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Thread started 11/12/06 10:07am

Brendan

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The Short Story of Prince’s “Happy Feet"

Date: November 12, 2006

A George Miller interview appeared this morning on “Sunday Morning Shootout”, a talk show on American Movie Classics that airs most Sunday mornings.

George Miller is a former physician and current Australian film director probably best known for “Mad Max”, “Witches of Eastwick” and “Babe: Pig in the City”.

Miller’s appearance on today’s show was for his latest film, “Happy Feet”, and during the interview there arose a brief exchange about Prince’s involvement in the soundtrack.

Peter Guber (co-host and movie producer): But how did you get Prince? I mean this is the most difficult, challenging fellow. He seems to be someone who wants no part of the movie business anymore. And suddenly you have an original song from Prince. And reworked lyrics from another piece of music [Kiss].

George Miller: Well, you know, that was one of the nicest things that happened. I mean, we wanted to change two words in the song “Kiss” that Nicole Kidman sings. And he said, “No, you can’t change my lyrics.”

So the guys, your friends -- Gary Lamelle and Darren Heedman from Warners -- said to Prince, “Look, if you saw the movie you’d see how it was appropriate.” He said, “Well, show me the movie”.

And so they took the still unfinished film up to Paisley Park in Minneapolis. And he sat down and heard Nicole sing. He kept stopping it and bringing people in, telling them, “Hey, watch this!”.

Once he got passed that opening scene he watched the whole movie through and as it finished he ran over and picked up a guitar and started to strum. And he found a chord and he said, “Give me two weeks, I’m going to write you a song.”

And he not only let us to change the lyrics [to “Kiss”], but he didn’t want any money for any of this. I spoke to him and said, “Why did you do it?” He said, “The movie said something to me.”

Peter Guber: Wow.

George Miller: And I’ve heard it [“The Song of the Heart”] about 250 times now. I love it…I love it each time. It’s really a wonderful song.

Sunday Morning Shootout website:

http://www.amctv.com/sect...ST,00.html
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Reply #1 posted 11/12/06 10:11am

muirdo

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nice story

thanks for posting.
Fuck the funk - it's time to ditch the worn-out Vegas horns fills, pick up the geee-tar and finally ROCK THE MUTHA-FUCKER!! He hinted at this on Chaos, now it's time to step up and fully DELIVER!!
woot!
KrystleEyes 22/03/05
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Reply #2 posted 11/12/06 10:13am

muirdo

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on a side note I cant believe they let George Miller direct again after the
nightmare that was Babe:Pig In The City. eek
That was probably one of the most disturbing things i ever saw.
Fuck the funk - it's time to ditch the worn-out Vegas horns fills, pick up the geee-tar and finally ROCK THE MUTHA-FUCKER!! He hinted at this on Chaos, now it's time to step up and fully DELIVER!!
woot!
KrystleEyes 22/03/05
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Reply #3 posted 11/12/06 10:18am

FruitToAttract
Bears

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muirdo said:

on a side note I cant believe they let George Miller direct again after the
nightmare that was Babe:Pig In The City. eek
That was probably one of the most disturbing things i ever saw.


lol
"18 years old, and she knows her funk!!! headbang"
~ funkpill
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Reply #4 posted 11/12/06 10:23am

myloveis4ever

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Brendan said:

Date: November 12, 2006

A George Miller interview appeared this morning on “Sunday Morning Shootout”, a talk show on American Movie Classics that airs most Sunday mornings.

George Miller is a former physician and current Australian film director probably best known for “Mad Max”, “Witches of Eastwick” and “Babe: Pig in the City”.

Miller’s appearance on today’s show was for his latest film, “Happy Feet”, and during the interview there arose a brief exchange about Prince’s involvement in the soundtrack.

Peter Guber (co-host and movie producer): But how did you get Prince? I mean this is the most difficult, challenging fellow. He seems to be someone who wants no part of the movie business anymore. And suddenly you have an original song from Prince. And reworked lyrics from another piece of music [Kiss].

