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Reply #30 posted 04/12/06 10:57am

1999n3121

Gomp said:

Absolutely the Bbsus2 in 'Sometimes It Snows In April'..! You know, when he sings 'sometimes I WISH..' My God, why ruin such a beautiful song..?? He probably wanted a certain complexity, but that chord in that key just sounds so ugly...


Nah. I don't think you're right.
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Reply #31 posted 04/12/06 11:29am

Rudy

The worst sounding thing I've heard him do is that chord in Money Don't Matter 2night - it's the 3rd chord in the sequence before he goes back to the root.

I appreciated the boldness, but it just sounds ugly
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Reply #32 posted 04/12/06 11:32am

Ice9sFine

Rudy said:

The worst sounding thing I've heard him do is that chord in Money Don't Matter 2night - it's the 3rd chord in the sequence before he goes back to the root.

I appreciated the boldness, but it just sounds ugly


eek No way...

That Ebm chord is so awesome, especially when it goes to the Db right after.

Man, are my ears screwed up or what?

Please, nobody put down "Power Fantastic" or I'll die!
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Reply #33 posted 04/12/06 11:33am

Anx

Gomp said:

Absolutely the Bbsus2 in 'Sometimes It Snows In April'..! You know, when he sings 'sometimes I WISH..' My God, why ruin such a beautiful song..?? He probably wanted a certain complexity, but that chord in that key just sounds so ugly...


i think it sounds great.
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Reply #34 posted 04/12/06 11:45am

blackguitarist
z

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paisley2002 said:

I started a thread last year about what the best Prince songs are in each key, and a lot of discussion came up about this Bb chord in "Sometimes It Snows In April". Yes, it sounds odd when u first listen 2 it, but once u play the song on the piano and realize what the chord progression is (A maj, Bb maj, B maj), it makes perfect sense because all Prince is doing is going straight up the ladder at that point in the song without worrying about if they fit the E major scale or not. Simple, yet genius.

I do want 2 add something though 2 the topic of "odd" chords Prince seems 2 add. At 6:24 into "The Holy River", which is clearly a song in the key of A, Prince suddenly throws a F maj-G maj progression and holds a G maj 4 a few measures before going back 2 E maj (which leads back into A). This throws me off everytime I hear it because it's just out of the A major scale, but again, all Prince is doing is going up a few notes (from E, which is in the scale of A, he goes up 2 F, then G).

Another example of a chord that throws me off is in the chorus of "Another Lonely Christmas" (written in B) when he sings the line "u are the one that makes my love shout". It's another unexpected G major chord with the bassline going up a few notes, just like the F# chord did in the previous line ("all the ones I dream about").

Where do u draw the line between thinking a chord in a Prince song is "bad" and realizing that the man is simply a musical visionary who conventionally uses unconventional chord progressions when he writes? It's all relative.
[Edited 4/8/06 11:46am]

Very good, 2000. You're on target, especially about "Another Lonely Christmas". P is going to add "color" to his progressions. Just to make it more interesting, soundwise. I think he could careless about folks like us, who knows music theory, who can figure it out. He's striving for "the sound", what it sounds like. I think Lisa influenced him greatly in embelishing his arrangements and chord choices. P spoke about how Lisa just wouldn't play a "normal" chord. She would add other notes to make the chord sound bigger.
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Reply #35 posted 04/12/06 12:13pm

Rudy

Ice9sFine said:

Rudy said:

The worst sounding thing I've heard him do is that chord in Money Don't Matter 2night - it's the 3rd chord in the sequence before he goes back to the root.

I appreciated the boldness, but it just sounds ugly


eek No way...

That Ebm chord is so awesome, especially when it goes to the Db right after.

Man, are my ears screwed up or what?

Please, nobody put down "Power Fantastic" or I'll die!


