HalluRain said: GustavoRibas said: - I agree with you...I just don´t get it why people rarely say nasty things about Hendrix or Beatles...that´s exactly the subject of my thread...that maybe it was time to show people how great he is. ´Fury´ and ´While my guitar gently weeps´ were good showcases of his talent on guitar. As I was reading this it got me to wondering what really causes this difference in the way Prince is viewed as compared to others both before him (James Brown, Beatles, Rolling Stones, Hendrix, Sly...) and his contemporaries (Madonna, MJ, U2, Springsteen). Those that came before him made their mark when the music world was a different place. Stuff happening in the 50's and especially the 60's was organic -- a "new" sound taking over the baby boomer generation. These artists became irrevocably tied to a philosophy and a huge shift in social norms. And they were, in some cases, pioneers. They defined the rock persona. Critics won't diss them too hard because that would almost be tantamount to blackening the eye of so many underlying concepts tied to the times. Prince comes along in the 80's and his message/image fit right in to those excesses of the time. But now the focus is success, power, popularity and music has become more of a commodity to be marketed. Two things sell the story -- either immense success, power and glory or the spectacle of the fall from grace on a public stage. The media revels in pumping you up and then cutting you down. Prince got cut down in the media. He handed them a sharpened blade AND he had his own agenda that really wasn't ever again going to coincide with the tastes of the masses. Sales were respectable, but not at the level of Purple Rain, so he could be considered a failure. On his way down. Old news. The masses didn't follow so they never saw/heard the things he did next. It wasn't shoved down their throats through every media outlet. What did get their attention, if anything, were tales of a narcistic (sp?!?) brat who changed his name to a squiggle, spoke in a whisper and wore funny clothes. But to musicians and music lovers who bothered to listen he stands as one of the most talented, charismatic, original and dependably fantasic performers out there. There's a gap between the "knows" and the "know nots". If Prince continues to use showcases like RRHOF, SNL '06, etc. to help catch up the public to where he's at, there's a slim chance that the perception of the masses could shift and it becomes popular to say that he's cool again. You make a lot of good points. Prince definitely contributed to a lot of his own perception problems. It’s kind of a 50/50 deal. 50% of the problem is Prince’s and he might be able to correct that with continued quality television appearances and touring. The other 50% has to go on an audience that’s just too concerned with his sexuality, how he dresses, how he looks, and countless other superficial minutiae that has nothing to do with the quality of the music. And, also, regardless of intent, I think these celebrity parties could go a long way towards repairing some of these past mistakes. After all, these famous people will be talking for years about these legendary parties where Prince performed in his own living room for them. And when they talk it can reach print, radio and television audiences and influence millions. But I can’t feel too bad for where Prince is at today because he does get a great deal more respect than some other legends. Consider artists as great as Curtis Mayfield or Parliament/Funkadelic who, tragically, remain mostly unknown to the wider audience as a whole; even though you can hear their influence almost every time you turn on the radio. | |
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Brendan said: Besides, Prince came along after so much of the game had already been defined that it became about refinement and fusion of the past in unique ways that were wholly original. There’s still nothing out there quite like “Dorothy Parker” or “If I was Your Girlfriend”. - Yes, that´s what I say to my friends. "When doves cry" doesn´t sound like James, Hendrix, Santana or Sly. It´s very unique, with a very good melody. Of course he’d be much more accepted in the now if he’d just concentrate on appealing to one of these various musical snob groups (top 40 crowd, rock crowd, funk crowd, jazz crowd, experimental crowd, R&B/Soul crowd, indie crowd), but in the long haul he’ll be far better off being who he is rather than drastically limiting himself for the sake of short-term praise.
