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Erykah explains why "Worldwide Underground" was an EP http://www.billboard.com/...id=1988259
Edited By Barry A. Jeckell. September 29, 2003, 12:01 AM Erykah Badu Cuts 'Underground' Distinctly Her Way By Gail Mitchell One thing hasn't changed since Erykah Badu first grooved into crossover success in 1997: The singer/songwriter does things her way. And that includes musical messages pulsating throughout her fourth project, the EP "Worldwide Underground," released Sept. 16 on Motown/Universal. "I wanted to do something brave," Badu says. "I just didn't have enough songs at the time we started recording. So I grabbed five songs from my tour to put out a quick EP. But the project took longer as I began mixing, re-recording and finalizing songs. "I have equipment on the tour bus. So every night I'd listen to music and to the show the night before, perfecting the next day's show. More ideas started coming, and by then I had eight songs. But it was already negotiated as an EP, so I don't call it an album." The outing to which Badu refers is her national Frustrated Artist Tour 2003 A.D., staged earlier this year. It is another example of Badu following her muse. She used these performances to plug into her audiences' energy and to simultaneously amp her creative juices. "I came up with the Frustrated Artist Tour in order to come up with the right material," Badu says. "That was the approach I took because I was having a hard time writing. I had a block." The result is a 10-track project with a mix-tape vibe inspired by-and dedicated to-that tour's audiences. Front- and back-ended with a short intro and outro, the grab-bag of sound seamlessly winds its way from '70s R&B/soul and hip-hop to jazz and back again. Lead single "Danger" is currently No. 34 on Hot R&B/Hip-Hop Singles & Tracks. The EP, which joins "Baduizm" (1997), "Live" (1997) and "Mama's Gun" (2000) in the Badu catalog, just debuted at No. 3 on The Billboard 200. There are nearly 50 minutes of "Worldwide Underground" music to sample, thanks to tracks that veer into eight- and 10-minute territory. That's in keeping with Badu's quest to make "music the star of this EP." Reminiscent of the bass-driven R&B that pumps Badu's multi-platinum debut "Baduizm," "Worldwide Underground" also draws from the artist's hip-hop and jazz influences. The Donald Byrd-inspired "Think Twice," addressing fear in relationships, features trumpeter Roy Hargrove, who also contributes vocals. Dead Prez slides in with its self-penned "Steady on the Grind" about society's ongoing struggles. Guitarist Lenny Kravitz electrifies "Back in the Day," which reflects "all that music we used to love growing up before they played the same six songs on the radio all day," Badu says. Letting "vocals get in where they fit," Badu is supported by China Blac, Zap Mama and Caron Wheeler (Soul II Soul). Joining her on bonus track "Love of My Life Worldwide" -- a nod to Sugarhill Records' female rap trio Sequence -- are Queen Latifah, Bahamadia and ex-Sequence member Angie Stone (Angie B.). During a year that has witnessed Badu winning Grammy, BET and Soul Train Lady of Soul awards for her work with Common on "Love of My Life (An Ode to Hip Hop)," it still comes down to just one thing for the artist: the music. "I'm always working on music in different ways," she says when asked about future projects. "And perhaps I'll do more acting [she had a role in "The Cider House Rules"]. But I'm just continuing to perfect my art, my craft, any way I can." --- Excerpted from the Oct. 4, 2003, issue of Billboard. "That...magic, the start of something revolutionary-the Minneapolis Sound, we should cherish it and not punish prince for not being able to replicate it."-Dreamshaman32 | |
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Space for sale... | |
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I'm really impressed with her honesty about having writer's block. It's refreshing to hear her just bare herself as an artist that way. "That...magic, the start of something revolutionary-the Minneapolis Sound, we should cherish it and not punish prince for not being able to replicate it."-Dreamshaman32 | |
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I'm totally digging and feeling this album. It is not a definitive statement like Mama's Gun but it definitely is different and I love how the music transforms from one thing to the next and back again and into something you didn't expect. That is pure Badu. 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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Yeah, I'm totally into this album too. The track "bump it," is such a cool sing along funky ass track:
"push up the fader, bust the meeter, shake the tweeder, bump it well, well, well...well." And I can totally relate to "back in the day," definately reminds me of my teen days when I discovered the "soul flower." Man I can't wait to see her live again...seen her twice and both times she left me speechless... ERYKAH "...literal people are scary, man literal people scare me out there trying to rid the world of its poetry while getting it wrong fundamentally down at the church of "look, it says right here, see!" - ani difranco | |
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TheResistor said: Yeah, I'm totally into this album too. The track "bump it," is such a cool sing along funky ass track:
"push up the fader, bust the meeter, shake the tweeder, bump it well, well, well...well." And I can totally relate to "back in the day," definately reminds me of my teen days when I discovered the "soul flower." Man I can't wait to see her live again...seen her twice and both times she left me speechless... ERYKAH Yeah, I totally related to the "back in the day vibe" too 2010: Healing the Wounds of the Past.... http://prince.org/msg/8/325740 | |
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LOVING this album! | |
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I think I love her...is that healthy!!! | |
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I love Erykah.
I hate the album. But I hated Lovesexy at the first listen. I'll try again. Good night, sweet Prince | 7 June 1958 - 21 April 2016
Props will be withheld until the showing and proving has commenced. -- Aaron McGruder | |
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Guitarist Lenny Kravitz...
Mine just arrived in the mail today, I'll be listening on the way to see funny-ass Paul Mooney tonight | |
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