I'm pretty flexible but when a song has ALL minor chords - I can't dig it. (Aren't all 3 chords minors? I'm not a student of music theory but I've got a decent ear)
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Reply #36 posted 04/12/06 12:27pm

ufoclub

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Gomp said:

Absolutely the Bbsus2 in 'Sometimes It Snows In April'..! You know, when he sings 'sometimes I WISH..' My God, why ruin such a beautiful song..?? He probably wanted a certain complexity, but that chord in that key just sounds so ugly...


mmmm... that's supposed to be the mood of it snowing in april.... the sadness, the yearning, wistful and bitter...

Criticizing that is kind of like looking at an inventive horror movie and saying, I don't like the part where it gets weird and scary!
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Reply #37 posted 04/12/06 12:33pm

EmbattledWarri
or

i actually kinda dug the Bbsus2 chord on sometimes it snows in april.
the harmonics aren't odd i guess because prince wanted the change toe be more noticable.
if he used a Bb minor or major it would of seemed extremely out of place
For me the Sustained chords are easy middle way chords
which can sound major or minor depending on the song general direction.
Or mmaybe prince (or wendy) couldn't think of a better change.
Or maybe they didn't wan't a perfect change.

But i always liked that chord
one of my greatest weapons when i have to do a transition in a song
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With the Sunset forgetting, i ever Happened
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Reply #38 posted 04/12/06 12:40pm

NDRU

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Maybe the GbMaj with the E in the bass?
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Reply #39 posted 04/12/06 12:46pm

CaptainJack

NDRU said:

Maybe the GbMaj with the E in the bass?


Is that the chord in Electric Chair you're talking about, I love that too.
Too me, it's typical Prince.
But I think that's just a regular Gb major chord there, no maj7. Coloring that chord with an E in the bass is genius, but putting an F in there too seems pointless.
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Reply #40 posted 04/12/06 12:47pm

CaptainJack

whoops.
a lot of typos there.
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Reply #41 posted 04/12/06 1:03pm

NDRU

avatar

CaptainJack said:

NDRU said:

Maybe the GbMaj with the E in the bass?


Is that the chord in Electric Chair you're talking about, I love that too.
Too me, it's typical Prince.
But I think that's just a regular Gb major chord there, no maj7. Coloring that chord with an E in the bass is genius, but putting an F in there too seems pointless.


I was kind of kidding, just because that's one of the few times he mentions a chord by name. But I do like it, and it is an odd chord. Often you might see the opposite, like a Gb with a Ab in the bass (Luther's Never Too Much comes to mind), but I haven't really come across that Electric Chair chord much.

I like the chord in Arrogance that comes right after "Tootsie pop and a cane..." Sounds like all 12 notes at once.

In Lovesexy after they sing "Rain is wet...love calls you got to go," after the little bluesy line played in unison, they play a couple chords that are essentially 1/2 step apart, but odd chords.

And I love that chord on Sometimes it Snows in April.
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Reply #42 posted 04/12/06 1:09pm

CaptainJack

NDRU said:

CaptainJack said:



Is that the chord in Electric Chair you're talking about, I love that too.
Too me, it's typical Prince.
But I think that's just a regular Gb major chord there, no maj7. Coloring that chord with an E in the bass is genius, but putting an F in there too seems pointless.


I was kind of kidding, just because that's one of the few times he mentions a chord by name. But I do like it, and it is an odd chord. Often you might see the opposite, like a Gb with a Ab in the bass (Luther's Never Too Much comes to mind), but I haven't really come across that Electric Chair chord much.

I like the chord in Arrogance that comes right after "Tootsie pop and a cane..." Sounds like all 12 notes at once.

In Lovesexy after they sing "Rain is wet...love calls you got to go," after the little bluesy line played in unison, they play a couple chords that are essentially 1/2 step apart, but odd chords.

And I love that chord on Sometimes it Snows in April.


OK wink
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Reply #43 posted 04/12/06 1:52pm

FunkJam

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Im surprised no one has mentioned the intro of Cindy C. It's sounds so crazy and out of tune, but sounds good because of it!
"Man, the living creature, the creating individual, is always more important than any established style or system" - Bruce Lee
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Reply #44 posted 04/12/06 2:20pm

Ice9sFine

Rudy said:

Ice9sFine said:



eek No way...