George Miller: Well, you know, that was one of the nicest things that happened. I mean, we wanted to change two words in the song “Kiss” that Nicole Kidman sings. And he said, “No, you can’t change my lyrics.”

So the guys, your friends -- Gary Lamelle and Darren Heedman from Warners -- said to Prince, “Look, if you saw the movie you’d see how it was appropriate.” He said, “Well, show me the movie”.

And so they took the still unfinished film up to Paisley Park in Minneapolis. And he sat down and heard Nicole sing. He kept stopping it and bringing people in, telling them, “Hey, watch this!”.

Once he got passed that opening scene he watched the whole movie through and as it finished he ran over and picked up a guitar and started to strum. And he found a chord and he said, “Give me two weeks, I’m going to write you a song.”

And he not only let us to change the lyrics [to “Kiss”], but he didn’t want any money for any of this. I spoke to him and said, “Why did you do it?” He said, “The movie said something to me.”

Peter Guber: Wow.

George Miller: And I’ve heard it [“The Song of the Heart”] about 250 times now. I love it…I love it each time. It’s really a wonderful song.

Sunday Morning Shootout website:

http://www.amctv.com/sect...ST,00.html


And he not only let us to change the lyrics [to “Kiss”], but he didn’t want any money for any of this. I spoke to him and said, “Why did you do it?” He said, “The movie said something to me.”


no money back???? eek
nice smile eek eek eek
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Reply #5 posted 11/12/06 10:42am

langebleu

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moderator

Presumably he is saying that Prince did not demand a fee for permission to use the song' Kiss', or for the new song.

Prince will receive money for the songs as a result of his publishing deal.

The publishing rights registrations feature at ASCAP and under his deal with Universal, they will collect publishing monies and pay these over in accordance with the agreement:


ACSAP registration entry for the new song

THE SONG OF THE HEART (Title Code: 503401778)

Writers: PRINCE

Performers: PRINCE

Publishers/Administrators:

CONTROVERSY MUSIC
UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700

UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700


.
[Edited 11/12/06 10:43am]
ALT+PLS+RTN: Pure as a pane of ice. It's a gift.
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Reply #6 posted 11/12/06 11:32am

Brendan

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langebleu said:

Presumably he is saying that Prince did not demand a fee for permission to use the song' Kiss', or for the new song.

Prince will receive money for the songs as a result of his publishing deal.

The publishing rights registrations feature at ASCAP and under his deal with Universal, they will collect publishing monies and pay these over in accordance with the agreement:


ACSAP registration entry for the new song

THE SONG OF THE HEART (Title Code: 503401778)

Writers: PRINCE

Performers: PRINCE

Publishers/Administrators:

CONTROVERSY MUSIC
UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700

UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700


.
[Edited 11/12/06 10:43am]


Yeah, I think that's right. Prince was waiving his fee for this song's creation and use in this film. A fee which can be pretty significant given high-profile artists.

But once it gets put on a soundtrack -- which it has -- the publishing company has to payout to the appropriate parties as agreed upon.

Here's something I found on the subject matter of soundtracks:

"Fees: When a film company is dealing with a very successful writer-artist, the fees will be substantial. In many cases, there is a so called all-in lump sum recording fund which covers not only the creative fee for writing the composition and for being the recording artist and producer of the composition but also all the costs of recording the master (studio, tape, engineers, musicians, vocalists, equipment rentals and mixing costs). When this all-in fee approach is used, there is also usually a negotiated sum designated as the creative fee for composing the composition (for example, $60,000 of the $200,000 recording fund being the songwriter fee)."
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Reply #7 posted 11/12/06 11:38am

mynameisnotsus
an

I love that story
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Reply #8 posted 11/12/06 11:49am

P2daP

That's nice artcile, thanks for posting.


