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The Vault CD HI,
I was wondering, who actually compiled the tracklisting for 'The vault : old friends 4 sale'? Was prince approached to provide x amount of songs or did WB take up residence in Paisley park and sift through hours and hours of vault material? or was some over way? Any help would be appreciated. You'll never know a girl called Nikki and you'll never find Erotic City | |
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My educated guess is that the dudes at WB selected the tracks and Prince had little or no involvement. I mean, look at the artwork. Can't you see the revenge in that shit? | |
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mrdespues said: My educated guess is that the dudes at WB selected the tracks and Prince had little or no involvement. I mean, look at the artwork. Can't you see the revenge in that shit?
Yes, but how did they go about selecting the tracks though? I mean, the vast amounts of material reportedly lying within the paisley park vault would suggest the track list wasnt compiled by somebody (an outsider) sifting through the archives. I mean, if you were given he keys to the vault and asked to select 10 tracks for a new prince compolation, where would you start? To fans, this task may not seem so hard (with bootleg knowledge etc..), It probably wouldn't seem like work for that matter! but for a WB representative, who may have little knowledge of Prince's great unreleased work and perhaps does not even like his work to sift through thousands of hours of everything that prince has recorded, that would be a different matter. I'm thinking maybe that certain songs had been possible inclusions on old album tracklists, scrapped albums etc... You'll never know a girl called Nikki and you'll never find Erotic City | |
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PRNelson said: mrdespues said: My educated guess is that the dudes at WB selected the tracks and Prince had little or no involvement. I mean, look at the artwork. Can't you see the revenge in that shit?
Yes, but how did they go about selecting the tracks though? I mean, the vast amounts of material reportedly lying within the paisley park vault would suggest the track list wasnt compiled by somebody (an outsider) sifting through the archives. I mean, if you were given he keys to the vault and asked to select 10 tracks for a new prince compolation, where would you start? To fans, this task may not seem so hard (with bootleg knowledge etc..), It probably wouldn't seem like work for that matter! but for a WB representative, who may have little knowledge of Prince's great unreleased work and perhaps does not even like his work to sift through thousands of hours of everything that prince has recorded, that would be a different matter. I'm thinking maybe that certain songs had been possible inclusions on old album tracklists, scrapped albums etc... Simple. Calling it "the vault" is just something to suck in the average fan. It's a rip-off. This material isn't from Prince's "vault" at all. Believe that. It's just shit which didn't get released from the "Do Anything" film soundtrack, and a few other tidbits. | |
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I heard Prince gave WB both Chaos & Disorder and The Vault at the same time. That suggests that that P himself chose the tracklisting. | |
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mrdespues said: PRNelson said: Yes, but how did they go about selecting the tracks though? I mean, the vast amounts of material reportedly lying within the paisley park vault would suggest the track list wasnt compiled by somebody (an outsider) sifting through the archives. I mean, if you were given he keys to the vault and asked to select 10 tracks for a new prince compolation, where would you start? To fans, this task may not seem so hard (with bootleg knowledge etc..), It probably wouldn't seem like work for that matter! but for a WB representative, who may have little knowledge of Prince's great unreleased work and perhaps does not even like his work to sift through thousands of hours of everything that prince has recorded, that would be a different matter. I'm thinking maybe that certain songs had been possible inclusions on old album tracklists, scrapped albums etc... Simple. Calling it "the vault" is just something to suck in the average fan. It's a rip-off. This material isn't from Prince's "vault" at all. Believe that. It's just shit which didn't get released from the "Do Anything" film soundtrack, and a few other tidbits. ...which were in the vault until he chose to release them to fufull the contract. It's not the top-drawer vault material but it is music from the Vault. "When the Lights Go Down" is essential Prince. | |
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Prince chose the tracks for both C&D and the vault.
Certainly in the case of C&D, and despite the artwork suggesting otherwise, he chose recently and especially recorded tracks for the project. I still think he wanted this project to work/sell. The fact he was prepared to film a video suggests this. As for the vault, I think he'd moved on and this was a filler album albeit containing several strong tracks IMO. | |
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The book "Possessed," which I know a lot of you are not a fan of and I don't consider it to be the gospel, says that Prince did deliver both CHAOS and VAULT together. The book also makes it seem as though Prince half-assed both discs (and here's where we could argue all day, so let's not...).
What I AM inclined to believe, though, is that Prince was already beginning work on new stuff that would become THE GOLD EXPERIENCE and other work, and that his best efforts were placed in that direction. If this is the case, it's understood that he'd want that to be the better material. Still, we know our P. He'd never put anything in the public eye and think, "I don't give a damn one bit about this." That's just not him. Keith/Kacey | |
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This has always puzzled me and has never been satisfactorily explained. Warner's had rights to officially released songs while Prince was under contract, but I don't see how they could keep unreleased songs - that would suggest they own most of what is in the fabled vault since most of it was recorded while under contract.
