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Mary J Blige & Veronica Webb I found this last night and I was laughing my ass off while reading it. Its very old and from what I read in Mary's recent interview I could def sense an obevious positive change. Enjoy:
"Proud Mary"-Interview Magazine,July 1995 WHEN WE SENT VERONICA WEBB TO GET THE 411 ON MARY J. BLIGE, THE TWO NEARLY GOT INTO A FISTFIGHT. THE TWENTY-FOUR-YEAR-OLD SINGER POSSESSES A LARGER-THAN-LIFE VOICE, THE STRENGTH AND CONVICTION TO KNOW WHAT TO DO WITH IT, AND AS WEBB FOUND OUT, AN UNFORGETTABLE, MULTIFACETED PERSONALITY. ALL OF WHICH HAS HER EDGING CLOSER AND CLOSER TO BECOMING A MEGAMUSICIAN OF MAJOR INTEREST AND MAJOR INFLUENCE At age twenty-four, Mary J. Blige presently holds the title Queen of Hip-hop Soul. This medal flint came to Blige directly from the hip-hop community because, responding to rap, she developed a style of soul singing flowing right on top of the beats on her 1993 debut album, What's the 411? (Uptown). Since the release of her second Uptown album, My Life, last fall, she has been referred to as the "Aretha Franklin of Generation X." As usual, flattery and fame have their price, and Blige is in the doubly precarious position of being expected to live up to all of this. I went to meet Blige at a private airplane hangar in Santa Monica, while she was shooting a $300,000 video for the track "You Bring Me Joy," which will be the third video from My Life. Three and a half hours after my arrival, during the dinner break, I was allowed my first encounter with Blige. I had been warned that she is not at all political. That she is moody. That she can be attacking. When the director calls for a dinner break, I hear her cousin and traveling companion Jamarco rename it a "chronic break." True to her word, Blige and her sister LaTonya, along with Jamarco end a few beauty attendants, sit in Blige's Jeep, listening to the rapper Method Man on the car radio, passin' reefer, and drinkin' forty-ounce bottles of beer. Someone summons me to the car to introduce me to Blige. When it becomes clear to Blige that I intend to interview her that day, she is openly infuriated that she had not been briefed that I'd be doing more than just hanging out the first time we met. She's through. Windows start rolling up, the doors on Blige's Cherokee slam shut, and I awkwardly retreat to my car. I'm parked in the space next to hers. She's given me the pop star treatment: They bring you up, and they let you down. "Keep it real" is the pledge of allegiance at Camp Blige. It isn't long before the "chronic" is in full effect and the parking lot becomes a block party. Taureen Bennett, Blige's soft-spoken six-foot-three bodyguard, stands next to the passenger side of her Jeep Cherokee and rocks the vehicle and its occupants to the beat, it looks like a ride at an urban amusement park. When Taureen works up a sweat from rocking the Jeep, he sits down in front of Blige's dressing trailer next to her Jeep and sips a wine cooler, Hours go by, and the party continues. Marco and LaTonya bring back Styrofoam containers of fried chicken and greens. Under the streetlights in the parking lot, Blige teaches her sister end Taureen the steps she dances in the video. It's a ghetto extravaganza. Blige needs a pack of Newports. Sensing my total frustration, she asks me to take her to the store. The two of us go together in my car, followed by Taureen in his car. My frustration and resentment immediately turn into gratitude. I always want a story! Sizing me up at the liquor store, Blige tells me "You need a drink, girl." Politely, I decline in favor of Gatorade. "No! Let's get a bottle of Malibu." It's not an offer - it's an order. I need to know what Malibu is. "You ain't never had no 'bu, girl? Well, you here now. "Blige picks up the Malibu and goes over to the cooler and pulls out two cans of pineapple coconut juice, asking the cashier if they're "all natural, no MSG?" Then she asks for a pack of cigarettes. Taureen shadows my car back to the set. Blige invites me into her trailer on the condition that I "troop" with her through that bottle of Malibu and a few beers. She shows me many different sides of herself: pop star, spiritual leader, project princess, bitch, and good girlfriend. The overwhelming thing about Mary J. Blige is that she does exactly whet she wants to do, regardless, or maybe because of, her point of view - that she is constantly under siege in a world that's hostile to who she is. And because of that I won't forget her. She is someone who will be famous whether her story turns out to be a tragedy or a success. VERONICA WEBB: So, is this everything that you ever wanted? MARY J. BLIGE: This is some bullshit. I'm happy, though. But I'd be happy either way. I got to be. VW: It sounds like that's your goal - to be happy. MJB: Oh definitely. To be content. To find my fight mind - peace - and do it while I'm here. VW: But there's a lot of stuff that took you away from that, right? MJB: Like what? VW: Well, we all have stuff that takes it away from us. MJB: Well, you know what takes it away from us? We take us away from us, when we feed into negative bullshit and shit that's going on that we are not supposed to even have anything to do with. VW: But sometimes it's not even negative bullshit. When I started modeling, I was nineteen years old, and suddenly it was like planes, money, and hotels. MJB: That's positive when it's showered on you the right way, but it's negative when you can't handle it, when you don't know what to do with it. It's good, it comes, you spend it, but don't act like an asshole. Just stay you, remain the same - humble and kind, a nice person. Do your thing. You demand respect and you'll get it. First of all, you give respect. VW: So what does it feel like, Mary? Everybody wants to know, what does it feel like? MJB: What does what feel like? VW: What does it feel like to have a gift inside of you, and it's just something that you live with, and then suddenly everybody steps up and they recognize it? MJB: It feels very good. There ain't no bust about it. VW: It must be scary sometimes. MJB: You just got to look at it as all good. It is scary. Life is scary. Everything is scary if you look at it. So you just got to live. You got to be happy and without a care in the world. You got to be all right in your heart. Fuck the outside of you as long as that heart is clean. I mean, I know my heart is not clean, and your heart is not clean, and none of our urban hearts are clean. But you can be washed again. VW: Mmm-hmm. It's hard. MJB: It's very hard. So no one should judge you, because it's hard for everybody. VW: You talk about violence a lot in interviews. Did you grow up with it? MJB: Yeah. I grew up on it - in it, on it, all of that. It's not the right way of life. But yo, it's the way of life. And it's how you go about it, too. VW: Do you worry about people judging you? People judge you all the time. They listen to your records. They write critiques. They talk about how you dress, who you go out with, what you eat, what you smoke, what you drink. MJB: Well, it's like this: Ain't nothing I can do about it. So I got to live for Mary. Fuck thinking about the judging. VW: Was there a point when people first started paying attention to you where you were like, "Damn, why?" MJB: There ain't nothing you could really say. Of course, when you're younger, you're going to ask "Why?" to a lot of things. But when you find out the answer, there's no more question. Do you believe in loving your neighbor? VW: Oh yeah. That's real basic. What made you think about loving your neighbor? MJB: 'Cause you have to. It feels good. And it should all feel good. VW: But why did that come up? Are you living in a way that's different now because you've got a lot of neighbors? Everybody who picks up Essence and reads about you becomes your neighbor. Everybody who listens to your record becomes your neighbor. MJB: No, they don't. VW: Have you ever felt like maybe it wasn't going to work, maybe you weren't going to be happy? MJB: I never thought like that. I mean, all my life, I never really thought negative about nothing. Never. VW: Your last album established you as part of the big boys' club. It had a lot of attitudes that were more masculine. My Life is more of a girl's album than your last album. MJB: And people, when they hear pain, you think of pain ... and that's the bottom line. Everybody will be hurting. Listen to a baby crying, and you'll cry, you'll hurt. You know what I'm saying? VW: I do understand. What makes you think I don't? MJB: You look like you don't. VW: l was just thinking it through. Did you write a lot before? MJB: I didn't write anything on my first album. There were a lot of my emotions in it. VW: What made you want to write, because it seems like your songs are mostly about hurting? MJB: Pain. Pain. I couldn't take no more, and I had to sing. VW: Were you going through relationships? MJB: Yeah. Many relationships where I learned ... VW: What were you trying to achieve in your relationship with your boyfriend, K-Ci, the singer in the soul band Jodeci? MJB: As far as men [and relationships go], that's where I think respect should come in. I respect you, and you respect me. VW: Otherwise, why be in it? MJB: You know, me and my weaknesses ... [pulls cap off a Heineken bottle with her teeth] 'cause I'm all right. But I can fuck you up the same way you can fuck me up, too. And it ain't got to be physical. VW: No. When it's mental, it's worse, because it takes longer to figure it out. And it takes a lot longer to get over it. When somebody who you trust - who you love - starts doing that shit to you, you don't expect that. When I let somebody close to me, especially a man, and then they're critical, negative, and destructive, it used to be I had to get hit three times between my eyes to figure it out. MJB: You don't got to be hit at all now, do you? VW: No. Now, I know when to duck. MJB: No more. Finished. I'm not dealing with this any longer now. I'm going to need nothing but natural resources. [runs hands from her forehead to her toes] VW: But that's the hard way to go. MJB: It's hard, baby? I'm going to make it easy for you. VW: Not dealing with shit from men in relationships takes a lot of discipline. MJB: If I've got to die doing it, I'm out of here. 