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Who put salt in your breakfast [N word snip - luv4u] ??
Y'all just shooting at the hip here, not making any sense whatsoever.
Bruno keep winning them Grammys and earning millions and y'all in your homes behind a computer screen butthurt cause he making fire music Pathetic ass niggas
Stevie Wonder, Smokey Robinson, Charlie Wilson, they ALL defended Bruno back when that cultural appropriation bullshit was trending years back Completely backfired on those resentful ass niggas in that podcast.
And can I remind y'all that black people ALSO steal from other cultures? What about all those movies where Black people were Samurais and shit ? Oh and "Black" Anime is now a thing, but you don't see any fuss cause them Japanese have way more going on in their lives than being pressed over someone using their culture for profit.
That hoe in the podcast was so pressed Made fun of from almost every black person on Twitter the next day.
===
All this aside, like Bruno said, lotta black artists have not been given their due flowers, but that has nothing to do with him He grew up to that shit and his voice is hands down the best voice in pop music we've heard in the last 20 years. We black people should be grateful he's making R&B/funk/soul music and reviving that shit when the radio is literally crowded with shitty ass and monotonous trap music and that cringey ass Bryson Tiller shit | |
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Shawy89 said:
Who put salt in your breakfast [N word snip - luv4u] ??
Y'all just shooting at the hip here, not making any sense whatsoever.
Bruno keep winning them Grammys and earning millions and y'all in your homes behind a computer screen butthurt cause he making fire music Pathetic ass niggas
Stevie Wonder, Smokey Robinson, Charlie Wilson, they ALL defended Bruno back when that cultural appropriation bullshit was trending years back Completely backfired on those resentful ass niggas in that podcast.
And can I remind y'all that black people ALSO steal from other cultures? What about all those movies where Black people were Samurais and shit ? Oh and "Black" Anime is now a thing, but you don't see any fuss cause them Japanese have way more going on in their lives than being pressed over someone using their culture for profit.
That hoe in the podcast was so pressed Made fun of from almost every black person on Twitter the next day.
===
All this aside, like Bruno said, lotta black artists have not been given their due flowers, but that has nothing to do with him He grew up to that shit and his voice is hands down the best voice in pop music we've heard in the last 20 years. We black people should be grateful he's making R&B/funk/soul music and reviving that shit when the radio is literally crowded with shitty ass and monotonous trap music and that cringey ass Bryson Tiller shit i guarantee you wouldnt call me [N word snip - luv4u] to my face...100%... but go ahead enjoy your 10 seconds of internet courage....its all you have. [Edited 3/9/21 6:19am] | |
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if it was just a dream, call me a dreamer 2 | |
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I don't agree with you calling RJOrion (or anyone else for that matter) a '[N word snip - luv4u] (I think even black people should stop using that word personally). Talking about pathetic, that is even more pathetic than calling out Bruno for being a 'culture vulture'... RIP Prince: thank U 4 a funky Time... | |
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RIP Prince: thank U 4 a funky Time... | |
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I just posted the article because I knew this subject would come up after hearing the record. Cultural appropriation typically isn't my debate of choice but there's one telling thing: I've watched a few youtube reviews and I swear it's like Anderson Paak isn't even a part of this record. I saw one where the guy says, "I don't know who Anderson Paak is and the only one I heard singing is Bruno Mars" and I was like dude, I saw you watch the video! What were you looking at? I guess it's a given being that Bruno Mars is one of the most popular artists in the world and people are only here for him, but it doesn't look good for a soul renaissance, unless Bruno Mars is doing it. | |
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Is somebody using Shawny's name? All you others say Hell Yea!! | |
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Leave the Door Open is a masterpiece. Better than most Prince ballads. May be better than Adore. All you others say Hell Yea!! | |
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Ahhh I see what you did there you crafty little minx. Good way to keep the conversation going.
