Now that sounds great, especially the 2nd Show. | |
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SchlomoThaHomo said:So Mark and Fink didn't make the cut? ***********No Mark and Fink. TRUE BLUE | |
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Any Minneapolian celebies in the crowd, together with Bobby Z? I've read about Dre Cymone, Mr. Hayes and St. Paul Peterson being at another show. ************* I saw Larry Graham and his wife at the 2nd, didn't see any other celebs for either shows. Glad he stayed in his seat! TRUE BLUE | |
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Thanks motherfunka
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prince rocked the house. he was on fire. people stayed for another hour chanting and begging for the encores he graciously gave us. much love to prince and third eye girls!!!!!!!! [Edited 5/26/13 2:27am] | |
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motherfunka said: I saw Larry Graham and his wife at the 2nd, didn't see any other celebs for either shows. Glad he stayed in his seat! Guess he was taking notes on lyrics/language to weigh another year of religious membership. | |
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Shango said:Thanks motherfunka ******** Getting close to the 100 count of Prince shows I've seen. Glad to see him finally changing the set list up. Prince rocked. The band isn't as tight as the 1993-1995 NPG incarnation, but they were good. A little annoyed by the 1st shows "DJ" set. You could tell Hannah wasn't drumming, just tapping on the cymbals. Real music, by real musicians??? Other than that, no complaints. Not sure if the shows were sold out, but they were both packed. The crowd seemed to be more into it for the 2nd show. TRUE BLUE | |
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So how come the review is so negative? Sounds like the reviewer and you went to two different shows.
" I´d rather be a stank ass hoe because I´m not stupid. Oh my goodness! I got more drugs! I´m always funny dude...I´m hilarious! Are we gonna smoke?" | |
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Wow. That review. Talk abiut dissing. You would think his hometown would be more welcoming, thats messed up. | |
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[Edited 5/26/13 4:54am] | |
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jazz fusion-style instrumental version of "Even Fro"? yikes!! he should have just played "Creep" | |
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Prince is in a Purple haze in his heavy-rock gigs at the MythPosted by: Jon Bream under Music, Minnesota musicians Updated: May 26, 2013 - 6:36 AM . http://www.startribune.co...86301.html . .
Prince had to resort to an unprecedented Purple Light special — $259 tickets cut to $149 and $99 for the final three days — to fill the 3,200-capacity Myth nightclub in Maplewood for two gigs Saturday night. But he didn’t give discount performances. In fact, the Rock and Roll Hall of Famer delivered two of his most rocking shows ever in his hometown. . If clubgoers expected an evening of funk and pop hits from the architect of the Minneapolis Sound, this wasn’t their show. This was Prince, who turns 55 next week, in a Purple haze, playing heavy rock, sort of a reimagination of his youth listening to KQRS, with shades of Jimi Hendrix, Buddy Miles and even the James Gang — and a Pearl Jam cover (an instrumental “Even Flow”) for good measure. This was Prince playing with a brand new band he debuted in January at the Dakota in Minneapolis, the female trio 3rdEyeGirl, sounding fresh and hungry with players probably young enough to be his daughters. . Although both of Saturday’s concerts started with the same ferocious triple play of an aggressive, metallic “Let’s Go Crazy,” the Stones-ian “Endorphinemachine” and the recent rockin’ single “Screwdriver” (which sounds like the best Aerosmith song in years), the two gigs couldn’t have been more different. . The opening 95-minute program resembled many of the shows on Prince’s current 10-city tour of clubs and small theaters; it featured a crowd-thrilling medley of hits including “When Doves Cry,” “A Love Bizarre” (with a disco-y bass line) and “Housequake.” The closing, free-wheeling 105-minute set eschewed the hits medley and instead explored some more obscure oldies, including “Free” (from 1982), “So Far So Pleased” (1999) and “Laydown”(2010). . Both sets featured “Purple Rain” with guest drummer Bobby Z, who, of course, played on the original version but hadn’t played it in concert with Prince since probably 1987. At the Myth, the song became a spiritual moment, not only because of Prince’s churchy piano playing but also because of his genuinely emotional preaching, talking in the first set how Z was there for Prince’s first TV appearance and first award and, in the second set, how Z has been a steady source of