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Prince's lyrics have gotten so sloppy. I was listening to SOTT last night, and it's amazing how far Prince's lyrical writing fell after this album.
SOTT had his most brilliant, introspective lyrics yet. Socially relevant insight, unbelievably creative gender roleplaying, and his best ever love ballad. Though there are some exceptions, it seems like Prince's lyrics got really trite and lazy since then. Lines like "Ghettos to the left of us, flowers to the right" became lines like "Love is God. God is love. Girls and boys love God above." Clever metaphors with mountains somehow became nonsense about dolphins. Thought provoking lines about purple rain and the apocalypse have turned into lousy metaphors about spiders. Emancipation, aside from the shitty filler tracks, seemed like a refreshing comeback, lyrically. The Love We Make is powerfully relevant, and Soul Sanctuary (and basically all of Disc II) is ridiculously poetic and romantic. Aside from that, it's been more of the same. Prince's lyrics have just gotten so simplistic and one-dimensional, and it's tainted his work as a whole for quite a while now (that includes 3121). The world is a comedy for those who think and a tragedy for those who feel.
"You still wanna take me to prison...just because I won't trade humanity for patriotism." | |
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I agree in general the lyrics have gotten a bit desperate overall and aren't as creative. Prince's lyrics used to paint brilliant pictures for me. Now I don't listen too closely to the lyrics because they either embarrass me or piss me off with their hammer to the head obviousness.
Now I'll have to find examples of what I mean. To be continued... -Silk | |
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AMEN!! that and the lazy harmonies are what stop me from declaring 3121 a masterpiece..i was really hoping he was taking time to craft his art but he just doesnt seem to be compelled to be patient when it comes to lyrics anymore...
they are as simple as a Britney Spears album... and that makes me sad... Space for sale... | |
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Lyrically, you don't get much better than "When Doves Cry," which was Prince at his finest. Tortured, sexy, and colorful. It's got father issues, an Oedipus complex and a bunch of animal metaphors. Amazing.
In the 80s Prince milked his mystery and ambiguousness. His chief strength was in being unsettling, rather than making a point or delivering a message. It was Lovesexy that really brought out the "messenger" Prince and that's when his music and lyrics became less interesting. In the 90s there are no Prince songs with the flagrant audacity of a "Lady Cab Driver" or a "Sister." Or the confession of "Strange Relationship." Or the naked bitterness of "Darling Nikki." He lost his ability to shock and unnerve--he even says so: "How can I put this in a way so as not to offend or unnerve." "Pussy Control" is Politically Correct. "Papa" is your typical anti-child abuse message. "Gett Off" is careful not to offend. "7" is religious mumbo jumbo masking his agenda against his own label. It's as if his shock tactics were just marketing strategies, fueled by the ambition to achieve fame, not art. Once he became a superstar, the daring ceased. Which cheapens the shock value of his earlier works, as mere ploys to get noticed. | |
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PurpleKnight said: I was listening to SOTT last night, and it's amazing how far Prince's lyrical writing fell after this album.
SOTT had his most brilliant, introspective lyrics yet. Socially relevant insight, unbelievably creative gender roleplaying, and his best ever love ballad. Though there are some exceptions, it seems like Prince's lyrics got really trite and lazy since then. Lines like "Ghettos to the left of us, flowers to the right" became lines like "Love is God. God is love. Girls and boys love God above." Clever metaphors with mountains somehow became nonsense about dolphins. Thought provoking lines about purple rain and the apocalypse have turned into lousy metaphors about spiders. Emancipation, aside from the shitty filler tracks, seemed like a refreshing comeback, lyrically. The Love We Make is powerfully relevant, and Soul Sanctuary (and basically all of Disc II) is ridiculously poetic and romantic. Aside from that, it's been more of the same. Prince's lyrics have just gotten so simplistic and one-dimensional, and it's tainted his work as a whole for quite a while now (that includes 3121). I wish I could 100% disagree with you but I can't with respect to his lyrics. He may have slipped a bit poetically and the clever use of language has not been the same but to say that it has tainted his work is ridiculous.He is still a helluva lyricist and the levels that he has taken the instrumentation is unparrallel to any today in the game and very few in the past. I no longer have to rewind the disc several times and wonder what the lyrics mean, but to call the lyrics sloppy is pushing it alot. | |
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I don't think it's pushing it at all.
His lyrics now lack imagination. He makes things too obvious and simplistic. Remember when Prince's lyrics in a song were so vivid and alive that they were like an adventure in and of itself? Remember when Prince could write a song so wonderfully playful and open that you spent hours trying to figure out what, exactly it means? [Edited 4/15/06 21:43pm] The world is a comedy for those who think and a tragedy for those who feel.
"You still wanna take me to prison...just because I won't trade humanity for patriotism." | |
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padawan said: Lyrically, you don't get much better than "When Doves Cry," which was Prince at his finest. Tortured, sexy, and colorful. It's got father issues, an Oedipus complex and a bunch of animal metaphors. Amazing.
