I think the live versions of Days of Wild (with the exception of the BeautifulExperience performance) are a yawn conceptually in comparison to the studio one which is the most freakish combo of laid-back-too-cool-for-you vocals with retro analog synth funk pulses...
the idea of wild guitars to the front over live drums is....OLD. OLD SCHOOL! The arrangements of many of his live performances are OLD SCHOOL. Take for example Play in the Sunshine. Anyone could bust out with the live version of that... but the studio version is so weird in its laid back hyper yet sleepy production.... My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
What if then leaked version isn't actually the final mix that will be on the released CD? Do we know for sure it is?
As I posted on the big 3121 thread, it was the last song added to the album. Even though I prefer the harder live version, the studio version is great too. When I read about the evils of drinking, I gave up reading. | |
- E-mail - orgNote - Report post to moderator |
livewire said: Wall said: You can call it whatever you want but to me it still sounds like a missed opportunity.
Fair enough, I have no desire to disabuse you of that feeling. It's valid. All I'm saying in this thread is that folks shouldn't hate a cat for not being a dog. Peace, David But your assumption that it's supposed to be New Wave strikes me as an apologetic stretch. I love New Wave too and it sounds more like a flubbed rocker coming across as badly mixed and emotionless pop, save for the guitar playing. And using the logic of not hating a cat for being a dog, you could use that line of reasoning for every song that's lacking in merit by claiming it's weakness is its (supposed) unrecognized genius. Of course, if you like the song, which obviously you do, it's a win situation and I agree some people aren't 'getting' Fury but imho, it's because there's not much to get. That said, like a good many of the songs on this record, I'm sure they'll sound better live. [Edited 3/8/06 15:01pm] No hard feelings. | |
- E-mail - orgNote - Report post to moderator |
ufoclub said: I think the live versions of Days of Wild (with the exception of the BeautifulExperience performance) are a yawn conceptually in comparison to the studio one which is the most freakish combo of laid-back-too-cool-for-you vocals with retro analog synth funk pulses...
the idea of wild guitars to the front over live drums is....OLD. OLD SCHOOL! The arrangements of many of his live performances are OLD SCHOOL. Take for example Play in the Sunshine. Anyone could bust out with the live version of that... but the studio version is so weird in its laid back hyper yet sleepy production.... | |
- E-mail - orgNote - Report post to moderator |
Listen, we'll only know how good this album is when it's released to the general public, not scrutinised by a bunch of Prince uber-geeks (myself included) wanking over every note on the internet comparing versions over and over again.
As you were. [Edited 3/9/06 2:20am] “If I can shoot rabbits/then I can shoot fascists” | |
- E-mail - orgNote - Report post to moderator |
ufoclub said: Take for example Play in the Sunshine. Anyone could bust out with the live version of that... but the studio version is so weird in its laid back hyper yet sleepy production....
Funny, I love both the studio version and live versions of Play in the Sunshine, but I when I hear the studio version I don't even think about the live version being better. He got the best out of the song in the studio AND in the live setting. What I am saying is, I think he got the most out of the song live but he didn't get the max out of the studio version, they didn't necessarily have to sound identical. | |
- E-mail - orgNote - Report post to moderator |
metalorange said: Even if Fury could be classed as new wave, I still prefer it as a live rock track! And I still think it comes back to getting the most out of a song and putting the best version on the album. Classifying it as 'new wave' does not suddenly improve the track, as far as I can see. Having to narrow your view, put blinkers on, and pretend the live version doesn't exist as a way of enjoying the track more sounds a bit silly to me.
It's like, the live version of Life O' The Party was better than the one on Musicology, most people would say. No need to justify the existence of the album track by re-classifying it. I don't know. I like the live version of I Could Never Take The Place... much better than the sterile studio version. Isn't this the same thing? Prince is a great live performer so his live versions will always wreck studio versions. "You don't exist again. It's all taken away from you. Even for the richest, happiest and most beautiful people, they move into later life and get old where things start to break apart. They don't exist anymore and they will never exist again." Woody Allen | |
- E-mail - orgNote - Report post to moderator |
This thread should be interesting stuff to analyse for a shrink.. lol.. | |
- E-mail - orgNote - Report post to moderator |
I actually prefer the studio version to the live version of Days of Wild any and every day of the week.
One of the biggest kicks about the live performance was the reaction of non-prince fan guitar heads. It was so exciting to hear them just wowed by his playing and then not to have that translate at all on the disc is just disappointing. No guitar head is ever going to listen to this track and think about what an excellent guitarist Prince really is. 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
- E-mail - orgNote - Report post to moderator |
Well it took me a quick moment to like the SNL version of Fury but I did. Once I heard the studio version, I dug it instantly. No matter how the song is performed, the song is just great. It has a great groove and can get stuck in your head easily.