- I wouldn´t like to see him locked in a group, but I only wish he would be less ´poppish´...sometimes it seems that he has such a need to be number 1 at Billboard, it´s annoying. Another thing I don´t like is his production sometimes, specially when he plays rock. My rocker friends like stuff like ´I like it there´ a lot, but songs like ´Cinnamon Girl´ are so watered down and sugary...if it was more ´raw´ more people would give it a chance. | |
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Brendan said: Prince definitely contributed to a lot of his own perception problems. It’s kind of a 50/50 deal. 50% of the problem is Prince’s and he might be able to correct that with continued quality television appearances and touring. The other 50% has to go on an audience that’s just too concerned with his sexuality, how he dresses, how he looks, and countless other superficial minutiae that has nothing to do with the quality of the music. - I just posted it on another thread. Unfortunately part of the problem is some fans. Most of them arent focused on the music, but on his attitude. | |
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GustavoRibas said: Brendan said: Besides, Prince came along after so much of the game had already been defined that it became about refinement and fusion of the past in unique ways that were wholly original. There’s still nothing out there quite like “Dorothy Parker” or “If I was Your Girlfriend”. - Yes, that´s what I say to my friends. "When doves cry" doesn´t sound like James, Hendrix, Santana or Sly. It´s very unique, with a very good melody. Of course he’d be much more accepted in the now if he’d just concentrate on appealing to one of these various musical snob groups (top 40 crowd, rock crowd, funk crowd, jazz crowd, experimental crowd, R&B/Soul crowd, indie crowd), but in the long haul he’ll be far better off being who he is rather than drastically limiting himself for the sake of short-term praise.
- I wouldn´t like to see him locked in a group, but I only wish he would be less ´poppish´...sometimes it seems that he has such a need to be number 1 at Billboard, it´s annoying. Another thing I don´t like is his production sometimes, specially when he plays rock. My rocker friends like stuff like ´I like it there´ a lot, but songs like ´Cinnamon Girl´ are so watered down and sugary...if it was more ´raw´ more people would give it a chance. Yes, and let's hope that "Fury" doesn't end up sounding like "Zannalee II" on record. To me this song is potentially the greatest blues-based rock and roll song he's ever written. And it's funky in a way that's so completely natural. This could be an anchor to the next tour and an inspiration to his next record, as well as being every bit as spectacular live as "She's Always In My Hair". | |
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pepper7 said: .
I think Prince has this amazing great timing which he just sort of feels the music. You hear a song like Adore and you feel it's spontaneity with the lyrics as well as the music. He has such a good ear for lyrics and for melody. I think that's exactly what makes Prince a priceless commodity in the music business. This might be the year that people's eyes are opened and they recognize the musical majesty that is Prince. Prince's name is gonna be on everyOne's | |
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HalluRain said: I dunno, guys. Being able to write a catchy tune that everyone can sing along to doesn't equal musical genius in my book. Beethoven is known for not ever really writing strong melodies, but his orchestration and innovation in harmony and dynmics makes him stand out.
I hate to think that the public at large defines a talented songwriter on his/her ability to write tunes they can reliably embarass themselves with on karaoke night at the local watering hole. But given the general idiocy of the public in musical matters, I'm afraid this is the yardstick used by most. It's not just a catchy tune (Britney Spears' songs are catchy), but a song that goes beyond the artist who wrote it. Average people sing melodies by Beethoven--3rd, 5th, & 9th Symphonies come to mind, Moonlight Sonata as well. Yesterday, even One by U2. Everlasting Now is an incredible song, but nobody's going to sing it but Prince. Nothing Compares 2 U is a song anyone could sing. Prince lately has done more Everlasting Nows which isn't a complaint, but won't help his legacy as much as a timeless tune/lyric like Nothing Compares 2U. My point is Prince's strength is that he's so well rounded, but that particular aspect of his artistry needs a bit of attention. He's written lots of classic tunes, but not so many in the last ten years, despite the brilliant arrangements. Check this song out at:
http://www.soundclick.com...tmusic.htm | |
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andyman91 said: Everlasting Now is an incredible song, but nobody's going to sing it but Prince. Nothing Compares 2 U is a song anyone could sing. Prince lately has done more Everlasting Nows which isn't a complaint, but won't help his legacy as much as a timeless tune/lyric like Nothing Compares 2U. My point is Prince's strength is that he's so well rounded, but that particular aspect of his artistry needs a bit of attention. He's written lots of classic tunes, but not so many in the last ten years, despite the brilliant arrangements. - I couldn´t agree more. I cant think of Everlasting Now being sung by nobody else, and surely not Black Sweat also. Maybe it´s time for strongest melodies and lyrics... | |