In the 80s Prince milked his mystery and ambiguousness. His chief strength was in being unsettling, rather than making a point or delivering a message. It was Lovesexy that really brought out the "messenger" Prince and that's when his music and lyrics became less interesting. In the 90s there are no Prince songs with the flagrant audacity of a "Lady Cab Driver" or a "Sister." Or the confession of "Strange Relationship." Or the naked bitterness of "Darling Nikki." He lost his ability to shock and unnerve--he even says so: "How can I put this in a way so as not to offend or unnerve." "Pussy Control" is Politically Correct. "Papa" is your typical anti-child abuse message. "Gett Off" is careful not to offend. "7" is religious mumbo jumbo masking his agenda against his own label. It's as if his shock tactics were just marketing strategies, fueled by the ambition to achieve fame, not art. Once he became a superstar, the daring ceased. Which cheapens the shock value of his earlier works, as mere ploys to get noticed. See you have it all twisted. The shock value that you speak of was a shock to your small world and the unopened minds of that time period.Living on the north side of Chicago I know an abundance of people who lived and still live the free lifestyle that "P" represented. To him he was just doing what came natural. "Gett off" was pure sex, "Pussy control" was sassy and had a wicked left hook, and "7" is a classic, poetically and rythmically. Artists, just like the rest of us, grow and mature. Would I like to see a glimpse of the wild child that I grew up idolizing,YES, But the fact that this shock value continued for a span of over two decades kinds of negates your "for the fame" comment. Actually the entire last paragragh you wrote was, how do you put it, mumbo jumbo and I'm not going to continue because you must not be a "P" fan and you bumped into this website and decided to post nonsense. We are the New Power Generation We wanna change the world but the only thing that's in our way is you!! | |
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PurpleKnight said: I don't think it's pushing it at all.
His lyrics now lack imagination. He makes things too obvious and simplistic. Remember when Prince's lyrics in a song were so vivid and alive that they were like an adventure in and of itself? Remember when Prince could write a song so wonderfully playful and open that you spent hours trying to figure out what, exactly it means? [Edited 4/15/06 21:43pm] I feel you, but I still get so much enjoyment out of his music (released and unreleased albums, bootlegs, singles, etc.) that I look upon those old days of having to unscramble the lyrics fondly but it doesn't take away from my experience. I must admit that I have had discussions with other fans about the notion that his well of lyrical creativity has ran dry. I hope not. | |
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Honestly, I don't find Prince's lyrics in his early albums to be superior to what he is doing now, nor that much different. For every lyrical gem of the 80's I could give you one from more recent times. To me, Prince continues to paint pictures with his lyrics. Truth be told, Prince had his share of lyrical clunkers even in the "good ol' days".
[Edited 4/15/06 22:20pm] "New Power slide...." | |
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golfcent said: padawan said: Lyrically, you don't get much better than "When Doves Cry," which was Prince at his finest. Tortured, sexy, and colorful. It's got father issues, an Oedipus complex and a bunch of animal metaphors. Amazing.
In the 80s Prince milked his mystery and ambiguousness. His chief strength was in being unsettling, rather than making a point or delivering a message. It was Lovesexy that really brought out the "messenger" Prince and that's when his music and lyrics became less interesting. In the 90s there are no Prince songs with the flagrant audacity of a "Lady Cab Driver" or a "Sister." Or the confession of "Strange Relationship." Or the naked bitterness of "Darling Nikki." He lost his ability to shock and unnerve--he even says so: "How can I put this in a way so as not to offend or unnerve." "Pussy Control" is Politically Correct. "Papa" is your typical anti-child abuse message. "Gett Off" is careful not to offend. "7" is religious mumbo jumbo masking his agenda against his own label. It's as if his shock tactics were just marketing strategies, fueled by the ambition to achieve fame, not art. Once he became a superstar, the daring ceased. Which cheapens the shock value of his earlier works, as mere ploys to get noticed. See you have it all twisted. The shock value that you speak of was a shock to your small world and the unopened minds of that time period.Living on the north side of Chicago I know an abundance of people who lived and still live the free lifestyle that "P" represented. To him he was just doing what came natural. "Gett off" was pure sex, "Pussy control" was sassy and had a wicked left hook, and "7" is a classic, poetically and rythmically. Artists, just like the rest of us, grow and mature. Would I like to see a glimpse of the wild child that I grew up idolizing,YES, But the fact that this shock value continued for a span of over two decades kinds of negates your "for the fame" comment. Actually the entire last paragragh you wrote was, how do you put it, mumbo jumbo and I'm not going to continue because you must not be a "P" fan and you bumped into this website and decided to post nonsense. We are the New Power Generation We wanna change the world but the only thing that's in our way is you!! Okay, first of all, don't go insinuating things about my world and how my mind is "unopened." That's some offensive shit right there. You know nothing about me. There's no need to impugn me as "not a 'P' fan" (which is an absurd thing to accuse someone of to begin with) just because you don't agree with my opinion. You say my last paragraph was "nonsense." I disagree. I think I made my argument clear and easy to understand. | |
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Skywalker has this one right, Prince never was a great lyricist, and most pop/rock musicians aren't either. It's antithetical to the pop song to be profound or really good, there are a few brilliant exceptions but most pop music is merely doggerel. Having been around talented poets before, I have a different standard for poetry and most pop music is banal and trite as hell. As far as 3121, I love the lyrics to FURY because he is so great at describing the bitterness of friendships/work relations turned sour, was this about Wendy and Lisa??? | |
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PurpleKnight said: His lyrics now lack imagination. He makes things too obvious and simplistic. This is also my opinion.