So when the Vault album came out, how could they have got these songs? Prince must surely have given them to Warners to fulfill his contract. He had a certain number of albums to complete, and though they let him go off and record Emancipation, he was still under contract technically until the eve of 2000. It seems to me they let him off his contract early so long as he gave them enough tracks to make up an album to be released in the future to complete his contract. Then Warner's independently put the whole 'Vault' spin on it to get fan interested, at that point Prince had no obligation to help them but no control over it also. So were the songs from the vault? Well, technically yes. Pre-recorded tracks that Prince had initially shelved. And he must arbitarily chosen the track-list in that he decided which songs he was gonna let Warner's have out of the vault. That's what I think anyway. Also I think it is an under-rated and over-looked album, quite consistent in style and with some cool tracks on, shame it's so short. [This message was edited Fri Jul 2 9:41:31 2004 by metalorange] | |
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metalorange said: This has always puzzled me and has never been satisfactorily explained. Warner's had rights to officially released songs while Prince was under contract, but I don't see how they could keep unreleased songs - that would suggest they own most of what is in the fabled vault since most of it was recorded while under contract.
So when the Vault album came out, how could they have got these songs? Prince must surely have given them to Warners to fulfill his contract. He had a certain number of albums to complete, and though they let him go off and record Emancipation, he was still under contract technically until the eve of 2000. It seems to me they let him off his contract early so long as he gave them enough tracks to make up an album to be released in the future to complete his contract. Then Warner's independently put the whole 'Vault' spin on it to get fan interested, at that point Prince had no obligation to help them but no control over it also. So were the songs from the vault? Well, technically yes. Pre-recorded tracks that Prince had initially shelved. And he must arbitarily chosen the track-list in that he decided which songs he was gonna let Warner's have out of the vault. That's what I think anyway. Also I think it is an under-rated and over-looked album, quite consistent in style and with some cool tracks on, shame it's so short. [This message was edited Fri Jul 2 9:41:31 2004 by metalorange] Yep, its a puzzler, I'm with you though. I think Prince was responsible for selecting the tracks. You'll never know a girl called Nikki and you'll never find Erotic City | |
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I've always imagined Chaos And Disorder and The Vault - Old Friends 4 sale, as two halves of one double album. They are such polar opposites of each other with each one composed of elements totally absent from the other. They are another Black Album vs. Lovesexy combo to be heard together, but obviously of lesser quality than the aforementioned. | |
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sextonseven said: I've always imagined Chaos And Disorder and The Vault - Old Friends 4 sale, as two halves of one double album. They are such polar opposites of each other with each one composed of elements totally absent from the other. They are another Black Album vs. Lovesexy combo to be heard together, but obviously of lesser quality than the aforementioned.
I've never thought of it this way. That's a really interesting idea. Of course, there's also the difference that the Black/Lovesexy music was all recorded around the same time, representing two sides of his experience at the same point in his life. But still, the idea that you have two contractual-obligation albums that came out around the same time, and are, as you eloquently put it, "each composed of elements totally absent from the other." I'm going to play them back to back tonight and see what it's like. The Normal Whores Club | |
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mrdespues said: My educated guess is that the dudes at WB selected the tracks and Prince had little or no involvement. I mean, look at the artwork. Can't you see the revenge in that shit?
You are cracking me the fuck up today. The Normal Whores Club | |
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sextonseven said: I've always imagined Chaos And Disorder and The Vault - Old Friends 4 sale, as two halves of one double album. They are such polar opposites of each other with each one composed of elements totally absent from the other. They are another Black Album vs. Lovesexy combo to be heard together, but obviously of lesser quality than the aforementioned.
I personally feel that C&D and The Vault would blow the aforementioned away! People seem to have this negative sentiment toward The Vault, but it's one of my favorites. Maybe people get caught up in the idea that it was filler, but it's a very strong and consistent album with maybe one exception in "My Little Pill". | |
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But if you look at THE VAULT, you see that the credits, etc., seem to have been compiled by Prince, saying that the recordings were originally intended for personal use. I say he must have suggested the title and artwork himself, same as he did for CHAOS AND DISORDER, which was delivered at the same time. In other words, Prince didn't just deliver a group of songs for WB to do with as they pleased. The songs were sequenced by Prince, and I would bet he also provided the art, or at least approved it. | |
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xpertluva said: I personally feel that C&D and The Vault would blow the aforementioned away! People seem to have this negative sentiment toward The Vault, but it's one of my favorites. Maybe people get caught up in the idea that it was filler, but it's a very strong and consistent album with maybe one exception in "My Little Pill". Thank you. I was begining to wonder if I was the only one in the world who actually liked the Vault. I know its weird, and to some people a little sacreligious but there are some really good tracks on this one. I can even appreciate "My Little Pill" If you will, so will I | |
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WB don't own any Vault (unreleased) material, they didn't compile The Vault from unreleased material in 1999 - Both C&D and The Vault... Old Friends 4 Sale, were compiled by Prince, complete with artwork, and handed over to WB at the same time in 1996.