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grrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr All you others say Hell Yea!! | |
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CynicKill said: I just posted the article because I knew this subject would come up after hearing the record. Cultural appropriation typically isn't my debate of choice but there's one telling thing: I've watched a few youtube reviews and I swear it's like Anderson Paak isn't even a part of this record. I saw one where the guy says, "I don't know who Anderson Paak is and the only one I heard singing is Bruno Mars" and I was like dude, I saw you watch the video! What were you looking at? I guess it's a given being that Bruno Mars is one of the most popular artists in the world and people are only here for him, but it doesn't look good for a soul renaissance, unless Bruno Mars is doing it. I thought people got this nonsense out of their system when Bruno won AoTY a few years ago. Why are people seem to make a more concerted effort to target him over this than others who have made disparaging comments about black music like Miley Cyrus, Post Malone and Billie Eilish who have used various elements of black music in their own? | |
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My response to people constantly beating the bone dust of this horse. | |
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I really like "Leave The Door Open." I'm looking forward to the new record. Sorry, it's the Hodgkin's talking. | |
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Ok. Watching Hoda & Jenna. This was featured on their daily Pop along with Bruno's letter to the Grammys requesting to perform. I feel this is going to blowup, in the good way. Time keeps on slipping into the future...
This moment is all there is... | |
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onlyforaminute said: Ok. Watching Hoda & Jenna. This was featured on their daily Pop along with Bruno's letter to the Grammys requesting to perform. I feel this is going to blowup, in the good way. I hope they grant him a slot, he more than makes up for The Weekmd not being there. I'll actually watch the show if not just to see him and Paak. | |
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i wouldnt expect non-blacks to acknowledge or even want to discuss cultural appropriation or the term culture vultures..especially when it is and was the white label execs, managers and distributors that have always made the lions share of the profits that came from the creations of talented black artists.. while the black artists get pennies on the dollar or sometimes nothing at all...so of course alot of black people are gonna be unhappy and very vocal about a system that is set up for them to be pimped off their intellectual properties , and here comes members of the race that has historically oppressed us, now making immense profits off of our art forms by performing black music...art forms that most non blacks mock and ridicule...until they can make some money off of the black arts...then the whites wanna be in charge of and own and control distribution, publishing, and marketing...and they rather put a white face on historically black art forms to try and make even more money for themselves and render the black artist as second rate, second tier, or not necessary at all...the music industry has always benefitted off of white priveledge, white supremacy and outright racism...but it would take extreme humility and honesty for people of European descent to admit or acknowledge these facts... Lyor Cohen (DefJam) and even the Chess brothers (Chess/Cadet) have discussed being gatekeepers of black art forms and how grateful they were to be in that position, and they spoke openly of The Jewish involvement in selling and marketing and distributing black music...even Motown couldnt have gotten when they did without BerryGordy's caucasian right hand man and chief "negotiator", Barney Ales, who was widely reported to be mobbed up...the cultural appropriation, culture vulturism and outright stealing from black artists is historical and still occurs in various ways...some more nuanced than others...but when certain people hear that, they get pissed off and go into defensiveness and denial, instead of acknowledging and celebrating their historical privilege...strange [Edited 3/10/21 13:08pm] | |
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RJOrion said: i wouldnt expect non-blacks to acknowledge or even want to discuss cultural appropriation or the term culture vultures..especially when it is and was the white label execs, managers and distributors that have always made the lions share of the profits that came from the creations of talented black artists.. while the black artists get pennies on the dollar or sometimes nothing at all...so of course alot of black people are gonna be unhappy and very vocal about a system that is set up for them to be pimped off their intellectual properties , and here comes members of the race that has historically oppressed us, now making immense profits off of our art forms by performing black music...art forms that most non blacks mock and ridicule...until they can make some money off of the black arts...then the whites wanna be in charge of and own and control distribution, publishing, and marketing...and they rather put a white face on historically black art forms to try and make even more money for themselves and render the black artist as second rate, second tier, or not necessary at all...the music industry has always benefitted off of white priveledge, white supremacy and outright racism...but it would take extreme humility and honesty for people of European descent to admit or acknowledge these facts... Lyor Cohen (DefJam) and even the Chess brothers (Chess/Cadet) have discussed being gatekeepers of black art forms and how grateful they were to be in that position, and they spoke openly of The Jewish involvement in selling and marketing and distributing black music...even Motown couldnt have gotten when they did without BerryGordy's caucasian right hand man and chief "negotiator", Barney Ales, who was widely reported to be mobbed up...the cultural appropriation, culture vulturism and outright stealing from black artists is historical and still occurs in various ways...some more nuanced than others...but when certain people hear that, they get pissed off and go into defensiveness and denial, instead of acknowledging and celebrating their historical privilege...strange
Don't assume to much about all of us. I'm a black man myself so you're preaching to the choir about the music industry. Bruno benefits from its racist double standards but he's not a party to them and y'all need to stop forcing that narrative.