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GustavoRibas said: andyman91 said: Everlasting Now is an incredible song, but nobody's going to sing it but Prince. Nothing Compares 2 U is a song anyone could sing. Prince lately has done more Everlasting Nows which isn't a complaint, but won't help his legacy as much as a timeless tune/lyric like Nothing Compares 2U. My point is Prince's strength is that he's so well rounded, but that particular aspect of his artistry needs a bit of attention. He's written lots of classic tunes, but not so many in the last ten years, despite the brilliant arrangements. - I couldn´t agree more. I cant think of Everlasting Now being sung by nobody else, and surely not Black Sweat also. Maybe it´s time for strongest melodies and lyrics... Even She Loves Me 4 Me or Shoo Be Do are pretty specific to Prince's life, and not as strong, timeless, or universal as I Feel 4 U or When U Were Mine, despite being pretty concise pop. I think that's why Wasted Kisses stands out to a lot of people. It's not that great, but it's more of a "song" than New Power Soul (which I actually prefer because of the music, by the way) Check this song out at:
http://www.soundclick.com...tmusic.htm | |
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Again, I agree...I cant imagine people singing ´She loves me 4 me´ too, even if it has a nice melody. I like ´New Power Soul´ because of the horn arrangements and beat, but it´s not a song that people would sing. Not ´The Work´ also or ´Musicology´.....I remember I was with a girl in a dance club and they played ´Musicology´...as a fan, I was happy, but she said ´this one is boring´....she only enjoyed when they played ´Kiss´ | |
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Well, you are entitled to your opinion. | |
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I agree that Prince hasn't recently been writing songs that are instantly memorable, totally universal and that can easily be sung by the drunken barfly on karaoke night.
But this is a very narrow definition of a timeless/classic song. It's more like the definition of mass appeal. If that's all we're talking about here, then I'm in complete agreement. But I don't see any difference in quality between "The Everlasting Now", "Family Name" and "I Could Never Take the Place of Your Man". The latter I would certainly have predicted more mainstream play for, but all are incredible regardless of such trivial statistics. "If I Was Your Girlfriend" to me is one of the greatest songs ever written, but it will never be a sing-along classic and it will never, ever appeal to a wide audience. -- And I've been singing "Black Sweat" in my mind all day. Could I do that after only one or two listens? Hell no. But then I couldn't sing "Kiss" after just one or two listens either. How long a song takes to blossom in the mind has nothing whatsoever to do with its intrinsic quality. And dance music that you can sing along to almost immediately is usually worn out after 10 listens and you want to kill yourself when it gets stuck in your head. "Black Sweat" on the other hand is welcome to take up permanent residency. | |
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Brendan said: I agree that Prince hasn't recently been writing songs that are instantly memorable, totally universal and that can easily be sung by the drunken barfly on karaoke night.
But this is a very narrow definition of a timeless/classic song. It's more like the definition of mass appeal. If that's all we're talking about here, then I'm in complete agreement. But I don't see any difference in quality between "The Everlasting Now", "Family Name" and "I Could Never Take the Place of Your Man". The latter I would certainly have predicted more mainstream play for, but all are incredible regardless of such trivial statistics. "If I Was Your Girlfriend" to me is one of the greatest songs ever written, but it will never be a sing-along classic and it will never, ever appeal to a wide audience. -- And I've been singing "Black Sweat" in my mind all day. Could I do that after only one or two listens? Hell no. But then I couldn't sing "Kiss" after just one or two listens either. How long a song takes to blossom in the mind has nothing whatsoever to do with its intrinsic quality. And dance music that you can sing along to almost immediately is usually worn out after 10 listens and you want to kill yourself when it gets stuck in your head. "Black Sweat" on the other hand is welcome to take up permanent residency. The point of the drunken barfly is that some songs are great even when they're butchered by terrible singers. More importantly, some songs appeal more universally to people than others. Everlasting Now could only be done by Prince,and even his version won't appeal to everybody. Prince has straddled that fence for as while--Until U're in My Arms sounds very universal. Annie Christian is not. But I think that Prince's pop songs used to be better. His arrangements have gotten better for all of his music, but his pop songs have lost a bit of poetry & beautiful simple perfection. Check this song out at:
http://www.soundclick.com...tmusic.htm | |
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andyman91 said: Brendan said: I agree that Prince hasn't recently been writing songs that are instantly memorable, totally universal and that can easily be sung by the drunken barfly on karaoke night.