Prince promoted C&D since he was still with them at the time of release, he didn't promote The Vault because he'd left them by then. The deal was that C&D was released, The Vault to be released in the future, and a best of as well. WB held off to 1999 for The Vault, and in 2001 they released The Very Best Of - thus ending the agreement. Again (because it keeps coming up), Prince delivered both C&D & The Vault, as is, with artwork and everything. | |
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I just bought The Vault about a month ago..& Im surprised at how much I LOVE IT!!! When I first heard "5 women" i thought of BB King..soooo good, One of my favorites. "She spoke to me"...Its about that walk...Its all good. | |
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lovemachine said: mrdespues said: Simple. Calling it "the vault" is just something to suck in the average fan. It's a rip-off. This material isn't from Prince's "vault" at all. Believe that. It's just shit which didn't get released from the "Do Anything" film soundtrack, and a few other tidbits. ...which were in the vault until he chose to release them to fufull the contract. It's not the top-drawer vault material but it is music from the Vault. "When the Lights Go Down" is essential Prince. i was using the term "shit" colloquially. i love the album. | |
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lovemachine said: mrdespues said: Simple. Calling it "the vault" is just something to suck in the average fan. It's a rip-off. This material isn't from Prince's "vault" at all. Believe that. It's just shit which didn't get released from the "Do Anything" film soundtrack, and a few other tidbits. ...which were in the vault until he chose to release them to fufull the contract. It's not the top-drawer vault material but it is music from the Vault. "When the Lights Go Down" is essential Prince. yeah i'm so glad he gave us that one. As a matter of fact I'm grateful for the whole Old Friends For Sale album. | |
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This has always puzzled me and has never been satisfactorily explained. Warner's had rights to officially released songs while Prince was under contract, but I don't see how they could keep unreleased songs - that would suggest they own most of what is in the fabled vault since most of it was recorded while under contract.
So when the Vault album came out, how could they have got these songs? You would be correct if P were a normal artist. Normally the record company pays for the studio time, so anything produced during that session would belong to them. However, PRince records in his own privately owned studio (and before that, in his house and other places), and funded the recording himself (at least after 88 or so). So, since Warners we never involved, they don't own the tapes. To release the album, P had to deliver tapes to WB, at that moment WB owned them. Tapes he never turned over are still his to keep. He turned over tapes for the "Say Anything" soundtrack project, so WB had those in their possession to choose from (and those track make up a great deal of the "Vault" album). The rest of the songs on The Vault were either turned over at some time in the past, or especially for inclusion on the Valut album. | |
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Victor333 said: This has always puzzled me and has never been satisfactorily explained. Warner's had rights to officially released songs while Prince was under contract, but I don't see how they could keep unreleased songs - that would suggest they own most of what is in the fabled vault since most of it was recorded while under contract.
So when the Vault album came out, how could they have got these songs? You would be correct if P were a normal artist. Normally the record company pays for the studio time, so anything produced during that session would belong to them. However, PRince records in his own privately owned studio (and before that, in his house and other places), and funded the recording himself (at least after 88 or so). So, since Warners we never involved, they don't own the tapes. To release the album, P had to deliver tapes to WB, at that moment WB owned them. Tapes he never turned over are still his to keep. He turned over tapes for the "Say Anything" soundtrack project, so WB had those in their possession to choose from (and those track make up a great deal of the "Vault" album). The rest of the songs on The Vault were either turned over at some time in the past, or especially for inclusion on the Valut album. Totally incorrect. Don't any of you read the UPTOWN books? Days of Wild and such? Prince put these two compilations together with his own team - sequenced two-track Masters. All the artwork was done by Parke, who worked for Prince not WB. The tracks were pulled from old tapes at Prince's Paisley Park vault and a few tracks were even overdubbed in April 1996 during the last sessions featuring the Gold era NPG. These compliations were 'sacrificed' by Prince to satisfy the contractual obligations he had to fulfill to Warner Bros Records. His publishing contract which Warner Bros administrated under Controversy Music was still in effect until 1999. | |
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Thanks for that Jestyr
Even though I already stated that Prince had complete control over the tracklist, and artwork, and that WB do not own any Vault material - this joker, Victor333 comes in blowing smoke out of his ass about WB owning the material recorded for the "Say Anything" soundtrack (It's 'I'll Do Anything' for the record). See, this is how rumours grow legs, someone says something off the top of their heads, and people take it as fact. | |
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