Gomp said: Absolutely the Bbsus2 in 'Sometimes It Snows In April'..! You know, when he sings 'sometimes I WISH..' My God, why ruin such a beautiful song..?? He probably wanted a certain complexity, but that chord in that key just sounds so ugly...
Nah. I don't think you're right. | |
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The worst sounding thing I've heard him do is that chord in Money Don't Matter 2night - it's the 3rd chord in the sequence before he goes back to the root.
I appreciated the boldness, but it just sounds ugly | |
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Rudy said: The worst sounding thing I've heard him do is that chord in Money Don't Matter 2night - it's the 3rd chord in the sequence before he goes back to the root.
I appreciated the boldness, but it just sounds ugly No way... That Ebm chord is so awesome, especially when it goes to the Db right after. Man, are my ears screwed up or what? Please, nobody put down "Power Fantastic" or I'll die! | |
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Gomp said: Absolutely the Bbsus2 in 'Sometimes It Snows In April'..! You know, when he sings 'sometimes I WISH..' My God, why ruin such a beautiful song..?? He probably wanted a certain complexity, but that chord in that key just sounds so ugly...
i think it sounds great. | |
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paisley2002 said: I started a thread last year about what the best Prince songs are in each key, and a lot of discussion came up about this Bb chord in "Sometimes It Snows In April". Yes, it sounds odd when u first listen 2 it, but once u play the song on the piano and realize what the chord progression is (A maj, Bb maj, B maj), it makes perfect sense because all Prince is doing is going straight up the ladder at that point in the song without worrying about if they fit the E major scale or not. Simple, yet genius.
I do want 2 add something though 2 the topic of "odd" chords Prince seems 2 add. At 6:24 into "The Holy River", which is clearly a song in the key of A, Prince suddenly throws a F maj-G maj progression and holds a G maj 4 a few measures before going back 2 E maj (which leads back into A). This throws me off everytime I hear it because it's just out of the A major scale, but again, all Prince is doing is going up a few notes (from E, which is in the scale of A, he goes up 2 F, then G). Another example of a chord that throws me off is in the chorus of "Another Lonely Christmas" (written in B) when he sings the line "u are the one that makes my love shout". It's another unexpected G major chord with the bassline going up a few notes, just like the F# chord did in the previous line ("all the ones I dream about"). Where do u draw the line between thinking a chord in a Prince song is "bad" and realizing that the man is simply a musical visionary who conventionally uses unconventional chord progressions when he writes? It's all relative. [Edited 4/8/06 11:46am] Very good, 2000. You're on target, especially about "Another Lonely Christmas". P is going to add "color" to his progressions. Just to make it more interesting, soundwise. I think he could careless about folks like us, who knows music theory, who can figure it out. He's striving for "the sound", what it sounds like. I think Lisa influenced him greatly in embelishing his arrangements and chord choices. P spoke about how Lisa just wouldn't play a "normal" chord. She would add other notes to make the chord sound bigger. SynthiaRose said "I'm in love with blackguitaristz. Especially when he talks about Hendrix."
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Ice9sFine said: Rudy said: The worst sounding thing I've heard him do is that chord in Money Don't Matter 2night - it's the 3rd chord in the sequence before he goes back to the root.
I appreciated the boldness, but it just sounds ugly No way... That Ebm chord is so awesome, especially when it goes to the Db right after. Man, are my ears screwed up or what? Please, nobody put down "Power Fantastic" or I'll die! I'm pretty flexible but when a song has ALL minor chords - I can't dig it. (Aren't all 3 chords minors? I'm not a student of music theory but I've got a decent ear) | |
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Gomp said: Absolutely the Bbsus2 in 'Sometimes It Snows In April'..! You know, when he sings 'sometimes I WISH..' My God, why ruin such a beautiful song..?? He probably wanted a certain complexity, but that chord in that key just sounds so ugly...
mmmm... that's supposed to be the mood of it snowing in april.... the sadness, the yearning, wistful and bitter... Criticizing that is kind of like looking at an inventive horror movie and saying, I don't like the part where it gets weird and scary! My art book: http://www.lulu.com/spotl...ecomicskid
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i actually kinda dug the Bbsus2 chord on sometimes it snows in april.
the harmonics aren't odd i guess because prince wanted the change toe be more noticable. if he used a Bb minor or major it would of seemed extremely out of place For me the Sustained chords are easy middle way chords which can sound major or minor depending on the song general direction. Or mmaybe prince (or wendy) couldn't think of a better change. Or maybe they didn't wan't a perfect change. But i always liked that chord one of my greatest weapons when i have to do a transition in a song I am a Rail Road, Track Abandoned
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Maybe the GbMaj with the E in the bass? My Legacy
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NDRU said: Maybe the GbMaj with the E in the bass?