But this is a very narrow definition of a timeless/classic song. It's more like the definition of mass appeal. If that's all we're talking about here, then I'm in complete agreement. But I don't see any difference in quality between "The Everlasting Now", "Family Name" and "I Could Never Take the Place of Your Man". The latter I would certainly have predicted more mainstream play for, but all are incredible regardless of such trivial statistics. "If I Was Your Girlfriend" to me is one of the greatest songs ever written, but it will never be a sing-along classic and it will never, ever appeal to a wide audience. -- And I've been singing "Black Sweat" in my mind all day. Could I do that after only one or two listens? Hell no. But then I couldn't sing "Kiss" after just one or two listens either. How long a song takes to blossom in the mind has nothing whatsoever to do with its intrinsic quality. And dance music that you can sing along to almost immediately is usually worn out after 10 listens and you want to kill yourself when it gets stuck in your head. "Black Sweat" on the other hand is welcome to take up permanent residency. The point of the drunken barfly is that some songs are great even when they're butchered by terrible singers. More importantly, some songs appeal more universally to people than others. Everlasting Now could only be done by Prince,and even his version won't appeal to everybody. Prince has straddled that fence for as while--Until U're in My Arms sounds very universal. Annie Christian is not. But I think that Prince's pop songs used to be better. His arrangements have gotten better for all of his music, but his pop songs have lost a bit of poetry & beautiful simple perfection. I was only addressing the issue of such songs being given a higher value judgement. You're absolutely right, Prince hasn't written for quite sometime something as brilliantly infectious and simplistic as "Little Red Corvette" or "Raspberry Beret"; songs that also happen to stand up quite nicely to repeated listens. But it is just these type of songs that lose him credibility with the type of music snobs that reject pop songs and anything that's easy. And it's stuff like "If I was Your Girlfriend", "Family Name" and "Fury" that lose with those music snobs that never step outside easily accessible music. Greatness is greatness and the more narrow someone's tastes are, the less of it they will find. | |
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Usually sing along songs SUCKS big time. | |
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I agree with Brendan as far as how a greatsong is defined. Rarely (though there are cases) is a song so unrelatable that I can't enjoy it. More often, I like the personal nature of a lot of Prince songs. It gives you a window into his world and what makes him tick. For intance, I can't relate to what he sings in a song such as "Don't Play Me" but I love the passion of his delivery and the overall message.
Also, although some songs are personal to Prince, because they are written with a double meaning, they still have a universal sentiment. "Count the Days" and "Dinner with Delores" are good exmples of this. [Edited 2/10/06 22:37pm] | |
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Brendan said: You're absolutely right, Prince hasn't written for quite sometime something as brilliantly infectious and simplistic as "Little Red Corvette" or "Raspberry Beret"; songs that also happen to stand up quite nicely to repeated listens. But it is just these type of songs that lose him credibility with the type of music snobs that reject pop songs and anything that's easy. And it's stuff like "If I was Your Girlfriend", "Family Name" and "Fury" that lose with those music snobs that never step outside easily accessible music. Greatness is greatness and the more narrow someone's tastes are, the less of it they will find. - I agree with you. Don´t get me wrong. I wouldn´t like Prince to go poppish and start doing Britney kind of songs. He wrote lots of not-accessible songs in the past (like If I was your girlfriend - one of my Top5 Prince songs - Annie Christian and Something in the Water, Joy in repetition, to name a few) and it gave him lots of credibility and that´s one of the reasons he is called ´genius´, but he used to write very catchy AND timeless songs also. Today it seems most of his music is in the ´middle´...he tries to do it accessible, but it´s not. Even his ´pop´ albums like ´Musicology´ aren´t so accessible. Better proof is that the song ´Musicology´ didnt get close to become a hit, even after all promotion. It happened even on his instrumental stuff. If you listen to jazz songs like ´Cantaloupe Island´, ´So What´, ´Autumn Leaves´, ´Well you needn´t´, ´Satin Doll´ etc, they have a strong theme. ´NEWS´ is only a jam session, without a great melody to guide the songs. Is it a great jam? Yes. But only appeals to him and his fans. About the ´drunken guy at the bar´ thing, I understand the point. Like a friend of mine said, ´Kiss´ is so cool that it seems that nobody can kill it. I heard several versions, and they all sound good or great, because the music is strong. | |
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I dont think all of this you all are talking is the music´s fault. It´s just that people tend to like a song if it relates to something they already like. You can put a radical headbanger to listen to sometimes it snows in april and he wont like the song, because these guys are looking to double kick, power chords and swept arpeggios. So the fact is that altought Prince´s music got lots of obvious influences like james bown, and sly stone, his musical personality is too big, Prince is absolutely very far from conventional, even when he does POPPY songs, so most of people i know percieve his music as strange, and being strange they are being not easy to listen too, because most people are jsut full of musical preconception to listen to Prince, and the fact that this albums are very diverse only agravates this fact, and very feel people can have an open mind to, if not love it all, at least give it a chance. There is no ridiculous keyboard lines on cinammon girl as lots of rock fans think, ridiculous is the mind of people who dont listen to a song because it aint got the typical arrangments that the style require.