encouragement. . But Prince & the Revolution was then, 3rdEyeGirl is now. Drummer Hannah Ford Welton is an energetic powerhouse, bassist Ida Nielsen plays it thick and sturdy, and guitarist Donna Grantis is an accomplished shredder, well versed in metal vocabulary. And Prince was a monster on guitar, showing more range and depth, though less soulfulness and subtlety. He also sat at the piano, doing everything from a New Orleans R&B groove to grand melodic passage that stopped just short of classical territory. . If fans needed another indication that this is a Prince of a different color, he wore one outfit all night. Remember when he used to change clothes between songs? He didn’t even change between concerts on Saturday. He stayed with the same black top, pants and leather jacket, with fringed sleeves and rhinestones, and his recent hairdo, that Jackson 5-like Afro. . Prince never mentioned Maplewood once but he did call the crowd “Minneapolis,” “Minneapolis/St. Paul” and mostly just “hometown.” He seemed happy and free — and more talkative than he was at the Dakota, where he played six gigs over three nights in January. In fact, his eight advertised shows (as opposed to those spontaneous late-night performances at Paisley Park in Chanhassen) may represent the most he’s ever played in his hometown in a single year. . Saturday’s late gig also stood out for having probably the youngest crowd at a Twin Cities Prince concert in the past 20 years. Never has there been so many people who appeared to be under the age of 40. Maybe they know he’s onto something with the youngish 3rdEyeGirl. . What did the fans think? . “He played brilliantly but I hated the ending,” said Jonora Jones, 38, of Charlotte, N.C., referring to Prince whispering to his bandmates who announced “Prince lost his voice” so they played an instrumental. “He’s better than that.” . Kent Peckel, 45, and his wife Katie, 37, of St. Paul, spent more than $1,000 to attend both sets. “The shows were pretty different,” he said. “The second was more compelling because they stretched out more and pulled out obscure stuff. He’s become a really generous performer, and he’s generous to the other band members. For years, they have been faceless.” . “The show at the Dakota was a show of a lifetime because I was in the front row,” said Kelly Coffey, 39, of Minneapolis. “He was entertaining tonight. He’s the best. It was worth $150.” | |
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[Edited 5/26/13 5:45am] | |
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Prince draws eclectic crowd to MinneapolisPosted: May 26, 2013 2:28 PM Updated: May 26, 2013 2:38 PM
. VIDEO report: http://www.myfoxtwincitie...start=true . . [Edited 5/26/13 5:59am] | |
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Ex-Moderator |
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Montreux, without an "a". | |
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an experience good or bad is something you have to be ready for... altough i wasn't at the concert (no cash or frequently flyer miles) i'm certain it was awesome (at least it would have been for me). my big question... when are the concerts going to be made available to those of us who can't make the journey far and wide? i'd pay at least $30 to see a prince concert online. | |
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Delayed check-in as I just got back 2 my motel after loads of wee hour fun at Paisley Park... But 1st, the Myth shows: WOW! That was the best night of Prince I've ever had, and here I thought nothing could top 3121 Vegas with those dope 3121 Jazz Cuisine aftershows. I love 3rd Eye Girl -- a simple foil 4 Prince 2 rock out. I've been waiting 30+ years 2 hear "Bambi" and "Free" live, and although Prince forgot most of the lyrics 2 "Free" (!!!), it was the only track that brought me 2 tears. And then there were all the other trax I had been waiting decades 2 hear: SAIMH, ICNTTPOYM, The Max, I Like It There, Endorphinmachine, So Far So Pleased. Hearing those long-awaited trax was totally worth my $578 last night! The only stuff that could've pushed the xperience in2 the stratosphere 4 me would've been LotusFlow3r and 20TEN material (other than "Laydown"), and "Fury", "Zannalee", "Peach", "Rock and Roll Is Alive", and "Rock and Roll Love Affair". Paisley Park -- I made the trek over there after Myth only 2 spot the purple-nosed dumpster-diving raccoon, but no purple Yoda was there. "purplelectricity whenever our bodies touch" | |
