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SADE 1980-1990
Helen Folashade Adu, CBE (Yoruba: Fọláṣadé Adú [fɔ̄láʃādé ādú]; born 16 January 1959), known professionally as Sade Adu or simply Sade (/ʃɑːˈdeɪ/ shah-DAY), is a mixed race British Nigerian singer, songwriter, and actress, known as the lead singer of her self-titled band.
Sade in her band Pride ca. 1982
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After completing a three-year course in fashion design, and later modelling briefly, Sade began backup singing with British band Pride. During this time, she formed a songwriting partnership with Pride's guitarist/saxophonist Stuart Matthewman; together, backed by Pride's rhythm section, they began doing their own sets at Pride gigs. Her solo performances of the song "Smooth Operator" attracted the attention of record companies, and in 1983 Sade and Matthewman split from Pride, along with keyboardist Andrew Hale, bassist Paul Denman and drummer Paul Cook, to form the band Sade. By the time she performed her first show at London's Heaven nightclub, she had become so popular that 1,000 people were turned away at the door. In May 1983, Sade performed their first US show at the Danceteria nightclub in New York City. On 18 October 1983, Sade Adu signed with Epic Records, while the rest of the band signed in 1984.
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"Smooth Operator" is a song by English band Sade from their debut studio album, Diamond Life (1984). It was released as the album's third single in the United Kingdom as a 7-inch single with "Spirit" as its B-side, and as a 12-inch maxi single with "Smooth Operator" and "Red Eye" on side A and "Spirit" on side B. In the United States, "Smooth Operator" was released in February 1985, serving as the album's second US single. The song became Sade's first top-10 entry in the US, peaking at number five on the Billboard Hot 100 for two weeks in May 1985. It spent 13 weeks in the top 40, and also topped the Billboard Adult Contemporary chart for two weeks.
Ray St. John, who co-wrote "Smooth Operator" with Sade Adu, was previously a member of Adu's former band Pride, although he was not a member of the band Sade. The pair co-wrote the song in 1982 while still members of Pride, but did not get around to recording it because St. John left Pride shortly after Sade joined.
https://youtu.be/OPgmQc3OkFs
He's laughing with another girl
And playing with another heart Placing high stakes making hearts ache He's loved in seven languages Diamond nights and ruby lights high in the sky Heaven help him when he falls Diamond life, lover boy
We move in space with minimum waste and maximum joy City lights and business nights When you require streetcar desire for higher heights No place for beginners or sensitive hearts
When sentiment is left to chance No place to be ending but somewhere to start No need to ask
He's a smooth operator Smooth operator Smooth operator Smooth operator Coast to coast, LA to Chicago, western male
Across the north and south, to Key Largo, love for sale Face to face, each classic case
We shadow box and double cross Yet need the chase A license to love, insurance to hold Melts all your memories and change into gold His eyes are like angels but his heart is cold No need to ask
He's a smooth operator Smooth operator Smooth operator Smooth operator Coast to coast, LA to Chicago, western male
Across the north and south, to Key Largo, love for sale Smooth operator Smooth operator Smooth operator Smooth operator Smooth operator Smooth operator
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“Perhaps it’s detrimental in a way. Somebody like Prince, for instance — I think he’s quite slapdash. He’s a bit like a bull—he goes in with his horns down and charges, but there’s a chance he’s going to hit the right spot. He produces a lot.”
“I think much of what he (Prince) does is quite trashy and don’t like it all, but every now and then he does something that is really genius. He’s very, very talented, but the most important thing about Prince is that he’s braver than a lot of other people.”
“I don’t think I’m as brave as that. I may be too proud and scared of losing face, and maybe that does somewhat stifle what we do. Maybe I look too closely at what we do, and it’s not necessary to be that concerned.”
– Sade, 1988
Sade Surprisingly Explain...music.com)
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Diamond Life is a great cd to put on once every few years- it's aged (as has most of their catalogue) extremely well... | |
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Sade is one of the most mesmerizing gorgeous women to have ever been put on this planet and still looking fine as wine at 62. Diamond Life is a quintessential album, not just of the 80s but of all time. That group was a nice, mellow and finely orchestrated alternative to the louder, wilder, much more garish and flashy acts of their heyday and unlike many, still hold up today. | |
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25 February 1984
Your love is king, crown you in my heart
Your love is king, never need to part Your kisses ring round and round and round my head Touching the very part of me, it's making my soul sing Tearing the very heart of me, I'm crying out for more Your love is king, crown you in my heart
Your love is king, you're the ruler of my heart Your kisses ring round and round and round my head Touching the very part of me, it's making my soul sing I'm crying out for more, your love is king I'm coming on, I'm coming
You're making me dance inside Your love is king, crown you in my heart
Your love is king, never need to part Your kisses ring round and round and round my head Touching the very part of me, it's making my soul sing Tearing the very heart of me, I'm crying out for more Touching the very part of me, it's making my soul sing
I'm crying out for more, your love is king This is no blind faith, this is no sad or sorry dream This is no blind faith, your love, your love is real Gotta crown me with your heart (your love is king)
Never, never need to part (your love is king) Oh, touch me (your love is king) I'm (your love is king) coming (Your love is king) making me dance
Sade - Your Love Is King ... - YouTube
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I always loved the 'quiet' sound that came with Sade, and other early 80s music(I know some of that is recording quality) but i love(d) it | |
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OldFriends4Sale said:
I always loved the 'quiet' sound that came with Sade, and other early 80s music(I know some of that is recording quality) but i love(d) it There are dimensions, layers, shades and tints to Sade's music that few today understand or are able to match. | |
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Sade is timeless:
https://www.artsy.net/artwork/albert-watson-sade-nude | |
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You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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