One of my favorite aspects of his work was his ability to combine creative lyrics with creative music. | |
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Here we go again.....
Its another 'Prince aint like he used to be' topic If thats how you feel then just play what music era you liked him in Dont you think its good to have that choice???? Dont you think its good that hes sampled almost every type of music style you can think of??? Even back in the SOTT days he got criticised - I remember getting teased cos I liked him back then??? And now theres people STILL not satisfied with him... I give up..... 'Ive never been 1 2 hide my feelings, Baby, u blow my mind I painted your face upon my ceiling, I stare at it all the time...' http://www.myspace.com/welshmess | |
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wendyrachel said: Here we go again.....
Its another 'Prince aint like he used to be' topic If thats how you feel then just play what music era you liked him in Dont you think its good to have that choice???? Dont you think its good that hes sampled almost every type of music style you can think of??? Even back in the SOTT days he got criticised - I remember getting teased cos I liked him back then??? And now theres people STILL not satisfied with him... I give up..... Here we go, another oversensitive fam. You just can't accept the possibility that maybe, just maybe Prince really has gone downhill artistically in some way? That it really isn't the fault of the fans, but merely a fair observation of reality? His lyrics "back in the good ol' days" (I feel weird saying that considering I loved most of his lyrical work on Emancipation) weren't always great (Ronnie, Talk To Russia comes to mind), but it was a lot more imaginative and vivid overall. It was a lot more daring (not sexually, just thematically and overall) and multi-layered. Too many of his lyrics in the 90's were either painfully corny when they were meant to be serious (Graffiti Bridge and Animal Kingdom, anyone?), or distractingly desperate in their attempt to sound edgy or trendy (Days 'O' Wild, Hot Wit U), His lyrics in the 00's have mostly been far too straight forward and banal. Very lifeless and bland. Stop being such a baby over constructive criticism directed at the guy's work. [Edited 4/16/06 3:11am] The world is a comedy for those who think and a tragedy for those who feel.
"You still wanna take me to prison...just because I won't trade humanity for patriotism." | |
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PurpleKnight said: wendyrachel said: Here we go again.....
Its another 'Prince aint like he used to be' topic If thats how you feel then just play what music era you liked him in Dont you think its good to have that choice???? Dont you think its good that hes sampled almost every type of music style you can think of??? Even back in the SOTT days he got criticised - I remember getting teased cos I liked him back then??? And now theres people STILL not satisfied with him... I give up..... Here we go, another oversensitive fam. You just can't accept the possibility that maybe, just maybe Prince really has gone downhill artistically in some way? That it really isn't the fault of the fans, but merely a fair observation of reality? His lyrics "back in the good ol' days" (I feel weird saying that considering I loved most of his lyrical work on Emancipation) weren't always great (Ronnie, Talk To Russia comes to mind), but it was a lot more imaginative and vivid overall. It was a lot more daring (not sexually, just thematically and overall) and multi-layered. Too many of his lyrics in the 90's were either painfully corny when they were meant to be serious (Graffiti Bridge and Animal Kingdom, anyone?), or distractingly desperate in their attempt to sound edgy or trendy (Days 'O' Wild, Hot Wit U), His lyrics in the 00's have mostly been far too straight forward and banal. Very lifeless and bland. Stop being such a baby over constructive criticism directed at the guy's work. [Edited 4/16/06 3:11am] There are some good points in your posts, and I have often pondered upon this issue, however, I think that there´s still some good songwriting in songs such as Last December, most of Emancipation ( Right Back Here In My Arms, Somebody´s Somebody, The Love We Make, Dreamin About U etc. etc. Soul Sanctuary is also a gem, but unfortunately NOT written by Prince, Sandra St.Victor wrote that one). The Gold Experience also contained interesting lyrics, I liked Days Of Wild ( though it did not end up on the album), Shy is great, Dolphin is also full with metaphors albeit a bit too obvious and selfcentered, but still great). 7 is great, God Created Woman , Live 4 Love ( except for Tony M), Strollin, Money Don´t Matter 2Nite..etc.etc. He was still writing interesting lyrics from the beginning of the 90´s til today, but you´re right, something is sometimes missing... Remember that line "From Pakistan 2 Poland..." off of the Diamonds and Pearls album ? Ironically , the Prince in the early 80´s was REALLY capable of writing lyrics that people everywhere in the world could relate to....literally , even people "from Pakistan 2 Poland"...The Beautiful Ones, Adore, If I Was Your Girlfriend, When Doves Cry, Strange Relationship, Forever In My Life are highly personal, yet easily accessible by most people, because everybody can relate to the content of the songs...people use these songs for their weddings and stuff... These days, the lyrics are still highly personal and give us insight into the artist´s world and his mind, but they´re no longer that accessible, more cryptic, aimed at a certain age group (?) ( I´m thinking about the use of certain "trendy" words here and ebonics and the likes )... The old songs were also mystic and cryptic at times, but the average Joe could still relate to them, no matter if they were lovesongs, spiritual songs or political. The new lyrics are different.Take Fury, for instance...great song, nice lyrics, but WTF is the story about ? It´s personal, but not the kind of personal that people can relate to as in , for instance, When Doves Cry or even I Could Never Take The Place Of Your Man or When You Were Mine...those are situations that a lot of people have been through, and good pop music is also about being able to relate to the lyrics. TRC was a great album , musically and in regards as being an interesting concept album...I really liked it and the ONA tour...but I doubt that some of those casual old school Prince fans can relate to it, which is often just as important as creating catchy melodies. So, personally, I´m still very happy with Prince´s output, including the lyrics, because it´s all part of his body of art , but I can totally understand your points. [Edited 4/16/06 5:47am] " I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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For me Prince's lyrics have become more contrived and less free and childlike.