[Edited 3/10/21 13:08pm] Of all the people to label a culture vulture, you choose the person of color with black ethnic origins who has a genuine enthusiasm for the music who grew up on, creates it with a passion and is successful as well as humble and open about his influences. Don't hate the player, hate the game and direct the energy to the real leeches out there like Miley Cyrus and those who borrow from our music but are even quicker to make ignorant, misinformed comments on it like Post Malone and Billie Eilish. [Edited 3/10/21 13:23pm] | |
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MotownSubdivision said: RJOrion said: i wouldnt expect non-blacks to acknowledge or even want to discuss cultural appropriation or the term culture vultures..especially when it is and was the white label execs, managers and distributors that have always made the lions share of the profits that came from the creations of talented black artists.. while the black artists get pennies on the dollar or sometimes nothing at all...so of course alot of black people are gonna be unhappy and very vocal about a system that is set up for them to be pimped off their intellectual properties , and here comes members of the race that has historically oppressed us, now making immense profits off of our art forms by performing black music...art forms that most non blacks mock and ridicule...until they can make some money off of the black arts...then the whites wanna be in charge of and own and control distribution, publishing, and marketing...and they rather put a white face on historically black art forms to try and make even more money for themselves and render the black artist as second rate, second tier, or not necessary at all...the music industry has always benefitted off of white priveledge, white supremacy and outright racism...but it would take extreme humility and honesty for people of European descent to admit or acknowledge these facts... Lyor Cohen (DefJam) and even the Chess brothers (Chess/Cadet) have discussed being gatekeepers of black art forms and how grateful they were to be in that position, and they spoke openly of The Jewish involvement in selling and marketing and distributing black music...even Motown couldnt have gotten when they did without BerryGordy's caucasian right hand man and chief "negotiator", Barney Ales, who was widely reported to be mobbed up...the cultural appropriation, culture vulturism and outright stealing from black artists is historical and still occurs in various ways...some more nuanced than others...but when certain people hear that, they get pissed off and go into defensiveness and denial, instead of acknowledging and celebrating their historical privilege...strange Don't assume to much about all of us. I'm a black man myself so you're preaching to the choir about the music industry. Bruno benefits from its racist double standards but he's not a party to them and y'all need to stop forcing that narrative.[Edited 3/10/21 13:08pm] Of all the people to label a culture vulture, you choose the person of color with black ethnic origins who has a genuine enthusiasm for the music who grew up on, creates it with a passion and is successful as well as humble and open about his influences. Don't hate the player, hate the game and direct the energy to the real leeches out there like Miley Cyrus and those who borrow from our music but are even quicker to make ignorant, misinformed comments on it like Post Malone and Billie Eilish. [Edited 3/10/21 13:23pm] how is Bruno Mars black?...is his mother black? ..no...is his father black?..no..does he signify as black on the census report, or any other way?..no...no one has ever heard Bruno claim any parts of Africa or African descent...does he get called N words and beaten by cops?...is he African?...no...he's as black as Rachael Dolezal is...at least she admitted to wanting to be black...unlike alot of others...i dont care how olive complexioned he may be, or how many curlers he puts in his hair, Bruno Mars is NOT a black man...but you can claim him if you like.. | |
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and Bruno Mars isnt the only artist i mention in this vein...but the thread has his name on it and is about his project..but yeah theres countless culture vultures: Lyor Cohen Justin Timberlake Jark Harlow Eminem Elvis Presley Vanilla Ice Murray The K (old school) Franki Valli and the Four Seasons Miley Cyrus bad Barbie (?) Iggy Azaelia Harry Casey etc etc etc etc too many to fit em all | |
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RJOrion said: and Bruno Mars isnt the only artist i mention in this vein...but the thread has his name on it and is about his project..but yeah theres countless culture vultures: My point was that you shouldn't be mentioning Bruno in that vein at all.Lyor Cohen Justin Timberlake Jark Harlow Eminem Elvis Presley Vanilla Ice Murray The K (old school) Franki Valli and the Four Seasons Miley Cyrus bad Barbie (?) Iggy Azaelia Harry Casey etc etc etc etc too many to fit em all | |