'Cause I'm not going to make an ass out of myself for the world. I'm just going to love. Love, get respect, demand it 'cause I give it. Give it 'cause I demand it, whatever. It's a respect thing. And that's my way of living. That's me. O.K.? VW: You know how you watch TV as a kid, and you think that's how relationships are going to be? MJB: You thought that? Why? You didn't see the real shit happening in your face? VW: I was trying to block that shit out. MJB: No, don't block that shit out. Block that TV shit out. You'll never block reality. Reality's in your face. Reality is the shit you can't hide from. VW: But you never did that as a kid? MJB: The only thing I did when I was a kid as far as TV goes, was when the Chinese women [in Kung Fu movies] used to come on, I used to act like them motherfuckers and try to fuck everybody up. But that's it. The Brady Bunch? Happy ending? Get all emotional and all that shit? Go back to reality. MARCO: In the streets, all you see is reality. MJB: Back to reality. And reality is what we feel here. [MJB places hand over her heart] M: That's why most people can't understand Mary. All she sees is reality. When you've been growing up in the streets all your life and this shit hits ... it's nothing big, really. It might be big because you've got a lot of dough in your pocket at first. But once you settle down, it's just a regular job. MJB: And you, fuckin' around trying to be Alice in Wonderland? VW: I'm trying to keep up, Mary. I'm not a drinker or a smoker. But I'm trying to keep up. Do you like the life? MJB: Do you like being in this life? VW: Yeah, I do. MJB: What do you like about it? VW: In a lot of ways, it's freedom. I like being off the block. MJB: You think it's freedom? You've got a point. VW: You know what's not freedom? Standing in the welfare office. MJB: But you know what? I'm going to tell you this right here. [This life] is freedom, but it's hell. VW: I'm not so sure if it's really hell. MJB: It's reality. You can't walk out of that door and think it's going to be Alice in Wonderland. VW: It sounds like you need to maintain a let of control - like you'd be regulating. MJB: I don't regulate. I regulate within me. I get Mary together. I speak to Mary. 'Cause I'm no better than you, you, or you. And I can't get on no throne and preach, 'cause I'm not God. VW: No, it's not about getting on a throne and preaching. MJB: That's what I'm saying. I can't get on a throne and preach. I can't make the world sit down. And that's the bottom line. Because that's the most powerful source right here, [what] we have [within ourselves]. VW: At the same time, you're a woman. And the business is net set up for women. Usually people wouldn't listen to you when you say, "I want to do this or that." MJB: You can't restrict your mind on the business. You've got to restrict your mind on the work and how you want to live. VW: Do you have different survival skills now? MJB: I have survival skills, period. VW: Did you add new ones? MJB: Uh-uh. VW: What about the etiquette course you enrolled in with Angelo Ellerbee from [the public relations firm] Double Exxposure? MJB: Angelo Ellerbee is the perfect example of what we need to be. He can't be fucked with. VW: Why not? MJB: I'm thinking about it. Do you know why? I would have figured it out if I was you. VW: Why? Because he's happy in himself? Because he knows where he comes from? Why? What did he do with you for twenty-four weeks? MJB: I wasn't with him for twenty-four weeks. VW: Really? MJB: That was the length of the course. [Blige attended it for seventeen weeks.] See, the more you ask me stupid questions, the more I'm going to give you stupid answers. VW: Why was that a stupid question? That's consistently in your press, Mary. MJB: It really is consistently in my press. But why do you think I went? Why do you think I went for such a short period of time? VW: Because you knew a lot of it already, and you learn fast. MJB: Well, why are you asking me the question? We need to be alone, right? Because we're going to fight, ain't we? VW: No. It takes a lot to offend me. I might be offending you. MJB: No, I'm not trying to offend you. So we need to fight VW: No. Why would we need to fight, Mary? Over what? [laughs] You might need to scold me a little bit, because I've got a feeling that there's something I'm missing. And that's O.K. MJB: You ain't missing nothing. It's all good. I'm trying to tell you. Everything is good. The bad is good. VW: Yup. MJB: Take me away, Kill me, Stab me. Shoot me. One day I know I'm gonna have to get up out of this bitch [this life], because my God won't stand for all