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Why is Jacko always lit from below? In all these interviews, he's lit from low angle lights. Usually anyone who's interviewed in front of a camera is lit with standard 3-point lighting, and usually from a higher angle. I wonder if they do this cuz his face is so fucked up. Maybe it's a weird shadow issue. I'd imagine those lights would be hard on a person's eyes. I guess everything with him has to be bizarre. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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It's because he's hurting. | |
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Maybe it's some special effect trick to make it look like he has a nose.
hehehehehe just kidding. | |
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Because he always insists that a little 12 year-old boy hold the lights. | |
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^  | |
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Anxiety said: It's because he's hurting.
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OneMoJam said: Because he always insists that a little 12 year-old boy hold the lights.
  They did WHAT??!.... 
Org Sci-Fi Association | |
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I suppose. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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OneMoJam said: Because he always insists that a little 12 year-old boy hold the lights.
 The day came when the risk to remain tight in a bud was more painful than the risk it took to blossom - Anais Nin
"Unnecessary giggling"... | |
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its so it projects shadows around his nose and cheekbones.
Takes the glare away from the surgery mistakes This love is a private affair | |
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craigle said: its so it projects shadows around his nose and cheekbones.
Takes the glare away from the surgery mistakes  | |
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craigle said: its so it projects shadows around his nose and cheekbones.
Takes the glare away from the surgery mistakes That seems about right. "You need people like me so you can point your fuckin' fingers and say, "That's the bad guy." "
Al Pacino- Scarface | |
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He did actually touch his nose during the interview, which was kind of a minor miracle in the evolution of special effects. | |
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Anxiety said: He did actually touch his nose during the interview, which was kind of a minor miracle in the evolution of special effects.
Man, ILM had their work cut out that nite!
That's why I admire George Lucas - always wanting 2 push that envelope just a little further... | |
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