Is that the chord in Electric Chair you're talking about, I love that too. Too me, it's typical Prince. But I think that's just a regular Gb major chord there, no maj7. Coloring that chord with an E in the bass is genius, but putting an F in there too seems pointless. | |
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whoops.
a lot of typos there. | |
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CaptainJack said: NDRU said: Maybe the GbMaj with the E in the bass?
Is that the chord in Electric Chair you're talking about, I love that too. Too me, it's typical Prince. But I think that's just a regular Gb major chord there, no maj7. Coloring that chord with an E in the bass is genius, but putting an F in there too seems pointless. I was kind of kidding, just because that's one of the few times he mentions a chord by name. But I do like it, and it is an odd chord. Often you might see the opposite, like a Gb with a Ab in the bass (Luther's Never Too Much comes to mind), but I haven't really come across that Electric Chair chord much. I like the chord in Arrogance that comes right after "Tootsie pop and a cane..." Sounds like all 12 notes at once. In Lovesexy after they sing "Rain is wet...love calls you got to go," after the little bluesy line played in unison, they play a couple chords that are essentially 1/2 step apart, but odd chords. And I love that chord on Sometimes it Snows in April. My Legacy
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NDRU said: CaptainJack said: Is that the chord in Electric Chair you're talking about, I love that too. Too me, it's typical Prince. But I think that's just a regular Gb major chord there, no maj7. Coloring that chord with an E in the bass is genius, but putting an F in there too seems pointless. I was kind of kidding, just because that's one of the few times he mentions a chord by name. But I do like it, and it is an odd chord. Often you might see the opposite, like a Gb with a Ab in the bass (Luther's Never Too Much comes to mind), but I haven't really come across that Electric Chair chord much. I like the chord in Arrogance that comes right after "Tootsie pop and a cane..." Sounds like all 12 notes at once. In Lovesexy after they sing "Rain is wet...love calls you got to go," after the little bluesy line played in unison, they play a couple chords that are essentially 1/2 step apart, but odd chords. And I love that chord on Sometimes it Snows in April. OK | |
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Im surprised no one has mentioned the intro of Cindy C. It's sounds so crazy and out of tune, but sounds good because of it! "Man, the living creature, the creating individual, is always more important than any established style or system" - Bruce Lee | |
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Rudy said: Ice9sFine said: No way... That Ebm chord is so awesome, especially when it goes to the Db right after. Man, are my ears screwed up or what? Please, nobody put down "Power Fantastic" or I'll die! I'm pretty flexible but when a song has ALL minor chords - I can't dig it. (Aren't all 3 chords minors? I'm not a student of music theory but I've got a decent ear) Nah...the middle chord is a Db major...but in between the others, it does have kind of a minor tinge to it. NDRU: that Gb/E is pretty cool sounding. In essence, it's really a dominant seventh, third inversion. You hear it every once in a while in pop songs, when the harmonies sometimes go from the IV chord to the V7 with the bass note staying the same. Chorus to "God" comes to mind. Just a thought...I've always liked the chord that Prince sings in "When Doves Cry" before the last chorus before the solos. It's the part where he goes "Do be do wah ah ah ah ah ah wah oh oo," or something like that. Anybody know what I'm talking about? It sounds really cool, almost like a tone cluster, like every voice singing one of the white keys on the piano. It's one of my favorite parts in the song. | |
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Ice9sFine said: NDRU: that Gb/E is pretty cool sounding. In essence, it's really a dominant seventh, third inversion. You hear it every once in a while in pop songs, when the harmonies sometimes go from the IV chord to the V7 with the bass note staying the same. Chorus to "God" comes to mind. song. Duh, you're right. I guess it blew my mind out or something. My Legacy
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Ice9sFine said: Just a thought...I've always liked the chord that Prince sings in "When Doves Cry" before the last chorus before the solos. It's the part where he goes "Do be do wah ah ah ah ah ah wah oh oo," or something like that. Anybody know what I'm talking about? It sounds really cool, almost like a tone cluster, like every voice singing one of the white keys on the piano. It's one of my favorite parts in the song. I know the part you're talking about. It sounds not too weird to me, it's probably just a 9th, 11th, or 13th chord. A 13th chord (in C) would pretty much use every white note except B, kind of like you suggested. My Legacy
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Thanks God Prince does not have a limited vision about music as some of you standart musical mind people. | |
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I think the chord is cool. That's one of things I've always loved about Prince. He has a "ugly beauty" about his music. | |
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You know who really has some messed up chords is Stevie Wonder. He's so musical, you'll never hear him play chords just straight, and his chords are all over the place. I think partially it's cause he's blind. He doesn't know what he's supposed to be playing, he just plays what he hears, and it's obviously incredible. ______________________________________________
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DMSR said: You know who really has some messed up chords is Stevie Wonder. He's so musical, you'll never hear him play chords just straight, and his chords are all over the place. I think partially it's cause he's blind. He doesn't know what he's supposed to be playing, he just plays what he hears, and it's obviously incredible.