Songs like "Free" or "Starfish and Coffee" rarely seem to appear on albums anymore. These songs I loved because they were full of child like wonder and expression. I think these songs are just as importand and relevant as his more mature songs like "Nothing Compares to U" or "If I Was Your Girlfriend". He used to sum up great long thoughts and expressions in one clever opening line like: "It's been 7 hours and 15 days" I think he was so good a capturing spontanious moments in time and writing it well and creating great song and melody around it. You think of the song Nothing Compares to U and it is so simply constructed. There don't seem to be any extra words in there. He gets straight to the point and the song tells a very simple and straightforward story. We know instantly what he is talking about. [Edited 4/16/06 8:18am] Shut up already, damn. | |
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PurpleKnight said: I was listening to SOTT last night, and it's amazing how far Prince's lyrical writing fell after this album.
SOTT had his most brilliant, introspective lyrics yet. Socially relevant insight, unbelievably creative gender roleplaying, and his best ever love ballad. Though there are some exceptions, it seems like Prince's lyrics got really trite and lazy since then. Lines like "Ghettos to the left of us, flowers to the right" became lines like "Love is God. God is love. Girls and boys love God above." Clever metaphors with mountains somehow became nonsense about dolphins. Thought provoking lines about purple rain and the apocalypse have turned into lousy metaphors about spiders. Emancipation, aside from the shitty filler tracks, seemed like a refreshing comeback, lyrically. The Love We Make is powerfully relevant, and Soul Sanctuary (and basically all of Disc II) is ridiculously poetic and romantic. Aside from that, it's been more of the same. Prince's lyrics have just gotten so simplistic and one-dimensional, and it's tainted his work as a whole for quite a while now (that includes 3121). yes it is true...they are even corny. If Prince makes another song talking about a boy or a girl I'm gonna go looking for him. Diamonds & Pearls TMBGITW New Power Generation Gold I could go on and since then including on the Word...your reference sticky spiders. He has really gone down hill in this area [Edited 4/16/06 8:20am] Dance... Let me see you dance | |
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I suppose some of the lyrics on TRC are well thought out and meaningful, if you are able to tolerate the meaning behind them.
I listened to Graffiti Bridge for the first time in ages, and found myself really appreciating Joy in Repitition for its lyrics, I consider it one of Princes best songs lyrically. I personally reckon he's too comfortable now with everything, although I still really enjoy 3121. It's hard for Prince to better whats come before, so I tend not to compare new to old with his material. So look into the mirror, do u recognise some1? Is it who u always hoped u would become, when u were young? | |
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agreed. | |
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But it does have to be said that Prince at ALL times is very good at ruining his own songs !
You referenced "Anna Stesia" But in parts "Anna Stesia" is one of Prince's best songs. The opening lines are near perfect. Have U ever been so lonely That U felt like U were the Only one in this world? Have U ever wanted 2 play With someone so much U'd take Any one boy or girl? Anna Stesia come 2 me Talk 2 me, ravish me Liberate my mind Tell me what U think of me Praise me, craze me Out this space and time Up to there the song is almost flawless. It's interesting that he changes the tone so much. [Edited 4/16/06 8:39am] Shut up already, damn. | |
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skywalker said: Honestly, I don't find Prince's lyrics in his early albums to be superior to what he is doing now, nor that much different. For every lyrical gem of the 80's I could give you one from more recent times. To me, Prince continues to paint pictures with his lyrics. Truth be told, Prince had his share of lyrical clunkers even in the "good ol' days".
[Edited 4/15/06 22:20pm] I totally agree with you on that. I love Prince, but I've never thought much of his lyrics, except for a few of his songs. I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
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Purpleknight-
"You just can't accept the possibility that maybe, just maybe Prince really has gone downhill artistically in some way? That it really isn't the fault of the fans, but merely a fair observation of reality?" It really is just a matter of taste right? I mean, you and I could argue the quality of Revenge of The Sith against the other 5 Star Wars films and whether or not Lucas is slipping artistically. Ultimately is just comes down to what you (the fan) wants. Just because Prince is not giving you EXACTLY what you want and how you want it, doesn't necessarily mean he is going downhill artistically. "His lyrics "back in the good ol' days" (I feel weird saying that considering I loved most of his lyrical work on Emancipation) weren't always great (Ronnie, Talk To Russia comes to mind), but it was a lot more imaginative and vivid overall. It was a lot more daring (not sexually, just thematically and overall) and multi-layered." Emancipation is 10 years old. It can be called the "good ol' days" I suppose. To me, someone else summed it up when they said his lyrics used to be more childlike. Even, though I don't think the quality Prince's lyrical output has dramatically changed, I will say this: Prince use to write a lot more 8th grade flower poetry type stuff. What I mean is that, he use to just toss in obscure colorful words to give things a sense of "depth" and "mystery". The writing on the back of the Purple Rain album is a perfect example of this. I like it, but it is sometimes high school girl type stuff. "Too many of his lyrics in the 90's were either painfully corny when they were meant to be serious (Graffiti Bridge and Animal Kingdom, anyone?), or distractingly desperate in their attempt to sound edgy or trendy (Days 'O' Wild, Hot Wit U),..." From day one, Prince has ALWAYS had his share of corny lyrics. "His lyrics in the 00's have mostly been far too straight forward and banal. Very lifeless and bland." Again, there have been many GEMS, lyrically, from Prince in the past 6 years. Listen, I am not trying to argue that Prince is BETTER lyrically than he used to be. All I am saying is that I don't see this giant shift in lyrical quality that you seem to be seeing. Prince's lyrical quality seems to be roughly the same as ever. A few rough spots, but mostly very apt at painting pictures with words. [Edited 4/16/06 8:47am] "New Power slide...." | |
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PurpleKnight said: I was listening to SOTT last night, and it's amazing how far Prince's lyrical writing fell after this album.