this unfairness. VW: Well, you're only going down once, right? MJB: You're only going down once. You don't come back. You're outta here, and then after that you're searching. So, you want to be happy searching. VW: Clearly, that's home base for you. MJB: What? VW: Being happy. Everything comes back to that. Tell me about recording "Freedom" with the other female R&B singers for the soundtrack to the Mario Van Peebles film Panther. Was that the first time you've been in a group of gifts like that? MJB: Yeah, that was my first time. VW: What did that feel like? MJB: Like nothing. I mean, it felt like everything living in me. VW: Yeah, but I mean, you've get Patra, she's a Jamaican party girl. Then you've got Me'Shell Ndegeocello... It had to be different than watching Method Man work when you two recorded the duet "I'll Be There far You/You're All I Need to Get By." MJB: Who am I watching? Can you rewind that? Veronica, I don't watch anybody. Listen, sit down. Let me tell you something for your own good. VW: O.K. MJB: I don't watch shit. I don't watch nobody. VW: Right. So in that room with Latifah and Patra and everybody else, you were just listening? MJB: Ask the question again. VW: So you were just focused on you? MJB: I'm focused on the good shit in life. And the good shit in life is man and woman. So you can't watch it. You've got to feel it. VW: There's a lot of negative stuff that I don't see because I don't want to see it. MJB: Don't see it, baby. [VW laughs] No. There's your answer to everything ... and then whatever you're going to express, that's O.K. And this tape's for you, baby. Don't worry like that to the world. You're like me, going crazy. People want to see a nigger like me locked down in jail, doing drugs. And that's just the rub of the way of the world. Like what they did to Tupac. They put him under. He didn't do a mother-fucking thing. They put Mike Tyson under. He didn't do a motherfucking thing. They tried to say Michael Jordan's father was doing drugs and gambling. But that was his business. VW: Whatever, he didn't deserve to die like that. MJB: Don't lock me down like that. Don't chain me up like that. Don't bring me back to slavery days because I'm living my life. You're living your life when you get ready - and can't nobody fuck with you. Let me live my life. | |
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Damn! But like she said in her Behind the Music, "she was going after anyone who she felt was trying to attack her." I'm so glad she's not the hood-rat she used to be. | |
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okaypimpn said: Damn! But like she said in her Behind the Music, "she was going after anyone who she felt was trying to attack her." I'm so glad she's not the hood-rat she used to be.
Did she apoligize 4 it? That would def sound like the new Mary. When was this VH-1 interview you were talking about? Wouldn't be cool if the 2 settled their differences and made another "Interview Mag" session? I could def feel that coming. | |
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oh the Infamous Interview between those two.MJB ain't really changed that much but She is a bit more Cleaver at how She uses Her words nowadays though. mistermaxxx | |
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Harlepolis said: When was this VH-1 interview you were talking about?
On her Behind The Music episode. | |
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Harlepolis said: MJB: No, I'm not trying to offend you. So we need to fight VW: No. Why would we need to fight, Mary? Over what? [laughs] You might need to scold me a little bit, because I've got a feeling that there's something I'm missing. And that's O.K. MJB: You ain't missing nothing. It's all good. I'm trying to tell you. Everything is good. The bad is good. VW: Yup. MJB: Who am I watching? Can you rewind that? Veronica, I don't watch anybody. Listen, sit down. Let me tell you something for your own good. VW: O.K. MJB: I don't watch shit. I don't watch nobody. VW: Right. So in that room with Latifah and Patra and everybody else, you were just listening? MJB: Ask the question again. | |
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mistermaxxx said: oh the Infamous Interview between those two.MJB ain't really changed that much but She is a bit more Cleaver at how She uses Her words nowadays though.
Pfff she sho as hell changed, if you followed her interviews from the get-go you'd notice it too! she may sound mo' political nowadays but homegirl cleaned her act. I think what you see in that interview is the drugs and all that mess. Back in the day she can't get a str8 sentence outta her mouth without fucking it up. I think she's in peace right now, back in the day she was always angrey and blue(unlike now). Far as the ghetto goes? It takes an army to take the ghetto outta her but she sho use it in her benefit without making herself look bad(at least recently!). | |
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