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Jon Bream stole my review. :lol: Okay, I was going to do this later but, as usual after a Prince show, I couldn't sleep in, so... Okay, a few incidentals first. All this stuff about attendance and whether The Myth is a large or small venue. Both shows were packed - period. I did enough back-and-forth to bar and rest room to know how tough it was getting around. And I question the capacity quote of 3000. This venue felt small - on the order of his Empire or Rio gigs. It may be because the balconies stack the crowd vertically, rather than the venue being deep. It was not cavernous, by any stretch of the imagination. Prince played relatively little guitar in the first show. Something was wrong and his tech was scrambling the whole time. At one point, the tech pulled a cable from the set-up and took it backstage - presumably to try to get a replacement. And after saying people who had tickets to both shows wouldn't have to leave the building between shows, they hustled us all out the back door because Prince wanted another sound check. We shivered on the back gangway for about a half hour while they worked out the problems. Having an open bar included in the ticket price is never a good idea. Drop the ticket price a little and let people buy their own hooch. You won't end up with so many sloppy drunks. Okay - first show. I won't give the set list again, since I already did that. These are just my impressions. Hannah came out and did a little curtain speech about making sure they didn't see any electronics. She said, "We want you to enjoy the show. If you're taking pictures, you'll miss it. We want to see you - not your cellphones." (At the second show, all three girls came out, but it was still Hannah who did the talking.) That girl has some amazing teeth. I hope her parents paid that orthodontist well. Jon Bream is right about no costume changes - and don't think I'm not a little pissed that he stole my thunder in describing Prince's sartorial efforts. Maybe I can add a little detail, though. For both shows, he wore a black matte jersey turtleneck tunic and flared pants, with bedazzled (clear and black crystals) bell sleeves. This was a good matte jersey, too - not shiny or spandex-y. Over that, he wore a black p/leather bolero-length vest with beaded-edge round studs front and back, and short fringe at the armholes. Sadly, the matte jersey flared navy in some light, so his blacks did not match at all times. He wore his little black suede kicks - no boots. And no earwraps with the fro. Between Endorphinmachine (complete with screams) and Screwdriver, he asked, "Can we lip sync for you a little?" When the crowd screamed, "Nnnooooo!" he said, "Why not? Everyone else gets to." At which point, a recorded version of Screwdriver came on. It was pretty comical. During She's Always in My Hair, he sang, "She's always in Prince's little curly hair." He asked us to clap during the song - and said that was his favorite sound in the world. He brought the song in for a very soft landing, before segueing into... The Love We Make. Oh, my. This is one of my favorite Prince songs of all time, and I've always dreamed of hearing it live. He did this one from the piano, with "moonbeam level" lights streaming across his face. I ain't gonna lie, I got a little teary-eyed during this one. At this point, I knew something was amiss, because he stayed at the piano for I Could Never Take the Place etc. It was done as a ballad - which he's done before - so it worked. But it was sort of weird. He came out front and picked up the guitar again for Plectrum Electrum, but it didn't last. He went back to the piano - which is when I knew for sure the guitar was fried. He didn't touch it again until the first encore. When in doubt - sampler set! Although, to be fair, it wasn't really a sampler. He played full versions of five of the seven songs. I had never heard When Doves Cry and Hot Thing live before, so I have no complaints. After that, he did his band intro and got a chant going, "Ain't no party like a purple party, cuz a purple party don't stop." Then a little bit of Mr. Goodnight...morphing into the intro of Purple Rain. And here comes Bobby Z in a suit and tie. Prince gave a very touching little speech during the song... The time I was on television, this brother was by my side. The first time anybody gave me an award, this brother was by my side. And he's still by my side. This brother is still by my side. This is a homecoming of sorts. And then it was on to the encores: Even Flow and Bambi in the first, Stratus on the second. He struggled with the guitar through the first encore (it was so low I could barely hear it - and I was in the VIP pit). He did Stratus from the piano - which was actually amazing. He did a long, jazzy, terrific piano solo. Loved that one. Then, a quick U Got the Look and show one was over. Oh, yeah - dancers during the sampler set. Bleh. More about that in the second show. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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Completely suprised when I heard him going into So Far So Pleased..of all the songs..I was stunned. I was only person around screaming loudly the lyrics with my cranberry vodka in my hand.