SOTT had his most brilliant, introspective lyrics yet. Socially relevant insight, unbelievably creative gender roleplaying, and his best ever love ballad. Though there are some exceptions, it seems like Prince's lyrics got really trite and lazy since then. Lines like "Ghettos to the left of us, flowers to the right" became lines like "Love is God. God is love. Girls and boys love God above." Clever metaphors with mountains somehow became nonsense about dolphins. Thought provoking lines about purple rain and the apocalypse have turned into lousy metaphors about spiders. Emancipation, aside from the shitty filler tracks, seemed like a refreshing comeback, lyrically. The Love We Make is powerfully relevant, and Soul Sanctuary (and basically all of Disc II) is ridiculously poetic and romantic. Aside from that, it's been more of the same. Prince's lyrics have just gotten so simplistic and one-dimensional, and it's tainted his work as a whole for quite a while now (that includes 3121). I would completely agree with you if your only point was that Prince's lyrics often are a mixed bag - from brilliant to crap, you can find anything in them. I simply just can't see a certain tendency in their quality. I just can't. You gave a good example yourself - SOTT. Brilliance and shit on one record, sometimes even in one song (and that's my favourite Prince album!!!). Didn't you complain just a few weeks ago what a simple-minded pop song "Play in the sunshine" is (though I don't fully agree on this)? Just compare the excellent lyrics of SOTT (the song) with a song like "Housequake". The poetry of "Starfish and coffee" or "Forever in my life" or "The cross" with something like "It" or "U got the look". Don't even get me on "Adore". Rhyming "I'll be there for you" on "I truly adore you"??? Come on, that's corny shit, LOL! On the other hand, this song contains some of the most beatiful love song lyrics the man has ever made. And don't let us go and look at the albums before SOTT. "I would die 4 U, Darling if you want me to"??? What a crap (lyrically)! And then you got the poetry of "Purple Rain". It was mixed, it is mixed and it will always be mixed. If you want consequent lyrical mastership in the English language, Prince just is not the man to be imo. But it's pop music, so what the fuss? | |
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PurpleKnight said: wendyrachel said: Here we go again.....
Its another 'Prince aint like he used to be' topic If thats how you feel then just play what music era you liked him in Dont you think its good to have that choice???? Dont you think its good that hes sampled almost every type of music style you can think of??? Even back in the SOTT days he got criticised - I remember getting teased cos I liked him back then??? And now theres people STILL not satisfied with him... I give up..... Here we go, another oversensitive fam. You just can't accept the possibility that maybe, just maybe Prince really has gone downhill artistically in some way? That it really isn't the fault of the fans, but merely a fair observation of reality? His lyrics "back in the good ol' days" (I feel weird saying that considering I loved most of his lyrical work on Emancipation) weren't always great (Ronnie, Talk To Russia comes to mind), but it was a lot more imaginative and vivid overall. It was a lot more daring (not sexually, just thematically and overall) and multi-layered. Too many of his lyrics in the 90's were either painfully corny when they were meant to be serious (Graffiti Bridge and Animal Kingdom, anyone?), or distractingly desperate in their attempt to sound edgy or trendy (Days 'O' Wild, Hot Wit U), His lyrics in the 00's have mostly been far too straight forward and banal. Very lifeless and bland. Stop being such a baby over constructive criticism directed at the guy's work. [Edited 4/16/06 3:11am] I knew you'd probably take my comments the wrong way - Im no baby over his music - and to be honest with you - have just been listening to the Crystal ball album which is a good album but I only like around 50% of, as some of it doesnt appeal to me!! I was just trying to make a point that if you dont like some of his music then dont listen to it... Im no oversensitive fan as I know that he has no excuse for some of the shite he has put out over the years.. this means in my opinion- the shite hes put out - I choose not to listen to... Does that make sense??? Sorry if I came across as offended by your comments - I was just making a point - I dont make excuses for anyone - let alone Prince 'Ive never been 1 2 hide my feelings, Baby, u blow my mind I painted your face upon my ceiling, I stare at it all the time...' http://www.myspace.com/welshmess | |
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KoolEaze said: PurpleKnight said: Here we go, another oversensitive fam. You just can't accept the possibility that maybe, just maybe Prince really has gone downhill artistically in some way? That it really isn't the fault of the fans, but merely a fair observation of reality? His lyrics "back in the good ol' days" (I feel weird saying that considering I loved most of his lyrical work on Emancipation) weren't always great (Ronnie, Talk To Russia comes to mind), but it was a lot more imaginative and vivid overall. It was a lot more daring (not sexually, just thematically and overall) and multi-layered. Too many of his lyrics in the 90's were either painfully corny when they were meant to be serious (Graffiti Bridge and Animal Kingdom, anyone?), or distractingly desperate in their attempt to sound edgy or trendy (Days 'O' Wild, Hot Wit U), His lyrics in the 00's have mostly been far too straight forward and banal. Very lifeless and bland. Stop being such a baby over constructive criticism directed at the guy's work. [Edited 4/16/06 3:11am] There are some good points in your posts, and I have often pondered upon this issue, however, I think that there´s still some good songwriting in songs such as Last December, most of Emancipation ( Right Back Here In My Arms, Somebody´s Somebody, The Love We Make, Dreamin About U etc. etc. Soul Sanctuary is also a gem, but unfortunately NOT written by Prince, Sandra St.Victor wrote that one). The Gold Experience also contained interesting lyrics, I liked Days Of Wild ( though it did not end up on the album), Shy is great, Dolphin is also full with metaphors albeit a bit too obvious and selfcentered, but still great). 