That Ebm chord is so awesome, especially when it goes to the Db right after.

Man, are my ears screwed up or what?

Please, nobody put down "Power Fantastic" or I'll die!


I'm pretty flexible but when a song has ALL minor chords - I can't dig it. (Aren't all 3 chords minors? I'm not a student of music theory but I've got a decent ear)


Nah...the middle chord is a Db major...but in between the others, it does have kind of a minor tinge to it.

NDRU: that Gb/E is pretty cool sounding. In essence, it's really a dominant seventh, third inversion. You hear it every once in a while in pop songs, when the harmonies sometimes go from the IV chord to the V7 with the bass note staying the same. Chorus to "God" comes to mind.

Just a thought...I've always liked the chord that Prince sings in "When Doves Cry" before the last chorus before the solos. It's the part where he goes "Do be do wah ah ah ah ah ah wah oh oo," or something like that. Anybody know what I'm talking about? It sounds really cool, almost like a tone cluster, like every voice singing one of the white keys on the piano. It's one of my favorite parts in the song.
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Reply #45 posted 04/12/06 2:43pm

NDRU

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Ice9sFine said:



NDRU: that Gb/E is pretty cool sounding. In essence, it's really a dominant seventh, third inversion. You hear it every once in a while in pop songs, when the harmonies sometimes go from the IV chord to the V7 with the bass note staying the same. Chorus to "God" comes to mind.

song.


Duh, you're right. I guess it blew my mind out or something.
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Reply #46 posted 04/12/06 3:03pm

NDRU

avatar

Ice9sFine said:



Just a thought...I've always liked the chord that Prince sings in "When Doves Cry" before the last chorus before the solos. It's the part where he goes "Do be do wah ah ah ah ah ah wah oh oo," or something like that. Anybody know what I'm talking about? It sounds really cool, almost like a tone cluster, like every voice singing one of the white keys on the piano. It's one of my favorite parts in the song.


I know the part you're talking about. It sounds not too weird to me, it's probably just a 9th, 11th, or 13th chord. A 13th chord (in C) would pretty much use every white note except B, kind of like you suggested.
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Reply #47 posted 04/12/06 3:06pm

7salles

Thanks God Prince does not have a limited vision about music as some of you standart musical mind people. biggrin
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Reply #48 posted 04/12/06 3:40pm

SPYZFAN1

I think the chord is cool. That's one of things I've always loved about Prince. He has a "ugly beauty" about his music.
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Reply #49 posted 04/12/06 7:50pm

DMSR

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You know who really has some messed up chords is Stevie Wonder. He's so musical, you'll never hear him play chords just straight, and his chords are all over the place. I think partially it's cause he's blind. He doesn't know what he's supposed to be playing, he just plays what he hears, and it's obviously incredible.
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Reply #50 posted 04/13/06 1:23am

EmbattledWarri
or

DMSR said:

You know who really has some messed up chords is Stevie Wonder. He's so musical, you'll never hear him play chords just straight, and his chords are all over the place. I think partially it's cause he's blind. He doesn't know what he's supposed to be playing, he just plays what he hears, and it's obviously incredible.

Doubt it's because he's blind
Wonders music theory is probably better than any musician on the planet now...
the thing is
those who know their theory
are the best at breaking it
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Reply #51 posted 04/13/06 7:25am

DarlingDiana

Where do u draw the line between a crappy chord progression and musical "genius" or "visionary"?
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Reply #52 posted 04/13/06 11:41am

NDRU

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DarlingDiana said:

Where do u draw the line between a crappy chord progression and musical "genius" or "visionary"?


Tough to say.

The Beatles' I Want To Tell You has an absolutely terrible piano chord (in my opinion) right after "My head is filled with things to say..."

But I bet some Harrison (or McCartney, who probably played the piano on it) fans would say it's brilliant.

I know someone who hated the opening chord to Hard Days Night. Go figure.