I'm really excited about seeing this movie, it looks like it could be the beast animatied feature, sicne "Finding Nemo" **which is hosently one of my fav. moveis ever!!**
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Reply #9 posted 11/12/06 12:02pm

SynthiaRose

Stories like this make me love Prince again.

This is the Prince I love. cry
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Reply #10 posted 11/12/06 12:35pm

myloveis4ever

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Brendan said:

langebleu said:

Presumably he is saying that Prince did not demand a fee for permission to use the song' Kiss', or for the new song.

Prince will receive money for the songs as a result of his publishing deal.

The publishing rights registrations feature at ASCAP and under his deal with Universal, they will collect publishing monies and pay these over in accordance with the agreement:


ACSAP registration entry for the new song

THE SONG OF THE HEART (Title Code: 503401778)

Writers: PRINCE

Performers: PRINCE

Publishers/Administrators:

CONTROVERSY MUSIC
UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700

UNIVERSAL MUSIC CORPORATION
2440 SEPULVEDA BLVD.
SUITE 100
LOS ANGELES , CA, 90064
Tel. (310) 235-4700


.
[Edited 11/12/06 10:43am]


Yeah, I think that's right. Prince was waiving his fee for this song's creation and use in this film. A fee which can be pretty significant given high-profile artists.

But once it gets put on a soundtrack -- which it has -- the publishing company has to payout to the appropriate parties as agreed upon.

Here's something I found on the subject matter of soundtracks:

"Fees: When a film company is dealing with a very successful writer-artist, the fees will be substantial. In many cases, there is a so called all-in lump sum recording fund which covers not only the creative fee for writing the composition and for being the recording artist and producer of the composition but also all the costs of recording the master (studio, tape, engineers, musicians, vocalists, equipment rentals and mixing costs). When this all-in fee approach is used, there is also usually a negotiated sum designated as the creative fee for composing the composition (for example, $60,000 of the $200,000 recording fund being the songwriter fee)."


THANks 4 the info biggrin
i love prince
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Reply #11 posted 11/12/06 12:43pm

pennylover

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Brendan thanks so much 4 sharing and langeblu we can always count on u for your informative information lol
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Reply #12 posted 11/12/06 1:19pm

sexxydancer

What a cool story!
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Reply #13 posted 11/12/06 2:03pm

paisleypark319

does anyone know what they changed in "kiss"?
Money don't matter 2 night
It sure didn't matter yesterday
Just when u think u've got more than enough
That's when it all up and flies away
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Reply #14 posted 11/13/06 12:33am

Brendan

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paisleypark319 said:

does anyone know what they changed in "kiss"?


Just two words.

"U don't have 2 be rich 2 be my girl"

"Girl" is changed to "pearl", as the song is sung by a female penguin in the persona of Norma Jean (Marilyn Monroe).

"Ain't no particular sign I'm more compatible with"

"Sign" becomes "song", presumably because Norma Jean is open to whatever song leads her to her soul mate.

The song is also a mash-up with "Heartbreak Hotel" (the heart song of Hugh Jackman's Memphis character), so only about half of the "Kiss" lyrics are covered.

Pretty small stuff. I'm not sure I've ever come across an artist who was anymore fiercely protective of their art than Prince.
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Reply #15 posted 11/13/06 9:03am

mikek1

Brendan said:

paisleypark319 said:

does anyone know what they changed in "kiss"?


Just two words.

"U don't have 2 be rich 2 be my girl"

"Girl" is changed to "pearl", as the song is sung by a female penguin in the persona of Norma Jean (Marilyn Monroe).

"Ain't no particular sign I'm more compatible with"

"Sign" becomes "song", presumably because Norma Jean is open to whatever song leads her to her soul mate.

The song is also a mash-up with "Heartbreak Hotel" (the heart song of Hugh Jackman's Memphis character), so only about half of the "Kiss" lyrics are covered.

Pretty small stuff. I'm not sure I've ever come across an artist who was anymore fiercely protective of their art than Prince.


