JonnyApplesauce said: Not to pee in the punch or diminish the work but W & L were basically good employees.
Good employees? If W&L and the Melvoin/Coleman family were just "good employees" then everyone else that Prince has worked with in the studio must have been doped up temp workers on a part time contract. Nowhere prior to or after their departure do we see such an openness in the studio for the outright AND CREDITED contribution of others. Even other members of the Revolution, and the studio hands of the time, have commented how P&W&L were pretty much a band within a band at that point. Furthermore... W&L did nothing, recording wise, that aimed for a mass white audience. In fact, I'd say their increased input added up to a largely more challenging body of work that would tend to turn off the casual listener. Just because W&L might have plugged a few marketing holes in the process has absolutely nothing to do with their comparatively sizable contributions to the music itself. | |
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GaryMF said: PurpleCharm said: How do you know that he did not invite other past band members? Well, technically you are right, we don't. But let's see, do you think Rhonda, Sonny T, Rosie Gaines, Tommy B etc. were just too busy to show up? They had more pressing engagements??? Yeah...that must be it. Not we, it was you that made the assumption that Prince only invited Wendy, Lisa and Sheila and not anyone else. Now you have concluded that Rhonda, Sonny T, Rosie Gaines, Tommy B, etc could not possibly turn down a request from Prince, if one was made, to perform at the Brit Awards, because of couse there is no way they could have had more pressing engagements. | |
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PurpleCharm said: GaryMF said: Well, technically you are right, we don't. But let's see, do you think Rhonda, Sonny T, Rosie Gaines, Tommy B etc. were just too busy to show up? They had more pressing engagements??? Yeah...that must be it. Not we, it was you that made the assumption that Prince only invited Wendy, Lisa and Sheila and not anyone else. Now you have concluded that Rhonda, Sonny T, Rosie Gaines, Tommy B, etc could not possibly turn down a request from Prince, if one was made, to perform at the Brit Awards, because of couse there is no way they could have had more pressing engagements. Yes it is an assumption. But what do YOU think??? Do you honestly think any of them would've said NO? Seriously?? Anyway, I'll go back to what I said before..... let's just go by actions. W&L and Sheila are the ones on stage with him. Period. | |
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jtfolden said: dewalliz said: I digged Lisa more because she had unique piano playing skills and plus I adore her I don't give a fuck attitude and that goes back to my fav era Dirty Mind. She reminded me of Prince and that is why Prince had always perferred her as his sister.
I agree about Lisa... I always found it really interesting that such unique piano playing (that can dart from delicate to fiery in an instant) comes from someone with such a "I don't give a fuck attitude". I really wish she would step forward a little more. I do think she's the more interesting, musically, of the two and I prefer her singing voice, as well. ME too. I wished she stepped forward more too. I do hear so much about Wendy (which I do get tired of hearing at times) but not so much about her, I mean as an individual. ANd oh hell yeah I agreed her voice is twice... Okay 3000% better than Wendy's. I have a lot of respect for Lisa as an artist and her shyness makes her more interesting If Blackguitaristz was here he would agreed since he and I shared the same views about Lisa, well musically. [Edited 2/15/06 22:33pm] | |
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GaryMF said: JonnyApplesauce said: When a few thousand paying fans start obsessing on them , he probably will but its not likely cuz theyre Black. Call me crazy but growing up w/ somebody and living in their basement probably has a big effect on a person.
Your response is not very coherent. The 1st sentence has nothing to do with the first. It appears you are trying to say that fans wont' obsess over the others cuz they are black? I suppose that is why artists like Beyonce, Usher, Ciara, Ahsanti, etc. are huge, chart topping artists even though they are black too?? Otherwise are you trying to say Prince won't invite them cuz they are black?? BTW these are rhetorical questions, because I doubt I'll get a coherent response. Nothing was incoherent. What is it w/ people on here and the personal bs? You dont understand whats being said to you. Thats not my problem its yours. Theres a marked, notable response from Prince's white fans to W & L. As a performer he gives the people what they want. We're not talking about other artists and/or their situations that have been made possible in part by Prince. We're talking about Prince. He lived in Andre Cymone's basement for years. I'm sure thats had a bigger effect on him than anybody in the Revolution. Yet, the fans want W & L. If the fans start threads ad nauseum about some Black people he worked w/, I guarantee, they will turn up on tour. But even a living legend toPrince himself like Larry Graham gets no luv from y'all. | |
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skywalker said: Dr. Fink, Michael B., Larry Graham, Sonny T., Rosie Gaines, Sheila, the npg hornd have all arguably affected his sound as much as Wendy and Lisa. Whethere you liked it or not is a different subject....
