BEVERLY HILLS, Calif. - Ray Charles (news), the Grammy-winning crooner credited with creating American soul music with a blend of gospel and blues in such crowd-pleasers as "What'd I Say" and "I Got A Woman" and heartfelt ballads like "Georgia on My Mind," died Thursday. He was 73.



Charles died at 11:35 a.m., surrounded by family and friends, said spokesman Jerry Digney.

Oh damn.


Rest in peace, Ray.

NO WAAAY!!!!!

Supernova said:

What a terrible loss for all true lovers of "real music by real musicians".


It doesn't get any realer than Ray.

tA

Tribal Disorder

http://www.soundclick.com...rmusic.htm
[This message was edited Thu Jun 10 12:54:42 2004 by theAudience]
[This message was edited Thu Jun 10 18:00:47 2004 by theAudience]

He will truly be missed.

A legend who's legacy will forever live on.



Ya'll know that movie about him (starring Jamie Foxx) is gonna kill at the box offices now, right.

Rest In Peace, Brother Ray...

Oh my God, this is sad news. I've never seen him perform live and I always meant to but never did. I guess this just re-enforces the fact that everyone is getting older and if you really want to see someone before they pass, you better do it before it's too late.

Rest in Peace Mr. Charles.

This is really sad.
More than a legend, a great man.

He will be missed.

R.I.P.

oh my goodness...and he had crossed my mind for some reason earlier today, as a random thought.

i'm just speechless.

kisscamille said:

I took the opportunity in 2003 to see him, because I told my husband...I need to see him...He is getting pretty old.
This was a wonderful artist.
He will be missed, but I must say if anyone lived his life to the fullest extent that he could, Ray Charles did.
Prayers for the family.

Here is a classy way to remember him.



He will live forever in song.

Prince would not exist without Ray. Remember that, especially the newbies.

And now the radio is playing "Georgia On My Mind"

That is so sad. I will miss him. Modern Sounds in Country Music is One of the Most Essential Albums from that era.

okaypimpn said:

mochalox said:

Thank you, mocha. I needed that.

DAMN! R.I.P. Brother Ray. My prayers go out to his family and loved ones

R.I.P. Mr Charles.

merde

Supernova said:

Truly a sad day! RIP Brotha Ray.

i will play tribute 2 Ray Charles by listening 2 "Uh-Huh" the unreleased, full version done by Prince. Ray 'U GOT THE RIGHT ONE BABY, UH HUH"
[This message was edited Thu Jun 10 13:37:36 2004 by callmyname]

respect

I will always associate my Grandmother with Ray. She told me how she went to his show when she was in her late 20's and ran down to the stage and plopped herself on his piano! The crowd loved it. She said he asked her what she looked liked and her response was "feel for yourself" - and he felt her face and told her she was fine. "I was the talk of the town!" she would say. HA! Go Grandma with your bad self! Now they are both in heaven and I hope she get's another turn on the piano

Much love and Godspeed to a great man.
[This message was edited Thu Jun 10 13:26:26 2004 by Kissmequick]

callmyname said:

with 100% uh-huh.

kisscamille said:

Very valid point.
Luckily a little voice made me go and see Miles very shortly before he passed away.

tA

Tribal Disorder

http://www.soundclick.com...rmusic.htm

Kissmequick said:

http://story.news.yahoo.c...it_charles
Grammy-Winning Crooner Ray Charles Dies

AP Photo Slideshow: Music Legend Ray Charles Dies at 73

Blind by age 7 and an orphan at 15, Charles spent his life shattering any notion of musical boundaries and defying easy definition. A gifted pianist and saxophonist, he dabbled in country, jazz, big band and blues, and put his stamp on it all with a deep, warm voice roughened by heartbreak from a hardscrabble childhood in the segregated South.

"His sound was stunning — it was the blues, it was R&B, it was gospel, it was swing — it was all the stuff I was listening to before that but rolled into one amazing, soulful thing," singer Van Morrison (news) told Rolling Stone magazine in April.

Charles won nine of his 12 Grammy Awards between 1960 and 1966, including the best R&B recording three consecutive years ("Hit the Road Jack," "I Can't Stop Loving You" and "Busted").

His versions of other songs are also well known, including "Makin' Whoopee" and a stirring "America the Beautiful." Hoagy Carmichael and Stuart Gorrell wrote "Georgia on My Mind" in 1931 but it didn't become Georgia's official state song until 1979, long after Charles turned it into an American standard.

"I was born with music inside me. That's the only explanation I know of," Charles said in his 1978 autobiography, "Brother Ray." "Music was one of my parts ... Like my blood. It was a force already with me when I arrived on the scene. It was a necessity for me, like food or water."

Charles considered Martin Luther King Jr. a friend and once refused to play to segregated audiences in South Africa. But politics didn't take.

He was happiest playing music, smiling and swaying behind the piano as his legs waved in rhythmic joy. His appeal spanned generations: He teamed with such disparate musicians as Willie Nelson (news), Chaka Khan (news) and Eric Clapton (news), and appeared in movies including "The Blues Brothers." Pepsi tapped him for TV spots around a simple "uh huh" theme, perhaps playing off the grunts and moans that pepper his songs.