Stevie has a remarkable ability to turn a cliche chord change & melody on it's ear, like in Golden Lady
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Reply #53 posted 04/13/06 11:52am

CaptainJack

NDRU said:

DarlingDiana said:

Where do u draw the line between a crappy chord progression and musical "genius" or "visionary"?


Tough to say.

The Beatles' I Want To Tell You has an absolutely terrible piano chord (in my opinion) right after "My head is filled with things to say..."

But I bet some Harrison (or McCartney, who probably played the piano on it) fans would say it's brilliant.

I know someone who hated the opening chord to Hard Days Night. Go figure.

Stevie has a remarkable ability to turn a cliche chord change & melody on it's ear, like in Golden Lady


That G7sus4 lol What was the point of that chord? ...
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Reply #54 posted 04/13/06 11:56am

NDRU

avatar

CaptainJack said:

NDRU said:



Tough to say.

The Beatles' I Want To Tell You has an absolutely terrible piano chord (in my opinion) right after "My head is filled with things to say..."

But I bet some Harrison (or McCartney, who probably played the piano on it) fans would say it's brilliant.

I know someone who hated the opening chord to Hard Days Night. Go figure.

Stevie has a remarkable ability to turn a cliche chord change & melody on it's ear, like in Golden Lady


That G7sus4 lol What was the point of that chord? ...


You mean A Hard Days Night, right? The sus4 symbolizes the 4 Beatles suspended in an artificial world of fame, while the 7 represents the 7 deadly sins, manifested in the punishment of the hard work of the singer, Geonn Lennon.
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Reply #55 posted 04/13/06 12:00pm

CaptainJack

NDRU said:

CaptainJack said:



That G7sus4 lol What was the point of that chord? ...


You mean A Hard Days Night, right? The sus4 symbolizes the 4 Beatles suspended in an artificial world of fame, while the 7 represents the 7 deadly sins, manifested in the punishment of the hard work of the singer, Geonn Lennon.


Really, oh. OK.
I've never heard of this, you serious?
: )
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Reply #56 posted 04/13/06 12:00pm

SupaFunkyOrgan
grinderSexy

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wonder505 said:

I know, this is a musician's thread, I'm jealous.


me too. I would love to be able to put shit down like this:

And in theory, modulating: Amaj | Bbmaj7 | Bmin7 | E7 | F#min7 | B7 | Emaj || makes perfect sense...


damn lol
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Reply #57 posted 04/13/06 12:13pm

NDRU

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CaptainJack said:

NDRU said:



You mean A Hard Days Night, right? The sus4 symbolizes the 4 Beatles suspended in an artificial world of fame, while the 7 represents the 7 deadly sins, manifested in the punishment of the hard work of the singer, Geonn Lennon.


Really, oh. OK.
I've never heard of this, you serious?
: )


It's plain as day! razz
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Reply #58 posted 04/13/06 12:21pm

CaptainJack

NDRU said:

CaptainJack said:



Really, oh. OK.
I've never heard of this, you serious?
: )


It's plain as day! razz


lol
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Reply #59 posted 04/13/06 12:27pm

Ice9sFine

DMSR said:

You know who really has some messed up chords is Stevie Wonder. He's so musical, you'll never hear him play chords just straight, and his chords are all over the place. I think partially it's cause he's blind. He doesn't know what he's supposed to be playing, he just plays what he hears, and it's obviously incredible.


I also highly doubt it's because Stevie is blind. Music, when it comes down to it, has ABSOLUTELY NOTHING to do with eyesight. It's entirely aural.

Stevie is one of those rare artists who can hit it mainstream with many songs, each of which has some mind-blowing progression in it. Some are really freakin' complex, too! "That Girl" and that new song from A Time to Love, "My Heart is on Fire," come to mind instantly, but there are countless others.

A few other artists I can think of who share Stevie's harmonic complexity are Michael Jackson (well, anything that Quincy Jones does is usually pretty jazzy), Queen, Steely Dan, and the Beatles. Of course, not all of them approach Stevie's degree of harmonic inventiveness, but each of them has blown me away at one time or another with their music.
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