One- First thing came to My Mind was ExtraLovable | |
- E-mail - orgNote - Report post to moderator |
Dirty Mind
1999 Come On has that element, too 17 Days My Legacy
http://prince.org/msg/8/192731 | |
- E-mail - orgNote - Report post to moderator |
Riverpoet31 said: I even think when over 200 or 300 years people are looking back to the music of the 20th century, Automatic would be considered of one the key tracks of that century, and used as the first example to illustrate Prince's influence.
| |
- E-mail - orgNote - Report post to moderator |
Riverpoet31 said: One word: Automatic
Not only being the perfect example of The Minneapolis sound, but probably (sound-and productionwise) the most influential Prince-song EVER. Listen to his production-work for The Family and Jill Jones. The synths might be (partially) replaced by real orchestral arrangements (thanks, Clare Fisher!), but that songs are a continuation of what he tried to achieve with Automatic. Listen to the sound of producers like Jam / Lewis, Timbaland, Nerd, artists like Beck and the electrofunk movement of the last years, Automatic is their blueprint in the end. I even think when over 200 or 300 years people are looking back to the music of the 20th century, Automatic would be considered of one the key tracks of that century, and used as the first example to illustrate Prince's influence. This could very true, and the same for other tracks on the 1999 album like Lady Cab Driver, Something In The Water & DMSR (other tracks like Irresistable Bitch, Controversy, Lets Work (extended), Sexy Dancer & Lets Go Grazy (extended version) just make think of the MPLS Sound | |
- E-mail - orgNote - Report post to moderator |
Riverpoet31 said: I even think when over 200 or 300 years people are looking back to the music of the 20th century, Automatic would be considered of one the key tracks of that century, and used as the first example to illustrate Prince's influence. | |
- E-mail - orgNote - Report post to moderator |
Get It Up, The Time | |
- E-mail - orgNote - Report post to moderator |
Emily Goldberg did a documentary on The Minneapolis Sound. Very interesting.
I don't think she ever really defined it in the end. | |
- E-mail - orgNote - Report post to moderator |
one word uptown | |
- E-mail - orgNote - Report post to moderator |
one word uptown | |
- E-mail - orgNote - Report post to moderator |
yes...eye agree! DMSR is the 1st.that came 2 mind. | |
- E-mail - orgNote - Report post to moderator |
Possessed. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
- E-mail - orgNote - Report post to moderator |
Sexy Dancer! | |
- E-mail - orgNote - Report post to moderator |
Controversy
Get It Up (The Time) Uptown Nasty Girl (Vanity 6) "I'M OK AS LONG AS YOU ARE HERE WITH ME!!! SEXUALITY IS ALL WE EVER NEED!!!!!" | |
- E-mail - orgNote - Report post to moderator |
Damn, that's a hard one to answer. There is 2 many great somes that came out during that era that was great. It's 2 many songs to choose from. | |
- E-mail - orgNote - Report post to moderator |
DMSR is the epitomy.
The Linn, the chicken scratch rhythm guitar, the bass, synth H-O-H-E-Ns all over the place as ACCENTS, several "break downs" etc. 1999 is a close 2nd but doesn't really have the bass and isn't quite as funkyh as DMSR. I have to go back and listen to Automatic but it never struck me the way y'all are talking..... I don't consider the earlier songs true Minn. Sound esp when they have the mostly live drums..... (e.g. Controversy). | |
- E-mail - orgNote - Report post to moderator |
I'm now thinking "Sexuality"
And it also is on the Controversy album, so it preceeds the others mentioned. | |
- E-mail - orgNote - Report post to moderator |
"Still A Thrill" by Jody Watley.
I know it's not Prince, but this one song DEFINES the minneapolis sound. | |
- E-mail - orgNote - Report post to moderator |