I think Dr. Fink is about the only one on there that might have some small yet measurable presence in the actual song-writing credits and even he has commented, IIRC, on how much more W&L were contributing than other band members. I don't recall the rest of those people having any large contributions inside the studio or when actual song-writing was taking place that really changed the direction of Prince's music. They were/are mostly just performers. Who else has contributed consistently on such a level as W&L where Prince has taken their compositions (Mountains, Sometimes It Snows In April, Power Fantastic, etc) and contributions and made them his own? | |
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JonnyApplesauce said: GaryMF said: Your response is not very coherent. The 1st sentence has nothing to do with the first. It appears you are trying to say that fans wont' obsess over the others cuz they are black? I suppose that is why artists like Beyonce, Usher, Ciara, Ahsanti, etc. are huge, chart topping artists even though they are black too?? Otherwise are you trying to say Prince won't invite them cuz they are black?? BTW these are rhetorical questions, because I doubt I'll get a coherent response. Nothing was incoherent. What is it w/ people on here and the personal bs? You dont understand whats being said to you. Thats not my problem its yours. Theres a marked, notable response from Prince's white fans to W & L. As a performer he gives the people what they want. We're not talking about other artists and/or their situations that have been made possible in part by Prince. We're talking about Prince. He lived in Andre Cymone's basement for years. I'm sure thats had a bigger effect on him than anybody in the Revolution. Yet, the fans want W & L. If the fans start threads ad nauseum about some Black people he worked w/, I guarantee, they will turn up on tour. But even a living legend toPrince himself like Larry Graham gets no luv from y'all. Well, if you care about people understanding what you're trying to say, it kinda does become your problem. if you just want to talk and don't care what people think of it, then I guess it's not. yeah, living in Andre's basement probaby had a huge effect on him, but the topic of this thread was about song-writing, not impact on his life. | |
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skywalker said: This COULD be attributed to Wendy and Lisa; however, you must also take in consideration the stage in his career that Prince was at. He was on top of the pop world and he could do anything-so he did. I think without Wendy and Lisa, the sound might have altered , but the experimentation and adventurous would still be there. It was there before them-"Dirty Mind"- "1999" and was there after them. There are other 2 year chunks of Prince's career that are arguably as interesting as 1984-1986.[/b]
Prince has always been adventurous musically, this is true, but the horizons were extremely wide during that period of time. There's no other album in Prince's history that crosses such stylistic boundaries as those created with W&L - Parade and Dream Factory. Heck, Parade changes from style to style as often as it does from track to track. I suppose you COULD say that Prince would have been capable of this without them but he hasn't done it since they were dismissed (except in the most paint-by-numbers kind of ways such as Emancipation). The fact of the matter is that the 84-86 period is perhaps not my most favorite but their contributions are obvious, imo. | |
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GaryMF said: JonnyApplesauce said: Nothing was incoherent. What is it w/ people on here and the personal bs? You dont understand whats being said to you. Thats not my problem its yours. Theres a marked, notable response from Prince's white fans to W & L. As a performer he gives the people what they want. We're not talking about other artists and/or their situations that have been made possible in part by Prince. We're talking about Prince. He lived in Andre Cymone's basement for years. I'm sure thats had a bigger effect on him than anybody in the Revolution. Yet, the fans want W & L. If the fans start threads ad nauseum about some Black people he worked w/, I guarantee, they will turn up on tour. But even a living legend toPrince himself like Larry Graham gets no luv from y'all. Well, if you care about people understanding what you're trying to say, it kinda does become your problem. if you just want to talk and don't care what people think of it, then I guess it's not. yeah, living in Andre's basement probaby had a huge effect on him, but the topic of this thread was about song-writing, not impact on his life. Take your own advise. Get off me and on the topic, particularly since my point has dawned on you. | |
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dewalliz said: ME too. I wished she stepped forward more too. I do hear so much about Wendy (which I do get tired of hearing at times) but not so much about her, I mean as an individual.
ANd oh hell yeah I agreed her voice is twice... Okay 3000% better than Wendy's. I have a lot of respect for Lisa as an artist and her shyness makes her more interesting If Blackguitaristz was here he would agreed since he and I shared the same views about Lisa, well musically. Yup, I think her shyness and how she choose to live her life has a lot to do with it. I have no ill thoughts of Wendy but it is a shame that Lisa doesn't get more of the attention. Wendy seems to like to be everywhere at once, mixing and mingling with her hands in a lot of cookie jars. I can't fault her for it. She enjoys performing and it certainly helps pay the bills. If the, supposedly, upcoming W&L album ever gets finished and released I'm hoping Lisa is sitting front and center this time. She had a much more audible presence on the last one, and I think it was all the better for it. | |
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JonnyApplesauce said: But even a living legend toPrince himself like Larry Graham gets no luv from y'all.