I was also taken back by hearing this loose rock style version of The Max. He invited people on stage for this cut and it was almost non-rehearsed like. Even Prince doing Tony M's part in the chorus awesome. It was anti-climatic and stunning in the same time..like he just said FUCK IT I'm doing The Max now! Straight Jacket Funk Affair
Album plays and love for vinyl records. | |
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Thank u Prince for the beautiful words, the beautiful music & the beautiful friendship. I am eternally grateful. Love, Z @3rdeyegirl #PRINCE | |
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I left the first show thinking, "What I gotta do to hear this man play a damn guitar, anyway?" After my opening night experience in Chicago last fall, I was starting to feel a little snake bit. I wasn't even going to be at the second show. I got a pit wristband for the first show and thought that would do me. But, well...I got caught up in the excitement of it all and bought a tier 3 (balcony) ticket for the second show. I figured if I bought the cheapest ticket for the late show, was nice to security and put myself in the right spot, I might be able to finagle a tier 1 wristband. I even boosted my karma by running to the bar to get bottles of water for two thirsty women who were right against the barricade behind me, but didn't want to lose their spots. And I tipped the bartenders even when I got water. :lol: The concert gods smiled on me! When they hustled us all out the back (for an impromptu between-shows sound check), they went through the line collecting tickets and taking off everyone's wristbands from the first show. They were using different colors, but were trying to minimize confusion (I guess). So the guy who scanned my ticket said, "You're tier 3, so you don't need a wristband." I figured that was that, and I'd be headed for the balcony. Then, a couple minutes later, some security guy (who hadn't gotten the memo, apparently) came through, saying, "Who doesn't have a green wristband? Everybody needs a green wristband!" I said the other guy said I didn't need one. He just took my ticket (didn't even look at it) and wrapped a green band around me wrist. Score! :w00t: While I wasn't in the pit for the second show, I did secure a spot stage right, at about stage level. Despite the fact that I couldn't really see Prince when he was at the piano, it was a great vantage point. And he played the guitar more during the second show, so it wasn't that big an issue. So for the second show, I was right by the fog machine. I don't know what the "fog" is made of, but it smelled like a White Russian (that's a cocktail, for those who don't know). :lol: The first part of the second show was the same as the first, except that Prince was on guitar more. They got whatever problems had plagued the first show fixed - and then some. This time on She's Aleays In My Hair, he sang, "Whenever I feel like going down, she's there" with a smirk on his face. I love how he still gets a kick out of his own nastiness. He moved to the piano for Free. He went up on the lyrics, so he just noodled (beautifully) on the keys until he could pick the thread up again. No harm, no foul. He played an awesome solo on Plectrum Electrum, and he did some tight thirds with Donna. This one really sounded great. At this point, it struck me how seamlessly this show was going, compared to the first. To be honest, most people probably didn't notice the issues in the first show. But I've been to enough Prince concerts - and been onstage enough, myself, to know when something isn't quite right. They were firing on all cylinders now. I have waited since 1996 to hear Prince utter the words, "emotional ejaculate" in person. So when they played I Like It There, my brain was all, "Will he say it? C'mon, Prince - say it. Say it. He said it! Thank you." He wrapped up the main set with So Far So Pleased (very cool to hear that) and Stratus (Prince on guitar this time). The first encore was Purple Rain. Let me tell you - what happened next was the closest I have ever come to wanting to beat the shit out of someone at a concert. During Stratus, the "dancer plucker" (as I like to refer to him) was on our level, picking people to go onstage. (I thought we were going to get away with no dancers at this show - no such luck.) He (and his chosen) were backstage by the time the encore started, but there were two people who apparently thought they had been chosen who came over and wanted to get in the face of the poor (female) security guard who was standing just to my right. She had no responsibility for picking people and no authority to let anyone onstage. Plus, these two drunken asshats weren't even in the right spot to go onstage. I guess they thought they were going to just squeeze through the speakers and whatnot, rather than going in by...you know...the actual stage entrance. Morons. So they're getting very vocal and now there's pushing and shoving going on. All this while Prince is doing his touching Bobby Z tribute. As near as I can tell, it was mostly the fault of the drunken bitch who decided she wanna fight someone cuz she ain't gettin' onstage. Thanks for ruining Purple Rain for everyone around you, you stupid cow. The mood lightened for The Max (which made nice use of the lead line from Rave and another great piano solo from Prince). And then, it was time for the latest episode of The Drunk and The Busted - AKA the dancers. Wow. Horrible. Things were going downhill fast. Laydown sounded flat and listless. They closed the curtains and Prince and the girls came out to do a company bow - like they were some community theatre group. I almost wet myself laughing at that. They did a comical game of "telephone," with Prince whispering to Ida and Ida whispering to Hannah. *whisper* *whisper* "Prince wants me to tell you he doesn't have a voice." *whisper* *whisper* "But he does have fingers." They disappeared behind the curtain again. The curtains parted, and the final encore was Even Flow. It was great, but I was getting so tired that I decided to make for the rest room - on the way to the door. I waited til the house lights came up and saw the soundboard guys breaking it down. I knew Prince wouldn't be back, so I headed out. All in all, a pretty amazing night. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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Thanks for the reviews y'all! This is why I like the org Wow Love We Make and Stratus on piano, long jazzy piano solo, and I love what he said about Bobby Z. Sounds amazing. He always plays his best in MN. Kinda wish I waited to see him there instead of in Vegas....I hope this wasn't really the concluding show of LOL tour | |
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Genesia said: The concert gods smiled on me! He just took my ticket (didn't even look at it) and wrapped a green band around me wrist. Score! All in all, a pretty amazing night. So glad U lucked out and scored the wristband... Great effort got Prince? | |
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Ex-Moderator | Excellent review, Genesia! Really helps me understand the differences in the shows. It's too bad we didn't cross paths.