7 is great, God Created Woman , Live 4 Love ( except for Tony M), Strollin, Money Don´t Matter 2Nite..etc.etc. He was still writing interesting lyrics from the beginning of the 90´s til today, but you´re right, something is sometimes missing... Remember that line "From Pakistan 2 Poland..." off of the Diamonds and Pearls album ? Ironically , the Prince in the early 80´s was REALLY capable of writing lyrics that people everywhere in the world could relate to....literally , even people "from Pakistan 2 Poland"...The Beautiful Ones, Adore, If I Was Your Girlfriend, When Doves Cry, Strange Relationship, Forever In My Life are highly personal, yet easily accessible by most people, because everybody can relate to the content of the songs...people use these songs for their weddings and stuff... These days, the lyrics are still highly personal and give us insight into the artist´s world and his mind, but they´re no longer that accessible, more cryptic, aimed at a certain age group (?) ( I´m thinking about the use of certain "trendy" words here and ebonics and the likes )... The old songs were also mystic and cryptic at times, but the average Joe could still relate to them, no matter if they were lovesongs, spiritual songs or political. The new lyrics are different.Take Fury, for instance...great song, nice lyrics, but WTF is the story about ? It´s personal, but not the kind of personal that people can relate to as in , for instance, When Doves Cry or even I Could Never Take The Place Of Your Man or When You Were Mine...those are situations that a lot of people have been through, and good pop music is also about being able to relate to the lyrics. TRC was a great album , musically and in regards as being an interesting concept album...I really liked it and the ONA tour...but I doubt that some of those casual old school Prince fans can relate to it, which is often just as important as creating catchy melodies. So, personally, I´m still very happy with Prince´s output, including the lyrics, because it´s all part of his body of art , but I can totally understand your points. [Edited 4/16/06 5:47am] Interesting points made. See, my problem is that Prince has made things too easy to understand, and in doing so, taken away part of the charm. Instead of clever metaphors like in LRC, he now conveys the same theme with something simplistic like "Lolita, you're sweeta, but you'll never make a cheater out of me." It's so much less playful and imaginative. So I don't think it's that they're less accessible, but mostly that they're just less charming. pepper7 said: For me Prince's lyrics have become more contrived and less free and childlike.
Songs like "Free" or "Starfish and Coffee" rarely seem to appear on albums anymore. These songs I loved because they were full of child like wonder and expression. I think these songs are just as importand and relevant as his more mature songs like "Nothing Compares to U" or "If I Was Your Girlfriend". He used to sum up great long thoughts and expressions in one clever opening line like: "It's been 7 hours and 15 days" I think he was so good a capturing spontanious moments in time and writing it well and creating great song and melody around it. You think of the song Nothing Compares to U and it is so simply constructed. There don't seem to be any extra words in there. He gets straight to the point and the song tells a very simple and straightforward story. We know instantly what he is talking about. [Edited 4/16/06 8:18am] Completely agree. skywalker said: Purpleknight-
It really is just a matter of taste right? I mean, you and I could argue the quality of Revenge of The Sith against the other 5 Star Wars films and whether or not Lucas is slipping artistically. Ultimately is just comes down to what you (the fan) wants. Just because Prince is not giving you EXACTLY what you want and how you want it, doesn't necessarily mean he is going downhill artistically. Right, no opinion is an absolute. But that just goes without saying. Emancipation is 10 years old. It can be called the "good ol' days" I suppose. To me, someone else summed it up when they said his lyrics used to be more childlike. Even, though I don't think the quality Prince's lyrical output has dramatically changed, I will say this: Prince use to write a lot more 8th grade flower poetry type stuff. What I mean is that, he use to just toss in obscure colorful words to give things a sense of "depth" and "mystery". The writing on the back of the Purple Rain album is a perfect example of this. I like it, but it is sometimes high school girl type stuff. You don't think he still tries to write "8th grade flower poetry type stuff"? I beg to differ. "Like a bird flying over the hilltops, love is like the sky, you know it never stops." What would you call that then? I'd say the biggest difference is just that Prince doesn't do it as effectively anymore. His lyrics now seem to have dramatically less color than they did... From day one, Prince has ALWAYS had his share of corny lyrics. Agreed, but now I don't think he comes anywhere near the lyrical highs he once did. Sometimes he does, but that's becoming a more rare occurence now than ever before. I don't think I've seen any songs in the 00's with the captivating honesty of Strange Relationship, the brutal combination of helpless love and bitter hatred in Something In The Water, the fascinating, yet strangely accessible metaphorical nature of Purple Rain, or the universally understood, poetic pain so beautifully written in When Doves Cry. Again, there have been many GEMS, lyrically, from Prince in the past 6 years. Okay, I just disagree then. I'd say the lows outweigh the highs in this regard, and that the highs aren't nearly what they were. Listen, I am not trying to argue that Prince is BETTER lyrically than he used to be. All I am saying is that I don't see this giant shift in lyrical quality that you seem to be seeing. Prince's lyrical quality seems to be roughly the same as ever. A few rough spots, but mostly very apt at painting pictures with words. [Edited 4/16/06 8:47am] That's fair enough. I guess we both agree that he's always been lyrically inconsistent. We just disagree that