Probably because the first some of us saw of him with Prince was opening the tour, murdering his way through a selection of Sly's biggest hits in his nails down a chalk-board Darth Vader-cum-Cher voice and his Family Stone 'tribute' band, and I imagine the memory of hearing GCS2000 for the first (and last in many cases I assume) time is still a memory that is all too grusome to remember. Who can forget Prince gushing in interviews and liner notes for this cult nut-job and his 'possessed by the spirit' towel-waving wife and creepy wholesome kid there for no reason other than to presumably show Prince and the audience how much better it is to find solace in an infantile and morally-retarded mass socio-control belief system based on fairy-tales, criminally botched history, and out and out lies and deception. Good for him, he played his unique brand of thumb-popping bass with Sly and then released a few records of his own that sounded like Sly out-takes. I didn't hear anything live, or on GCS2000 that justified the level of fanboy wet dreaming that Prince was spouting about his footnote of popular music hero at the time. Harsh words for Larry - He didn't put anything out in his work with Prince that merits anything more than distain or ridicule - GCS2000 is an abysmal toss-off, and an actual insult to Larry if this was the best bunch of copy-cat songs Prince could chuck his way. Chaka's 'Come 2 My House' was much more satisfying, the material and artist made a far more pleasing combination. You can talk about Black band members, and I'm gonna think of the ones who really had a special input in Prince's music and shows - Andre, Dez, Levi, Rosie, Michael & Sonny..... but none of them had the level of openness and collaborative song-writing input that Wendy & Lisa had with Prince - and that's not about colour, it's about Wendy & Lisa being sublime masons of quality melodic pop and R&B. [Edited 2/15/06 23:34pm] | |
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JonnyApplesauce said: GaryMF said: You know, instead of all this stupid bickering, let's just look at Prince's own behavior:
[list][*] he gave W&L songwriting credits on album and at US Copyright database [*]worked with them in the studio and gave them tracks to work on/complete etc. [*]invigted W&L and Sheila (yay!) to perform with him at the Brits. When he starts inviting Andre, Dez, Gayle, Rosie, or Sonny T to award show performances, then let's talk. When a few thousand paying fans start obsessing on them , he probably will but its not likely cuz theyre Black. Gayle Chapman is Black!!! Now that's what I call crossover. . ALT+PLS+RTN: Pure as a pane of ice. It's a gift. | |
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NouveauDance said: JonnyApplesauce said: But even a living legend toPrince himself like Larry Graham gets no luv from y'all.
Probably because the first some of us saw of him with Prince was opening the tour, murdering his way through a selection of Sly's biggest hits in his nails down a chalk-board Darth Vader-cum-Cher voice and his Family Stone 'tribute' band, and I imagine the memory of hearing GCS2000 for the first (and last in many cases I assume) time is still a memory that is all too grusome to remember. Who can forget Prince gushing in interviews and liner notes for this cult nut-job and his 'possessed by the spirit' towel-waving wife and creepy wholesome kid there for no reason other than to presumably show Prince and the audience how much better it is to find solace in an infantile and morally-retarded mass socio-control belief system based on fairy-tales, criminally botched history, and out and out lies and deception. Good for him, he played his unique brand of thumb-popping bass with Sly and then released a few records of his own that sounded like Sly out-takes. I didn't hear anything live, or on GCS2000 that justified the level of fanboy wet dreaming that Prince was spouting about his footnote of popular music hero at the time. Harsh words for Larry - He didn't put anything out in his work with Prince that merits anything more than distain or ridicule - GCS2000 is an abysmal toss-off, and an actual insult to Larry if this was the best bunch of copy-cat songs Prince could chuck his way. Chaka's 'Come 2 My House' was much more satisfying, the material and artist made a far more pleasing combination. You can talk about Black band members, and I'm gonna think of the ones who really had a special input in Prince's music and shows - Andre, Dez, Levi, Rosie, Michael & Sonny..... but none of them had the level of openness and collaborative song-writing input that Wendy & Lisa had with Prince - and that's not about colour, it's about Wendy & Lisa being sublime masons of quality melodic pop and R&B. [Edited 2/15/06 23:34pm] This thread is a case study in Prince fandom. Spooky | |
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JonnyApplesauce said: This thread is a case study in Prince fandom. Spooky
Well this is a Prince fan message board, what were you expecting to read? | |
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NouveauDance said: JonnyApplesauce said: This thread is a case study in Prince fandom. Spooky
Well this is a Prince fan message board, what were you expecting to read? "Who can forget Prince gushing in interviews and liner notes for this cult nut-job and his 'possessed by the spirit' towel-waving wife and creepy wholesome kid there for no reason other than to presumably show Prince and the audience how much better it is to find solace in an infantile and morally-retarded mass socio-control belief system based on fairy-tales, criminally botched history, and out and out lies and deception." you have got to be kidding, but something tells me youre not; the exponential levels of irony boggle the mind | |