Doubt it's because he's blind Wonders music theory is probably better than any musician on the planet now... the thing is those who know their theory are the best at breaking it I am a Rail Road, Track Abandoned
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Where do u draw the line between a crappy chord progression and musical "genius" or "visionary"? | |
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DarlingDiana said: Where do u draw the line between a crappy chord progression and musical "genius" or "visionary"?
Tough to say. The Beatles' I Want To Tell You has an absolutely terrible piano chord (in my opinion) right after "My head is filled with things to say..." But I bet some Harrison (or McCartney, who probably played the piano on it) fans would say it's brilliant. I know someone who hated the opening chord to Hard Days Night. Go figure. Stevie has a remarkable ability to turn a cliche chord change & melody on it's ear, like in Golden Lady My Legacy
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NDRU said: DarlingDiana said: Where do u draw the line between a crappy chord progression and musical "genius" or "visionary"?
Tough to say. The Beatles' I Want To Tell You has an absolutely terrible piano chord (in my opinion) right after "My head is filled with things to say..." But I bet some Harrison (or McCartney, who probably played the piano on it) fans would say it's brilliant. I know someone who hated the opening chord to Hard Days Night. Go figure. Stevie has a remarkable ability to turn a cliche chord change & melody on it's ear, like in Golden Lady That G7sus4 What was the point of that chord? ... | |
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CaptainJack said: NDRU said: Tough to say. The Beatles' I Want To Tell You has an absolutely terrible piano chord (in my opinion) right after "My head is filled with things to say..." But I bet some Harrison (or McCartney, who probably played the piano on it) fans would say it's brilliant. I know someone who hated the opening chord to Hard Days Night. Go figure. Stevie has a remarkable ability to turn a cliche chord change & melody on it's ear, like in Golden Lady That G7sus4 What was the point of that chord? ... You mean A Hard Days Night, right? The sus4 symbolizes the 4 Beatles suspended in an artificial world of fame, while the 7 represents the 7 deadly sins, manifested in the punishment of the hard work of the singer, Geonn Lennon. My Legacy
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NDRU said: CaptainJack said: That G7sus4 What was the point of that chord? ... You mean A Hard Days Night, right? The sus4 symbolizes the 4 Beatles suspended in an artificial world of fame, while the 7 represents the 7 deadly sins, manifested in the punishment of the hard work of the singer, Geonn Lennon. Really, oh. OK. I've never heard of this, you serious? : ) | |
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wonder505 said: I know, this is a musician's thread, I'm jealous.
me too. I would love to be able to put shit down like this: And in theory, modulating: Amaj | Bbmaj7 | Bmin7 | E7 | F#min7 | B7 | Emaj || makes perfect sense...
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CaptainJack said: NDRU said: You mean A Hard Days Night, right? The sus4 symbolizes the 4 Beatles suspended in an artificial world of fame, while the 7 represents the 7 deadly sins, manifested in the punishment of the hard work of the singer, Geonn Lennon. Really, oh. OK. I've never heard of this, you serious? : ) It's plain as day! My Legacy
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NDRU said: CaptainJack said: Really, oh. OK. I've never heard of this, you serious? : ) It's plain as day! | |
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DMSR said: You know who really has some messed up chords is Stevie Wonder. He's so musical, you'll never hear him play chords just straight, and his chords are all over the place. I think partially it's cause he's blind. He doesn't know what he's supposed to be playing, he just plays what he hears, and it's obviously incredible.
I also highly doubt it's because Stevie is blind. Music, when it comes down to it, has ABSOLUTELY NOTHING to do with eyesight. It's entirely aural. Stevie is one of those rare artists who can hit it mainstream with many songs, each of which has some mind-blowing progression in it. Some are really freakin' complex, too! "That Girl" and that new song from A Time to Love, "My Heart is on Fire," come to mind instantly, but there are countless others. A few other artists I can think of who share Stevie's harmonic complexity are Michael Jackson (well, anything that Quincy Jones does is usually pretty jazzy), Queen, Steely Dan, and the Beatles. Of course, not all of them approach Stevie's degree of harmonic inventiveness, but each of them has blown me away at one time or another with their music. | |
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