We had considered picking up cheap seats for the second show but I ended up being too tired. We went on a 30 mile bike ride in the afternoon and at about mile 21 I got a flat tire, so had to call a cab and later pick up my bike. With that happening we arrived at 6:15 or so instead of the 5:30 I had planned on and we missed the cutoff for VIP. Ah well, we had a great spot anyway just behind the rail on the right side of the floor. The positively perfect spot for when he was on the keys/whatever and the moonbeam level lights were pretty damn magical from that angle. |
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Indeed! Prince dancing around so much 4 the 2nd show and hearing "emotional ejaculate" made me feel like our "old Prince" is back! "purplelectricity whenever our bodies touch" | |
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Wow... I am so glad I made it to the show last night. I haven't had that much fun at a concert in a long time. I really enjoyed hearing so many of my favorites for the first time. Endorphinmachine, So Far..., The Max... it was the type of setlist I'd been waiting to see live for 10 years or so. It was amazing how few hits he played. I think some of the crowd was a bit disappointed but this was definitely my dream Prince concert. My one complaint is that I could have done with fewer instrumetals... Stratus, Plectrum and Even Flow in one show? Only Plectrum Electrum really caught the crowd's attention, at least from what I could tell.
I couldn't believe how great 3rdeyegirl sounded. Tight, crunchy, heavy... Donna really impressed me. A lot of the solos I heard on the bootlegs which I enjoyed and assumed were Prince's were actually hers. The band sounds WORLDS better than in that Bambi rehearsal video from January. I hope I get to see these guys again some time.
Bobby Z started Purple Rain a bit nervous and tentative but by the time Prince sang the 3rd verse Bobby was in complete control, mastering the dynamics that make this song such a joy to hear. Was great to hear Prince speak kindly about the man. | |
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Shango said:Thanks motherfunka ********** Just read Bream's review of the shows (glad somebody had a watch to time the shows), and they were pretty spot on. The reviewer of the Pioneer Press must have been expecting something different. Glad to hear Prince say the 2nd show was the best he's ever played, although not sure I agree...and I do know someone who made recordings of both shows. Bream's assertion that this may be the most concerts Prince has played in Minneapolis in one year wasn't correct. One other point he made was that the younger crowd may be on to something with 3rd Eye Girl, but I don't think they had a clue who the band was in advance, they were there just to see Prince.Had to laugh at Genesia talking about Prince's "nasty" moments, as I was watching Larry G's stoic face during those moments. Glad to see Prince still had his pimp game on. I ran into a woman he used to "date" (not sure if you would call it that) in between shows. Her name was Willow, and she used to always be with Prince at the Paisley Park parties (92-95). During Stratus in the second show, at the end, he called out her name and said "I know you see me". After the song ended I saw his security come out into the crowd and find her and brought her backstage. It was during the break between Stratus and Purple Rain. Too funny!Enjoyed these 2 shows much more that the Paisley Park 2009 show. I think the backup singers, escpecially Shelby J, just take away from Prince. He doesn't need them, it's just a distraction in my opinion. Some people that I talked to had just heard about the shows when they discounted the ticket prices, so not sure if the tickets not selling had to do with lack of promotion or what. Obviously people are willing to pay high ticket prices to see their favorite perfomers. Madonna sold out two shows at the Xcel and a lot of those tickets were 375.00 a piece, and that place holds 4 times as much as Myth. TRUE BLUE | |
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One point to be made, only a portion of her tickets were 375.00 Most were more affordable than that. "New Power slide...." | |
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CarrieMpls said: Excellent review, Genesia! Really helps me understand the differences in the shows. It's too bad we didn't cross paths.
We had considered picking up cheap seats for the second show but I ended up being too tired. We went on a 30 mile bike ride in the afternoon and at about mile 21 I got a flat tire, so had to call a cab and later pick up my bike. With that happening we arrived at 6:15 or so instead of the 5:30 I had planned on and we missed the cutoff for VIP. Ah well, we had a great spot anyway just behind the rail on the right side of the floor. The positively perfect spot for when he was on the keys/whatever and the moonbeam level lights were pretty damn magical from that angle. I wish I'd known you were behind me in line! You totally could have come up by me - there were people holding spots all over the damn place. The final two pit spots went to the couple immediately behind me in line. That could have been you! Wasn't it startling how his mood changed? In the beginning, he was having a ball. Leaning up against the speakers and leering at the audience, mugging toward the VIP balcony. Then his guitar crapped out and he was royally PO'd. Of course, only people who've seen him a few times would have known. We don’t mourn artists because we knew them. We mourn them because they helped us know ourselves. | |
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