"The way I see it, we're actors, but musical ones," he once told The Associated Press. "We're doing it with notes, and lyrics with notes, telling a story. I can take an audience and get 'em into a frenzy so they'll almost riot, and yet I can sit there so you can almost hear a pin drop."

Charles was no angel. He could be mercurial and his womanizing was legendary. He also struggled with a heroin addiction for nearly 20 years before quitting cold turkey in 1965 after an arrest at the Boston airport. Yet there was a sense of humor about even that — he released both "I Don't Need No Doctor" and "Let's Go Get Stoned" in 1966.

He later became reluctant to talk about the drug use, fearing it would taint how people thought of his work.

"I've known times where I've felt terrible, but once I get to the stage and the band starts with the music, I don't know why but it's like you have pain and take an aspirin, and you don't feel it no more," he once said.

Ray Charles Robinson was born Sept. 23, 1930, in Albany, Ga. His father, Bailey Robinson, was a mechanic and a handyman, and his mother, Aretha, stacked boards in a sawmill. His family moved to Gainesville, Fla., when Charles was an infant.

"Talk about poor," Charles once said. "We were on the bottom of the ladder."

Charles saw his brother drown in the tub his mother used to do laundry when he was about 5 as the family struggled through poverty at the height of the Depression. His sight was gone two years later. Glaucoma is often mentioned as a cause, though Charles said nothing was ever diagnosed. He said his mother never let him wallow in pity.

"When the doctors told her that I was gradually losing my sight, and that I wasn't going to get any better, she started helping me deal with it by showing me how to get around, how to find things," he said in the autobiography. "That made it a little bit easier to deal with."

Charles began dabbling in music at 3, encouraged by a cafe owner who played the piano. The knowledge was basic, but he was that much more prepared for music classes when he was sent away, heartbroken, to the state-supported St. Augustine School for the Deaf and the Blind.

Charles learned to read and write music in Braille, score for big bands and play instruments — lots of them, including trumpet, clarinet, organ, alto sax and the piano.

"Learning to read music in Braille and play by ear helped me develop a damn good memory," Charles said. "I can sit at my desk and write a whole arrangement in my head and never touch the piano. .. There's no reason for it to come out any different than the way it sounds in my head."

His early influences were myriad: Chopin and Sibelius, country and western stars he heard on the Grand Ole Opry, the powerhouse big bands of Duke Ellington and Count Basie, jazz greats Art Tatum and Artie Shaw.

By the time he was 15 his parents were dead and Charles had graduated from St. Augustine. He wound up playing gigs in black dance halls — the so-called chitlin' circuit — and exposed himself to a variety of music, including hillbilly (he learned to yodel) before moving to Seattle.

He dropped his last name in deference to boxer Sugar Ray Robinson, patterned himself for a time after Nat "King" Cole and formed a group that backed rhythm 'n' blues singer Ruth Brown (news). It was in Seattle's red light district were he met a young Quincy Jones (news), showing the future producer and composer how to write music. It was the beginning of a lifelong friendship.

Charles developed quickly in those early days. Atlantic Records purchased his contract from Swingtime Records in 1952, and two years later he recorded "I Got a Woman," a raw mixture of gospel and rhythm 'n' blues, inventing what was later called soul. Soon, he was being called "The Genius" and was playing at Carnegie Hall and the Newport Jazz Festival.

His first big hit was 1959's "What'd I Say," a song built off a simple piano riff with suggestive moaning from the Raeletts. Some U.S. radio stations banned the song, but Charles was on his way to stardom.

Veteran producer Jerry Wexler, who recorded "What'd I Say," said he has worked with only three geniuses in the music business: Bob Dylan (news), Aretha Franklin (news) and Charles.

"In each case they brought something new to the table," Wexler told the San Jose Mercury News in 1994. Charles "had this blasphemous idea of taking gospel songs and putting the devil's words to them. ... He can take a gem from Tin Pan Alley or cut to the country, but he brings the same root to it, which is black American music."

Charles released "Modern Sounds in Country and Western Music, Volumes 1 and 2" in the early '60s, a big switch from his gospel work. It included "Born to Lose," "Take These Chains From My Heart (And Set Me Free)" and "I Can't Stop Loving You," some of the biggest hits of his career.

He made it a point to explore each medium he took on. Country sides were sometimes pop-oriented, while fiddle, mandolin, banjo and steel guitar were added to "Wish You Were Here Tonight" in the '80s. Jones even wrote a choral and orchestral work for Charles to perform with the Roanoke, Va., symphony.

Charles' last Grammy came in 1993 for "A Song for You," but he never dropped out of the music scene. He continued to tour and long treasured time for chess. He once told the Los Angeles Times: "I'm not Spassky, but I'll make it interesting for you."

"Music's been around a long time, and there's going to be music long after Ray Charles is dead," he told the Washington Post in 1983. "I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal."

___

Associated Press writer Dave Zelio contributed to this report.
[This message was edited Thu Jun 10 13:55:44 2004 by VinaBlue]

Huge loss. To me the term "genius" these days is used to loosely and applied to too many performers. The term is more than fitting for Mr. Ray Charles.

I remember reading that Ray Charles was one of the first Black musicians to demand and subsequently obtain ownership of his master recordings.
[This message was edited Thu Jun 10 14:29:06 2004 by MorehouseMan]