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Patrice Rushen Track Available To Download The track is called "Before The Dawn" and you can download it at www.soulstrut.com - Well actually, its part of a funky little D.J. mix.
Click here to download the track: http://www.soulstrut.com/..._paulo.htm Its like a retro, jazzy, funky, porn-music vibe. Nice chill-out music, really. Maybe I should have put this in the Associated Artists forum - oh well, never mind. [This message was edited Mon Feb 23 9:29:39 2004 by BinaryJustin] | |
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BinaryJustin said: The track is called "Before The Dawn" and you can download it at www.soulstrut.com - Well actually, its part of a funky little D.J. mix.
Click here to download the track: http://www.soulstrut.com/..._paulo.htm Its like a retro, jazzy, funky, porn-music vibe. Nice chill-out music, really. Maybe I should have put this in the Associated Artists forum - oh well, never mind. [This message was edited Mon Feb 23 9:29:39 2004 by BinaryJustin] This instrumental is 29 yrs old. The whole album is out and in-print: Check this review from allmusic: This 1998 CD reissues keyboardist Patrice Rushen's first two recordings as a leader except for one selection ("Puttered Bopcorn") from the first date that was left out due to lack of space. Twenty at the time of the earlier set, Rushen showed a great deal of potential for the future, potential that (at least in the jazz world) was unfortunately never realized. Rushen is heard on the Prelusion album heading a septet that includes tenor-saxophonist Joe Henderson (the most memorable soloist), trumpeter Oscar Brashear, trombonist George Bohanon and Hadley Caliman on reeds; the music is essentially advanced hard bop with touches of fusion. The later date has a similar group (without Henderson) and with guest spots for flutist Hubert Laws and guitarist Lee Ritenour. The R&Bish vocal by Josie James on "What's the Story" hints at where Rushen would be going in the future: straight to the pop market. So overall this CD, which should have served as a bright beginning for the young keyboardist, is practically the artistic highpoint of Patrice Rushen's erratic career. — Scott Yanow | |
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