This is what gets me. As long time Prince fans, we should KNOW that Prince's live stuff will almost always be better than the studio stuff. There are exceptions like Satisified sounded better on 3121 than on the NAACP Awards last year. People should have been better prepared for this song not to sound like a super hard rocker. It doesn't make the song bad, it just takes the song into another direction. If you don't dig it then you don't but if you dig it like I did then keep on groovin but don't set yourself up for disappointment. It's been happening too much in the last several years. We got to keep the party movin! [Edited 3/8/06 16:49pm] [Edited 3/8/06 16:51pm] I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
- E-mail - orgNote - Report post to moderator |
SupaFunkyOrgangrinderSexy said: I actually prefer the studio version to the live version of Days of Wild any and every day of the week.
One of the biggest kicks about the live performance was the reaction of non-prince fan guitar heads. It was so exciting to hear them just wowed by his playing and then not to have that translate at all on the disc is just disappointing. No guitar head is ever going to listen to this track and think about what an excellent guitarist Prince really is. I thought about that a couple of days after the SNL performance. I knew the studio version wasn't going to sound like that and there may be more disappointment after that SNL show reruns on the 25th. I'm glad he did the song but a part of me wished that he hadn't done it because of the comparisons that would come along with it. That's just the way it is I guess. [Edited 3/8/06 16:57pm] I'm not a fan of "old Prince". I'm not a fan of "new Prince". I'm just a fan of Prince. Simple as that | |
- E-mail - orgNote - Report post to moderator |
Do you fucking have ears on the side of your fucking head!!! All you others say Hell Yea!! | |
- E-mail - orgNote - Report post to moderator |
Much better than the live version! "Man, the living creature, the creating individual, is always more important than any established style or system" - Bruce Lee | |
- E-mail - orgNote - Report post to moderator |
Yea, piss on rock and roll and see if I care. All you others say Hell Yea!! | |
- E-mail - orgNote - Report post to moderator |
metalorange said:[quote]Even if Fury could be classed as new wave, I still prefer it as a live rock track!
Prince has rarely laid the guitar on heavy in the actual album releases. I believe he has stated that too much guitar clutters the record. Disagree or not, I much prefer his live renditions of ICNTTPOYM, The Cross, purple rain (that one was actually sort of live), Endorphanmachine, etc to the album versions. But I do appreciate the album cuts and Fury is just fine in my eyes. I look forward to the many great renditions we'll get to see him do live in the years to come. | |
- E-mail - orgNote - Report post to moderator |
i just wanna know... where'd jimi go? | |
- E-mail - orgNote - Report post to moderator |
SupaFunkyOrgangrinderSexy said: I actually prefer the studio version to the live version of Days of Wild any and every day of the week.
One of the biggest kicks about the live performance was the reaction of non-prince fan guitar heads. It was so exciting to hear them just wowed by his playing and then not to have that translate at all on the disc is just disappointing. No guitar head is ever going to listen to this track and think about what an excellent guitarist Prince really is. Yes, yes, and yes. "I saw a woman with major Hammer pants on the subway a few weeks ago and totally thought of you." - sextonseven | |
- E-mail - orgNote - Report post to moderator |
I do like both versions, but I must say, I was hoping prince was going to rock out on this one and he didn't.
When it comes to the studio, Prince always seems to shy away from turning out a real heavy rock song. He seems to over produce, and in the process, often waters his rock songs down to pop songs. Endorphine, Damned if I do, Million Days, Fury....sure they all have rock guitar elements to them, but they are all essentially pop songs, where they they could have been GREAT rock songs. We know he can do it, just look at the live Whole Lotta Love and 2002 Sign O The times, but when he reaches the studio, he can't seem to help himself from reaching for the cowbells and antique synths. I think the nearest he has got in the studio is Chaos & Disorder and parts of Temptation, Live 4 Love and The Cross. . | |
- E-mail - orgNote - Report post to moderator |
He's made very few actual rock songs on record. I'm talking bass, drums, guitar and guitar. Fury would have been a real dazzler had he not pissed all over it's potential. Of course, he meant to make it lamer in the studio, it's his homage to over produced, underplayed tunes. No hard feelings. | |
- E-mail - orgNote - Report post to moderator |
Number23 said: cover me with eggs and flour and bake me for 40 minutes
i'm in!!! | |
- E-mail - orgNote - Report post to moderator |
he did do "The Undertaker"
Wall said: He's made very few actual rock songs on record. I'm talking bass, drums, guitar and guitar. Fury would have been a real dazzler had he not pissed all over it's potential. Of course, he meant to make it lamer in the studio, it's his homage to over produced, underplayed tunes. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
ufoclub said: I think the live versions of Days of Wild (with the exception of the BeautifulExperience performance) are a yawn conceptually in comparison to the studio one which is the most freakish combo of laid-back-too-cool-for-you vocals with retro analog synth funk pulses...