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Record companies ripped off everybody, no matter what race they were. That's how The Beatles & other songwriters lost their publishing that Michael Jackson could buy in the 1980s. Others like Billy Joel was ripped off by his manager. Concert promoters, record distibuters, club owners, etc. also ripped off acts. James Brown would not perform unless he got paid beforehand. Many businesses are not honest, why should people expect the entertainment business to be an exception? Nike has been known to use sweatshops. If you eat chocolate, there's a chance unpaid slave labor is behind it picking the beans. When there's a hurricane, some stores raise the price of products that have a high demand. You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
Record companies ripped off everybody, no matter what race they were. That's how The Beatles & other songwriters lost their publishing that Michael Jackson could buy in the 1980s. Others like Billy Joel was ripped off by his manager. Concert promoters, record distibuters, club owners, etc. also ripped off acts. James Brown would not perform unless he got paid beforehand. Many businesses are not honest, why should people expect the entertainment business to be an exception? Nike has been known to use sweatshops. If you eat chocolate, there's a chance unpaid slave labor is behind it picking the beans. When there's a hurricane, some stores raise the price of products that have a high demand. | |
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How many non-white or non-black became big mainstream music stars in the USA (or as actors for that matter). Maybe a few of Latino background such as Desi Arnaz, Santana, & Miami Sound Machine. Asians & Native Americans are just about non-existant. There was Sukiyaki by Kyu Sakamoto in the 1960s and Redbone's Come And Get Your Love in the 1970s. Don Ho was often on TV shows during the 1970s, but had 1 or 2 big radio hits. Black performers had more success than other non-white races. How many Arabs had Top 10 hits in the USA? You can take a black guy to Nashville from right out of the cotton fields with bib overalls, and they will call him R&B. You can take a white guy in a pin-stripe suit who’s never seen a cotton field, and they will call him country. ~ O. B. McClinton | |
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MickyDolenz said:
How many non-white or non-black became big mainstream music stars in the USA (or as actors for that matter). Maybe a few of Latino background such as Desi Arnaz, Santana, & Miami Sound Machine. Asians & Native Americans are just about non-existant. There was Sukiyaki by Kyu Sakamoto in the 1960s and Redbone's Come And Get Your Love in the 1970s. Don Ho was often on TV shows during the 1970s, but had 1 or 2 big radio hits. Black performers had more success than other non-white races. How many Arabs had Top 10 hits in the USA? Nobody is saying many white artists didn't have it hard in the music business. Even recognizing the hardships of other minorities doesn't erase the plight of black artists. Just because we broke through doesn't mean that the system wasn't historically and infamously rigged against us and still is to a far lesser and less noticeable degree. [Edited 3/11/21 10:17am] | |
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MotownSubdivision said: MickyDolenz said:
Record companies ripped off everybody, no matter what race they were. That's how The Beatles & other songwriters lost their publishing that Michael Jackson could buy in the 1980s. Others like Billy Joel was ripped off by his manager. Concert promoters, record distibuters, club owners, etc. also ripped off acts. James Brown would not perform unless he got paid beforehand. Many businesses are not honest, why should people expect the entertainment business to be an exception? Nike has been known to use sweatshops. If you eat chocolate, there's a chance unpaid slave labor is behind it picking the beans. When there's a hurricane, some stores raise the price of products that have a high demand. that pretty much sums it up right there...that is the essence of white privilege...a disgusting dichotomy | |
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I find Bruno Mars highly likeable and a great entertainer but his music is incredibly derivative, pretty much by design. I wouldn't include him on a list with Elvis Presley more because at his best Elvis was more forward looking that Bruno has ever been... | |
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