it's gotten worse. EmancipationLover said: I would completely agree with you if your only point was that Prince's lyrics often are a mixed bag - from brilliant to crap, you can find anything in them. I simply just can't see a certain tendency in their quality. I just can't. They were always inconsistent to a certain degree (ranging from amazing to silly), but now they're actually quite consistently mediocre, and often times just plain bad. You gave a good example yourself - SOTT. Brilliance and shit on one record, sometimes even in one song (and that's my favourite Prince album!!!). Didn't you complain just a few weeks ago what a simple-minded pop song "Play in the sunshine" is (though I don't fully agree on this)? Just compare the excellent lyrics of SOTT (the song) with a song like "Housequake". The poetry of "Starfish and coffee" or "Forever in my life" or "The cross" with something like "It" or "U got the look". Don't even get me on "Adore". Rhyming "I'll be there for you" on "I truly adore you"??? Come on, that's corny shit, LOL! On the other hand, this song contains some of the most beatiful love song lyrics the man has ever made. Well my problem with PITS is moreso that it doesn't accomplish anything Let's Go Crazy doesn't do already, and much better at that. What's wrong with Housequake? Its lyrics are quite fun. "Who in this houses knows about the Quake?" "We do!" "Bullshit!" Very playful. The lyrics to "It" are actually really charming because of their vagueness until Prince ruins it at the end by blatantly stating the obvious, that he really just meant "having sex" the whole time. And yeah, you make a good point about U Got The Look. See, I'm not saying that Prince's lyrics weren't always inconsistent. They most definitely were. It's just that now the lows are much more drastic (often embarassing), and the highs really aren't anything too special anymore. Wow though, I REALLY disagree with you about that line in Adore. It's wonderfully sweet And don't let us go and look at the albums before SOTT. "I would die 4 U, Darling if you want me to"??? What a crap (lyrically)! And then you got the poetry of "Purple Rain". It was mixed, it is mixed and it will always be mixed. If you want consequent lyrical mastership in the English language, Prince just is not the man to be imo. But it's pop music, so what the fuss? I Would Die 4 U is absolutely brilliant, lyrically. At once, it's both effective as a song about one you love, and as a song about Jesus. Purple Rain's poetry is beautiful. I haven't seen that kind of bittersweet imagery evoked by him very often. The world is a comedy for those who think and a tragedy for those who feel.
"You still wanna take me to prison...just because I won't trade humanity for patriotism." | |
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PurpleKnight said: I was listening to SOTT last night, and it's amazing how far Prince's lyrical writing fell after this album.
SOTT had his most brilliant, introspective lyrics yet. Socially relevant insight, unbelievably creative gender roleplaying, and his best ever love ballad. Though there are some exceptions, it seems like Prince's lyrics got really trite and lazy since then. Lines like "Ghettos to the left of us, flowers to the right" became lines like "Love is God. God is love. Girls and boys love God above." Clever metaphors with mountains somehow became nonsense about dolphins. Thought provoking lines about purple rain and the apocalypse have turned into lousy metaphors about spiders. Emancipation, aside from the shitty filler tracks, seemed like a refreshing comeback, lyrically. The Love We Make is powerfully relevant, and Soul Sanctuary (and basically all of Disc II) is ridiculously poetic and romantic. Aside from that, it's been more of the same. Prince's lyrics have just gotten so simplistic and one-dimensional, and it's tainted his work as a whole for quite a while now (that includes 3121). I tell ya, when I read these comments it always reminds me of what happens when married couples or even friends have grown apart. Don't be defensive, because I'm not being facetious here. It's just that sometimes relationships change. Even artist/patron relationships. For whatever reason, the two of you are not on the same page anymore. The other person may have developed interests that you don't share. It happens. In marriage sometimes a spouse may get wrinkles or gain weight. What happened to that sweet young thing you married? Is the honeymoon over? . You could stay for the sake of the children, (SOTT, Lovesexy, etc.), but the thing is, they already grew up and moved away. You could wait it out in hopes that your partner will hear your pleas and things will shift back to your idea of what a quality relationship should be. You can file for separation/divorce. Not saying you should "love it or leave it". only realize what it is. Prince is sharing his thoughts and experiences during the various phases of his life, set to some fantastic music. Consider this... "All of this and more, is for u. With love, sincerity and deepest care, my life with u I share." These are the very first words spoken by P on his very first album. It's never been simply about lyrics and never will be. It's also about sharing where he is in his life at any given time, for better or worse. You may or may not be in sync with what he chooses to express or how it's done. But to define it as "tainted" is to say the same of his life because his art is his life. I have to agree with Skywalker. I haven't seen any drastic downward spiral in the quality of his lyrics. "Green eggs & ham"??? I could list a whole bunch, but you get the idea. For the most part, I'm still digging most of his lyrics, especially on 3121, (except for Lolita) but that's probably due to where MY head is at. I'm still getting vivid images from his lyrics and having a bunch of fun. Personally, I hope you two can work it out dude. Your partner is different, but still wonderful. That second honeymoon could be just around the corner for you. Prince, in you I found a kindred spirit...Rest In Paradise. | |
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Uhh, I'm only 20 years old. The whole argument "You're just biased because you can't recapture the feeling P gave you when you had your youth" doesn't apply to me.