the idea of wild guitars to the front over live drums is....OLD. OLD SCHOOL! The arrangements of many of his live performances are OLD SCHOOL. Take for example Play in the Sunshine. Anyone could bust out with the live version of that... but the studio version is so weird in its laid back hyper yet sleepy production.... Wow. I completely disagree on both counts, ESPECIALLY DoW! I think that song is so much funkier in its live incarnation, and I find the studio version to be a tepid bore by comparison. Do not hurry yourself in your spirit to become offended, for the taking of offense is what rests in the bosom of the stupid ones. (Ecclesiastes 7:9) | |
- E-mail - orgNote - Report post to moderator |
JediMaster said: ufoclub said: I think the live versions of Days of Wild (with the exception of the BeautifulExperience performance) are a yawn conceptually in comparison to the studio one which is the most freakish combo of laid-back-too-cool-for-you vocals with retro analog synth funk pulses...
the idea of wild guitars to the front over live drums is....OLD. OLD SCHOOL! The arrangements of many of his live performances are OLD SCHOOL. Take for example Play in the Sunshine. Anyone could bust out with the live version of that... but the studio version is so weird in its laid back hyper yet sleepy production.... Wow. I completely disagree on both counts, ESPECIALLY DoW! I think that song is so much funkier in its live incarnation, and I find the studio version to be a tepid bore by comparison. to further clarify what it is I'm appreciating: original texture of the choice of the studio mix/production... the live versions have a more conventional texture and emotional goal... but the studio versions are so peculiar and in the long run, so much more intriguing to me. My art book: http://www.lulu.com/spotl...ecomicskid
VIDEO WORK: http://sharadkantpatel.com MUSIC: https://soundcloud.com/ufoclub1977 | |
- E-mail - orgNote - Report post to moderator |
XxAxX said: Number23 said: cover me with eggs and flour and bake me for 40 minutes
i'm in!!! We've got five years, what a suprise. | |
- E-mail - orgNote - Report post to moderator |
I have to admit that I was disappointed this didn't translate like the live performance but I will say I am not hating this song. I love it whatever way it comes You can remove the FunkyOrgangrinder but ya still got SUPAsexy! The org's original hottie | |
- E-mail - orgNote - Report post to moderator |
Number23 said: Oh, and for the subconcious comedians out there who are urging the wee man to get a producer in, you'd do well to listen to popular music's favourite egghead Brian Eno, back in 1998. He told Q Maganzine that Prince was the greatest music producer the world had ever seen, that Emancipation had blown him and U2 away, and that very few people can comprehend Prince's talent, quoting 'He is this producer's producer.' - Wow...he really said that? Brian Eno is very famous/respected | |
- E-mail - orgNote - Report post to moderator |
GustavoRibas said: Number23 said: Oh, and for the subconcious comedians out there who are urging the wee man to get a producer in, you'd do well to listen to popular music's favourite egghead Brian Eno, back in 1998. He told Q Maganzine that Prince was the greatest music producer the world had ever seen, that Emancipation had blown him and U2 away, and that very few people can comprehend Prince's talent, quoting 'He is this producer's producer.' - Wow...he really said that? Brian Eno is very famous/respected I have no doubt Eno would be a Prince fan as I certainly think Prince deserves such a remark, but do you have a link or more specific, such as issue/month? I've never heard that and a big fan of Eno as well as Prince. No hard feelings. | |
- E-mail - orgNote - Report post to moderator |
wall said: You can call it whatever you want but to me it still sounds like a missed opportunity. "No, you don't understand, he WANTED it to sound kinda half-assed, that's the genius in it!" But I agree, it will always rock live and let's hope he releases a non-New Wave tribute version in some form in the new future.
co-sign | |
- E-mail - orgNote - Report post to moderator |
Searching on Google, I found a very interesting Brian Eno quote:
"Artists who don't censor their own work. Picasso is one, Miles Davis is another, Prince is another. They're all people who just put it out, and have almost no critical self-censorship. They say, 'Let the market decide; let the world decide.' You might not be the best person to judge it. That's a kind of humility, actually: it's a mixture of arrogance, which says, 'I know I'm fucking good.' But a humility, which says, 'I'm not the person to decide.'" - Brian Eno I found it here: http://www.musicthoughts.com/t/122 | |
- E-mail - orgNote - Report post to moderator |
At this moment i am not sure which version of Fury is better: the snl-version or the one on the record. I havent listened to both tracks enough (and only from crappy pc speakers to judge about that.
But what i find a bit strange is that some people her say that the vocals on the recorded version are dull and liveless compared to those on the live version. To my ears his style of singing on both versions is the same, the vocals on the live version probably sound a bit more lively because they are...well...live, and because of the different arrangement used on the live version. Just listen to these two versions one after another and i think you will hear that. | |
- E-mail - orgNote - Report post to moderator |