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JonnyApplesauce said: NouveauDance said: Well this is a Prince fan message board, what were you expecting to read? "Who can forget Prince gushing in interviews and liner notes for this cult nut-job and his 'possessed by the spirit' towel-waving wife and creepy wholesome kid there for no reason other than to presumably show Prince and the audience how much better it is to find solace in an infantile and morally-retarded mass socio-control belief system based on fairy-tales, criminally botched history, and out and out lies and deception." you have got to be kidding, but something tells me youre not; the exponential levels of irony boggle the mind Which part is more worrying for you, my unceremonious criticism of Larry and his car-crash TV family, or my blunt description of religious cults? | |
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NouveauDance said: You know Prince says cornball things like 'These songs are my children', well if Prince is the birth-giving patriach, during the Revolution days W&L were matriach figures to those new born, infant and adopted songs - Giving them form, structure, new input sources, freedom of imagination, nurture, a sense of self-realization, defined but Bohemian-esque freeform boundaries that allowed Prince's very malliable ego to have the confidence to be a free-spirit and not concern itself with other people's pre-conceptions about itself (as has been displayed continuously at various intervals in Prince's career since The Black Album's reactionary creation, burial and cold-hearted uncerimonious exhumation for it's Gold teeth by desperate reliatives in 1994..
You need a glass of water to swallow down that dictionary? | |
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JonnyApplesauce said: sosgemini said: why be so argumentative? why make up stuff to defend your point of view..your free to say you dont care for wendy and lisa's music..(not that your saying that)..your free to say that you dont think wendy and lisa contributed much.. were you are erroring is in trying to find some "truth" behind your arguement...cause there aint none..its all opinions.. so either your trying to rile folks up..or you have yet to learn how to differentiate between an opinion and fact.. which is it? I have not been argumentative. I have not made anything up. I never said I didnt care for W & L's music. You said that about me, like the other mischaracterizations you keep making about my posts because you dont like the substance of whats being said. Rather than trying to put words in my mouth, making up things about what I've said, why dont you accept my opinion w/out all the evil characterisations of it? [Edited 2/15/06 21:59pm] dude, read my post again...notice how i said, NOT THAT YOUR SAYING THAT.. come on..your gonna have to try harder then that... Space for sale... | |
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sosgemini said: PurpleCharm said: and who said W&L sucked?
that would be called, humor. remember that? "Does anybody remember laughter?" [ledzepedit] | |
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NouveauDance said: Probably because the first some of us saw of him with Prince was opening the tour, murdering his way through a selection of Sly's biggest hits in his nails down a chalk-board Darth Vader-cum-Cher voice and his Family Stone 'tribute' band, and I imagine the memory of hearing GCS2000 for the first (and last in many cases I assume) time is still a memory that is all too grusome to remember. Who can forget Prince gushing in interviews and liner notes for this cult nut-job and his 'possessed by the spirit' towel-waving wife and creepy wholesome kid there for no reason other than to presumably show Prince and the audience how much better it is to find solace in an infantile and morally-retarded mass socio-control belief system based on fairy-tales, criminally botched history, and out and out lies and deception.
Good for him, he played his unique brand of thumb-popping bass with Sly and then released a few records of his own that sounded like Sly out-takes. I didn't hear anything live, or on GCS2000 that justified the level of fanboy wet dreaming that Prince was spouting about his footnote of popular music hero at the time. copy paste file under "classic org posts" [Edited 2/16/06 4:38am] | |
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NouveauDance said: JonnyApplesauce said: "Who can forget Prince gushing in interviews and liner notes for this cult nut-job and his 'possessed by the spirit' towel-waving wife and creepy wholesome kid there for no reason other than to presumably show Prince and the audience how much better it is to find solace in an infantile and morally-retarded mass socio-control belief system based on fairy-tales, criminally botched history, and out and out lies and deception." you have got to be kidding, but something tells me youre not; the exponential levels of irony boggle the mind Which part is more worrying for you, my unceremonious criticism of Larry and his car-crash TV family, or my blunt description of religious cults? Oh lord! You have quite a way with words! | |
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JonnyApplesauce said: I have not made anything up.
you said: You ever heard the original Old Friends 4 Sale?