I basically heard his whole catalogue within the same time span, and I've objectively come to the conclusion that his lyrics have gone noticeably downhill. The world is a comedy for those who think and a tragedy for those who feel.
"You still wanna take me to prison...just because I won't trade humanity for patriotism." | |
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PurpleKnight said: Uhh, I'm only 20 years old. The whole argument "You're just biased because you can't recapture the feeling P gave you when you had your youth" doesn't apply to me.
I basically heard his whole catalogue within the same time span, and I've objectively come to the conclusion that his lyrics have gone noticeably downhill. Well, I have discovered a lot of Prince's material significantly after its release, too. I'm 29 now and became a fan with D&P. I've followed the '91 to '06 development though, but I still can't find the lyrical downward spiral you seem to see. As already stated, lyrical brilliance and disaster are often only one press on the skip button apart when it comes to Prince. My first P album, "Diamonds & Pearls", had stuff on it like "Thunder" or "Live 4 Love", but also the lyrical pearl "Jughead". And don't get me on the overdone sugary sweetness of its title track (a really big hit btw). We could continue this game now and investigate every Prince record for lyrical turds and highlights. His biggest hit of the post-'91 era, TMBGITW: nice song, but the lyrics were o.k. at best imo. On the other hand, you find something like "Gold" on the same album, still one of his best spiritual songs I think. You already mentioned "Emancipation" - some great lyrics, but also stuff like "Jam of the Year" which I like as it's funky, but it isn't poetry for sure. "Rave" - you got "Hot with U" and "I love you..." on one album! Musicology - ICP&C with its ambigous and mysterious lyrics, but also LOTP. And so on... Now we can compare all that to the 70's and 80's work, of course. Several songs have already been mentioned, but please let's also take into account that stuff like IWBYL, "Partyup" or "International Lover" also are from this period and some of that is lyrically downright silly. What exactly makes his lyrics worse now in your opinion? Is it the pure ratio of good and bad? The badness of the new bad? The goodness of the old good? | |
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skywalker said: Even, though I don't think the quality Prince's lyrical output has dramatically changed, I will say this: Prince use to write a lot more 8th grade flower poetry type stuff. What I mean is that, he use to just toss in obscure colorful words to give things a sense of "depth" and "mystery". The writing on the back of the Purple Rain album is a perfect example of this. I like it, but it is sometimes high school girl type stuff.
Hey don't knock it !! That's why I liked him so much!! Not many black men would write like that. That's what made Prince so special and so refreshing. I liked him because he didn't have any of that macho bull-shit going on. Can you imagine Snoop Doggy Dog writing like that ? Or 50 Cent ? God No ! They are too busy tallying up the notches on their bed posts.... Shut up already, damn. | |
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PurpleKnight said: Uhh, I'm only 20 years old. The whole argument "You're just biased because you can't recapture the feeling P gave you when you had your youth" doesn't apply to me.
I basically heard his whole catalogue within the same time span, and I've objectively come to the conclusion that his lyrics have gone noticeably downhill. Actually my argument is more about the shifts in direction in the relationship than the longevity. It's not an argument really, just asking you to consider some other things that might be going on. In 2004 Prince said that he pushed the envelope off the table and wants to leave it on the floor. It just sounded to me like he's not particularly interested in being cryptic or clever at this point in his life. That could change at any time because he has always alternated between clever and not so clever even within the same album/song. That's what I meant in the last sentence. As far as more simplified lyrics, I think your point has some validity with respect to the last 2 albums only, but I still don't think the difference is that drastic. TRC, for example was a dizzying lyrical adventure set to some of the best music of P's career. Anyhoo, I was only commenting on how Prince's periodic shifts in direction reflect the different phases of his life. Right now he's in laid back mode. With P we know that could change tomorrow. Basically it's like you said, where we differ is on the ratio of good vs bad lyrics. spelling edit [Edited 4/16/06 12:56pm] Prince, in you I found a kindred spirit...Rest In Paradise. | |
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