There's a few actually. The rolling stones were RUTHLESS against the verve and Abba and zeppelin DO NOT like people sampling their music.
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Reply #16 posted 11/13/06 9:21am

Jamzone333

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clapping touched touched
"A united state of mind will never be divided
The real definition of unity is 1
People can slam their door, disagree and fight it
But how U gonna love the Father but not love the Son?
United States of Division"
gigglebowfroguitar
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Reply #17 posted 11/13/06 10:15am

wlcm2thdwn

Cool! But didn't I read he hated it at first and didn't know how to tell Prince?!
[Edited 11/14/06 3:46am]
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Reply #18 posted 11/13/06 1:11pm

RUHip2TheJive

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“The movie said something to me.” giggle
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Reply #19 posted 11/13/06 5:30pm

kcwm

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man when i found out about the rolling stones and the verve situation i couldnt believe it! I mean the stones got 100% of the rights to that whole album the verve did! And the sample they used was hardly breached copy write laws, and they basically broke up a good band!
Receiving transmission from David Bowie's nipple antenna. Do you read me Lieutenant Bowie, I said do you read me...Lieutenant Bowie
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Reply #20 posted 11/13/06 8:01pm

madartista

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great story!
let me come over it's a beautiful day to play with you in the dark
http://elmadartista.tumblr.com/
http://twitter.com/madartista
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Reply #21 posted 11/13/06 9:56pm

psychodelicide

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RUHip2TheJive said:

“The movie said something to me.” giggle


That part made me giggle too.
RIP, mom. I will forever miss and love you.
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Reply #22 posted 11/13/06 10:00pm

FruitToAttract
Bears

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psychodelicide said:

RUHip2TheJive said:

“The movie said something to me.” giggle


That part made me giggle too.


There must be subliminal mind control stuff in that movie!!! eek
"18 years old, and she knows her funk!!! headbang"
~ funkpill
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Reply #23 posted 11/14/06 3:19am

mikek1

kcwm said:

man when i found out about the rolling stones and the verve situation i couldnt believe it! I mean the stones got 100% of the rights to that whole album the verve did! And the sample they used was hardly breached copy write laws, and they basically broke up a good band!



I haven't actually heard the stones song; what is it?
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Reply #24 posted 11/14/06 5:12am

psychodelicide

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FruitToAttractBears said:

psychodelicide said:



That part made me giggle too.


There must be subliminal mind control stuff in that movie!!! eek


That's what I'm thinking too. nod
RIP, mom. I will forever miss and love you.
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Reply #25 posted 11/14/06 6:22am

calldapplwonde
ry83

Give him 2 weeks??? He's gotten slooooow... lol
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Reply #26 posted 11/14/06 10:12am

loisclark88

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RUHip2TheJive said:

“The movie said something to me.” giggle



I love that comment~ biggrin

You can really hear it in the song~
[Edited 11/14/06 10:12am]
Everytime I comb my hair
Thoughts of you get in my eyes...

Vous etes tres belle...
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Reply #27 posted 11/14/06 10:56am

blusapphire

hmmmm, n i c e.
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Reply #28 posted 11/18/06 1:14pm

RUHip2TheJive

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I just saw the movie and it was okay.

The songs from Prince that I heard were Kiss and another one, (don't know the title), during the ending credits. I didn't get to stay the entire time because I was being rushed confused

The only thing that I thought was off about the movie was that it was a little too serious than I thought it was going to be - It had a message. lol

I thought it was going to be a cute movie like Finding Nemo or something.
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Reply #29 posted 11/18/06 1:23pm

Genesia

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wlcm2thdwn said:

Cool! But didn't I read he hated it at first and didn't know how to tell Prince?!
[Edited 11/14/06 3:46am]


No -- that was a hypothetical. As in...when Prince said he was going to write a song, what would they do if Prince wrote the song and they hated it?

Unfortunately, that turned into a wire headline that read something to the effect of, "How do you tell Prince you hate his song?"

Which never happened.
We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves.
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