They say you lost your fire Cuz another musician you hire Little do they know They wouldnta passed go Unless they could take you higher Space for sale... | |
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sosgemini said: JonnyApplesauce said: I have not made anything up.
you said: You ever heard the original Old Friends 4 Sale?
They say you lost your fire Cuz another musician you hire Little do they know They wouldnta passed go Unless they could take you higher You evidently have never heard THE ORIGINAL VERSION OF OLD FRIENDS 4 SALE not the vegas vamp on the Vault lp; THE ORIGINAL; after you hear it holla back | |
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JonnyApplesauce said: sosgemini said: You evidently have never heard THE ORIGINAL VERSION OF OLD FRIENDS 4 SALE not the vegas vamp on the Vault lp; THE ORIGINAL; after you hear it holla back i have heard it..and like already mentioned within this thread, those lyrics are not about wendy and lisa. so how about you go roll your eyes at someone else. Space for sale... | |
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Matter of fact, if I remember correctly, he said he thought his band wasnt gonna be around very long in his first Rolling Stone interview. That was just the type cat he was and thats definately how the game was and still is. | |
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sosgemini said: JonnyApplesauce said: You evidently have never heard THE ORIGINAL VERSION OF OLD FRIENDS 4 SALE not the vegas vamp on the Vault lp; THE ORIGINAL; after you hear it holla back i have heard it..and like already mentioned within this thread, those lyrics are not about wendy and lisa. so how about you go roll your eyes at someone else. And I already stated to you that those lyrics were about the W & L trekies who, much like this split second, didnt wanna accept that the Revolution was over. | |
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If I remember correctly (not always the case) wasn't that line about Jam & Lewis?
I fail to see how the lines are about "W&L trekies" since OF4S was recorded for Parade, long before the bands split. [Edited 2/16/06 5:52am] | |
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Snap said-
"How many songs they write and produce with Prince? You got 'em lying around somewhere? I'd like to hear 'em." I was replying to jtfolden and I was refering to Prince's "Sound" not necessarily his song writing. [Edited 2/16/06 6:43am] "New Power slide...." | |
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Maybe his "sound", esp in live performance, but not his song-writing, which is what the original poster is talking about.
Again, I was replying to jtfolden-not so much the orginal post. Also, you cannot say that Prince would have written songs like "My Name is Prince" "Push" or "The Max" without having Tony M. in the band. Just as Prince's song writing/sound was altered by Wendy and Lisa, Prince's sound became more masculine and heavy when he had all the all male version ('cept Mayte) of the NPG. Am I saying that Tony M. contributed as much as Wendy and Lisa? No. However, one could argue that Prince's "sound" was just as influenced by Tony M. (and his other band members)as it was by Wendy and Lisa. Not his life, his "sound". "New Power slide...." | |
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dewalliz said: Not again damnit.
Seriously, Lisa and Wendy influenced Prince just as much he influenced them. It worked both ways. Even though 1985-86 wasn't my fav era, the obvious is there. Prince also had many influences from other people too, before and even after L&W, who helped him producing some great music even though he relied on less influences after 1986. Now that doesn't take away Prince's genius nor means that Lisa and Wendy influence are so likable as i liked their work on Purple Rain and Raspberry Beret but I didnt care for too much of Mountains and Sometimes it snows in april. I digged Lisa more because she had unique piano playing skills and plus I adore her I don't give a fuck attitude and that goes back to my fav era Dirty Mind. She reminded me of Prince and that is why Prince had always perferred her as his sister. Wendy's okay guitarist and all but I didn't care a lot for her as much I cared for Dez and Andre. She's too overrated imho. If I get criticized from some of L&W's fans for not like them equally oh well because they are two different people with different styles. Overall I am glad Prince and the ladies are on good terms again with each other. If Prince's happy of them to be part of his life again, so am I. Even though I wanted the whole Revolution reunited again but hey having a partial band is better than nothing. Life is too fucking short for long-term grudges. But how long this going to last who knows? Like it or not that's my My thoughts EXACTLY!! Thanks for saving me some time. | |
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