I think The Rainbow Children is in the TOP 3 of best Prince albums ever. And besides when doves cry, and darling nikki, The gold experience is stronger than Purple Rain. I even prefer Furry than Let´s Go crazy and bambi. And I really think people overrate the 80´s very much. So i dont see anything wrong with Princes melodies nowadays, the only thign wrong with the ear of the people. You can call me asskisser, but i am telling what i feel. By the way, Play in the sunshine, It, DMSR, and lots of 80´s Prince songs, are mediocre IMO. Sorry if this is sounding confusing or agressive, i woke up a while ago. And i am kinda lazy now | |
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7salles said: I dont think all of this you all are talking is the music´s fault. It´s just that people tend to like a song if it relates to something they already like. You can put a radical headbanger to listen to sometimes it snows in april and he wont like the song, because these guys are looking to double kick, power chords and swept arpeggios. So the fact is that altought Prince´s music got lots of obvious influences like james bown, and sly stone, his musical personality is too big, Prince is absolutely very far from conventional, even when he does POPPY songs, so most of people i know percieve his music as strange, and being strange they are being not easy to listen too, because most people are jsut full of musical preconception to listen to Prince, and the fact that this albums are very diverse only agravates this fact, and very feel people can have an open mind to, if not love it all, at least give it a chance. There is no ridiculous keyboard lines on cinammon girl as lots of rock fans think, ridiculous is the mind of people who dont listen to a song because it aint got the typical arrangments that the style require.
I think The Rainbow Children is in the TOP 3 of best Prince albums ever. And besides when doves cry, and darling nikki, The gold experience is stronger than Purple Rain. I even prefer Furry than Let´s Go crazy and bambi. And I really think people overrate the 80´s very much. So i dont see anything wrong with Princes melodies nowadays, the only thign wrong with the ear of the people. You can call me asskisser, but i am telling what i feel. By the way, Play in the sunshine, It, DMSR, and lots of 80´s Prince songs, are mediocre IMO. Sorry if this is sounding confusing or agressive, i woke up a while ago. And i am kinda lazy now You know what?? As ranting anf rambling as that post was. I agree with a lot of what you jsut said. "New Power slide...." | |
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7salles said: here is no ridiculous keyboard lines on cinammon girl as lots of rock fans think, ridiculous is the mind of people who dont listen to a song because it aint got the typical arrangments that the style require.
- Maybe you are right...but I would prefer Cinnamon Girl raw and intense, since it´s intended to be a rock song. The production sounds very 80s and sugary for a protest song on this one. I even prefer Furry than Let´s Go crazy and bambi. And I really think people overrate the 80´s very much. So i dont see anything wrong with Princes melodies nowadays, the only thign wrong with the ear of the people. You can call me asskisser, but i am telling what i feel. By the way, Play in the sunshine, It, DMSR, and lots of 80´s Prince songs, are mediocre IMO. - I would never call you asskisser...I like most Prince songs too. And he made mediocre songs in the 80s also. But the subject of this entire thread is that he used to make very strong, timeless songs that could appeal to other people also. DMSR is the same kind of ´Everlasting Now´...a cool song, but can be only played by him. Miles Davis said that Prince could be the Duke Ellington of his time, if he wanted to. And Duke left a huge body of quality songs that still are played by and touch lots of people. I just hope Prince leaves this quality body of work that inspires generations when he dies, and I hope people keep on doing great covers also [Edited 2/11/06 10:45am] | |
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why do you need other people to like/love Prince? Isn't it enough to you that you enjoy his music..? Why do you need the validation of others? Prince has enough money, fame...he's proven he can write music, dance, play, have a sense of music, act...
again, why do you need other peoples opinions to validate your own..? Some people like Pate d'foi gras, others don't. Some people sleep on their backs others on their sides. Is either position less valid? I love Kevin Smith movies. I don't care if other people do. do I care if they do? Only from the standpoint that he needs to have some degree of commercial success in order to make the next movie. I don't even think Prince has to be a commercial success anymore. He's broken ground on music distribution...he doesn't need the major labels anymore. Prince's legacy will happen after he's going to the Purple Dawn. Let's hope that's not for a long long time | |
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PurpleRein, I have mixed feelings about it...
I know that Prince is a musical genius, great songwriter and one of the greatest musicians of last century. I know also that lots of great artists admire him and love him. In this case, I dont need ´validation´ from other people, On the other hand, it makes me a little frustrated as a fan that Prince isn´t as respected as he should and his music doesn´t reach many people. It´s a matter of justice. Many think that Prince is just a has-been-80s-entertainer-who-used-funny-clothes, and I dont think it´s fair. Paula Abdul and Britney are entertainers...Prince is much more than that...you see Stevie Wonder, Hendrix, Beatles, etc getting praised all the time, but not Prince. So, I get happy when I see non-fans praising him, like Springsteen´s fans praising his SNL performance. Let more kick ass performances and music come, and less pop star shit | |
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GustavoRibas said: Hi folks
Most of us here are Prince fans, and we own most Prince albums, including bootlegs, outtakes, etc. So, we know what Prince is capable of. We know how great he is as a musician, songwriter, producer, multi-instrumentalist, etc. But, at least here in my town, many people don´t even see him as a genius, legend, whatever. It´s pop star only for them. They talk about the genius of Paul Mc Cartney, Hendrix, Wonder, etc, but when I mention Prince, they open a smile like "hehe, Prince, the pop star? How can you put him in the same sentence of (fill the name of a great 60s/70s artist)". And Prince is guilty of it also. He invested so much in his own persona in the past that it made people not take him seriously as a musician/songwriter. Many people (non fans) still think it´s strange when Prince appears on the cover of Bass Player or Guitar World. It´s ironic because some of their heroes are Prince fans (Steve Vai, Marcus Miller, Wonder, Miles Davis, etc). When I think of his great recent performances (ONA tour, Rock and Roll Hall of Fame, SNL 2006, NACCP) I am happy because he is less entertainer and more musician. He is showing the world, not only his fans, that he is great. I think it´s time for Prince to get rid of the ´pop star shit´ and concentrate more on doing great music, more than ever before. Work on strong compositions, without too many gimmicks or overprodution. It seems that he will do an MTV Unplugged in a near future. If he does great arrangements, no dancing, no medleys, it will be a perfect opportunity to show the world how great his songs (yes, the hits this time would be cool) are. I started this thread because I am really tired of seeing him taken for granted while other 60s/70s cats are heavily praised. What about you? not at all. i have a life besides prince and whatever people can think of him [Edited 2/11/06 13:02pm] One minute you're bleeding. The next minute you're hemorrhaging. The next minute you're painting the Mona Lisa | |
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Unfortunately, lots of his 80s stuff sound ´dated´ because of the synths and electronic drums. The Beatles and Hendrix are dated, but in a ´cool´ way. [Edited 2/9/06 17:08pm]
[/quote] Most of the Beatles and Hendrix stuff is remastered.....WB are u listening?? 'Love will be your Soldier' - Nikka Costa
http://ddirtyshow.podomatic.com/ hiphopwithaqueerview if you in the ATL memorial day weekend and you are a Alt-Queer...cum here: www.mondohomo.com | |
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One of the joys of being a Prince fan is that u just can't predict what he's gonna do. for example, if U2 is gonna perform on SNL, everyone pretty much knows what its gonna be- a U2 rock song. But Prince, u just never know. Most of us thought he was gonna funk it up with Black Sweat, but were we in for a surprise! Who other than Prince can release a dance track, then rock out on national TV in the same week?
btw, I'm surprised that Prince has such poor reception in your hometown (Rio De Janeiro?). I have quite a few brazilian friends here in Canada and they all seem to have a very diverse musical taste... and one of them is a Prince Fan (he's from Sao Luis). oh, and have a nice carnaval! [Edited 2/11/06 13:49pm] Good morning Ladies & Gentlemen,
Boys & Motherfuckin' girls | |
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mrmarcus said: One of the joys of being a Prince fan is that u just can't predict what he's gonna do. for example, if U2 is gonna perform on SNL, everyone pretty much knows what its gonna be- a U2 rock song. But Prince, u just never know. Most of us thought he was gonna funk it up with Black Sweat, but were we in for a surprise! Who other than Prince can release a dance track, then rock out on national TV in the same week?
btw, I'm surprised that Prince has such poor reception in your hometown (Rio De Janeiro?). I have quite a few brazilian friends here in Canada and they all seem to have a very diverse musical taste... and one of them is a Prince Fan (he's from Sao Luis). oh, and have a nice carnaval! - Hi! Thanks, you too I agree with you about the unpredictable thing. SNL was a great surprise for fans and non-fans. "Black Sweat" didn´t do much for me...´Fury´ was refreshing! Yes, he has a poor reception here...brazilians usually despise androgyny (even our androgynous local artists aren´t well received), but Prince´s body of work was so hot in the 80s that people here HAD to dig him But then, he left people waiting almost two hours to see his concert on Rock in Rio II (after 4 or 5 shows) and it made lots of people see him as an ´egocentrical superstar´. Things like the name change didn´t help either. ´The most beautiful girl´ wasn´t a hit here also (it played less than 10 times on radio and vanished). I know some brazilian fans, but here it´s easier to find somebody into Ben Harper... | |
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the majority of his love comes from other musicians it seems. and realistically that is the truest determinant | |
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origmnd said: the majority of his love comes from other musicians it seems. and realistically that is the truest determinant
- Yeah...lately it´s been easier to get appreciation from my musician friends...when I show them stuff like this SNL performance, or the RRHOF, or ONA DVD... I think it´s real cool that a (considered by many a)´pop star´ like Prince is respected by such great musicians as Steve Vai, Herbie Hancock, Miles Davis, Billy Cobbham, Robert Plant (who called him ´genius), Stevie Wonder, Me´shell, Red Hot Chilli Peppers, Eric Clapton, Maceo Parker, etc. [Edited 2/11/06 14:39pm] | |
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I agree totally with everyone's valid points,this has been such an interesting thread to read. However,I think the thing to remember is that Prince will always do whatever he wants to do regarding his music, style, even the way he promotes (or doesn't!)his material. He is a true individual in every sense of the word. The only time he seems to have tried to fit in was in the '90's with his gangsta glam phase. One thing nobody can deny-and a testament to his genius,is the fact that he has recorded music from just about every genre,how many so called legends have done that? Yes, I too get intensely annoyed when Prince's talents and contribution to the industry are overlooked, but I take solace in the fact that his influence is blatant in many of todays acts and he is often referenced by them both in interviews and in songs.His legacy seems to be just beginning to shine through. But I do agree that he sadly probably won't be appreciated until he's gone.
Incidentally, I mentioned Prince to someone the other day and she said "what, Prince from the '80's? Is he still alive?" Time is a trick.... | |
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7salles said: Usually sing along songs SUCKS big time.
But it's what seperates a Steve Vai from a Prince. They both create multilayered, complex, brilliantly arranged & performed music. But Prince has written lots of classic tunes & Steve Vai hasnt. We're talking about legacy. I don't deny Prince's music, but his legacy as a songwriter would be helped by some more inspired new melodies. Check this song out at:
http://www.soundclick.com...tmusic.htm | |
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we are not talking about great melodies, we are talking about easy melodies.
For example,i think the melody in the last december is better than the respberry beret one. But i agree that the respberry beret´s melody is more catchy. We got to separate an easy sign a long melody to a pretty melody. I know this is subjetive, but if it was like you say, then i could say that the jingle bell melody is better than stairway to heaven one. Its not prettier, its just more catchy. | |
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